Hu,
2009/2/3 胡海鹏 - Hu Haipeng <hhpmu...@163.com>:
> Hello,
> Vallentin ever helped me to get a stemBoth function when I wrote the full
> score of my song for attending the CCTV piano competition:
> stemBoth = #(define-music-function (parser location m) (ly:music?)
> #{ << \voiceOne $m \new Voice { \voiceTwo $m } >> \oneVoice #})
> Now I'm orchestrating Debussy's Clair De Lune. The British teacher is very
> happy with my progress, and the piece is coming to its finish. But when I
> use the function as follows (viola), I discovered its big disadvantage, and
> then had to use a usual input way:
> \relative c {
> \clef alto \key des \major \time 9/8
> r8 <f aes>4\pp^"Div." \stemBoth ces'2. |
> }
> Both note and octave dot are copied, therefore the output is:
> \relative c {
> \clef alto \key des \major \time 9/8
> r8 <f aes>4\pp^"Div." <ces' ces'>2. |
> }
> What a boring result! Could anyone tell me how to filter out the octave
> dot and leave only note?
Why not to use simple polyphony?
\relative c {
\clef alto \key des \major \time 9/8
r8 <f aes>4\pp^"Div." <<ces'2. \\ ces2. >> |
}
I didn't see much merit to use a function here.
HTH
Antanas Budriūnas
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