Hi!

For the compiling time, I am surprised that sometimes it takes almost a
minute to compile only 3 pages of music for alto, double bass and piano! The
fastest is 30 seconds. I am using LilyPond 2.11.11 on a MacBook Intel Core
Duo with 512 Mb.

For the interface, the best thing for a text entry based interface is that
the format and the offset you put on the notes and other symbols will stay
the same if you don't change the code in that part of the piece. That is the
most annoying with the WYSIWYG interface of Sibelius. Even the beam format
might change if you add a note in the measure! And I am not talking about
the quality of the font. The stems fall a little besides the notehead and
off the beams. It shows in printing. The Feta font is A LOT better.

But Sibelius is excellent for its intuitive interface. The entering of most
notes and symbols and, most important, the change of position of the symbols
is far more easy to do than in LilyPond. For example, entering  tempo
indications and text spanners in Sibelius is a piece of cake, while working
with LilyPond needs good programming skills to do the same, especially if
you want it at the place you want it. Thanks to LilyPondTool, moving some
symbols (but unfortunately not all) are a little easier.

But a GUI interface would be great to see immediately the changes of
position of some symbols on the score. This topic had been already discussed
in an article on LilyPond by Han-Wenn. LilyPondTool does that partially for
some symbols, but not for everything.

I am not a programmer. I can't start to program myself to make an interface.
But I may suggest some clues for design. It may be possible to have the best
of both worlds : text and graphic inputs. Remember WordPerfect? One of the
reasons for its success in the 80/90s was the option to enter relatively
WYSIWIGly the text (remember the different colors to say Bold or Italic,
brrr!) but to be able to SEE the code underneath the format and change it.
Maybe it would be a way to design an interface for LilyPond : to be able to
enter code by GUI or text.

Also, if ever a team want to start to work on this thing,  I suggest to look
at Berlioz, an almost unknown notation program designed solely for
engraving. Here is the site :

www.berlioz.tm.fr (only in French)

The font is not as inviting as LilyPond (but it is nicely lighter in some
ways), but the quality of the layout of notes and the design of slurs is
amazing. The way it is designed make it possible to do everything you want
without much tweaking and unorthodox ways to bypass the program standards.
It is divided in three procedures. The last procedure is almost like an SVG
editor where you can move and place everything you want. But one problem
about this program is its price : over 600 euros!!

If a parallel team could work for an interface which would use the code of
Lilypond for engraving but would be easy for a non-programmer to use, many
more people would gain interest to it. The text entry alone is allright, but
gets very complicated when you want to use all the possibilities of LilyPond
to do elaborate scores. I would have give up if it wasn't for LilyPondTool
to remind me of the format of the tweaks.

That are my big two cents.

Regards,

Frederic Chiasson
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