>> OK, I was asking because I have written a static command line HTML
>> site generator that builds from HTML, Markdown, reStruturedText,
>> Textile, Plain Text (.txt), and Microsoft Word (.docx).
>>
>> http://jmroper.com/blended
>
> I am not convinced that that changing our HTML generation is in
> > > So my question is: is there any good reason why Lilypond still does
> > > not allow multiple marks or tempo markings?
>
I can't answer that, but here's a way to get a rehearsal mark and a tempo
mark at the same point in time, using an empty chord:
\version "2.19.15"
{
R1
\mark
<
I would like to align all dynamics within each system with just enough
padding to avoid collisions. I could do this by using
\override DynamicLineSpanner.staff-padding = #x
at the beginning of each system, but if I do anything that changes the
location of system breaks I'll have to start over. Is
On 06/02/17 11:07, David Sumbler wrote:
> I am unclear about what you mean by an "ordinary mark". The
> implication of what you say seems to be that a RehearsalMark and an
> "ordinary mark" can be anchored to the same barline - which sounds just
> like what I am trying to do.
I mean that the code
On Fri, Feb 03, 2017 at 05:31:20AM -0500, John Roper wrote:
> OK, I was asking because I have written a static command line HTML site
> generator that builds from HTML, Markdown, reStruturedText, Textile, Plain
> Text (.txt), and Microsoft Word (.docx).
>
> http://jmroper.com/blended
I am not c
Hi all,
if I override a Tie/Slur's stencil I can easily (well, now, after your
help ...) get to the note columns at both ends.
Is it possible to retrieve a list of all objects *between* those ends too?
Concretely I would like to know if there are ties within a slurred
phrase and to determine peak
On Sat, 2017-02-04 at 15:48 +, Wols Lists wrote:
> On 04/02/17 14:10, David Sumbler wrote:
> >
> > So my question is: is there any good reason why Lilypond still does
> > not allow multiple marks or tempo markings?
> Probably because the underlying code makes it very tricky.
I feared that tha
Bernardo Barros writes:
> https://www.fsf.org/bulletin/2016/fall/so-heres-the-thing-free-software-isnt-cool
Well, the GPL is about staying in control. Of course that isn't cool
compared to the hippies lacing Apples with BSD as if there was no
tomorrow.
--
David Kastrup
__
https://www.fsf.org/bulletin/2016/fall/so-heres-the-thing-free-software-isnt-cool
___
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https://lists.gnu.org/mailman/listinfo/lilypond-user
Urs Liska schrieb am Mo., 6. Feb. 2017 um 10:28 Uhr:
> Am 06.02.2017 um 10:22 schrieb Hendrik Fuß:
>
> How can I make the clef appear behind the staff lines?
>
>
> \override Staff.Clef.layer = -1
>
>
Works, thanks!
> Although in my opinion this doesn't look better.
>
Yeah, I know what you mean
Am 06.02.2017 um 10:22 schrieb Hendrik Fuß:
> In this snippet for an educational music sheet
>
> \score {
> \new Staff \with {
> \remove "Time_signature_engraver"
> }{
> \override Staff.Clef.color = #(x11-color 'grey80)
> s1
> }
> }
>
> the grey clef overprints the staff lines, which does not loo
In this snippet for an educational music sheet
\score {
\new Staff \with {
\remove "Time_signature_engraver"
}{
\override Staff.Clef.color = #(x11-color 'grey80)
s1
}
}
the grey clef overprints the staff lines, which does not look good. How can
I make the clef appear behind the staff lines?
chee
I believe LilyPondBook creates each system independently then places them on
the page. As a result, system spacings set with LilyPond commands have no
effect.
--
Phil Holmes
- Original Message -
From: "Dr. Raphael D. Thöne"
To: Simon Albrecht
Cc: lilypond-user
Sent: Mond
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