On Sun, 2007-04-29 at 22:34 +0100, Damian leGassick wrote:
> hi bernard
>
> that's what i thought...so it's not really a feature-add at all is it?
>
Not really, but it may be just the start.
> i thought about a script, but i reckon the amount of time it would
> save me is about one millionth o
Hi all,
According to the documentation on Automatic note splitting:
If you want to allow line breaking on the bar lines where
Completion_heads_engraver splits notes, you must also remove
Forbid_line_breaks_engraver.
I take this to mean that the following code should generate tow bars
with a line
Thanks,
/Bernard
On Mon, 2007-04-30 at 13:44 +, Michael Lauer wrote:
> >
> > Hi all,
> >
> > Is there any way of removing tags from music?
>
> You can write a music function to do it:
>
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htt
Sorry, I've found the answer in the manual - I must be getting tired!
On Mon, 2007-04-30 at 01:40 +0100, Bernard Hurley wrote:
> Hi,
>
> After processing following code:
>
> ===
> {
> \time 4/4
> r2 d''2\glissando
> \break
> c
Hi,
After processing following code:
===
{
\time 4/4
r2 d''2\glissando
\break
c''2 r2
}
===
there is no break between the two bars. I have a score with _lots_ of
glissandi accross bar lines. I need to be able to force line breaks. How
do I do it?
I have tried:
==
Bernard
On Sun, 2007-04-29 at 15:57 +0100, Damian leGassick wrote:
> thanks bernard
>
>
> i think i asked the wrong question
>
>
> do you know how to use ly'x new lilypond convertors in-place instead
> of using eps files?
>
>
> cheers
>
>
> da
Maybe this has something to do the order in which things are done. If
\keepWithTag #'B is applied first and it is applied recursively to
subexpressions of \three then the note b'' would be deleted.
Bernard
On Sun, 2007-04-29 at 20:34 +0100, Bernard Hurley wrote:
> Hi all,
>
Hi all,
Is there any way of removing tags from music? For instance naively one
might expect:
=
one= {a'' \tag #'A b'' c'' \tag #'C f''}
two = {\keepWithTag #'A \one }
three = { \tag #'B \two \tag #'E a'' }
{
d'' \keepWithTag #'B \three
}
===
to display
You can get lilypond to produce eps files and load these into lyx by
hand. You will have to be careful about things like page lengths so you
don't collide with lyx footers etc.
/Bernard
On Fri, 2007-04-27 at 17:47 +0100, Damian leGassick wrote:
> is anyone using lyx 1.4.4 or 1.5.0b successfully
*5 \time 3/8 \skip 4.*9
> ...
> }
>
> For the parts:
>
> \score{
> \new Staff << \timesignatures \theactualmusic >>
> }
>
> For the full score:
>
> \score{
> <<
> ...
> \new TimeSig \timesignatures
> ...
> &g
Hi all,
I am about to start typesetting a score with lots of changing time
signatures. I want to do the following:
1) In the conductor's score I want the time signatures to appear on an
invisible staff in the manner of time-signature-staff.ly from "Tips and
Tricks".
2) When extracting individual
ts.
>
> /Mats
>
> Bernard Hurley wrote:
> > Hi,
> >
> > Just to clarify this, VerticalAlignment no longer has the property
> > forced-distance in v 2.11. The lilypond score I am processing was
> > written by a relative who unfortunately died last yea
struggle as it didn't have a \version tag and I had to
use convert-ly several times before I got it to work.
Bernard
On Tue, 2007-04-24 at 18:55 +0100, Bernard Hurley wrote:
> Hi all,
>
> What is the equivalent of:
>
> \context {
> \PianoStaff
> \
Hi all,
What is the equivalent of:
\context {
\PianoStaff
\override VerticalAlignment #'forced-distance = #9
}
in version 2.11.15?
Thanks,
Bernard
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Hi all,
The header field "texttranslator" is mentioned in the Lilypond
documentation for version 2.7.27 but doesn't seem to do anything!
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I like the -H option as well -- it will greatly simplify invocation
> > for this case, and cases like it.
> >
> > On Nov 30, 2005, at 7:08 AM, Bernard Hurley wrote:
> >
> >> I have thought of a better way of doing this:
> >>
> >> modify \lilypo
the next two weeks.
It might also be a good idea if lilypond-book could take a -H option
that would then be passed on to lilypond.
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ighted to test the patch.
>
Thanks, I have been working with 2.7.x, but I don't think lilypond-book
has changed much so I'll see what I can do!
>
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mmand {\preLilyPondExample}[1]{\section {\protect\input #1.title }}
and then
\lilypondfile {song1}
\lilypondfile {song2}
\lilypondfile {songn}
Bernard
On Sun, 2005-11-27 at 18:19 -0500, Laura Conrad wrote:
> >>>>> "BH" == Bernard Hurley <[EMAIL PROTECTED]> w
\header {
title="The test title"
composer="Bernard Hurley"
}
{a b c}
and run:
lilypond-book --psfonts --process="lilypond -b eps -H title " test.lytex
you get a file called something like:
lily-1915112629.title
which contains the text of th
ok --process="lilypond -H title" ....
>
>
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time when it did - it probably still does if you use
the tex backend. But lilypond-book now uses the eps backend.
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t; The other problem with that solution is that it doesn't allow for the
> placement of a song number beside the title -- think of the typical
> layout of a hymnal.
>
> So I really do need to figure out how to get lilypond to leave the
> titling to LaTeX,
a TOC.
Bernard
> Is that possible to accomplish with the current header handling
> mechanisms and lilypond-book? What would the rough outline look like?
>
> Thanks.
>
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For some reason I always seem to return to
> Emacs :)
>
> Josiah
>
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Bernard Hurley <[EMAIL PROTECTED]>
README
(c) Copyright 2005 Bernard Hurley
License: GNU General Public License Version 2 or later
Make sure you have read and understood this file before proceeding!
On Thu, 2005-11-24 at 00:48 -0600, S L Raymond wrote:
> I'm running Ubuntu Breezy and for some reason, even after apt-get
> update, 2.2 is the latest version it will fetch.
You probably have apt set up so that it only knows about Debian stable
packages. The latest version in Debian stable is 2.2.6
functioning lilypond-book. All this said: can you recommend a LaTeX
> > implementation and/or a GUI for Windows that will work well with
> > lilypond? If not, I can handle taking the PDF route – I would simply
> > prefer a different one.
> >
> >
> >
> > Again, thank you fo
Thanks, for some reason I didn't see this thread when I was looking to
see if there was any posts on this subject.
Bernard
On Tue, 2005-11-22 at 07:42 +1100, Cameron Horsburgh wrote:
> I suggested something similar (my original message isn't there, but it's
> referenced at
> http://lists.gnu.org/
s,
Bernard
On Mon, 2005-11-21 at 11:00 +, Bernard Hurley wrote:
> I think it ought to be possible to write a .ly file containing guile
> code that makes lilypond do the following:
>
> 1) Read another .ly file
> 2) parse that file
> 3) convert the r
'm sure it ought to be possible.
Thanks
Bernard
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help me.
> ___
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nsurstriche editions, and the later
> > Dowland facsimiles that I'm transcribing these days do it as well.
> >
> > I mean a case like:
> >
> > \time 4/4
> > a4 b4 c4 d4. | e8
> >
> > It would be good to be able to tell lilypond that the d notehe
Yes this is can be done. See section 8.5.1 Polymetric notation of the
ver 2.5 manual for some simple examples
/Bernard
James wrote:
> hello list.
>
> I am new to lilypond, and cant really use it well yet. I have used other
> software in the past, but recently I have not found them to b
See section 2.19 of the user manual
/Bernard
benoit farley wrote:
> Hello,
>
> I have a piece of music for 4 harps, and I would like to know how to
> produce outputs
> for each separate part: one output set of files (pdf, ps, etc.) for
> Harp 1,
> another set for Harp2, etc.
___
No, not at all.
Firstly I said what I had done not what you should do. I did not do this
because I cannot run "make uninstall" but because I tend to be somewhat
paranoid about these things and don't necessarily assume that either
"make install" or "make uninstall" will actually do what I expect, a
Graham Percival wrote:
> > 1) Create a new user ( called it "invisible" but coul be anything) for
> > installing lily locally
>
> You don't need to be a new user.
>
No, you don't, but a lot of Debian users get pretty good at
installing/de-installing Debian packages, but never install anything
napshot"?
>
> Josiah
>
>
> _______
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> lilypond-user@gnu.org
> http://lists.gnu.org/mailman/listinfo/lilypond-user
>
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I had started looking at the idea of a "lilypond code" backend that
would output lilypond source code with repeats unwrapped, transpositions
done etc. I don't know when (or if) I will have produced anything
useful.
/Bernard
On Tue, 2005-04-26 at 01:48 +0200, Han-Wen Nienhuys wrote:
> Op m
I guess its partly a matter of what you use Lilypond for. If you are
basically encoding music that has already been written then It may well
be easiest to use relative entry. However I have a large number of
lilypond scores that are "works in progress" - pieces I am writing.
These are revised/edite
Nicolas Sceaux wrote:
> We could use the LilyPond compiler to read a (part of a) file, make
> some transformation (relative->absolute, transposition) and then
> output the result. That would require to define functions that can
> print music expressions. For most common tasks, only notes/skips/res
I can see that a solfeggio notation might be useful. as for you remarks
on relative pitch information. Some people may find it easier to enter
the pitches in this way but it makes the score almost impossible to edit
afterwards. NoteEdit exports lilypond scores in this format and the
first thing I d
I think one of the nice things about lilypond is that it allows you to
separate data from presentation. For instance the third note of your
example is C sharp. This is normally represented by cis' in a lilypond
score i.e. as data representing a particular note. How it appears in the
final printed s
Would there be any mileage in "contributed" scripts being distributed
with Lily. Making sure they work, are documented and compatible with the
current version is the author's responsibility, but they would be
distributed under the GPL, as is the rest of Lily. I suppose it would
mean someone would h
Mats Bengtsson wrote:
> No, but there was a similar request on the mailing list some month ago.
>
> /Mats
>
Thanks, but how come I can see you reply on the list but not my original
post?
/Bernard
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Yes I did look at this, but it is discussing an arpeggio with an arrow
head; I also wanted tremolo strokes through the arpeggio symbol.
/Bernard
Mats Bengtsson wrote:
> Have you seen
> http://lists.gnu.org/archive/html/lilypond-user/2004-04/msg00146.html
>
> /Mats
>
> Be
In some Boulez score, a single slash is drawn through a group of grace
note (usually a beamed set of quavers). Does anyone have any idea how to
do this?
/Bernard
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Some composers (e.g. Francis Miroglio) use an arpeggio symbol with a
tremolo symbol superimposed on it to indicate a continuous rasgueado
roll on the guitar. How could I do this?
/Bernard
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Ron Piterman wrote:
> Hi,
> Can I put the time signature in paratheses?
> Cheers,
> Ron
>
>
You could try using the trick in stencil-hacking.ly in the regression
tests.
/Bernard
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Mats Bengtsson wrote:
I understood the request to mean you could have something like:
2.3.4 Title 1
section body 1
2.3.5 Music
2.3.6 Title 2
section body 2
So in effect you have text sections - with titles and music sections
that have no title but where the score starts on the sa
Mats Bengtsson wrote:
>
> On the other hand, why would you ever want a multi-line score
> in a section title?
>
>
I had understood the request was to get the sort of formatting you get
in some editions of Bach chorales where numbers appear to the left of
the first line of scores. But with the
; All it would take is to start the lilypond file immediately after the
> > [sub]section number. It would be helpful if every example had a
> > reference number in the docs, IMO. daveA
> >
>
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after the
> [sub]section number. It would be helpful if every example had a
> reference number in the docs, IMO. daveA
>
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On Mon, 2005-04-18 at 18:56 -0300, Jonatan Liljedahl wrote:
> On Mon, 18 Apr 2005 14:43:54 +0200
> Mats Bengtsson <[EMAIL PROTECTED]> wrote:
>
> > >>That's the purpose of the \mark command.
> > >>
> > >> /Mats
> > >>
> > >> Jonatan Liljedahl wrote:
> > >> > Is it possible to put markup text ab
> A question I can't seem to find the answer to in the manual or online:
> Is it possible to represent powerchords, i.e. those consisting of only a
> root note and fifth, in the ChordNames notation?
I havn't come across the term "powerchord" before. I would normally
refer to them as "bare fift
#x27;t figure out how to do this!
>
> Lilypond 2.5.18
>
> /Jonatan-=( http://kymatica.com )=-
>
>
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On Mon, 2005-04-11 at 11:06 +0200, Mats Bengtsson wrote:
> I've never seen harmonics notated with black note heads,
> could you mention some examples where it's used?
>
>/Mats
>
This is actually quite a common way to notate harmonics in Classical
Guitar, together with a number to indicate wh
MIDI devices, and connect them together in wierd and wonderful ways. I haven't used it for a long time so I can't say much about how well it works.
Bernard
-Original Message-
From: David Raleigh Arnold [mailto:[EMAIL PROTECTED]]
Sent: 10 July 2002 15:06
To: Bern
Title: RE: two bugs (?)
The situation is a bit more complex than that. As far as I can recall (I wrote the embedded code for a midi interface many moons ago):
1) A midi channel can only have one instrument at a time assigned to it, but it is possible to change instruments.
2) A midi chann
Title: RE: lilypond-mode in Emacs on Windows
>> Try putting this in ylur .emacs file:
>Can that be done automatically, ie, does the Emacs for Windows
>configuration know the concept of a site start directory, something
>like:
> /etc/emacs/site-start.d
>that we could copy the lilyp
Title: RE: sltly OT: how was sheet music printed before computers? :)
With great difficulty.
Bernard
-Original Message-
From: Felipe Massia Pereira
To: [EMAIL PROTECTED]
Sent: 7/4/02 1:26 PM
Subject: sltly OT: how was sheet music printed before computers? :)
that's a curiosity..
Title: RE: lilypond-mode in Emacs on Windows
Hi,
Try putting this in ylur .emacs file:
(Yes the regular expression does contain 8 backslashes in a row!
Bernard
-- snip ---
;;; Lilypond mode
(load-library "lilypond-mode.el")
(setq auto-mode-alist
(append '(("\\.ly$" . LilyPond-mod
Title: RE: lilypond-mode in Emacs on Windows
I've just tried running lp2dvi from within emacs on a Win 2000 platform and it worked with no problems. (My work laptop - don't tell anybody!) I'll have a poke around my configuration to see if I can work out what you need.
Of course it may be s
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