Don't fully see what you intend.
But yes, you can do that, both from shell and Python scripts.
If your script is executable you can call it like any other shell command or
program.
HTH
Urs
Am 17. November 2014 08:35:38 MEZ, schrieb Stefan Thomas
:
>Dear community,
>thanks to You, especially to
Dear community,
thanks to You, especially to Urs and Ed.
Both, the bash- and the python-script work very well and do their job.
I would like to ask one last question:
Can I execute also a script in my folder ~/bin/ , can I run a script in a
script?
___
li
> "Guy" == Guy Stalnaker writes:
Guy> Phil, That was what I found :-) But unless I'm mistaken, one must
Guy> use those directives for *every* time signature change. Thus if I
You can do it once for each time signature you're going to use.
\version "2.18.2"
\score {
<<
% Beam 4/4 at cro
> "Peter" == Peter Crighton writes:
Peter> Hello all, I’m in the process of creating sheets that only
Peter> contain lyrics and correctly aligned chords. (This belongs to
Peter> other sheets with music in them, otherwise LilyPond probably
Peter> wouldn’t be the ideal choice for this. But I w
Dear list,
In English, pronouncing the 'natural' in 'C-natural' is required if the note is
out-of-key. LilyPond does not consider the key when reading note-input, but
could easily accept 'cn' as a name for the pitch C-natural. There was a
feature request on the bug-list, that LilyPond do so.
Thanks Peter. I think I see a a method. Put these directives in my master
include in a variable and then put that variable in the \score sec--once and
done.
Excellent.
Gos I love this program and it's Legion of Masters :-)
Sent from my android device.
-Original Message-
From: pe..
Phil,
That was what I found :-) But unless I'm mistaken, one must use those
directives for *every* time signature change. Thus if I have shifting
?/4 meters, every time the meter changes I have to add the directives
because each ?/4 meter requires a different beat grouping. I know I
can create a V
- Original Message -
From: "Guy Stalnaker"
To: "lilypond-user Mailinglist"
Sent: Sunday, November 16, 2014 10:39 PM
Subject: Beaming on the quarter note
All,
I've done the search and found much of relevance, but nothing that
gives me what I want.
I'd like beaming restricted to quar
On Nov 16, 2014, at 12:25 PM, Patrick or Cynthia Karl wrote:
> I am using LilyPond 2.19.15 on a mac running OSX 10.10 (Yosemite).
>
> The following snippet (from section 2.7.2 Displaying Chords of the Notation
> Manual):
>
> \version "2.19.15"
>
> \new ChordNames {
> \chordmode {
>c2 f4.
All,
I've done the search and found much of relevance, but nothing that
gives me what I want.
I'd like beaming restricted to quarter-note groups for all meters I
may use in a score (4/4, 3/4, 5/4, 6/4). I'm not using triple meters
in this work so such is irrelevant to my purpose.
What's happenin
Thomas Morley-2 wrote
> I looked in the source:
> lily-library.scm
> paper.scm
>
> Though, I'm not an expert with this.
> For example, have a look at 'paper-variable' from lily-library.scm.
> You'll find a local 'get-papers'-variable, seems there is probably
> something more to think of.
> It's be
I am using LilyPond 2.19.15 on a mac running OSX 10.10 (Yosemite).
The following snippet (from section 2.7.2 Displaying Chords of the Notation
Manual):
\version "2.19.15"
\new ChordNames {
\chordmode {
c2 f4. g8
}
}
fails with the following in the log file:
Drawing systems...
Layout
014-11-16 18:41 GMT+01:00 Mike Solomon :
>
> > On Nov 16, 2014, at 7:29 PM, Patrick Hubers
> wrote:
> >
> > I'm having a situation where slurs and tuplet brackets are colliding.
> The strange thing is that the slur is placed closer to the notes when no
> tuplet is present, but with the tuplet the
> On Nov 16, 2014, at 7:29 PM, Patrick Hubers wrote:
>
> Hi,
>
> I'm having a situation where slurs and tuplet brackets are colliding. The
> strange thing is that the slur is placed closer to the notes when no tuplet
> is present, but with the tuplet the slur is placed higher from the notes,
Hi,
I'm having a situation where slurs and tuplet brackets are colliding.
The strange thing is that the slur is placed closer to the notes when no
tuplet is present, but with the tuplet the slur is placed higher from
the notes, ending up in a collision location.
Is there a way to have the sl
Hello all,
I’m in the process of creating sheets that only contain lyrics
and correctly aligned chords. (This belongs to other sheets with music in
them, otherwise LilyPond probably wouldn’t be the ideal choice for this.
But I want to do these all together in LilyPond.)
I have two approaches so fa
Am 16.11.2014 01:10, schrieb Noeck:
Hi Urs,
you once asked for nice fonts which come in several »degrees of
boldness«. You chose Minion Pro, if I remember correctly. I just found
»Vollkorn« which comes in 8 type faces: http://vollkorn-typeface.com
I let you decide how you like it – I would say
2014-11-16 16:31 GMT+01:00 Paul Morris :
> Thomas Morley-2 wrote
>> Hi Paul,
>>
>> maybe something at the lines of:
>>
>> my-paper-settings =
>> #'((system-system-spacing . (padding . 10))
>> ;(score-system-spacing . (padding . 0))
>> ;(markup-system-spacing . (padding . 0))
>> ;(score
Thomas Morley-2 wrote
> Hi Paul,
>
> maybe something at the lines of:
>
> my-paper-settings =
> #'((system-system-spacing . (padding . 10))
> ;(score-system-spacing . (padding . 0))
> ;(markup-system-spacing . (padding . 0))
> ;(score-markup-spacing . (padding . 0))
> ;(markup-ma
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