I'm stuck on the last part of getting this working - the part that is
eluding me is getting a short vertical line drawn at the RH end of the
spanner. According the the Internals reference, UP = 1 and DOWN = -1,
and that works fine when I use the return value from the updown function
to set Text
David Kastrup writes:
> Shane Brandes writes:
>
>> The other question is purely musical. I have been working on a second
>> half 18th or early 19th century piece (prior to 1822) and keep running
>> across the dynamic marking "pf." I was wondering if anyone else has
>> seen the "pf" marking in a
Shane Brandes writes:
> The other question is purely musical. I have been working on a second
> half 18th or early 19th century piece (prior to 1822) and keep running
> across the dynamic marking "pf." I was wondering if anyone else has
> seen the "pf" marking in a piano score. Presumably it mean
Greetings all,
Can someone explain to me how to create a upprall trill spanner.
I tried using a text spanner like this
\relative c'' {
\set crescendoText = \markup { \musicglyph #"scripts.upprall" }
\set crescendoSpanner = #'text
\override DynamicTextSpanner #'style = #'trill
a2\< a2
Il 27/12/2012 22:40, Marc Hohl ha scritto:
313: 29* [ly:pitch-tones ...
313: 30* [list-ref (# # # ...) {7}]
translation-functions.scm: In procedure list-ref in expression
(list-ref tuning (1- string)):
translation-functions.scm: Argument 2 out of range: 7
It looks as if lilypond finds a call
Hello list members,
I have a number of LilyPond scores that I have put together in Kievan
square notation. I am interested in creating a utility (a script) that
would automatically convert between square notation and common (round)
notation.
The conversion itself would be fairly trivial -- for ex
Am 27.12.2012 22:31, schrieb Federico Bruni:
Hi
while transcribing a piece of music, I realized that it may work
better if written with a different rhythm, so I used the Frescobaldi
option which reduces the rhythms by an half. Then I removed all the
bar checks.
But I cannot compile this mod
Am 27.12.2012 18:55, schrieb David Kastrup:
Marc Hohl writes:
[...]
Any hints are highly welcome!
#(string-append ...) is a string.
Maybe you want something like
$(module-ref (current-module) (string->symbol ...))
or
$(ly:parser-lookup parser (string->symbol ...))
Not particularly fond
Hi
while transcribing a piece of music, I realized that it may work better
if written with a different rhythm, so I used the Frescobaldi option
which reduces the rhythms by an half. Then I removed all the bar checks.
But I cannot compile this modified file and I don't have a clue of the
reas
Marc Hohl writes:
> Hello list,
>
> I think this has been answered before, but I don't find it in the
> archives...
>
> Assume I have the following file scoretest.ly:
>
> \version "2.17.10"
>
> #(define opt-score (or (ly:get-option 'score) "Full"))
>
> musicA = \relative f {
> c''4 d e f | g1
>
Hello list,
I think this has been answered before, but I don't find it in the
archives...
Assume I have the following file scoretest.ly:
\version "2.17.10"
#(define opt-score (or (ly:get-option 'score) "Full"))
musicA = \relative f {
c''4 d e f | g1
}
musicB = \relative f {
c'4 b a f |
David Kastrup writes:
> You deleted my reference. I was responding to
>
Interesting suggestion. But there's also midi to take into account.
My point to mention this was that OP has two chord lines in a single
score, so which line to use for the midi chord?
Personally, I prefer two differe
Romel Anthony S. Bismonte writes:
> David Kastrup gnu.org> writes:
>>
>> Johan Vromans squirrel.nl> writes:
>>
>> > "Romel Anthony S. Bismonte" hotmail.com> writes:
>> >
>> >> I have two chord lines above my music line, and I was wondering how I
>> >> can mark the upper chord line as being "
David Kastrup gnu.org> writes:
>
> Johan Vromans squirrel.nl> writes:
>
> > "Romel Anthony S. Bismonte" hotmail.com> writes:
> >
> >> I have two chord lines above my music line, and I was wondering how I
> >> can mark the upper chord line as being "Capo 3" for the guitar. In
> >> lyr
Thomas Morley googlemail.com> writes:
> 2012/12/27 Romel Anthony S. Bismonte hotmail.com>:
>>I have two chord lines above my music line, and I was wondering how I can mark
>>the upper chord line as being "Capo 3" for the guitar. In lyrics, you can set
>>the "stanza" of a line--is there so
Johan Vromans writes:
> "Romel Anthony S. Bismonte" writes:
>
>> I have two chord lines above my music line, and I was wondering how I
>> can mark the upper chord line as being "Capo 3" for the guitar. In
>> lyrics, you can set the "stanza" of a line--is there something similar
>> to that?
>>
>>
2012/12/27 Paul Morris :
> Hi Harm,
>
> On Dec 26, 2012, at 7:13 AM, Thomas Morley
> wrote:
>
>> was a matter of $-signs again.
>> I uploaded a 2.14.2-version with some small changes.
>
> Ah, I should have known. :-) Thanks for making the needed changes.
>
>
>> Ofcourse the description and the
"Romel Anthony S. Bismonte" writes:
> I have two chord lines above my music line, and I was wondering how I
> can mark the upper chord line as being "Capo 3" for the guitar. In
> lyrics, you can set the "stanza" of a line--is there something similar
> to that?
>
> Something like:
>
> Capo 3: D
2012/12/27 Romel Anthony S. Bismonte :
> Hello,
>
>
>
> I have two chord lines above my music line, and I was wondering how I can mark
> the upper chord line as being "Capo 3" for the guitar. In lyrics, you can set
> the "stanza" of a line--is there something similar to that?
>
>
>
> Something like
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