On 24/05/16 16:13, Remy CLAVERIE wrote:
Charles,
Could you tell us where this piece come from ?
Thanks a lot !
Certainly - it's a lower part i've added to Saint-Saens' /Ave Maria
/http://imslp.org/wiki/File:PMLP89457-Saint-Sa%C3%ABns_-_Ave_Maria_in_A_%281860%29.pdf/
/You've made me and the
On 24/05/16 16:04, tisimst wrote:
How about this for the last three lines of notes:
%%
d2 cis4 cis4 b2 ( a2 gis2 a4 ) a'4
fis8 ( gis a gis fis gis ) a4
e1 a,4 r2. r1 r1 r1 r1 r1
%%
Thanks, i'll give that a try
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On 24/05/16 16:01, Remy CLAVERIE wrote:
Like that :
Exactly! Thanks so much. I thought it could be done simply without some
of the complexities suggested in the docs on melismas
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Just can't seem to get the end of this right. 'mortis' should fill the
final group of quavers, with the 'tis' being on the crotchet. The 'ra'
of 'hora' should fall on the high A crotchet preceding those quavers and
'nostrae' should take care of the last two notes.
TIA. I'd love to give the men
I've pored through the manual and can't seem to see any way of getting a
vocal tenor clef. That is, a regular G clef with an extra '8 curl' to
distinguish it from the treble clef. Any ideas?
TIA
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ht
o counter-intuitive to
believe in ;)
Kind regards,
Charles Johnson
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Is it just me or are there often instances where bar number 'comments'
are misnumbered in input files? Is this perhaps a tool autogeneration
problem
Kind regards,
Charles Johnson
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On 05/02/15 19:05, Brian Barker wrote:
> You *have* missed the point here, I think. It is indeed not obvious
> what may affect what, so someone will have to experiment, removing
> details piecemeal until just before the problem disappears. The idea
> of minimal examples is that if you are not prepa
On 05/02/15 13:46, Phil Holmes wrote:
> I'm not convinced you read the link about tiny examples that I sent
Well i thought it was not /that/ long ;) plus i'm not experienced enough
to know that some markup can't have crucial side effects.
Thanks - i'll check the thing on stanzas
CJ
_
On 05/02/15 13:35, Ali Cuota wrote:
> Hi,
>
> Why not Al -- le -- _ lu -- ia in spite of Al -- le -- e -- lu -- ia?
> Is this notation from Schein?
>
> Franck
Not quite sure what you're getting at there. Would a literal underscore
appear in the score? If so - why would you want one? ;)
_
On 05/02/15 10:43, Phil Holmes wrote:
> Most people, I think, prefer code inline where this is possible. If
> not, attachments are OK.
Phil,
The following illustrates the syllable thing, but the slightly bigger
problem is reproduction of the verse numbers is slightly out of whack.
Is there a re
ng up properly ...
I'll post (links to?) the files later. btw what is best practice in this
user group about including files in posts? Just source code? Links..?
Kind regards,
Charles Johnson
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Can i take it that sometimes lyric syllables notated thus:
foo -- bar
are sometimes ignored if there is insufficient space to render them?
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