Re: Musicalion

d sell the composition (arrangement) yourself and I think you'll have your answer. All the best, Christian Stephan Schöll schrieb am Mo., 6. März 2023, 18:27: > The business model Jean quoted looks like making money with subscriptions > with the publication of scores that are otherwise fre

Re: German notation

As a trombone player myself: yes, bass clef in anything else than concert pitch is weird... to us. But it's pretty common with bass clarinet (bass clef in b/flat or in a) and low horn parts (bass clef in f). Best regards, Christian Wol schrieb am So., 29. Jän. 2023, 18:21: > On 29/01

Choir-Parts - working with \tag#' - Mulitmeasure Rests not printed

27;t print solists' parts, but choir parts without multi measure rests I do not see the problem - I tried all combinations. Maybe it's about formal logic... Thanks in advance, cheers, Christian Here's the minimal example - yes, it's really the minimum i

Re: Feature request: Fix cascading error messages

?) Error(s): " ~Christian Am Di., 29. März 2022 um 08:53 Uhr schrieb Jean Abou Samra < j...@abou-samra.fr>: > Le 29/03/2022 à 08:46, Martín Rincón Botero a écrit : > > +1. I think making it customizable (with a --cascade-level parameter) > > wouldn't add much value considerin

Re: Setting relative pitch as a global declaration?

cond version only at the one point in the beginning of the document. Hope this helps, Christian PS: I really recommend you to work through the notation manual systematically even though you may not need most of it right now. Am Do., 10. Feb. 2022 um 00:18 Uhr schrieb Alasdair McAndrew < amc...@gmail.

Re: 5/16 of 4/4 as a partial? How?

Hi Kenneth! You might just wanna try: \partial 16*5 All the best, Christian Am Mo., 20. Dez. 2021 um 21:22 Uhr schrieb Kenneth Wolcott < kennethwolc...@gmail.com>: > Hi; > > I'm engraving a piece in 4/4 which has a partial of one sixteenth > note, followed by a do

Fwd: How to merge three voices

tHandUpper = \relative { \voiceOne gf'4._~ gf4 f16 ef ~ | \voiceTwo ef4. } rightHandLower = \relative { \voiceOne s2. bf'4. } rightHand = << \global \new Voice { \rightHandUpper } \new Voice { \rightHandLower } >> All the best, Christian Am Di., 19. Okt. 2021 um

Re: Time signatures for all parts

t was not that clear in the beginning - so I assumed it may help. Looks like the opposite happend - classic example of too much information. :) All the best, Christian >

Re: Time signatures for all parts

special bar lines there to have them consistent across all parts. When doing the score you then only need to use the \changes-variable with one instrument and it will work on all. Bonus: bar checks work too! All the best Christian Am Di., 12. Okt. 2021 um 16:09 Uhr schrieb Erika Pirnes

Re: Enharmonically override key signature

s elegant as having it automated, but it worked for me at the few occasions, where I had that problem. You only need to be cautious about using \global without a \keepWithTag, but Lilypond will give you a warning about colliding key signatures then. All the best Christian Am Di., 30. März 2021

Re: next issue with renaissance guitar tablature - lines representing sustained notes

ed by my study-of-notation-professor at university to make us familiar with tablature as it covers most things on relatively few pages.) All the best Christian Am Sa., 27. März 2021 um 14:51 Uhr schrieb bart deruyter < bart.deruy...@gmail.com>: > Hello, > > this community continues

Re: Suggestion: Use non powers of 2 for tuplets

ssarily lead to one way being worse than the other. (And yes, "c2.5" doesn't make sense at all, even though it would be a mathematically well defined length.) Anyway, that's more than I ever wanted to say on this topic. Hope you all have a nice weekend! All the best Christian

Re: Suggestion: Use non powers of 2 for tuplets

but this is something I highly doubt. And after all: If the user doesn't like the way the notes are rendered, there's always the possibility to use the conventional methods of \times and \tuplet. Hope this helps to convey my 2 cents a little bit clearer. :) All the best Christian Am Fr.

Re: Suggestion: Use non powers of 2 for tuplets

n writing "5/4" and adding the relation that "the new quarter note equals a quarter triplet of the bar before" and vice versa after a single bar of music. Things like these should be easy in Lilypond, considering it's sheer flexibility and hackability. And if I were a composer

Re: changing rhythmic representation to align 8ths with 4ths

ther down. http://lilypond.org/doc/v2.22/Documentation/notation/displaying-rhythms#polymetric-notation All the best Christian Am Di., 23. März 2021 um 11:04 Uhr schrieb Lukas-Fabian Moser : > > > But in fact, I think one does not need to shift the Timing_translator > > to the staff context at

Re: lilypond-user Digest, Vol 220, Issue 40

rokes it's probably Linux-only. All the best Christian Kieren MacMillan schrieb am So., 14. März 2021, 19:24: > Hi Peter, > > > How do you manage enharmonics? Is the black key between C and D a C > sharp or D flat? Unless the music is completely tonal, I'd have thought

Re: Strange behaviour of chord names?

Ah, that explains it. Thank you very much, Aaron! Am Sa., 13. März 2021 um 16:02 Uhr schrieb Aaron Hill < lilyp...@hillvisions.com>: > On 2021-03-13 6:11 am, Christian Masser wrote: > > [...] > > mySoloChordsA = \chords { > > c1 f g c > > } > > [..

Strange behaviour of chord names?

rests/skips directly to the chords or not. Has anyone of you an idea why Lilypond prints the chords below the staff in the first example and above the staff in the other one? I did a quick search but couldn't find an explanation that convinced me. All the best, Christian \version &q

Re: Nested transposition

e { c'4 d e f g a b c \transpose cs df \relative {cs' ds es fs gs as bs cs} } } All the best, Christian Am Fr., 12. März 2021 um 11:35 Uhr schrieb Peter Toye : > I am trying to engrave a transposed song. It's written without key > signature but is very tonal. It starts

Re: Problems adding voice with rests

~ 4 b,8) | } \score { \new Staff { \time 12/8 \clef "bass" \partCombine \up \down } } All the best Christian Am Mo., 15. Feb. 2021 um 18:18 Uhr schrieb Peter Toye : > Kieran, Christian, > > There's something we all missed: the tie on the final bass note. Here's > th

Re: Problems adding voice with rests

>> } } \score { \new Staff { \time 12/8 \clef "bass" << \partCombine \upperPart \lowerPart >> } } All the best Christian Am Mo., 15. Feb. 2021 um 18:18 Uhr schrieb Peter Toye : > Kieran, Christian, > > There's something we all missed: the

Re: Problems adding voice with rests

Edit: I forgot the \hide Stem command , but it also works with e,2.~ \hide Stem 4.~ 4 \revert Voice.Stem.transparent s8 | instead of e,2.~ 4.~ 4 s8 | All the best Christian Am Mo., 15. Feb. 2021 um 16:56 Uhr schrieb Christian Masser < christian.mas...@gmail.com>: > Hi Peter! >

Re: Problems adding voice with rests

lative { e,2.~ 4.~ 4 s8 | f'4.\rest } >> this interestingly also seems to solve the other problem. All the best Christian Am Mo., 15. Feb. 2021 um 16:28 Uhr schrieb Peter Toye : > I'm trying to set this piece of slightly strange voice writing (see > attachm

Re: Error : Lilypond version 2.19.55 Error invoked

t you know! All the best Christian Am Fr., 12. Feb. 2021 um 21:03 Uhr schrieb Jean Abou Samra < j...@abou-samra.fr>: > > Le 12/02/2021 à 17:05, Christian Masser a écrit : > > Hi Jean! > > > > I got a similar error two days ago with a pretty basic file, nothing > &g

Re: Error : Lilypond version 2.19.55 Error invoked

quot; on arch linux) the error went away. Would backtracing it still help you in any way? All the best Christian Am Do., 11. Feb. 2021 um 15:07 Uhr schrieb Jean Abou Samra < j...@abou-samra.fr>: > > Le 11/02/2021 à 14:11, Miguel Abrams a écrit : > > Dear community: > > I

Re: header material too close to staff

Thank you for that cheat sheet! Is this part of the official documentation or your own work? All the best Christian Noeck schrieb am Mo., 1. Feb. 2021, 23:46: > Hi David, > > you are looking for markup-system-spacing: > > \paper { > markup-system-spacing.ba

Re: A comment about the documentation

try at participating. All the best Christian Am Fr., 1. Jan. 2021 um 18:19 Uhr schrieb David Nalesnik < david.nales...@gmail.com>: > Hi Peter, > > On Fri, Jan 1, 2021 at 10:46 AM Peter Toye wrote: > >> Carl, >> > > >> [...] >> > > >> I hate

Re: A comment about the documentation

Hi Peter! It seems to be defined here: https://github.com/lilypond/lilypond/blob/master/scm/music-functions.scm#L2036 All the best and a happy new year, Christian Am Fr., 1. Jan. 2021 um 13:29 Uhr schrieb Peter Toye : > It seems that I'm probably going to be doing more engraving a

Re: More than 16 MIDI instruments

f the instruments and merge them back where you want to continue working with them. (Kind of like stem export in a DAW.) All the best Christian ebenezer schrieb am Mi., 30. Dez. 2020, 10:40: > Hi everyone, > I'm creating my first Lilypond score, an arrangement of A Te O Cara. > I am using F

Re: I ought to have a bar line here...

Aaron Hill schrieb am So., 25. Okt. 2020, 04:38 > You have to use a special bar line type when it breaks across a line: > > > \version "2.20.0" > \paper { indent = 0 line-width = 3\cm ragged-right = ##f } > > \markup \bold \typewriter "\".|:-||\"" > { R1 \bar ".|:-||" \break R1 } > Out of p

Re: good practices regarding page breaks -- full score and parts

score { \new Staff {<< \music \breakVoice >> } } Best regards Christian Am Do., 15. Okt. 2020 um 14:20 Uhr schrieb Leszek Wroński : > Dear Experts, > > I would like to compile a full score and parts based on one file > containing musical definitions. I w

Re: Free rhythm in part of a bar

th of the material inside. All the best Christian Am Fr., 12. Juni 2020 um 16:34 Uhr schrieb Peter Toye : > I need to have part only of a bar notated with free rhythm. Also other > staves need to be synchronised. I've tried using \cadenzaOn but then I get > a barcheck problem and the

Re: horziontal spacing in chants

Hi Pierre, this is even better! Thank you very, very much! Somehow this snippet had escaped my research. All the best Christian Am Fr., 8. Mai 2020 um 14:27 Uhr schrieb Pierre Perol-Schneider < pierre.schneider.pa...@gmail.com>: > Hi Christian, > See also: http://lsr.di.unimi.it

Re: horziontal spacing in chants

Thank you very much! That was exactly, what I was looking for! As I've only got one chant to transcribe, the time it takes to tweak every single melisma is no problem. :) All the best Christian Am Do., 7. Mai 2020 um 21:39 Uhr schrieb Valentin Villenave < valen...@villenave.net>:

horziontal spacing in chants

Stem \hide Beam \hide BarLine \hide TupletNumber } } } Is it possible to get the note heads even closer together, so that they are kind of glued together? Probably someone did this before but I wasn't able to find it yet. All the best Christian Masser

Re: Remote Ensemble Playing

hestral playing. The fewest musicians playing in orchestras do studio recordings where they get to play to click regularly. Christian Urs Liska schrieb am Mi., 1. Apr. 2020, 11:43: > Am Mittwoch, den 01.04.2020, 11:33 +0200 schrieb Christian Masser: > > Hi! > > I think whether it

Re: Remote Ensemble Playing

e click. But this is all probably very subjective to my own musical approach. All the best Christian PS: Sorry Gianmaria, I accidentally answered to you directly without posting to the list. Gianmaria Lari schrieb am Mi., 1. Apr. 2020, 11:13: > Ciao Urs! > > On Wed, 1 Apr 2020 a

Re: Blackend ligatures in mensural notation

Just found another way: \once \override NoteHead.style = #'blackpetrucci g\breve*3/4 This colors the note even in flexa-style ligatures. Though it is still a workaround it's at least compatible with clef changes. Am Mi., 6. Nov. 2019 um 21:21 Uhr schrieb : > Christian: > > I

Re: Blackend ligatures in mensural notation

Thank you, Karl! I kind of like this workaround... feels a little bit like good old handwriting. Best regards Christian Am Mi., 6. Nov. 2019 um 21:21 Uhr schrieb : > Christian: > > I was wondering if it is possible to blacken single notes in ligatures in > > white mensural notati

Blackend ligatures in mensural notation

as much as stated in the second example. \version "2.18.2" \new MensuralVoice \relative c' { \time 2/2 \[ e1 f g\breve a \] g4 f } \new Voice \relative c' { \time 2/2 \hide Staff.BarLine \[ e1 f g\breve a1. \] g4 f } Best regards Christian

Re: Custom tabulature for Shamisen

Dear Harm, I love you. This works exactly like I want it to. I don't fully understand it (yet) but as I will use LilyPond more in the future I guess the wisdom of your programming skills shall enlighten my current ignorance. Thank you again, Christian Am 02.01.19 um 00:32 schrieb T

Re: Custom tabulature for Shamisen

Hello Thomas, thank you for your efforts! Judging from my 2-day experience with LilyPond, that looks promising. I'll try it out and let you know :) Have a great start into 2019, Christian Am 02.01.19 um 00:32 schrieb Thomas Morley: > Am Di., 1. Jan. 2019 um 18:04 Uhr schrieb Christian

Custom tabulature for Shamisen

nt up from 1 - 12 for every octave but numbers the consecutive tones like this: [0,1,2,3,#,4,5,6,7,8,9,b,10,11,12,13,1#,14,15,16,17,18]. Is there a way to use this list instead of just counting up from 1 - n on a tabulature? Thank you for your help, Chri

mkvideo, sync to recorded audio

ws or remembers, a link to this guide. Can anyone help me with this? Thanks a lot, Christian ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Video generation on linux systems: Note and rests change color

That solved the problem for me. I changed the usleep 250 to sleep 0.000250 in mkvideo. Now the short video_mwe.ly goes pretty fast. My own first project takes a little longer, for example while "bursting pdf...", but with 200 pages i think that's o.k. For the cpu load shows 100% instead of befo

Re: Video generation on linux systems: Note and rests change color

takes about 1 hour... I am wondering if this has to be, cause with the prior version without coloured notes, the whole video took no longer than 4-5 Minutes. Do you have any idea? Thanks again! Am 06.11.2017 um 11:29 schrieb Knut Petersen: Am 05.11.2017 um 10:41 schrieb Christian Alpen: Hi,

Re: Video generation on linux systems: Note and rests change color

   % color to use +    % Is that right? And do I have to activate the color-change somewhere? Or is there maybe something else wrong? Thanks a lot! Am 04.11.2017 um 22:55 schrieb Karlin High: On 11/4/2017 2:25 PM, christian wrote: I have a question concerning patching scm and ps

Re: Video generation on linux systems: Note and rests change color

Hi everybody, and thanks a lot for this nice work! I have a question concerning the patching of the scm and ps files: Can anyone tell me where to find them? I'm not that firm with all this and couldn't find them after searching quite a while... :-( Thanks a lot! Christian --

Re: Video generation on linux systems: Note and rests change color

the patch command? I get an error message "unknown command" I'm using debian 9.2.1 32 bit in Virtual Box 5.2.0 Thanks a lot! Christian -- Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html ___ lilypond-user mailing list li

lilyvim

package from them. But all of the mail addresses I tried failed. Does anyone of you happen to have this package or would you be so kind to send me a working mail address of Heikki or Aaron? Thanks in advance Christian ___ lilypond-user mailing

background colour

Hi all, I am trying to make a reverted score (white music on black background). The first part works, the second doesn't. Does anybody know how to make the background black? #(define (override-color-for-all-grobs color) (lambda (context) (let loop ((x all-grob-descriptions)) (if (n

Double time signature

Hi all, Does anybody know how to get a double time signature? If have tried looking for it in the manuala and LSR, but all they provide me with is a coupound signature. Gr. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mai

Poly rithm

Hi all, I can't seem to get the poly-rhytm to display properly... flute = \relative c'' { \global \repeat volta 2 { g'4.^"Inzet bij couplet 4" e | fis d | e c | d b | } \time 2/4 a8 d fis e | d4. d8 | e8 d e fis | \time 3/4 \tuplet 3/2 { g fis e } d [c] b [g] | \time 2/4 a b c e | g2\f

SVG export problem

Hello all, I've had a problem I can't figure out. When I export an SVG from Lilypond, and try to import it to Libreoffice or Scribus, it's blank. Breaking it down, it works like this: - The problem occurs whether I create the Lilypond SVG from Frescobaldi, or from the command line. - Th

Header fonts in style sheet

Hi all, Currently I am working on a style sheet for my future lilypond projects. I was wondering how to define a font for e.g. title, composer and so on. I have tried to make a header context within the \layout{}, but this doesn't seem to work. Any ideas? Gr. Chri

Re: Lilypond and Vim

est that you start out with the complete vim configuration that is included in the Lilypond source-distribution, and perhaps make changes to that. Who knows, your updates may even turn out worth sharing! /Christian ___ lilypond-user mailing list lilyp

Re: frescobaldi on mac

On Fri, Aug 16, 2013 at 10:45 AM, David Kastrup wrote: > Derek writes: > > > Believe me if I were a programmer I would and I am sure many are in > > the same boat. > > The boat of the passive-aggressive passenger? There are a number of > recipes around which are apparently working only sometime

Re: frescobaldi on mac

ossible at the moment. Of course it is easier to do this in, e.g., a Linux platform, but I just can't imagine that it would be that impossible for Macs as is suggested by all these howtos, neither of which seems to work for everybody. Kind reg

Re: Notepad++, lilypond-words.el, etc.

age (vim), these configurations may or may not be a source of inspiration. Cheers /Christian ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: LilyBin on GitHub

On Tue, May 28, 2013 at 8:37 AM, Trevor wrote: > I finally got around to throwing the code for LilyBin up on GitHub: > https://github.com/trevordixon/LilyBin. > > I want to rewrite it soon, mostly to improve the front-end, but I think > I'll also rewrite the server in Go. If you're good at javasc

Tie between voices

How can I make a tie go from the half note d in the lower part to the quarter d in the upper part? rightOne = \relative c'' { b4 a | } rightTwo = \relative c' { 2 b | } ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org

Tie direction within a chord

I would like to adjust the tie direction within a chord. How can I do that, I have tried the following. <\tieUp ais,~ \tieDown fis'~>2 2 | This doesn't work. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo

different fonts in composer name

I am trying to use 2 different fonts for the composter name. But lilypond doesn't show it the way I would like it to. composer = \markup \override #'(font-name . "Plantin MT Std Italic") { Muziek: } %\markup \override #'(font-name . "Plantin MT Std") { John Goss (1800 - 1880) } _

font

Hi all, I am trying to have a text in the plantin font and bold and italic at the same time. How can I achieve this? I have tried this with \override LyricText #'font-name = #"Plantin MT Std" But than I cannot make it bold and italic. ___ lilypond-us

AW: Lilypond-book on Windows 2.16.1

Dear Phil, Back from holiday I tested it on Windows 8 Pro (32bit). It works fine. Thanks a lot! Chris -Ursprüngliche Nachricht- Von: Phil Holmes [mailto:em...@philholmes.net] Gesendet: Freitag, 4. Januar 2013 16:12 An: LilyPond User Group Cc: Per Sennels; Chris; Olivier Biot Betreff: Lily

header on every page but the first one

Hi all, How can I add a header on every page (centred) but not on the first page. Also, how can I referr to the title set in the \header? Greatings ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-us

Re: Source management tools for lilypond projects

quite difficult to consume. One of the better books in this regard, which I'd like to recommend, is "Pragmatic Version Control Using Git" by Travis Swicegood (2008). Now, sit down and await all flames from proponents of all the other tools! Bazaar anyone? Or Subversion, CVS

output to .png file

How can I make a .png file of mij lilypond score? ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

How to extend ties and slurs across branches

I have a problem which has frustrated me for weeks, and I've failed in all attempts to find any documentation or discussion on this topic. What would be suggested as the right way to express tones or phrases that extend across natural branches of a score, like repeats (possibly with alternatives) o

Re: how to make a songbook

The solution is simple: use vector graphics. Added bonus: with an svg, you can tweak the details (spacing, etc.) in Inkscape, really easily. I do that, then save as an eps, and then put it into Scribus. It's a few steps, to be sure, but I love the results. Chris McConnell Message: 4 Date: Mo

Re: Difference Between \lyricsto and associatedVoice With Melody Rhythm

Hello, Thanks for all you input. That the different 'nesting' with \lyricsto achieves a correct result is good to know, unfortunately time constraints forced me to go the hard way to get the score ready in time ;-) Thanks to you all and Cheers,

Re: Difference Between \lyricsto and associatedVoice With Melody Rhythm

Hello, Please ignore my previous post. It seems that without \lyricsto, I'm stuck to entering the lyrics' durations manually. *Sigh* :-) Cheers, Christian ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailma

Difference Between \lyricsto and associatedVoice With Melody Rhythm

A, B and C are printed below the first note, over each other. D is printed below the second note. This does not happen if only quarter notes are used in the melody. \lyricsto works fine, but for reasons pointed out earlier, does not correctly allow the melody e1 f1 to continue after the lyrics. Th

Re: Voice Context Continuing After Lyrics Were Added and Ended

Dear Eluze, -Eluze gmail.com> writes: > [...] > use associatedVoice instead of \lyricsto > [...] Thanks a lot, this saved me a lot of headache! Cheers, Christian ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu

Voice Context Continuing After Lyrics Were Added and Ended

t;melody" { b'1 } \new Lyrics \lyricsto "melody" { Ahh } >> \context Voice = "melody" { c'1 d1 } } Instead of c'

swing indicator in score

How can I put a visual swing indicator (2 8th = 4 8 triplet) into my score? ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Lilypond errors in log file

Thank you, yes, I did find the mismatched <<, and was able to compile the file. (It was produced by the Musescore software). I have since started over and am teaching myself lilypond now, and I'm finding it exceedingly easy. I do have a bit of a programming background though, so I tend to like t

Re: Lilypond errors in log file

Thank you so much - that is exactly what I needed! On Fri, Jul 22, 2011 at 11:12 PM, Bill Mooney wrote: > Hi Sarah, > There appears to be a mismatched << immediately after the \score { at line > 136. > Commenting it out lets your file compile - whether the result is what you > want, I don't know

Re: \key Moves \chords Below Staff

inues here >           a1 c >         } >         \new ChordNames \with { >           alignAboveContext = "main" >         } { >           \chordmode { >             a1 c >           } >         } >       >> >       % no more chords >       % staff continues >       c1 a >

Re: \key Moves \chords Below Staff

his what you mean? Yes, but there is really a lot of stuff going on before the couple of bars with chords, and I would have to adjust the number of skipped bars each time something changed. Is there perhaps a way to tell the new chords context to be placed above alread existent ones? Cheers,

Re: \key Moves \chords Below Staff

} I see. So \key implicitly creates the Staff context before the ChordNames context, which is why they appear below the staff. My problem is that a lot of things are going on before I need a few bars with added chord names. What would be the recommended way to add these 'in the middle of thi

\key Moves \chords Below Staff

, the chords are shown above the staff. With \key, they are shown below the staff. I know from other threads that putting \key into a seperate block, which encloses the melody, solves the problem, but I don't understand why. Any help would be appreciated. Thanks for you

markup problem solved

I figured out my problem: I was including gregorian.ly. It's not a chant piece, but I wanted to include gregorian.ly so I could use the \divisioMinima for tick marks. As soon as I took that out, it worked right. Chris___ lilypond-user mailing list li

markup and note spacing

Hello everyone, I've been running into a problem, and I can't seem to figure it out. When I add a text markup to one note, the next note is automatically spaced to the right, to the end of the markup. It's like \textLengthOn is on by default, and inserting \textLengthOff doesn't seem to help.

Can't get the layout right

r block bottom-margin = 10\cm ragged-bottom=##f ragged-last-bottom=##f system-count = 3 indent = 5 % don't indent first system I want alle the systems to vertically align tot the top, but the two pages act differently. Wat settings do I need? Gr. Christian __

Multiple headers/titles in one document

Is it possible to have multiple titles/headers in one single document? ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

inivisble barlines

Hi, How do I make all the barlines invisible, except the final one? Just disable the barline_engraver? Gr. Christian ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

splitting measures in half.... or so

Hi, I am working on a renaissance-piece and want to split measures across systems. Is this possible without disarranging the measure numbers? Gr. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Courtesy accidentals

Hi all! I was wondering how I cann enter courtesy accidentals in Lilypond. I want to put an natural between brackets. Any idea? ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Frescobaldi on GNOME

--- Hello, I'd like to try Frescobaldi into a GNOME environment, i.e. without switching to KDE; is this possible at all? I guess a bunch of libraries will need to be installed, but only if they are not excessive I'd like to give it a try. It would be fine to hear from experi

Distance between systems/staves

Hello, I am working on a piece containing multiple scores in one file, like this: \score { [music] } \score { [some more music] } How can I increase the distance between the staves of the different scores? Greatings! ___ lilypond-user mai

chordname suffixes not superscript?

Hello everyone, I've been a lurker, and I'm still something of a newbie, but I'm enjoying using Lilypond and I appreciate the help this list has been. My question is this: is there a way to set chordnames so that the chord suffix, no matter what it is, is not superscript? In other words, can I

Spacing issues

I am encountering some spacing issues with a piece I angraved with lilypond. How can I ajust (1) the number of measures on a system, the (2) with of an individual measure. And how can I (3) place whole-measure rests in the middle of the measure? ___

Pitch_squash_engraver

Hi there, quick question since I cannot find anything in the documentation. Is there a way to have a note head struck out? Meaning the the chord is strum but only with muted strings. Thanks, Christian ___ lilypond-user mailing list lilypond-user

Re: Lilypond - chord progression

ave read the manuals as suggested but I haven't found a reference to your "g8 s2". What does the "s2" part? Also, thanks for the template you provided me with. I'll happily use it as a template for my next project. Regards, Christian ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Lilypond - chord progression

6 g g g g8. g16 g16 g g8~g16 g g g g4 g4 g8. g16 g8 g~g16 g g g g8 g g8. g16 g16 g16 g8 g4 g4 g8. g16 g8 g~g16 g g g g4 g8. g16 g8 g~g16 g g g g8 g8 g8. g16 g g g g g g g g g8 g8 g8. g16 g g g g g g g g } >> Christian __

Re: Lilypond - chord progression

Hi all, thanks for the replies. I could fix all of my problems. I'm using multipliers now which I find easier to use and to read. Thanks to Brett Duncan. This now finishes my first project using lilypond. I like it and will continue using it. Great stuff! Christian On Wed, Sep 2, 2009 at

Re: chord durations

Unplugged-New-York-Guitar-School/dp/0793544130/ref=sr_1_3?ie=UTF8&s=books&qid=1251991185&sr=8-3 You can look inside here to see what I'm talking about. QQ, do you think lilypond can produce that? Regards, Christian On Thu, Sep 3, 2009 at 10:38 AM, Tim McNamara wrote: > >

Re: Lilypond - chord progression

g4 g8. g16 g8 g~g16 g g g g8 g8 g8. g16 g16 g16 g8 g4 g4 g8. g16 g8 g~g16 g g g g4 g8. g16 g8 g~g16 g g g } >> I added the duration for the two c:m but the second c:m is still not showing. Mhmm, weird. Christian

Lilypond - chord progression

putting down what the guitar is tuned too? Also, not necessary for this piece, but how can I state where to put a capo? Thanks again everyone who helped me out so far, Christian ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

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