Actually, it didn't take me long to test it. It's spot on. Thanks!
Will let you know when I upload it into its repo.
On Wed, Sep 5, 2018 at 4:18 PM Edmundo Carmona Antoranz
wrote:
>
> Thanks for your feedback. Let me give it a try and will let you know
> how it went.
> On
Thanks for your feedback. Let me give it a try and will let you know
how it went.
On Wed, Sep 5, 2018 at 12:01 AM Andrew Bernard wrote:
>
> Hi Aaron,
>
> My thoughts exactly.
>
> Andrew
>
>
> On Wed, 5 Sep 2018 at 15:55, Aaron Hill wrote:
>>
>>
>> It is not a cadenza, per se, but rather an omissi
Hi!
I'm translating Carmen Fantasy by Francois Borne into Lilypond.
I'm writing the score with flute/piano parts and when reaching 2 bars
before Moderato, the flute part has what I think is a cadenza while
the piano part has perfect measures to complete it (rest with
fermata). I tried writing the
On Wed, Mar 7, 2018 at 7:26 PM, Simon Albrecht wrote:
> Rules that have evolved in the course of the 19th and 20th century and are
> certainly alien to the 18th.
I understand that the rules had changed over time and that back then
it was fine to do it that way.
> If you’re trying to turn this in
On Wed, Mar 7, 2018 at 7:01 PM, Simon Albrecht wrote:
> There is no reason whatsoever for any fancy words. It’s just a dotted note
> with the dot written at the rhythmic position where it actually happens.
> I’ve never seen any realisation of this in LilyPond – would be good to have
> an LSR snipp
Hi!
You know the chaconne from BWV 1004, right? On the bar before last,
there's an apparent dot written at the position of the f at the
opening of the bar. I didn't know if it was a staccato mark or other
kind of expressive mark for the violin or a mistake but I also found
it on Anna Magdalena' Ba
1030 Flute Sonata B minor/1-andante-flute.ly
@@ -1,4 +1,4 @@
-% Sonata for Flute and Harpsichord BWV 1030 in B minor I Andante
+% Sonata for Flute and Haprsichord BWV 1030 in B minor I Andante
%{
Copyright 2017 Edmundo Carmona Antoranz. Released under CC 4.0 by-sa
@@ -47,23 +47,23 @@
% 11
On Sun, Feb 11, 2018 at 12:03 PM, Mark Stephen Mrotek
wrote:
> Edmundo,
>
> Did the B minor for my senior recital! Bravo.
> Note, I compile Andante, time and key signature should be moved to after
> \relative c', i.e., within the {}.
> Consider using R1 for the full measure rests. It centers t
Hi!
As you might have noticed from previous mails I have sent, I'm working
on a project to process works from Bach on lilypond.
I have already put up BWV 1013 and 1030 (I dare you to guess the
instrument that I play). However, each one of them has many different
editions. Right now I have set up
On Thu, Jan 25, 2018 at 5:08 PM, Simon Albrecht wrote:
> Glad I could help.
>
> Please keep communication on-list whenever possible, so others may chime in
> or see results or whether the question is sufficiently answered.
>
> Best, Simon
>
Oh, sorry you are right. Clicked on "reply" instead
Hi!
Suppose you were transcribing Bach's flute partita BWV 1013 from
manuscript. On the Bourree, on bar 48 there's a note that was
corrected on the manuscript but, if you ask me, it's kind of difficult
to see what Bach's final intent was. Was it a F that got corrected to
G or viceversa? So if
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