Hi Andrew,
> With his music changing time signature sometimes every bar, I am utterly
> unable to achieve what he wants. The requirement is simple - fixed width bars
> of a specified size.
Does the fixed width include all prefatory material? e.g., if a measure
included a TimeSignature and a Ke
Hi Stefano,
I work extensively with a New Complexity School composer whose work I
engrave. I disagree with one of his major concepts, which is that the
bars should be 3.0 cm wide and represent one second of music. He's
really insistent on this. Personally I don't believe this helps the
musici
I didn't fail to notice the crickets chirping, but I'm hoping someone
can steer me in the right direction.
What I want is to define the way a given measure of music looks
throughout the piece. In other words, I would like the width of the
bar should be identical regardless of whatever else is goi
Dan Eble writes:
> On Sep 14, 2019, at 17:15, David Kastrup wrote:
>>
>> Here is an example showing _slurs_. Are you telling me that the
>> many instances of two slurred A4 notes are to be sounded only once?
>> That would sound pretty awful, and this is a Bach urtext.
>
> Let’s not worry about
On Sep 14, 2019, at 17:15, David Kastrup wrote:
>
> Here is an example showing _slurs_. Are you telling me that the
> many instances of two slurred A4 notes are to be sounded only once?
> That would sound pretty awful, and this is a Bach urtext.
Let’s not worry about bariolage. Instead, let’s
On Sat, 14 Sep 2019, Karlin High wrote:
Wait, sorry, I probably misunderstood. In this example...
\version "2.19.83"
\score {
{ c'4( c'4) c'2 }
\layout { }
\midi { }
}
...the MIDI sounds as { c'4 c'4 c'2 }
But as performed, it would sound like { c'2 c'2 }
No. A slur is not a tie.
{
Karlin High writes:
> On 9/14/2019 2:45 PM, Karlin High wrote:
>> On 9/14/2019 2:40 PM, Dan Eble wrote:
>>> getting FluidSynth to avoid attacking each note in a slur when
>>> reading from a LilyPond-produced MIDI
>>
>> Would choice of sound font affect this?
>
> Wait, sorry, I probably misunderst
On 9/14/2019 4:10 PM, Martin Tarenskeen wrote:
No. A slur is not a tie.
I stand corrected. Thanks!
--
Karlin High
Missouri, USA
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On 9/14/2019 2:45 PM, Karlin High wrote:
On 9/14/2019 2:40 PM, Dan Eble wrote:
getting FluidSynth to avoid attacking each note in a slur when reading
from a LilyPond-produced MIDI
Would choice of sound font affect this?
Wait, sorry, I probably misunderstood. In this example...
\version "2.1
Dan Eble writes:
> If anyone has had success getting FluidSynth to avoid attacking each
> note in a slur when reading from a LilyPond-produced MIDI, I would be
> grateful to learn how to do it.
Why shouldn't it do that? Slurs affect where the previous note ends,
not where the next note starts.
On 9/14/2019 2:40 PM, Dan Eble wrote:
getting FluidSynth to avoid attacking each note in a slur when reading from a
LilyPond-produced MIDI
Would choice of sound font affect this?
--
Karlin High
Missouri, USA
___
lilypond-user mailing list
lilypond-u
If anyone has had success getting FluidSynth to avoid attacking each note in a
slur when reading from a LilyPond-produced MIDI, I would be grateful to learn
how to do it.
If you know that it is impossible, I would be grateful to learn what is
lacking. (Speak as technically as you like.)
Thank
Hi Pierre,
> Not nice but works:
Yeah, I thought of that… =)
Really hoping to avoid it, if I can, since it would require a manual tweak for
every possible combination of key signature, time signature, bar line, etc.
It sure seems like there should be a way to “just tack it on to the end of the
Not nice but works:
%%% SNIPPET BEGINS
\version "2.19.83"
\include "arrows.ily"
#(define-markup-command (arrow-at-angle layout props angle-deg) (number?)
(let* ((PI-OVER-180 (/ (atan 1 1) 34))
(degrees->radians (lambda (degrees) (* degrees PI-OVER-180)))
(angle-rad (degree
p.s.
> It works fine… but I was wondering if I reinvented the wheel (or invented a
> suboptimal wheel).
One example of suboptimal outcome: any LyricExtender (and probably
LyricHyphen?) which continues from the previous system isn’t affected by my
music function (and thus needs to be separately
Hi David,
>> I want to tweak [extra-offset] a whole line in a Lyrics context.
>> There are (potentially) multiple grobs involved: LyricText,
>> LyricHyphen, LyricExtender, LyricSpace, and StanzaNumber.
>>
>> Is there already an existing function/tweak I can use to move
>> everything at once, or d
David,Braille music has alterations and all elements needed do indicate what is to be played, as well as specific repetition devices to avoid having to read again a fragment that was present before.There’s also a clef indication, to simplify communication with sighted musicians. It is optional, sin
Hi all,
In the following snippet, I’ve built my preferred markup to indicate that a
shared choral staff (e.g., sopranos & altos) splits across the system break
into two independent staves (e.g., a soprano staff and an alto staff). As you
can see, it fails when there are extra prefatory items.
Kieren MacMillan writes:
> Hi all,
>
> I want to tweak [extra-offset] a whole line in a Lyrics context.
> There are (potentially) multiple grobs involved: LyricText,
> LyricHyphen, LyricExtender, LyricSpace, and StanzaNumber.
>
> Is there already an existing function/tweak I can use to move
> eve
Hi Kieren,
Maybe:
\layout {
\context {
\Lyrics
\override LyricText.self-alignment-X = -5
}
}
HTH,
Cheers,
Pierre
Le sam. 14 sept. 2019 à 16:45, Kieren MacMillan <
kieren_macmil...@sympatico.ca> a écrit :
> Hi all,
>
> I want to tweak [extra-offset] a whole line in a Lyrics context.
Hi all,
I want to tweak [extra-offset] a whole line in a Lyrics context.
There are (potentially) multiple grobs involved: LyricText, LyricHyphen,
LyricExtender, LyricSpace, and StanzaNumber.
Is there already an existing function/tweak I can use to move everything at
once, or do I need to add my
On Sat, 14 Sep 2019 at 23:38, Karlin High wrote:
>
> On 9/14/2019 8:32 AM, David Kastrup wrote:
> > That's not "learning by ear" but "playing by ear".
>
> Ah, I can only imagine...
>
> "Here's a recording of the Tallis Scholars doing 'Spem In Alium.' Your
> job is to lean the Baritone 6 part from
On 9/14/2019 8:32 AM, David Kastrup wrote:
That's not "learning by ear" but "playing by ear".
Ah, I can only imagine...
"Here's a recording of the Tallis Scholars doing 'Spem In Alium.' Your
job is to lean the Baritone 6 part from it. Go."
--
Karlin High
Missouri, USA
__
Wols Lists writes:
> On 14/09/19 10:50, David Kastrup wrote:
>> Also I would imagine that learning by ear is pretty tricky for ensemble
>> rather than solo work.
>
> Probably no harder than anything else ... I'm bad at remembering stuff,
> but years ago I was told I had to learn a piece by heart
On 13/09/2019 21:03, Karlin High wrote:
> On 9/13/2019 2:52 PM, Hwaen Ch'uqi wrote:
>> But I wonder if, now 200 years later, some of
>> that bulk could be streamlined.
>
> Here is a thread from November 2017, with a new user introduction from
> Daniel Chavez. A blind musician using LilyPond to mak
On 14/09/19 10:50, David Kastrup wrote:
> Also I would imagine that learning by ear is pretty tricky for ensemble
> rather than solo work.
Probably no harder than anything else ... I'm bad at remembering stuff,
but years ago I was told I had to learn a piece by heart because we were
playing on st
Dirk Koopman writes:
> There is something called "Music Braille", invented by the man
> himself. But, I am reliably informed by an ex-chairman of the RNIB (a
> fine tenor) that it really is too much trouble to use because it is a)
> verbose b) requires a spare hand that would otherwise be playing
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