ation/notation/multiple-scores-in-a-book.it.html
Please see also attached files.
HTH,
Pierre
2015-03-04 22:46 GMT+01:00 Carlo Vanoni :
Hi, everyone!
I'm trying to figure how to write a page (well, several pages) with multiple
exercises (bass licks).An example is this
That's exactly what I need! (actually, I've positioned it on -6)Thank you very
much Joram.
Il Giovedì 5 Marzo 2015 10:17, Noeck ha scritto:
Hi Carlo,
LilyPond prefers to have voices close together but not too close. In
your example, the lower voice avoids a too tight setting on the
Well... I suppose it is due to the fact that there is a snare note that can be
quite close to the rest, so Lylypond move it a little down.I would like to have
the first rest aligned down, too.
Il Giovedì 5 Marzo 2015 9:57, Carlo Vanoni ha
scritto:
Hi, everyone!
I have this simple
Hi, everyone!
I have this simple drum score
\version "2.18.0"
DrumVoiceOne =
\drummode
{
hh8 hh < hh sn > hh hh hh < hh sn > hh
}
DrumVoiceTwo =
\drummode
{
bd4 r8 bd r4 r
}
\score {
<<
\new DrumStaff
<<
\new DrumVoice {
\voiceOne \Dr
Il Giovedì 5 Marzo 2015 6:18, Jim Long ha scritto:
On Wed, Mar 04, 2015 at 11:00:32PM +, Carlo Vanoni wrote:
> Now, I'll like to have each exercise on a single line, or by the way control
> when to break. I'm able to avoid automatic break by adding \noBreak here and
>
the list archives (or someone else can
point you to it).
So, where’s your problem?
Yours, Simon
Am 04.03.2015 um 22:46 schrieb Carlo Vanoni:
Hi, everyone!
I'm trying to figure how to write a page (well, several pages) with multiple
exercises (bass licks). An example is this pag
Hi, everyone!
I'm trying to figure how to write a page (well, several pages) with multiple
exercises (bass licks).An example is this
pagehttp://d29ci68ykuu27r.cloudfront.net/product/Look-Inside/large/4055621_181.jpg(of
course without the fancy graphics)
So, for each exercise there must be:- exer
Hi everyone,
I have a song with various sections (intro, verse, chorus, ...) defined as
variables.
I would like to add chords on top of some of these sections.
On the Lilypond manual all the examples add chords as a separate voice using <<
>> to bound everything togheter. I have score, tabs and
ute Snortum
(via Gmail)
On Tue, May 20, 2014 at 2:38 PM, Carlo Vanoni wrote:
Hi everyone!
>
>
>I have a score with some time changes. I'm using variables for the various
>song section. Each section has it's own time (more useful than declaring it
>each time there is
Hi everyone!
I have a score with some time changes. I'm using variables for the various song
section. Each section has it's own time (more useful than declaring it each
time there is a time change). What happens is that the time signature will be
printed any time it is declared, even when no ti
Man, what a flame I'm ingited :)
I've read all your answers with real interest.
First of all, I'm not in classical music. I play pop-rock-jazz. So I played in
big bands, but don't know the orchestral world.
As an electric bass player, I know that I play a transposing instrument, but as
you said
Great!
Il Mercoledì 14 Maggio 2014 11:16, Pierre Perol-Schneider
ha scritto:
2014-05-14 11:08 GMT+02:00 Carlo Vanoni :
I just noticed that using \clef "bass_8" will print a small "8" under the clef.
Not nice.
>How to get rid of it?
>
\new Staff
I just noticed that using \clef "bass_8" will print a small "8" under the clef.
Not nice.
How to get rid of it?
Il Lunedì 12 Maggio 2014 12:51, Carlo Vanoni ha
scritto:
Uh, "bass_8"... that's a news.
I still use the relative to prevent some ' and , f
; (or what else can be used) will create a score that can be
far more easy to read.
Il Martedì 13 Maggio 2014 2:19, Jim Long ha scritto:
On Mon, May 12, 2014 at 05:53:33PM -0400, David Raleigh Arnold wrote:
> On Mon, 12 May 2014 12:56:27 -0700
> Jim Long wrote:
>
> > On Mo
\bar ""
\cadenzaOff
}
and replacing:
\mark "Solo"
with:
\HiddenMeasureAndBarLine
\time 4/4
\mark "Solo"
solves the issue.
But you’ll probably be better of placing the equivalent of this in repeatMark
itself?
JM
Le 12 mai 2014 à 14:11:03, Carlo Vanoni
Hi everyone,
I'm using this nice function to add a right-aligned text that states the number
of repeats of a repeat block:
repeatMark =
#(define-music-function
(parser location volte visible)
(number? boolean?)
(if visible
#{
\once \override Score.RehearsalMark #'break-visi
Hi everyone,
this is more a generic music notation question than a LilyPond related. By the
way, I will ask it here so I can get a LilyPond related solution if needed, too.
I have a simple song, where the verse is 4 measures repeated twice, and the
chorus again 4 measures repeated twice.
The so
>>
}
\score {
\bass
}
%
Since to avoid all ' and , I have to still declare "\relative c" in the two
sections to use traspose, I preferred to use the "\relative c,," and remove the
score transpose.
Thanks guys!
Il Lunedì 12 Magg
critto:
Using relative per variable at the moment of their definition is robust
pitchwise.
Sorry for top posting
El 12/05/2014 10:48, "Carlo Vanoni" escribió:
Hi everyone,
>
>I'm transcribing a song that is, as usual, versex2-chorus-verse-chorus.
>Instead of copying al
Hi everyone,
I'm transcribing a song that is, as usual, versex2-chorus-verse-chorus. Instead
of copying all the notes of the verse/chorus section, I've created the
verse-chorus sections so than I can just add \verse \chorus in the main score
to print it.
I need to display both the score and the
Thanks Pierre, that's what I'm looking for.
I used it almost as-is. Now I will try to understand it more in detail.
Thanks
MIX
Il Mercoledì 26 Febbraio 2014 12:10, Pierre Perol-Schneider
ha scritto:
Oups, did not check your picture well enough.
So here again :
\version "2.18.0"
\scor
Good!
I'll give it a try.
Many thanks
MIX
Il Mercoledì 26 Febbraio 2014 11:04, Urs Liska ha
scritto:
Am 26.02.2014 10:49, schrieb Carlo Vanoni:
> Hi everyone.
>
> I'm a programmer, and I'm used to use command line parameters when compiling
> a progra
Hi everyone.
I'm a programmer, and I'm used to use command line parameters when compiling a
program.
As an example:
gcc my_source_code.c -I"include_folder" -o my_program
Here, I tell the compiler to watch inside "include_folder" for files to include
during the copilation process.
My idea is t
I would like to reproduce this layout:
http://d29ci68ykuu27r.cloudfront.net/product/Look-Inside/large/2965619_02.jpg
As you can see, there is a well aligned "1 2 3 4" beat count above the
measures. Sometimes an even more useful "1 + 2 + 3 + 4 +" count is used, with
hints on the octave notes,
Hi everyone!
I need to write some rhytmic exercises for my students. I would like to align
the notes in the various lines not for the "best fit" output, but aligning the
notes duration.
In each line, a given note duration uses a fixed amount of space, resulting in
a notes alignment that give a
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