Hi all,
in 2015 we had a discussion on this list if and how Lilypond should
support output of chord changes in the (relative-root) Nashville Number
System. A few hacks have been proposed for the harmonic component of
this type of notation, however, noone dared tackle the rhythmic markings.
I'm no
> On 3 Jun 2021, at 02:34, JxStarks wrote:
>
>
> Some progress (cheers!):
> Re-naming the file to convert-ly.py enabled my system to treat it like an
> executable file. However, now it says it can't open the files:
> ===
> C:\Users\Jerry\Documents\RPC\Music\Christmas>convert-ly.py -e *.ly
>
Some progress (cheers!):
Re-naming the file to convert-ly.py enabled my system to treat it like an
executable file. However, now it says it can't open the files:
===
C:\Users\Jerry\Documents\RPC\Music\Christmas>convert-ly.py -e *.ly
convert-ly.py (GNU LilyPond) 2.22.1
convert-ly.py: error: *.ly: U
I am having 10 midi files now activated, but they don't have the name of
the song or anything - so it is rather hard to figure out which is
which. I am working in Frescobaldi and have the drop down window with
the midi files.
Is there an easy way that one can name the files so I can easily find
After some hours testing and printing out on my ink printer, this is the
colors I have landed on for now. Adjusted and tuned and all.
All colors and notes should now be easy to distinguished :) Here is the
whole file for now for colors, the colors can be seen by itself as there
are some notes ac
Hi Aaron,
of course it can. I should have put it in the example. But the question
aims to if there is a \partCombine setting that considers (and prevents)
the frequent alternation of "a2" and two voice passages. Something like «If
the "a2" passage lasts for less than (so to speak) 5 notes, then us
On 2021-06-02 1:21 pm, Federico Sarudiansky wrote:
Hi,
I have a question regarding \partCombine.
Consider the following example:
[...]
Is there a way to produce something like the third staff (except for
the
double forte) using only \partCombine? I.e. something like setting a
mininum "a2" l
Is this something like what you’re looking for?
%%
\version "2.22.1"
\new Score
\new PianoStaff
<<
\new Staff << {c''2 b'4 a' g'1} \\ {e'2. f'4 e'2 d'} >>
\new Staff << {\clef bass g2. a8 b c'2 b} \\ {c4 e2 d4 g1} >>
>>
\layout {
\context {
\Voice
\override NoteHead.before-line-bre
I want to change all half-notes in an existing score to look like quarter
note with no stem.
Everything else should remain unchanged.
Is there a way to do this without editing every occurrence?
Thanks.
Hi,
I have a question regarding \partCombine.
Consider the following example:
\version "2.22.1"
uno = {c''4\f 4 4 4 4 4 4 4 }
dos = {c''4\f c' c'' c' c'' c' c'' c' }
\score {
<<
\new Staff { \partCombine {\uno \uno} {\dos \uno} }
\new Staff { \partCombine #'(1 . 10) {\uno \uno} {\dos \un
Hi Lucas,
I would like to thank you again. The NullVoice advice has been most
valable. In the meantime I have written a couple of other songs, where
NullVoice spared me much work.
This advice is highly appreciated.
Thanks again.
Best Bernhard
Am 23.05.2021 um 15:33 schrieb Lukas-Fabian Moser:
On Wed, 2 Jun 2021 at 20:11, wrote:
>
> Is there a way to make a markup line so I can divide the music pieces?
> Just some sort of line will do.
>
> Well I guess I could do a markup like and make a line line
> ---
>
> But if there is a way ma
okay I have made this:
\markup { \vspace #0.1 }
\markup { \bold \with-color #grey
{---}}
\markup { \vspace #0 }
Which seems to work, at least for now. can
Is there a way to make a markup line so I can divide the music pieces?
Just some sort of line will do.
Well I guess I could do a markup like and make a line line
---
But if there is a way make a full line that would be nice :)
Dearly re
Hey all, still working and using Lilypond with Frescobaldi - moving
forward little by little and having lots of projects overall with it.
But I was thinking, is there a way to move those note guards at the end
of the staff to the left? the tail is outside the guard and I kinda want
them to be in
Thanks David!
I did not know I could use any markup with lyrics and somehow failed to see
that with *\lyricmode* I can specify a duration for each lyric item.
Thanks a lot!
I just did one small adjustment to your proposal:
<<
\new Staff \relative {
c'4 r 2 | r4 d2 r4 | e1 |
}
\new Lyric
Apparently I send the emails to the wrong subject, sorry about that...
I am not good with these email things. :/
- Darkijah
Hi Stéphane,
On Wed, Jun 2, 2021 at 8:02 AM Stéphane SOPPERA
wrote:
> Hi,
>
> This is my first post here and I hope this question has not already been
> answered.
>
> I want to add harmonic analysis under my scores, something like that:
> [image: Screenshot from 2021-06-02 14-55-24.png]
> To ach
Hi,
This is my first post here and I hope this question has not already been
answered.
I want to add harmonic analysis under my scores, something like that:
[image: Screenshot from 2021-06-02 14-55-24.png]
To achieve that I have used the script at the bottom of this mail.
Something I had to do to
> "bob" == bobroff@centrum is writes:
bob> For different output in score vs part you can use tags.
bob>
http://lilypond.org/doc/v2.18/Documentation/notation/different-editions-from-one-source.html
You can also create a 'global' music to put in parallel with each
part. E.g.,
\version "2.2
For different output in score vs part you can use tags.
http://lilypond.org/doc/v2.18/Documentation/notation/different-editions-from-one-source.html
-David
- Jenifer Tribe wrote:
> It is often useful to create a score and individual parts.
>
> Sometimes you need to mark up a point in each
It is often useful to create a score and individual parts.
Sometimes you need to mark up a point in each part, but not to repeat that in
each part within the score. And perhaps less often, vice versa. (eg where a
change of key or time signature appears at different points in the parts).
The easi
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