magnifyStaff bug?

I’m trying to typeset a very simple piano and violin arrangement and while doing the piano part I wanted to have the violin staff «cue sized» as a reference to the pianist. I used \magnifyStaff and while it works wonders, it gives me this at the end of each system: http://i.imgur.com/6UNkJkA.pn

Re: MagnifyStaff Bug?

ll advertise the use of Lilypond at its current state. Which is a pity since i’m a high school music teacher that desperately _wants_ this to be an option for myself and my students. One day it might be. So long, and thanks for all the fish. Carl-Henrik Buschmann _

Re: MagnifyStaff Bug?

Hi Simon, > it’s a known issue that alignment of barlines can be difficult in such cases. > I think we have a tracker issue, and it’s a non-trivial question how such > barlines should be aligned by default. So it is a know issue, that it is all i needed to know. Harm did find something in the

Re: MagnifyStaff Bug?

Those lines at the end of the system should be perfect in line with the ends of the staff, should they not? I have not seen it in print before, have anybody else? PS. After that speech about not giving a compatible example -which is not at all relevant in regard to this question, it is a simple

MagnifyStaff Bug?

I’m trying to typeset a very simple piano and violin arrangement and while doing the piano part I wanted to have the violin staff «cue sized» as a reference to the pianist. I used \magnifyStaff and while it works wonders, it gives me this at the end of each system: http://i.imgur.com/6UNkJkA.png

Re: Copyright on first page, footer on following

It worked wonders! Thank you. > 10. apr. 2016 kl. 20.04 skrev Thomas Morley : > > 2016-04-10 19:35 GMT+02:00 Carl-Henrik Buschmann : >> Aha! Get it. Thank you for the explanation. >> >> But it leaves me none the wiser on how to do it, it being one footer one the >

Re: Copyright on first page, footer on following

ined/used within the oddFooterMarkup > and conditionally printed on the first page only. Since you redefine > oddFooterMarkup, copyright has no conditional print command AT ALL, therefore > it doesn't show up. You'll need to add it back in yourself. > > Best, > Abra

Copyright on first page, footer on following

Hi, I’m having trouble making lilypond print the copyright information on the first page while printing a simple footer on the following pages. oddFooterMarkup seems to cannibalize the copyright: \version "2.19.36" \header { copyright = \markup { \center-column { \vspace #2

Re: How to handle system objects?

You only need to enter score-wide objects (like these) into one staff. This > would give you two options: only enter them into a top staff, or enter them > into a voice with only spacer rests. > > -- > Phil Holmes > > > ----- Original Message - From: "Carl-Henr

How to handle system objects?

When working with large projects (or small for that matter) like an orchestral piece, how do one best handle system wide objects like repeats, rehersal marks, tempi etc? It is tedious entering every thing in every voice, not to mention prone to errors. One idea i have is to make a silent voice

Re: Use jazz fonts in LilyPond?

Where do one get hold of these alternative fonts for Lilypond? Carl-Henrik ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Cinesamples film orchestra house style

ssible? Med vennlig hilsen, Carl-Henrik Buschmann Lektor ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: How to work with large orchestral1 projects

way (of course). Any ideas? Med vennlig hilsen, Carl-Henrik Buschmann Lektor > Hi guys, > > I'm trying to learn how to use lilypond to typeset orchestral material. > Handling large projects is fun but good documentation regarding this is hard > to come by. I'm still a lily

Re: How to work with large orchestral1 projects

> > Hi Carl-Henrik, > > if you want your score like the Sibelius-output, I'd use Sibelius. ;) > I think trying to trim LilyPond doing the same as Sibelius will make > you miss some LilyPond-features. > True, but if i have to show examples from *somewhere*. I happen to master sibelius, having u

Re: How to work with large orchestral1 projects

I'm afraid i dont fully understand. When i put \grace s8 in my voices it still produces double timesignatures. Med vennlig hilsen, Carl-Henrik Buschmann Lektor > 21. feb. 2016 kl. 08.56 skrev Urs Liska : > > > > Am 21. Februar 2016 08:25:22 MEZ, schrieb C

Re: How to work with large orchestral1 projects

on/beams>) which I have tried putting in my global variable. As i showed in my first post, this break the beams. Any ideas how to make the beams automaticly span 4 8s? Med vennlig hilsen, Carl-Henrik Buschmann Lektor > 20. feb. 2016 kl. 22.02 skrev Carl-Henrik Buschmann : > > Hi g

Re: How to work with large orchestral1 projects

I found that it was \slashedGrace {b8} that caused the whole double time signature thing. I can only assume it is a bug. I still need a acciaccatura though. Any thoughts? Med vennlig hilsen, Carl-Henrik Buschmann Lektor > 20. feb. 2016 kl. 22.02 skrev Carl-Henrik Buschmann : > >

How to work with large orchestral1 projects

; 9) Where to i place system wide events, like repetitions, time and tempo? In a single voice, all the voices or something else? As of now i use the top instrument as a "global master", but my gut keeps telling me there has to be a bett

Re: Horizontal spacing - choir

Things are comming along. What i find is that some fonts simply does not work and thus activates the horrendous sans-serif thing. Thank you! Carl-Henrik > 14. feb. 2016 kl. 23.00 skrev Noeck : > > Hi Carl-Henrik, > > that's what I mean by figure out the correct font name. On lilybin, > thes

Re: Horizontal spacing - choir

Hi, It did something, but not what i expect. Cannot get it to conform to the font i wish. Running latest OS X and latest lily-stuff. http://lilybin.com/15a0y9/10 <http://lilybin.com/15a0y9/10> > 14. feb. 2016 kl. 22.05 skrev Carl-Henrik Buschmann : > > Joram, > >

Re: Horizontal spacing - choir

Joram, Thank you - will test. Sorry to say your mail did not come to my mailbox, only in the digest. Will check my subscription settings. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Horizontal spacing - choir

No luck, at least on my system. Regardless of font, how to make the font size smaller? Carl-Henrik > 14. feb. 2016 kl. 20.27 skrev Simon Albrecht : > > On 14.02.2016 20:24, Carl-Henrik Buschmann wrote: >> I tried this inside the lyrics, i dont see any change though: &

Re: Horizontal spacing - choir

Albrecht : >> >> Hello, >> >> On 14.02.2016 12:58, Carl-Henrik Buschmann wrote: >>> I need advice on how to best typeset my SATB score. The problem revolves >>> around horizontal spacing. >>> >>> http://lilybin.com/15a0y9/2 >>> >&

Re: Horizontal spacing - choir

Thank you for the heads up. Will revise the dynamics, slurs and phrasings. Fonts. I’ve tried looking in the manual but i shoot blanks: how do i change the font and font size of the lyrics? > 14. feb. 2016 kl. 15.44 skrev Simon Albrecht : > > Hello, > > On 14.02.2016 12:

Horizontal spacing - choir music

Hey, I need advice on how to best typeset my SATB score. The problem revolves around horizontal spacing. http://lilybin.com/15a0y9/2 I feel it is a bit cramped and the breaks do not flow naturally. In the source you will see what i have already attempted. Perhaps those attempts are the way t

Re: Horizontal spacing - choir

; \layout { >system-count = 18 >\context { > \Score > \override LyricText #'font-size = #-1 > } > } > > If not fine, have you tried Joram's idea? > > > > 2016-02-14 13:22 GMT+01:00 Carl-Henrik Buschmann <mailto:chbuschm

Re: Horizontal spacing - choir

? > > Cheers, > Pierre > > 2016-02-14 12:58 GMT+01:00 Carl-Henrik Buschmann <mailto:chbuschm...@mac.com>>: > Hey, > > I need advice on how to best typeset my SATB score. The problem revolves > around horizontal spacing. > > http://lilybin.com/15a0y9/2

Horizontal spacing - choir

Hey, I need advice on how to best typeset my SATB score. The problem revolves around horizontal spacing. http://lilybin.com/15a0y9/2 I feel it is a bit cramped and the breaks do not flow naturally. What can i do to improve? In the source you will see what i have

Re: How to align text and dynamixs

42 skrev Thomas Morley : > > 2016-02-02 0:08 GMT+01:00 Carl-Henrik Buschmann : >> I wonder how to align text and dynamics? I need it to explain a certain >> action when using a certain symbol. I guess this question could be answered >> several ways: 1) is it possible to write dy

How to align text and dynamixs

I wonder how to align text and dynamics? I need it to explain a certain action when using a certain symbol. I guess this question could be answered several ways: 1) is it possible to write dynamic/other symbols in markup? 2) How to gently force horizontal alignment between a dynamic/other mark a

Re: Lilypond and Jazz chords

it is sensible to go that way is something else. > > Best, Robert > > > > On 17 Jan 2016, at 20:30, Carl-Henrik Buschmann <mailto:chbuschm...@mac.com>> wrote: > >> Sorry, thought the thread was referenced. >> >> I'm wondering if lilypond

Re: Lilypond and Jazz chords

Chill pills for everybody! Smile :-) > 18. jan. 2016 kl. 09.39 skrev David Kastrup : > > There is no "brains that code" who have to placate "us" by "at least > giving us a *working* solution". I see how that might have been misunderstood, but please belive it was with the best of intentions,

Re: Lilypond and Jazz chords

> 18. jan. 2016 kl. 02.40 skrev tim...@bitstream.net: > >> >> On Jan 17, 2016, at 4:16 PM, Carl-Henrik Buschmann >> wrote: >> >> While i might agree with you to some extent this is also a practial matter: >> >> 1) Whether or not you call

Re: Lilypond and Jazz chords

On Jan 17, 2016, at 3:28 PM, Carl-Henrik Buschmann >> wrote: >> >> A properly formatet complex chord stacks alterations in parenthesis. > > Hemmm, that is a matter of individual preferences. As a jazz musician I find > parentheses in chords add to the visual

Re: Lilypond and Jazz chords

jazz harmony books. If you > are serieous working in music - check it and think about. > > Which one do you think is the correct one? Do you really think that serous > jazz musicians get skid whith such? > > > > Am 17.01.2016 21:59, schrieb Blöchl Bernhard: >> Am 17.01.2

Re: Lilypond and Jazz chords

Thank you. This is indeed a good start! However. How to adjust the lenght of the parenthesis? As of now they only encapsule 1/3 of the stack. I havent the foggiest on how to make them "flexible". > 17. jan. 2016 kl. 22.25 skrev Kieren MacMillan > : > > Hi Carl-Henrik, > > Here’s a start fo

Re: Lilypond and Jazz chords

lt; d fis ais cis ees gis >1 } lower = \relative c { \clef F d1 } \layout { \context { \ChordNames \override ChordName.font-family = #'roman \override ChordName.font-size = #0 } } This is undesirable. > 17. jan. 2016 kl. 21.59 skrev Blöchl Bernhard > : > > Am

Re: Lilypond and Jazz chords

rley : > > > > 2016-01-17 20:30 GMT+01:00 Carl-Henrik Buschmann <mailto:chbuschm...@mac.com>>: > Sorry, thought the thread was referenced. > > I'm wondering if lilypond is able to notate complex chords, as discussed in > the before mentioned thread. >

Re: Lilypond and Jazz chords

Any news regarding this? Carl-Henrik ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: smallest possible bounding box

gt; \paper { > left-margin = 0 > right-margin = 0 > oddFooterMarkup=##f > oddHeaderMarkup=##f > indent = 0 > } > > On 17 January 2016 at 15:04, Simon Albrecht <mailto:simon.albre...@mail.de>> wrote: > On 17.01.2016 13:01, Carl-Henrik Buschmann wrote: > Good suggest

Re: smallest possible bounding box

t; instrumentName = \markup \right-column { > "Piano" > "Aux." > } > } << > \new Staff { \high } > \new Staff { \low } > >> > >> > > %------- > % Layout > %-

Re: Instrument names and smallest possible bounding box

> 17. jan. 2016 kl. 12.24 skrev Malte Meyn : >> >> 2) I need to export pngs for my latex documents and i would like the >> bounding >> box to be as small as possible. How do i do this? >> > > There is a lilypond option -dpreview which does this iirc. And apart > from that: Do you know lilypon

Re: smallest possible bounding box

> 17. jan. 2016 kl. 12.22 skrev Simon Albrecht : > > On 17.01.2016 12:10, Carl-Henrik Buschmann wrote: >> >> 2) I need to export pngs for my latex documents and i would like the >> bounding box to be as small as possible. How do i do this? > > It’s not q

Instrument names and smallest possible bounding box

t; \set GrandStaff.instrumentName = \markup \right-column { > "Piano" > "Aux." > } > \new Staff { \high } > \new Staff { \low } > >> > > > > >> > } > > %--- > % Layout and st

Re: Help with unexpexted double barline trouble and \markup

> > 15. jan. 2016 kl. 15.32 skrev Chris Yate : > > > > On 15 January 2016 at 07:07, Carl-Henrik Buschmann <mailto:chbuschm...@mac.com>> wrote: > I'm working on a lead sheet but being a novice i'm hitting my head against > the wall at some noob pro

Help with unexpexted double barline trouble and \markup

I'm working on a lead sheet but being a novice i'm hitting my head against the wall at some noob problems. Bar 1) Stemlets. Do it have to be this hard creating them? Is there a way to make it global? Also, i want the stemlet to reach down towards the rest. How?How do i make custom rehersal marks?Wh

Markup breaking score, stemlets not behaving, double barlines not showing.

I'm working on a lead sheet but being a novice i'm hitting my head against the wall at some noob problems. Bar 1) Stemlets. Do it have to be this hard creating them? Is there a way to make it global? Also, i want the stemlet to reach down towards the rest. How?How do i make custom rehersal marks?Wh

Re: How to reproduce this?

Thats it! Thank you, this was inspiring. Buschmann ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: How to reproduce this?

Thank you, much obliged! 1) I didnt get... \addlyrics \lyricsto "Chords" { V2 \markup\concat { \raise #.4 \small\flat VII } \markup\center-column { \concat { \raise #.7 \small\sharp III } IV } I } ...to work though: http://i.imgur.com/aVeeG1V.png 2) How d

How to reproduce this?

Hi, I'm a Lilypond newbie switching over from Sibelius. As part of my self tutoring I have tried my hand at reproducing a example (written in Sib) i used in my thesis: http://i.imgur.com/SboviWR.png I'm a bit stuck and i hope you guys can give me a nudge. This is my feeble attempt: \version