On 05/02/15 10:43, Phil Holmes wrote:
> Most people, I think, prefer code inline where this is possible. If
> not, attachments are OK.
Phil,
The following illustrates the syllable thing, but the slightly bigger
problem is reproduction of the verse numbers is slightly out of whack.
Is there a remedy for this? I have to say that i have simplified the
original round-tripping of the various import-exports that went on.
\version "2.18.2"
% automatically converted by musicxml2ly from s-1.xml
\header {
poet = "One-in-a-bar"
encodingsoftware = "PDFtoMusic Pro v1.5.0 Build 14482 (c) Myriad -
http://www.myriad-online.com";
composer = Schein
title = "Surrexit Christus"
}
#(set-global-staff-size 19.1113832445)
\paper {
paper-width = 20.99\cm
paper-height = 29.7\cm
top-margin = 1.0\cm
bottom-margin = 1.0\cm
left-margin = 1.0\cm
right-margin = 1.0\cm
}
\layout {
\context { \Score
autoBeaming = ##f
}
}
Soprano = \relative e' {
\clef "treble" \stopStaff \override Staff.StaffSymbol #'line-count =
#5 \startStaff \key g \major \time 3/4
% \break e4 s2 | % 2
\partial 4 e4 |
g2 g4 | % 3
b2 g4 | % 4
\time 2/4 g2 ( | % 5
fis2 ) | % 6
e2 | % 7
fis2 | % 8
a4 a4 | % 9
b2 |
a2 | % 11
b4 g4 ~ | % 12
g4 fis4 | % 13
\time 3/4 g2 g4 | % 14
b2 g4 | % 15
fis2 fis4 | % 16
e2 e4 | % 17
fis2 gis4 | % 18
\time 2/4 a4. g8 _. | % 19
a4 _. g4 _. |
\time 3/4 fis4. e8 _. e4 ~ | % 21
\time 2/4 e4 dis4 | % 22
e2 \bar "|."
}
Alto = \relative b {
\clef "treble" \stopStaff \override Staff.StaffSymbol #'line-count =
#5 \startStaff \key g \major \time 3/4
\partial 4 b4 | % 2
e2 e4 | % 3
g2 e4 | % 4
\time 2/4 d2 ~
d2 | % 6
d4 ( cis4 ) | % 7
d2 | % 8
fis4 fis4
g2 |
fis2 | % 11
g4 d4 ~ | % 12
d4 d4
\time 3/4 d2 d4 | % 14
g2 d4 | % 15
d2 d4 | % 16
d2 cis4
d2 d4 | % 18
\time 2/4 c4. d8 _. | % 19
e4 _. e4 _. |
\time 3/4 d4. b8 _. b4 ~
\time 2/4 b4 b4 | % 22
b2 \bar "|." }
SopranoVerseOne = \lyricmode { "1.Sur" -- re -- xit Chri --
stus ho -- di -- "e," Al -- le -- lu -- "ia," Al -- le -- lu --
"ia," Hu -- ma -- no pro so -- la -- mi -- "ne," Al -- le -- e -- e
-- e -- e -- e -- e -- lu -- "ia." }
SopranoVerseTwo = \lyricmode { "2. Mor" -- tem qui pa --
ssus pri -- di -- e, Al -- le -- lu -- ia, Al -- le -- lu --
ia, mi -- se -- rri -- mo pro ho -- mi -- ne, Al -- le -- e -- e
-- e -- e -- e -- e -- lu -- ia. }
SopranoVerseThree = \lyricmode { "3. Mu" -- lie -- er -- es ad tu -- mu
-- lum,
Al -- le -- lu -- ia, Al -- le -- lu --
ia, por -- ta -- ver -- unt a -- ro -- ma -- ta, Al -- le -- e -- e
-- e -- e -- e -- e -- lu -- ia. }
AltoVerseFour = \lyricmode { "4. Di" -- sci -- pu -- lis hoc di -- ci --
te,
Al -- le -- lu -- ia, Al -- le -- lu --
ia, su -- rrex -- it Chri -- stus ho -- di -- e, Al -- le -- e -- e
-- e -- e -- e -- e -- lu -- ia. }
AltoVerseFive = \lyricmode { "5. In" hoc Pa -- schal -- i gau -- di -- o,
Al -- le -- lu -- ia, Al -- le -- lu --
ia, be -- ne -- dic -- a -- mus Do -- mi -- no, Al -- le -- e -- e
-- e -- e -- e -- e -- lu -- ia. }
AltoVerseSix = \lyricmode { "6. Lau" -- de -- tur sanc -- ta Tri -- ni
-- tas,
Al -- le -- lu -- ia, Al -- le -- lu --
ia, De -- o di -- ca -- mus gra -- ti -- as, Al -- le -- e -- e
-- e -- e -- e -- e -- lu -- ia. }
% The score definition
\score {
<<
\new ChoirStaff <<
\new Staff = "sopranos" <<
%\new Lyrics \lyricsto "Soprano" \SopranoVerseOne
%\new Lyrics \lyricsto "Soprano" \SopranoVerseTwo
%\new Lyrics \lyricsto "Soprano" \SopranoVerseThree
\new Voice = "sopranos" {
\Soprano
}
>>
\new Lyrics \lyricsto "sopranos" {
\SopranoVerseOne
}
\new Lyrics \lyricsto "sopranos" {
\SopranoVerseTwo
}
\new Lyrics \lyricsto "sopranos" {
\SopranoVerseThree
}
\new Staff = "altos" <<
%\new Lyrics \lyricsto "Alto" \AltoVerseFour
%\new Lyrics \lyricsto "Alto" \AltoVerseFive
%\new Lyrics \lyricsto "Alto" \AltoVerseSix
\new Voice = "altos" {
\Alto
}
>>
\new Lyrics \lyricsto "altos" {
\AltoVerseFour
}
\new Lyrics \lyricsto "altos" {
\AltoVerseFive
}
\new Lyrics \lyricsto "altos" {
\AltoVerseSix
}
>>
>>
\layout {}
% To create MIDI output, uncomment the following line:
% \midi {}
}
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