On 21 nov. 2012, at 08:43, Michael Rivers wrote:
> As far as I know, Lilypond doesn't support Roman numeral analysis. I can't
> find it anywhere in the documentation, at least. Somebody please correct me
> if I'm wrong, because I would love to be able to do it.
>
> The snippet posted in the orig
As far as I know, Lilypond doesn't support Roman numeral analysis. I can't
find it anywhere in the documentation, at least. Somebody please correct me
if I'm wrong, because I would love to be able to do it.
The snippet posted in the original post doesn't work for me. I don't think
\rN is a real co
Eluze gmail.com> writes:
>
> Phil Burfitt wrote
> >
> > Has the behaviour of \hspace changed in any way? It does not seem to act
> > upon negative values anymore.
> >
It changed as part of the fix for this bug
http://code.google.com/p/lilypond/issues/detail?id=732
___
On Nov 20, 2012, at 10:22 PM, Eluze wrote:
> Phil Burfitt wrote
>> Hi,
>>
>> I have just upgraded from version 2.13.17 to 2.17.7.
>>
>> Has the behaviour of \hspace changed in any way? It does not seem to act
>> upon negative values anymore.
>>
>> example:
>>
>> \markup {
>>\override #'(
Curt Siffert wrote
> Hi, what is the easiest way to notate a
> V/V (probably looks just like that)
> viidim7/ii (a vii followed by a dim circle superscript and a 7
> superscript, then a slash then a ii)
> iim7b5/vi? (either m7b5 superscript, or a half-dim circle superscript,
> th
Phil Burfitt wrote
> Hi,
>
> I have just upgraded from version 2.13.17 to 2.17.7.
>
> Has the behaviour of \hspace changed in any way? It does not seem to act
> upon negative values anymore.
>
> example:
>
> \markup {
> \override #'(circle-padding . 0.55)
> \fontsize #-2.5 { "tune " \c
On Nov 20 AD 2012, at 12:54 PM, Phil Holmes wrote:
I only sing, but I find beamed notes more difficult to sing from -
the rhythm of the bars is less important to me than aligning the
syllable to the correct note.
I'm grateful for all the input from everyone. So now I can add my 2
cents:
Hi,
I have just upgraded from version 2.13.17 to 2.17.7.
Has the behaviour of \hspace changed in any way? It does not seem to act
upon negative values anymore.
example:
\markup {
\override #'(circle-padding . 0.55)
\fontsize #-2.5 { "tune " \circle 3 \hspace #-2 "to f #" }
}
now leave
- Original Message -
From: "Kieren MacMillan"
To: "Fr. Michael Gilmary, mma"
Cc:
Sent: Tuesday, November 20, 2012 5:12 PM
Subject: Re: lyrics to music
Hi!
when setting lyrics to music, is it ever acceptable to join eighth notes
across syllables or even across words?
As both sing
Hi!
> when setting lyrics to music, is it ever acceptable to join eighth notes
> across syllables or even across words?
As both singer and conductor, I can say without qualification that it is better
to join the beams (i.e., beam according to the beat structure, like every other
instrument). I
Hi Nathan,
great, thanks a lot!
--
Orm
Am Dienstag, den 20. November 2012 um 08:40:03 Uhr (-0800) schrieb Nathan:
>On Tue, Nov 20, 2012 at 6:06 AM, Orm Finnendahl
><[1]o.finnend...@inm.mh-freiburg.de> wrote:
>
> Hi,
>
> I'm trying to replace a notehead above the staff by an
On Tue, Nov 20, 2012 at 6:06 AM, Orm Finnendahl <
o.finnend...@inm.mh-freiburg.de> wrote:
> Hi,
>
> I'm trying to replace a notehead above the staff by an arrow
> indicating a very high pitch. Here is my code, resulting in the
> attached example png: [...]
>
Here are two solutions. The first one
Hi Jeffrey,
thanks, that kind of works, but the position of the articulation is
wrong for other pitches and doesn't seem to be relative to the
notehead's Y-position.
Does anybody know how to fix that?
--
Orm
Am Dienstag, den 20. November 2012 um 16:13:39 Uhr (+0100) schrieb Jeffrey
Trevino:
>
"Phil Holmes" writes:
> Even that's not the whole story. My edition of Handel's Messiah
> (Watkins Shaw) - music of the 18th century - has lots of beamed notes,
> where each note (despite the bean) has its own syllable.
Well, that is the style of the edition. Unless it is an Urtext, that is
no
- Original Message -
From: Reinhold Kainhofer
To: Fr. Michael Gilmary, mma
Cc: lilypond-user@gnu.org
Sent: Tuesday, November 20, 2012 3:41 PM
Subject: Re: lyrics to music
On 20/11/2012 16:25, Fr. Michael Gilmary, mma wrote:
Hi everybody:
Here's a general question that's bothered me f
On 20/11/2012 16:25, Fr. Michael Gilmary, mma wrote:
> Hi everybody:
>
> Here's a general question that's bothered me for some time ... because
> I'm not a musician or composer ---
>
> when setting lyrics to music, is it ever acceptable to join eighth
> notes across syllables or even across words?
It used to not done, in order to emphasize each individual word. Now, it's more
whatever the composer wants. There are no more hard and fast rules.
On Nov 20, 2012, at 4:25 PM, "Fr. Michael Gilmary, mma"
wrote:
> Hi everybody:
>
> Here's a general question that's bothered me for some time ...
Hi everybody:Here's a general question that's bothered me for some time ... because I'm not a musician or composer ---when setting lyrics to music, is it ever acceptable to join eighth notes across syllables or even across words? Here are a couple examples:I have been told by a reliable expert (hi
Hi Orm,
It might not be the best way to go, but one solution is to override the
Y-offset of the Script object. I added this override into "pfeilzwei" in
the code below, and it works just fine on my machine:
pfeileins = {
\once \override NoteHead #'stencil = #ly:text-interface::print
\once \o
Hi,
I'm trying to replace a notehead above the staff by an arrow
indicating a very high pitch. Here is my code, resulting in the
attached example png:
pfeileins = {
\once \override NoteHead #'stencil = #ly:text-interface::print
\once \override NoteHead #'stem-attachment = #'( 0.1 . 1 )
\o
Hi Harm,
I should have used the word "default" instead of just asking about what is
"normal." I meant to ask how to change the default behavior of
TrillPitchAccidental: With the code you have written, and the attributes I
find in the IR pages, I can suppress a natural sign if the pitch is natural
On Nov 19, 2012, at 4:41 AM, Nick Payne wrote:
> On 19/11/12 12:47, Paul wrote:
>> I would like to set my prall on the right-hand side of my note, rather
>> than above it. (Per Baroque organ scores.) Any ideas how to achieve
>> this?
>
> Adaptation of http://lsr.dsi.unimi.it/LSR/Item?id=690
>
Yes, that works perfectly. Thank you!
On 20 November 2012 12:08, Thomas Morley wrote:
> 2012/11/20 Gagi Petrovic :
> > Dear Ponders, i can't find how to change the placement of the
> tupletNumber
> > so that the text "sim." is placed under the "6" of my tuplet. See
> > attachment.
> >
> > When us
2012/11/20 Gagi Petrovic :
> Dear Ponders, i can't find how to change the placement of the tupletNumber
> so that the text "sim." is placed under the "6" of my tuplet. See
> attachment.
>
> When using
>
> \override TupletNumber #'X-offset = #10
>
> the text stays on top of the number. Any other way
Dear Ponders, i can't find how to change the placement of the tupletNumber
so that the text "sim." is placed under the "*6*" of my tuplet. See
attachment.
When using
*\override TupletNumber #'X-offset = #10*
the text stays on top of the number. Any other ways to tweak this?
Thank you and all th
2012/11/20 Jeffrey Trevino :
> Hi there,
>
> Is it normal for the pitched trill spanner to always display an accidental
> for its parenthesized pitch, even if the parenthesized pitch is natural and
> doesn't need one? Is there a way to override this? I'm finding it immensely
> frustrating to get at
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