> > > So my question is: is there any good reason why Lilypond still does > > > not allow multiple marks or tempo markings? >
I can't answer that, but here's a way to get a rehearsal mark and a tempo mark at the same point in time, using an empty chord: \version "2.19.15" { R1 \mark <>\tempo Allegro 4=120 R1 } > > But I think if you want multiple marks the obvious solution is to > > stack them in a column. > > That is an idea I hadn't thought of, and sounds like an excellent > suggestion. But after experimenting with it, I have not managed to > keep a fermata centred over the barline whilst having a longer text > mark left-aligned on or near the barline. So far, then, I can't see a > clear solution to what I wanted to do. > > David > Sounds like you want two marks next to each other, not in a column. So, just have two marks in the same markup. \version "2.19.15" { R1 \mark \markup { \fermata "Longer text mark" } R1 } To deal with alignment, you can use something like the following. This isn't killer, since the amount of extra-offset to get the fermata centered will depend on the size of your fermata; this is a manual adjustment, not auto-centering. \version "2.19.15" { R1 \override Score.RehearsalMark.self-alignment-X = #LEFT \override Score.RehearsalMark #'extra-offset = #'( -1.5 . 0 ) \mark \markup { \fermata "Longer text mark" } R1 } HTH, David Elaine Alt 415 . 341 .4954 "*Confusion is highly underrated*" ela...@flaminghakama.com self-immolation.info skype: flaming_hakama Producer ~ Composer ~ Instrumentalist -=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-
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