Hi Paolo,
How about:
breatheWithFermata = #(define-music-function (parser location offs)
(number?)
#{
\override BreathingSign.Y-offset = $offs
\override BreathingSign.text = \markup {
\override #'(baseline-skip . 1)
\center-column {
\musicglyph #"scripts.ufermata"
\abs-font
Hello,
I'm trying to create a breath with a fermata (quite common in contemporary
music).
Here is what I tried:
%
breatheWithFermata = #(define-music-function (parser location offs)
(number?)
#{
\override BreathingSign.Y-offset = $offs
\override BreathingSign.text = \markup {
\c
>
> On 6/7/20 9:26 AM, Rutger Hofman wrote:
> > My first attempt is here:
> >
> > https://www.rutgerhofman.nl/lilypond/divisi-doc/divisi-doc.html
> >
>
Thank you for sharing this, Rutger - I'm looking forward to reading in more
detail as soon as I have a chance.
Best, David
>
turned out to keep -> turned out hard to keep
Sorry.
Rutger
On 6/7/20 9:26 AM, Rutger Hofman wrote:
Well, it turned out to keep that tutorial short. Still, I think it will
have its use, since questions about temp staves/divisi turn up at
regular intervals.
My first attempt is here:
https:/
On Sun, Jun 7, 2020 at 4:16 PM Martin Neubauer wrote:
>
> Try:
> \override Hairpin.to-barline = ##f
>
>
>
Thank you, it solved all
Try:
\override Hairpin.to-barline = ##f
(http://lilypond.org/doc/v2.21/Documentation/notation/expressive-marks-attached-to-notes)
On 07/06/2020 16:00, Paolo Prete wrote:
> Hello,
>
> As you can see in the following example, a hairpin is not connected to its
> final dynamic if this dynamic is at
There are two different issues here: Firstly, the oll package defaults
to "serif"/"sans-serif"/"monospace" which are the lilypond defaults
onlky for the svg backend. Stealing from scm/fonts.scm (in the lilypond
distribution) suggest the following changes that indeed seem to use the
proper fonts:
d
Hello,
As you can see in the following example, a hairpin is not connected to its
final dynamic if this dynamic is at the beginning of a measure, but it
stops at the end ot the previous measure:
{ c'\pp\< c' c' c' c'\f r2. \break r1 }
I'm not sure that this default is the proper one in common no
Oh sorry, I so inattentive! Now I understood you.
07.06.2020 14:51, David Kastrup пишет:
While I am unsure that I guess your meaning correctly from this somewhat
jumbled sentence, I repeat: e'4) is essentially the same as 4) which
is different from 4
Павел writes:
> 07.06.2020 14:16, Павел пишет:
>> Thank you for deep explanation!
>>
>> Yes, this is complicated way but it can be useful in some cases.
>>
>> 07.06.2020 12:25, David Kastrup пишет:
>>> Павел writes:
>>>
See these two examples. They are almost same except angle brackets. In
Small clause: you said "e'4) is essentially the same as 4)". But
according to your explanation it is essentially the different as 4),
but in most practical cases they behave same.
07.06.2020 14:16, Павел пишет:
Thank you for deep explanation!
Yes, this is complicated way but it can be useful
Small clause: you said "e'4) is essentially the same as 4)". But
according to your explanation it is essentially the different as 4),
but in most practical cases they behave same.
07.06.2020 14:16, Павел пишет:
is essentially the same
Thank you for deep explanation!
Yes, this is complicated way but it can be useful in some cases.
07.06.2020 12:25, David Kastrup пишет:
Павел writes:
See these two examples. They are almost same except angle brackets. In
first example slur behaves correctly, but in second does not.
\version
Павел writes:
> See these two examples. They are almost same except angle brackets. In
> first example slur behaves correctly, but in second does not.
>
> \version "2.20.0"
> {
> \new Voice = "first" { g'8 f'( }
> \context Voice = "first" << 4 >>
> \new Voice = "second" { g'8 f'( }
>
Vaughan McAlley writes:
> Hi,
>
> Setting the beat structure for beam subdivision seems to persist through
> time signature changes. I think it would be preferable to reset everything
> at a change of time signature, just like what happens to
> beamExceptions.
Which is what happens. It's just t
See these two examples. They are almost same except angle brackets. In
first example slur behaves correctly, but in second does not.
\version "2.20.0"
{
\new Voice = "first" { g'8 f'( }
\context Voice = "first" << 4 >>
\new Voice = "second" { g'8 f'( }
\context Voice = "second"
Well, it turned out to keep that tutorial short. Still, I think it will
have its use, since questions about temp staves/divisi turn up at
regular intervals.
My first attempt is here:
https://www.rutgerhofman.nl/lilypond/divisi-doc/divisi-doc.html
Please, have a look, say what you (don't) like
On 6/2/20 8:24 PM, Valentin Villenave wrote:
[snip]
I would of course never urge anybody to get an IMSLP membership :-), but
the fee is (un)reasonably small (a few collaboration actions for IMSLP
would already suffice).
Are you spared the waiting time as an IMSLP contributor? I know I’m not
18 matches
Mail list logo
