No more "warning: unterminated (de)crescendo" in 2.12?

2008-12-30 Thread Alard de Boer
Hello list, Why does "warning: unterminated (de)crescendo" no longer appear in 2.12? For example, compiling the following snippet \version "2.10.33" { c-\< c } with 2.10.33 gives $ lilypond test3.ly GNU LilyPond 2.10.33 Processing `test3.ly' Parsing... Interpreting music... test3.ly:2:3: warnin

Re: my score is messed up but the parts it creates are ok

2008-12-15 Thread Alard de Boer
On Mon, Dec 15, 2008 at 8:41 PM, chip wrote: > I've pasted the piece in below. > -- > Chip Hi Chip, > % -- Trumpet 1-- > trpta = \relative c''' { [overrides deleted] > a4 g8 f a4 f8 fs > g1 > R1 > gs8. gs16 r16 gs8 gs16 gs8. gs16 r16 gs8 gs16 > a1 > f8 e f fs g-. a bf b? > c1 > R1 > r2 r

Re: rhythm template function

2008-05-22 Thread Alard de Boer
On Thu, May 22, 2008 at 5:09 AM, Jay Anderson <[EMAIL PROTECTED]> wrote: > "Easy Rhythm Template Creation" added to the lsr. Thanks. > > -Jay Hi Jay, I had some trouble getting tuplets to work with your snippet. Here's a modified version that checks whether a tuplet (TimeScaledMusic) is used

Re: rhythm template function

2008-05-20 Thread Alard de Boer
On Tue, May 20, 2008 at 6:44 AM, Jay Anderson <[EMAIL PROTECTED]> wrote: > Here's a snippet I've used a couple times. If there's interest I'll > add it to the LSR. (I'm currently getting an 'invalid security > certificate' when I go here > https://lsr.dsi.unimi.it/list.php?type=usr). This is very s

Re: GDP: What term do you use?

2008-02-17 Thread Alard de Boer
On Feb 16, 2008 9:48 PM, Kurt Kroon <[EMAIL PROTECTED]> wrote: > You've written a composition with a passage that needs to be played in a > different octave. When you describe it (this passage) to another musician, > what term do you use? And do you use the same term or a different one for >

Re: GDP: What term do you use? (redux)

2008-02-17 Thread Alard de Boer
On Feb 16, 2008 11:25 PM, Kurt Kroon <[EMAIL PROTECTED]> wrote: > Oh, yeah ... I was also wondering: > > What the Dutch, Danish, Finnish and Swedish words for 128th- and 256th-notes > and -rests? In Dutch: 128e noot, 256e noot, 128e rust, 256e rust. In the unlikely case someone would prefer to wri

Re: Suppressing key signature for transposed parts

2007-10-24 Thread Alard de Boer
On 24/10/2007, Nick Didkovsky <[EMAIL PROTECTED]> wrote: > Hello Lilypond users > > I want to extract a Bb trumpet part from a concert score. The score is > not really in a key signature (atonal music, not c major), so I do not > want a key signature in the extracted part. > I see that as long as n

Re: Take the Grand Documentation Project challenge!

2007-10-22 Thread Alard de Boer
On 17/10/2007, Graham Percival <[EMAIL PROTECTED]> wrote: > I am calling for people to pledge time towards improving the > LilyPond documentation. This pledge is valid until the end of > 2007. We'll re-evaluate how things look in Jan 2008. > > Recommended donation: 1 hour per week. Hi Graham, A

Re: Creating music with Scheme - can this be done in a simpler way?

2007-07-21 Thread Alard de Boer
On 11/07/07, Neil Puttock <[EMAIL PROTECTED]> wrote: > Hi Neil, > > Thanks for your solution! It works fine on its own, but I'm having > trouble using it for something like > > \applyMusic #transform { > << \pedalMotif { c } { s4-\< s2. s4-\! } >> > } > > which fails to compile: >

Re: Creating music with Scheme - can this be done in a simpler way?

2007-07-11 Thread Alard de Boer
On 09/07/07, Neil Puttock <[EMAIL PROTECTED]> wrote: Oops! What I really meant is this: pedalMotif = \transpose c c' { \times 2/3 { c8 c c } c4 c c8[ c] c4 } { \clef bass \time 5/4 \applyMusic #transform { \pedalMotif { g, } \pedalMotif { c } } } ;) Hi Neil, Than

Creating music with Scheme - can this be done in a simpler way?

2007-07-09 Thread Alard de Boer
Hello list, I've been working on an arrangement of Mars (from The Planets by Gustav Holst), which contains many occurrences of the following rhythm: \times 2/3 { c8 c c } c4 c4 c8 c8 c4 at various pitches. For this, I tried to create a music function that takes a pitch and creates this sequence

Re: [Editor OT] Finding the Unicode values of Japanese kanji?

2007-03-15 Thread Alard de Boer
On 15/03/07, Trevor Bača <[EMAIL PROTECTED]> wrote: Question: does anyone know an online resource where I can type in, for example, each of the characters in 通常の位置, one by one, and get back Unicode sequences for each? Googling brings back some hopeful sites, but I can't quite get any of them to

Re: subdivideBeams behaviour

2007-01-20 Thread Alard de Boer
On 17/01/07, Alard de Boer <[EMAIL PROTECTED]> wrote: Hello list, Does anyone know how subdivideBeams is supposed to work with automatic beaming? I haven't seen any replies to this message I sent a couple of days ago. Using subdivideBeams with manual beaming, as explained in 6

subdivideBeams behaviour

2007-01-17 Thread Alard de Boer
Hello list, Using subdivideBeams with manual beaming, as explained in 6.5.6 in the manual, works fine. However, using it with automatic beaming with the LilyPond code below, results in the attached output, which has two problems: 1) The last beam of the first measure is subdivided; a workaround

Re: So much for 2.8.5-1 solving problems

2006-07-03 Thread Alard de Boer
On 03/07/06, [EMAIL PROTECTED] <[EMAIL PROTECTED]> wrote: Terminal: [EMAIL PROTECTED]:~/Lilypond> sh lilypond-X.Y.Z.linux.sh sh: lilypond-X.Y.Z.linux.sh: No such file or directory [EMAIL PROTECTED]:~/Lilypond> ls lilypond-2.8.5-1.linux.sh [EMAIL PROTECTED]:~/Lilypond> lilypond-2.8.5-1.linux.sh ba