Hi all,
I need to have four short pieces arranged on the one landscape page in a
table-like manner - two rows and two columns. Is it possible?
Thanks
Milan
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Hello everybody !
I am working on a project involving a collection of songs and hymns,
and I wanted to make the files more "generic", based on the song
templates (i.e. verse-verse, verse-chorus...)
Ideally I would like at some point in my source file to have a music
function build the staves, and
Thomas Morley writes:
> 2013/4/5 Thomas Morley :
>> 2013/4/5 David Kastrup :
>>> Thomas Morley writes:
>>>
2013/4/4 David Kastrup :
>
> Regarding the "you can't have LilyPond figure out page breaking" angle:
> maybe
> http://code.google.com/p/lilypond/issues/detail?id=1
On Sat, Mar 30, 2013 at 10:48:59PM +0100, Mathieu Huiban wrote:
> Dear all,
>
> I was looking how to easily remove some notes at the beginning or at the
> end of music.
> Thanks to the wonderful \extractMusic script (thank you Gilles !), it can
> be done with a few lines.
>
> HTH,
>
> Mathieu
T
On Fri, 5 Apr 2013 22:05:24 +0200
Janek Warchoł wrote:
> 2013/4/5 Urs Liska :
> >
> > "Janek Warchoł" schrieb:
> >>hmm, i think that your email body got eaten.
> >>Janek
> >
> > Oops, you're right.
> > But before that happened I had asked whether you have included
> > that function in our Fried
2013/4/5 Urs Liska :
>
> "Janek Warchoł" schrieb:
>>hmm, i think that your email body got eaten.
>>Janek
>
> Oops, you're right.
> But before that happened I had asked whether you have included
> that function in our Fried library. Otherwise you should make a note
> to contribute it yourself to OL
"Janek Warchoł" schrieb:
>hmm, i think that your email body got eaten.
>Janek
Oops, you're right.
But before that happened I had asked whether you have included that function in
our Fried library. Otherwise you should make a note to contribute it yourself
to OLLib once we're ready for that
"Janek Warchoł" schrieb:
>Hi Werner,
>
>i'm performing some archeological research on emails that were sent
>during my absence and i found this one:
>
>2013/1/20 Werner LEMBERG :
>> what must I write to shorten an unbeamed stem by, say, one unit? A
>> naive approach would be
>>
>> \once \o
Hi Werner,
i'm performing some archeological research on emails that were sent
during my absence and i found this one:
2013/1/20 Werner LEMBERG :
> what must I write to shorten an unbeamed stem by, say, one unit? A
> naive approach would be
>
> \once \override Stem.length #(- ly:stem::calc-len
On 05/04/2013 14:12, "Phil Holmes" wrote:
>Thank you very much for your swift reply. I think your example B is
>similar in output to my example B' - it would be great to get a tie
>underneath instead of a slur\phrasing slur, so that the whole effect is
>more like that of example A. I suppose it's
Thank you very much for your swift reply. I think your example B is
similar in output to my example B' - it would be great to get a tie
underneath instead of a slur\phrasing slur, so that the whole effect is
more like that of example A. I suppose it's not vital, but Lilypond has
always proved so f
On 05/04/2013 13:36, "Thomas Morley" wrote:
>2013/4/5 Alex Voice :
>> Hi Lilypond Experts,
>>
>> In a piece of music I am currently engraving, the composer requests a
>> combination of dashed slur on the harmonic but solid tie on the base
>>note,
>> and in the following it works perfectly in exam
2013/4/5 Alex Voice :
> Hi Lilypond Experts,
>
> In a piece of music I am currently engraving, the composer requests a
> combination of dashed slur on the harmonic but solid tie on the base note,
> and in the following it works perfectly in example A, but in B (where the
> harmonic remains on the n
Eduardo Silva schrieb:
>
>
>
>
>From: Janek Warchoł
>Sent: April 4, 2013 11:55 AM
>To: Eduardo Silva
>Subject: Re: My return to Lilypond
>
>
>
>Hi,
>
>i was absent when you wrote this email, and i've read it just now.
>How did you fare?
>Unfortunately i cannot do much to promote yo
Hi Lilypond Experts,
In a piece of music I am currently engraving, the composer requests a
combination of dashed slur on the harmonic but solid tie on the base note,
and in the following it works perfectly in example A, but in B (where the
harmonic remains on the note d) one gets an extra solid ti
From: Janek Warchoł
Sent: April 4, 2013 11:55 AM
To: Eduardo Silva
Subject: Re: My return to Lilypond
Hi,
i was absent when you wrote this email, and i've read it just now.
How did you fare?
Unfortunately i cannot do much to promote your work, because in Poland
we rarely sing non
on 2013-04-05 at 00:58 ArnoldTheresius wrote:
> in the LSR "bold tenuto" (http://lsr.dsi.unimi.it/LSR/Item?id=858) you
> will find the exapmple of a global override of Script #stencil
great link, thank you, i hadn't checked the LSR.
i can't use this function in my case (at least i don't see ho
on 2013-04-05 at 00:50 Thomas Morley wrote:
> Quoting script-interface.cc:
>
> Stencil
> Script_interface::get_stencil (Grob *me, Direction d)
> {
> SCM s = me->get_property ("script-stencil");
> assert (scm_is_pair (s));
>
> SCM key = scm_car (s);
> if (key == ly_symbol2scm ("feta"))
>
2013/4/5 ArnoldTheresius :
> Thomas Morley wrote
>> 2013/4/4 luis jure <
>
>> ljc@.com
>
>> >:
>> ...
>>> 2.
>>>
>>> following harm's code, i learned to define articulations using a
>>> previously
>>> defined custom stencil, thus:
>>>
>>> (stencil . ,my-crazy-stil)
>>>
>>> what i can't figure out i
Thomas Morley wrote
> 2013/4/4 luis jure <
> ljc@.com
> >:
> ...
>> 2.
>>
>> following harm's code, i learned to define articulations using a
>> previously
>> defined custom stencil, thus:
>>
>> (stencil . ,my-crazy-stil)
>>
>> what i can't figure out is how can i define a pair of glyphs, to be u
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