Sorry, that version didn't have Chas on it!
Here's the one with guitar
https://soundcloud.com/david-elaine-alt/goat-on-the-tracks
Elaine Alt
415 . 341 .4954 "*Confusion is
highly underrated*"
ela...@flaminghakama.com
Producer ~ Composer ~ Instrumentalist
On Fri, Jun 4, 2021 at 5:46 PM Aaron Hill wrote:
> On 2021-06-04 5:28 pm, Flaming Hakama by Elaine wrote:
> > However, there is one other Nashville rule that would need to be
> > accommodated, which is that for minor, the numbers still follow the
> > relative major.
> >
> > So, for a song in A mi
On 2021-06-04 5:28 pm, Flaming Hakama by Elaine wrote:
However, there is one other Nashville rule that would need to be
accommodated, which is that for minor, the numbers still follow the
relative major.
So, for a song in A minor that goes A- D- A- E7 A- it is not 1- 4- 1-
57 1-
as you might e
Hi all,
I am trying to engrave a turn with a flat above it, all under a slur.
I can't seem to get it no matter what I try. Here is a fairly minimal
example:
%%%
\version "2.22.1"
\language "english"
\relative c'' {
\key ef \major
\time 12/8
\partial 8 bf8( |
g'4
\once \override TextSc
Hello Amy,
I’d need a sample in both Nashville and standard notation to see what would
have to be done.
JM
> Le 4 juin 2021 à 21:04, Amelie Protscher a écrit :
>
> Hi Elaine, Jacques,
>
> indeed the Jianpu system is somewhat similar, so some routines could
> probably be taken from there.
>
Hi Elaine, Jacques,
indeed the Jianpu system is somewhat similar, so some routines could
probably be taken from there.
Regarding the Nashville system, the ruleset is as follows:
FORMAL:
Key, time signature, feel, tempo, and title are stated on top of chart.
Every section gets a new line, with
> -- Forwarded message --
> From: Amelie Protscher
> To: lilypond-user
> Cc:
> Bcc:
> Date: Thu, 3 Jun 2021 08:58:27 +0200
> Subject: Nashville Number System, again
> Hi all,
>
> in 2015 we had a discussion on this list if and how Lilypond should
> support output of chord changes
Hi Paul,
This works
for what you are after I believe.
musicB = {
\new PianoStaff <<
{ \new Staff = "right" {
\override Staff.StaffSymbol.color = #blue
c'1-\markup "blue"
\stopStaff \override Staff.StaffSymbol.color = #magenta
\startS
At 20:26 03/06/2021 +0200, Hans Aikema wrote:
Ah you're right on that, overlooked the first entry. But fairly
certain that the statement on not interpreting the wildcard holds
(It's a difference between Windows and shells like bash that is
often overlooked - in bash the shell takes care of expa
Hi Paul,
Am 04.06.21 um 16:36 schrieb Paul McKay:
I am working on some Haydn piano music and want to distinguish between
urtext and my version music. (I plan to write out the variations I use
when I repeat.) A neat way to do it would be to change the colour of
the staff lines. I can't find a w
Hi
I am working on some Haydn piano music and want to distinguish between
urtext and my version music. (I plan to write out the variations I use when
I repeat.) A neat way to do it would be to change the colour of the staff
lines. I can't find a way that works. I can change the colour easily enough
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