Re: merge parts/voices

Werner, On Thu, Oct 31, 2024 at 10:10 AM Werner LEMBERG wrote: > > c) Full measure rests are now not gathered (e. g. R1 R1 R1 instead > >of R1*3 in the earlier version) -- regression?? > > MusicXML test file, please. > I sent it to a personal email. -- Antanas Budriūnas

Re: merge parts/voices

Hi Knute, On Wed, Oct 30, 2024 at 4:53 PM Knute Snortum wrote: > On Wed, Oct 30, 2024 at 2:26 AM Antanas Budriūnas > wrote: > >> Hi Knute, All, >> >> I'm currently using LP v. 2.24.1. >> OK I'll try importing musicxml score using latest musicxml2ly

Re: merge parts/voices

t; On Tue, Oct 29, 2024 at 5:53 AM Antanas Budriūnas > wrote: > >> Hello all, >> >> It was quite a while I was out of the LP community, a dosen of years >> to be honest. >> I hope all is well with you all. >> >> I got a music score from about that t

merge parts/voices

Hello all, It was quite a while I was out of the LP community, a dosen of years to be honest. I hope all is well with you all. I got a music score from about that time written in Finale. I exported it into musicxml using Finale Notepad and after that used musicxml2ly to get you guess what. There'

eps output

Hi, LilyPond Usage documentation says: "eps for encapsulated PostScript. This dumps every page (system) as a separate ‘EPS’ file, without fonts, and as one collated ‘EPS’ file with all pages (systems) including fonts." For me $ lilypond -dbackend=eps *.ly produces every _page_ as separate EPS, n

doubleSlurs-alike workaround

Hello, there is a tiny fragment from a polyphonic choir piece. By idea I need \set doubleSlurs = ##t but seems it didn't allow slur placement control. So following documentation I wrote this way: \new Staff = sa << \new Voice = soprano \relative c'' { \voiceOne << { \once \override Slur

Re: open slur/tie at fragment end

Hello, some updates. 2010 m. liepos 4 d. 16:34, Antanas Budriūnas rašė: > Phil, > > thanks for the tip. > > 2010 m. liepos 4 d. 13:27, Phil Holmes rašė: >> Would hideNotes do what you want? >> >> \relative c' { >>  c4( c) c( \hideNotes c) \unHideN

Re: open slur/tie at fragment end

2010 m. liepos 5 d. 11:44, Helge Kruse rašė: > 2010/7/3 Antanas Budriūnas >> >> Only few problems remain not solved. One of those: >> I didn't recall and can't find where recently I was reading about >> trick for unfinished slur/tie at the end of music fragme

Re: open slur/tie at fragment end

Phil, thanks for the tip. 2010 m. liepos 4 d. 13:27, Phil Holmes rašė: > Would hideNotes do what you want? > > \relative c' { >  c4( c) c( \hideNotes c) \unHideNotes >  } Looks like a rough workaround. No. It involves lilypond-book and certainly not related to lilypond code. It should look exac

open slur/tie at fragment end

Hi LilyList, finally I went back to music typesetting and am on a halfway of the "sacred duty" – publishing a book about my grandfather and his brothers (they all three were composers, choir conductors and musicologists). The first acquaintance with LaTeX went well. Especialy I'm grateful for simp

Re: reinstalled lily on reinstalled xp, now get path error message

"LilyPond command" is set to lilypond or lilypond.exe (Sorry I can't approve it because I'm running UbuntuStudio) Hope this helps Antanas Budriūnas ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: stemBoth problem

> r8 4\pp^"Div." 2. | > } > What a boring result! Could anyone tell me how to filter out the octave > dot and leave only note? Why not to use simple polyphony? \relative c { \clef alto \key des \major \time 9/8 r8 4\pp^"Div." <> | } I didn&

Re: piano notation element

Francisco, 2009/2/8 Francisco Vila : > 2009/2/7 Antanas Budriūnas : >> Hello, >> >> in piano scores when a particular note (chord) in the upper staff >> should be played with the left hand, a bracket of inverted "L" shape >> is placed before

piano notation element

point me please... Antanas Budriūnas ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: "transpose" the rythm and rethoric

hat is quite possible and for > composers interessant. Maybe I missed something in the documentation. > > And has the idea of diatonic transposition been implanted? There is a thread about Diatonic/modal transposition function. See the list archive. I hope you'll get more comprehensive a

Re: rearrange music flow

Francisco, thank you for the right tip! 2009/1/13 Francisco Vila : > 2009/1/13 Antanas Budriūnas : >> Hello, >> >> I went back from Carl's parallelStaffs music function to plain lily >> code but also here have no success in managing parallel staves and >> l

Re: rearrange music flow

verseOne = << \context Staff = "Staffi" { \context Voice = "Voicei" { d''4 d' } } \context Staff = "Staffii" { \context Voice = "Voiceii" { d'4 d' } } >> \score { << { \intro \verseOne }

Re: OOoLilyPond 0.3.3 available

seems it works. Thank you! Antanas Budriūnas ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Accidentals collide

2009/1/5 Hasi : > How can I move the accidentals apart? They are layed over each other... > > Please read the documentation: Learning Manual �C 4.5.2 Fixing overlapping notation Antanas Budriūnas ___ lilypond-user mailing list lilypond-use

Re: rearrange music flow

t;> >>> >>> verse = \parallelStaffs >>> {d''4 d''} >> { bla bla } >>> >>> {d'4 d'} >> { blb blb } >>> >>> >>> \score { >>> { >

Re: Umlaute

there is no problem – Umlaut in place. It depends on the system software, the editor, the font in use, Lilypond version etc. Next time please add information about your OS, editor, Lilypond version. It could help to track a problem. General advice: get latest

Re: Key signature change with naturals before bar line.

did not > seem to reveal a solution. > Search list archive for - Naturals' position when key changes - about 10 days ago. Antanas Budriūnas ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Lyrics above bars

er 'lyrics above', click [search]; 4. Click on first snippet image and read (another approach - the second snippet). Antanas Budriūnas ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Fragment with broken/torn/shredded staff lines

eneral idea: You should superposition white objects on both staff's ends. I don't know maybe it's possible in Lilypond using PostScript? HTH Antanas Budriūnas ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: rearrange music flow

gt; {c''4 c''} { ala ala } > > {c'4 c'} { alb alb } > > > verse = \parallelStaffs > {d''4 d''} { bla bla } > > {d'4 d'} { blb blb } > > > \score { > { >\intro >\verse > } > } > Thanks for tips. Antanas Budriūnas ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: rearrange music flow

x27;4 f' } \context Lyrics = "LyrII" \lyricmode { \set associatedVoice = #"VoiceTwo" be } >> } >> \score { { \intro \intro \intro } } What's happening there? Antanas Budriūnas ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: rearrange music flow

dy nicely solved this puzzle. Antanas Budriūnas ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: rearrange music flow

Two = << > \context Staff = "StaffOne" { >\context Voice = "VoiceOne" { > f''4 f'' >} > } > \context Staff = "StaffTwo" { >\context Voice = "VoiceTwo" { > f'4 f' >} > } >>> > > \score { > { >\intro >\verseOne >\chorus >\verseTwo > } > } Excellent!!! Carl, You are probably Santa Claus and this snippet is a Christmas miracle :) It must be in the LSR IMO Antanas Budriūnas ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: rearrange music flow

ond. I got a terrible formated code and editing it was a headache. Antanas Budriūnas ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: rearrange music flow

Hello, 2008/12/27 Francisco Vila : > 2008/12/27 Antanas Budriūnas : >> Thanks Arjan, thanks Francisco for replies. >> Perhaps due my poor English you both misunderstood me. >> There is a simplified example: > >> { \xi \xii \xi \xiii } >> % &g

Re: rearrange music flow

uch musical nonsense:) with possibility of sections' shuffling. The same is obvious for music (notes): { a } { b } % and << { a } { b } >> Sorry if I'm too bold... I understand thas it would be not so trivial developing task. Antanas Budriūnas ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

rearrange music flow

o Scheme coding). Season greatings! Antanas Budriūnas ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Fwd: Laikas keisti nuolaidu kortele!

s arba banko mokėjimo kortele ir nenaudodami jokios nuolaidų kortelės. Neste nuolaidų kortelė - visada laimėsi! Neste kortelių skyrius P.Lukšio g. 32/J.Kubiliaus g. 12 08222 Vilnius Tel. (8 5) 212 3357 Faks. (8 5) 212 3194 El. paštas: [EMAIL PROTECTED] -- Su geriausiais linkėjimais – Antan

Page text

Hi, how to align page text to the right like Author or Opus properties does? My search in documentation and LSR wasn't successfull. Thaks Antanas Budriūnas ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/lis

Fwd: cadenza and accidentals

Hello, I was senging this question a couple weeks ago but didn't got any answer. Please don't be angry for repetition. -- Forwarded message ------ From: Antanas Budriūnas <[EMAIL PROTECTED]> Date: 2007.03.20 12:19 Subject: cadenza and accidentals To: lilypond-use

cadenza and accidentals

Hello, using \cadenzaOn feature I can't get automatic accidentals working correctly. After \cadenzaOff accidentals aren't resetted. Isn't the bug? How to workaround this? See simple example attached. Thanks Antanas Budriūnas cadenzaAcci.ly Descripti