Hello Mike,
Guile 1 to Guile 2 did change some syntax and some mechanics, which means that
guile code must be reworked for guile 2 and using guile 2 makes the program
much slower. There is ongoing long time effort to port Lilypond to guile 2 and
eventually 3 which does make progress, but for th
Greetings. This is intended primarily for the folks who build packages for
FreeBSD.
I recently installed the current LilyPond on FreeBSD 12, using the pkg command
to install a precompiled set of binaries and other files. One of the
prerequisites was GNU Guile V1. I had some other packages insta
Hello Aaron;
Thank you so much. It works!
Ken
On Mon, Dec 20, 2021 at 4:00 PM Aaron Hill wrote:
>
> On 2021-12-20 3:48 pm, Kenneth Wolcott wrote:
> > Hi;
> >
> > How to get huge text (ie: "To Coda") above a volta bracket?
>
> Set outside-staff-priority as needed. The default for
> VoltaBr
Hello Jean!
That is a nice solution, but it has some issues. For one thing this will case
problem if we have a Script on a skip that is used for something like spacing
a markup (resulting in a compile error if a skip has both a script and for
example a markup). I rather suggest to perform the c
On 2021-12-20 3:48 pm, Kenneth Wolcott wrote:
Hi;
How to get huge text (ie: "To Coda") above a volta bracket?
Set outside-staff-priority as needed. The default for
VoltaBracketSpanner is 600.
\repeat volta 2 { b'4 a' g'2 }
\alternative { { a'4 b' a'2 }
{ fis'1
-\tweak outside-staf
Hi;
How to get huge text (ie: "To Coda") above a volta bracket?
Thanks,
Ken Wolcott
Thank you!
I used \fontsize #5; it works great!
On Mon, Dec 20, 2021 at 3:29 PM Valentin Petzel wrote:
>
> Hello Kenneth,
>
> You can use markup commands like \larger (font size +1), \large (font size 1),
> \huge (font size 2) or directly \fontsize #number text.
>
> The advantage of \larger is t
Hello Kenneth,
You can use markup commands like \larger (font size +1), \large (font size 1),
\huge (font size 2) or directly \fontsize #number text.
The advantage of \larger is that it is relative to the previous size.
Cheers,
Valentin
Am Dienstag, 21. Dezember 2021, 00:12:17 CET schrieb Kenn
Hello David,
It’s not very complicated: The old behaviour uses one Mark_engraver to handle
mark events and place marks. The new behaviour has the
Mark_tracking_translator which handles the mark events and decides to whether
to have the Mark_engraver create a mark.
So when the Mark_engraver is
On Mon, 2021-12-20 at 18:20 +0100, Jean Abou Samra wrote:
> Le 20/12/2021 à 16:18, David Sumbler a écrit :
> > I set a piece a while ago using Lilypond 2.19.48. It consists of 2
> > staves, and I used \mark for some annotations that I wanted to
> > appear above or on barlines - mostly the "crotch
Hello Leo,
Maybe something like this? Here we create a time table of articulations, and
then apply these articulations on music. This method does only handle flat
music for now. If there are nested constructs of consecutive music we’d need
to modify the function to basically walk the full music
Thanks a lot!
It’s a perfect solution for the typesetting, but I wonder if it would be
possible to process them earlier, so I could have them work with the articulate
script or at least consistently affect midi playback.
Best wishes
/Leo
> 20 dec. 2021 kl. 23:36 skrev Jean Abou Samra :
>
>
Hi;
I know how to engrave small directives (such as "rit.", "dim.", etc;
but I don't know how to create huge text directives like "To Coda" and
"D.S. al Coda".
Le 20/12/2021 à 22:28, Leo Correia de Verdier a écrit :
Dear list!
Could you help me with a clever way to copy/clone the articulations from
simultaneous notes in one sequential expression to another?
So that I could for instance enter the total articulations of a phrase as
\version "2.23.3"
<
Dear list!
Could you help me with a clever way to copy/clone the articulations from
simultaneous notes in one sequential expression to another?
So that I could for instance enter the total articulations of a phrase as
\version "2.23.3"
<<
\new RhythmicStaff \with { \override Script.Y-offset =
Hi Christian;
AWESOME! Thank you very much!
Ken
On Mon, Dec 20, 2021 at 12:44 PM Christian wrote:
>
> Hi Kenneth!
>
> You might just wanna try:
> \partial 16*5
>
> All the best,
> Christian
>
> Am Mo., 20. Dez. 2021 um 21:22 Uhr schrieb Kenneth Wolcott
> :
>>
>> Hi;
>>
>> I'm engraving a
Hi Kenneth!
You might just wanna try:
\partial 16*5
All the best,
Christian
Am Mo., 20. Dez. 2021 um 21:22 Uhr schrieb Kenneth Wolcott <
kennethwolc...@gmail.com>:
> Hi;
>
> I'm engraving a piece in 4/4 which has a partial of one sixteenth
> note, followed by a dotted eighth and another sixte
Hi;
I'm engraving a piece in 4/4 which has a partial of one sixteenth
note, followed by a dotted eighth and another sixteenth note.
How to engrave this?
My sloppy workaround was to use spacer notes (s2 s8.) to proceed the
aforementioned which completes the measure, but looks awful :-)
Thanks,
Le 20/12/2021 à 16:18, David Sumbler a écrit :
I set a piece a while ago using Lilypond 2.19.48. It consists of 2
staves, and I used \mark for some annotations that I wanted to appear
above or on barlines - mostly the "crotchet - dotted crotchet" type of
thing. Sometimes these only applied
I set a piece a while ago using Lilypond 2.19.48. It consists of 2
staves, and I used \mark for some annotations that I wanted to appear
above or on barlines - mostly the "crotchet - dotted crotchet" type of
thing. Sometimes these only applied to one of the staves, so I would
specify the mark in
20 matches
Mail list logo
