On Wed, Mar 14, 2012 at 1:29 AM, Francisco Vila wrote:
> 2012/3/13 Tim Roberts :
>> Amen. There are people who tell me they can do data entry in Finale
>> quite efficiently using a MIDI keyboard, but for me, from a standard
>> computer keyboard, entering LilyPond data could not be more efficient.
Many thanks!
Francisco Vila wrote:
>
> 2012/3/13 eriksbike :
>>
>> Is there a way to expand and contract the horizontal spacing on a
>> measure-to-measure basis? For a simple example, three measures of quarter
>> notes:
>> a4 a4 a4 a4
>> a4 a4 a4 a4
>> a4 a4 a4 a4
>>
>> Can I get the second me
Looks like there's been a semantic change in Lilypond.
It used to be you could
\set tempoWholesPerMinute = 60
or similar anywhere in the Lilypond input and the result would be a
tempo change at that point. It looks as if now there's a different
event, TempoChangeEvent, that does the work.
I
2012/3/13 Tim Roberts :
> Amen. There are people who tell me they can do data entry in Finale
> quite efficiently using a MIDI keyboard, but for me, from a standard
> computer keyboard, entering LilyPond data could not be more efficient.
I used to master Finale's Speedy Entry and liked to sing an
I did not use (or do not remember to) the KDE version and do not
'miss' all those things, but
2012/3/13 Valentin Villenave :
> - aesthetically speaking, the difference is huge and the interface
> looks a lot less pretty (pinkish background in the PDF preview: wtf?).
I think this is a matter of de
2012/3/13 Peter Chubb :
> If I add a \displayLilyMusic before the \unfoldRepeats I see:
>
> << {
> { c'8*1/2 r } { d' r } { e' r } { f' r } { \set tempoWholesPerMinute =
> #(ly:make-moment 9 1 0 1)
>
>
> { g'-"rall" r } } { f' r } { e' r } { d' r } { c' r } { d' r } { e' r
> } { f' r }
On 8 mars 2012, at 07:51, Janek Warchoł wrote:
> On Wed, Mar 7, 2012 at 11:14 PM, Jean-Alexis Montignies
> wrote:
>>
>> On 7 mars 2012, at 22:14, Janek Warchoł wrote:
>>
>> As for your question, any reason not to set page-count = #1 to force
>> Lily to fill one page only?
>>
>> Yes: I didn't
Hi Nick,
I was trying to make a callback function to lengthen LV ties (thanks to
> David Nalesnik for his help). It works fine when applied to single notes,
> but on a chord, only one of the two ties is lengthened. Is this due to an
> error in the code below or some more deep-rooted problem. If I
I was trying to make a callback function to lengthen LV ties (thanks to
David Nalesnik for his help). It works fine when applied to single
notes, but on a chord, only one of the two ties is lengthened. Is this
due to an error in the code below or some more deep-rooted problem. If I
reverse the
On Mon, Mar 12, 2012 at 9:50 AM, Wilbert Berendsen wrote:
> Please let me know the things you miss most! Note that F2 is only
> (roughly) one year old and really written from scratch, the first commit
> is of Nov 11, 2012. I intend to keep developing and adding new
> features. I think the current
James wrote:
> Oh if you've ever had to transcribe a piece of 'real' music (by real I
> mean an old dog-eared printed complete score that's in the 'wrong'
> pitch for your instrument) I cannot believe that typing letters on a
> keyboard is anything but *significantly* faster than dragging and
> dro
Hello
On 13 March 2012 15:40, Benjamin Bloomfield wrote:
> I tried sending this earlier, but didn't receive it myself, so I am
> trying again.
For some reason this email ended up marked as 'spam' for me. So maybe
that was the reason?
--
--
James
_
Hello,
On 13 March 2012 17:39, Francisco Vila wrote:
> 2012/3/13 James :
>> Hello,
>> What would one use if (for instance) one wanted all notes to touch or
>> rather be exactly touching the edge of the 'note column' of the
>> previous note so if I were to write
>>
>> a32 a a a a a a a a a a a a
2012/3/13 Felipe Pereira :
> Hello,
>
> I'd like to write this song with Lilypond:
> http://www.taize.fr/spip.php?page=chant&song=203&lang=en
> (in fact I'm writing with portuguese lyrics)
>
> Just so you don't need to click the site, here's the problem. Many of these
> songs have identical rhythm,
2012/3/13 James :
> Hello,
>
> On 13 March 2012 17:15, Francisco Vila wrote:
>> 2012/3/13 Francisco Vila :
>>> {
>>> \override Score.SpacingSpanner
>>> #'base-shortest-duration = #(ly:make-moment 1 2)
>>> b4 b b b
>>> \newSpacingSection
>>> \override Score.SpacingSpanner
>>> #'base-shortest-
For me..After moving to Lilypond 3, 4 years ago..When i changed to NO
MOUSE interface..i stoped having headaches couse i didnt have to look
in the music sheet for the wrong notes..and didnt have to think of
kombinations of keys and clicking with mouse..Now when i typeset music
and if i'm not lazy i
Hello,
On 13 March 2012 17:15, Francisco Vila wrote:
> 2012/3/13 Francisco Vila :
>> {
>> \override Score.SpacingSpanner
>> #'base-shortest-duration = #(ly:make-moment 1 2)
>> b4 b b b
>> \newSpacingSection
>> \override Score.SpacingSpanner
>> #'base-shortest-duration = #(ly:make-moment 1 1
Hello,
On 13 March 2012 12:02, Rodolfo Zitellini wrote:
...
> If you are used to
> finale/sibelius, this is indeed shocking as the first times you use
> lilypond it is very difficult to correlate your textual input to what
> will end up in the pdf. It took me some deal of time to stop finding
2012/3/13 Francisco Vila :
> {
> \override Score.SpacingSpanner
> #'base-shortest-duration = #(ly:make-moment 1 2)
> b4 b b b
> \newSpacingSection
> \override Score.SpacingSpanner
> #'base-shortest-duration = #(ly:make-moment 1 16)
> b4 b b b
> \newSpacingSection
> \override Score.SpacingS
eriksbike wrote:
>
> Is there a way to expand and contract the horizontal spacing on a
> measure-to-measure basis? For a simple example, three measures of quarter
> notes:
> a4 a4 a4 a4
> a4 a4 a4 a4
> a4 a4 a4 a4
>
> Can I get the second measure to be widely spaced and then the third
> measure
I am trying to figure out how I can get Old Style numerals to be used for the
page numbers. I found some scheme code here (http://www.mrlauer.org/music/)
that defines a markup command oldStyleNum that will replace any digit with the
unicode string for the appropriate old style numeral. However
On Mon, Mar 12, 2012 at 2:52 PM, John Link wrote:
>
> On Mar 12, 2012, at 9:42 AM, David Bobroff wrote:
>
> On 3/11/2012 6:39 PM, John Link wrote:
>
> A few years ago I was encouraged to try LilyPond as an alternative to
> Sibelius because LilyPond produced more beautiful scores. I was also told
>
2012/3/13 eriksbike :
>
> Is there a way to expand and contract the horizontal spacing on a
> measure-to-measure basis? For a simple example, three measures of quarter
> notes:
> a4 a4 a4 a4
> a4 a4 a4 a4
> a4 a4 a4 a4
>
> Can I get the second measure to be widely spaced and then the third measure
I tried sending this earlier, but didn't receive it myself, so I am
trying again.
I am trying to figure out how I can get Old Style numerals to be used
for the page numbers. I found some lilypond scheme code here
(http://www.mrlauer.org/music/) that defines a markup command
oldStyleNum that will
On 3/13/2012 10:01 AM, David Kastrup wrote:
Stjepan Horvat writes:
Did you try to press number 3 in sibelius..i think it would create a
third interval..and so on..i'm not sure..
Now this is actually a great example about what makes LilyPond so much
better to work in the long run with than Sib
Hi Nick,
I also played around with trying to make a callback function for \override
> LaissezVibrerTie #'control-points, but although Lilypond gives no error on
> the console, the LV tie doesn't appear at all when I try to use the
> callback.
>
>
The following should work. (I've also substituted
2012/3/13 David Kastrup :
> Stjepan Horvat writes:
>
>> Did you try to press number 3 in sibelius..i think it would create a
>> third interval..and so on..i'm not sure..
>
> Now this is actually a great example about what makes LilyPond so much
> better to work in the long run with than Sibelius o
Quoting "Trevor Daniels" :
Uwe Falke wrote Monday, March 12, 2012 5:05 PM
Ah, Trevor, the simple example worked well with your advice (thanks again),
but I am lost in real life ...:
[snip]
You had
\notemode { \new staff { r4 a4 fis2 } }
"Staff" needs a capital S
omg
what an i
Hello,
I'd like to write this song with Lilypond:
http://www.taize.fr/spip.php?page=chant&song=203&lang=en
(in fact I'm writing with portuguese lyrics)
Just so you don't need to click the site, here's the problem. Many of these
songs have identical rhythm, except for some parts. When the rhythm i
Hm, this works in my simple example. Thank you. However, it does not
so for what I really want to do - sorry for having oversimplified.
I just sent another example which is a snippet of the real score,
employing two \DrumVoice contexts, and that might be the turning
point: I read :
"This c
Stjepan Horvat writes:
> Did you try to press number 3 in sibelius..i think it would create a
> third interval..and so on..i'm not sure..
Now this is actually a great example about what makes LilyPond so much
better to work in the long run with than Sibelius or other GUI/WYSIWYG
programs.
It su
Is there a way to expand and contract the horizontal spacing on a
measure-to-measure basis? For a simple example, three measures of quarter
notes:
a4 a4 a4 a4
a4 a4 a4 a4
a4 a4 a4 a4
Can I get the second measure to be widely spaced and then the third measure
back to more closely spaced?
Many tha
Dear all, I had not subscribed to the lsit until just a few minutes
ago, hence my reply below was received by trevor but not by the list.
Should work now ..
Uwe
- Forwarded message from fa...@horst.in-chemnitz.de -
Date: Mon, 12 Mar 2012 18:05:11 +0100
From: "Uwe Falke"
Subjec
> "Thomas" == Thomas Morley writes:
Thomas> \version "2.14.2" \include "articulate.ly"
Thomas> \score { \unfoldRepeats \articulate << \relative c' { c8-. d-.
Thomas> e-. f-. g-.-"rall" f-. e-. d-. c-. d-. e-. f-. g-.
Thomas> f-. e-. d-. c1-. }
>>>
Thomas> \midi { } }
The ral
Ah, Trevor, the simple example worked well with your advice (thanks again),
but I am lost in real life ...:
\score {
\new DrumStaff <<
%% done some redefinitions, hope that doesn't affect anything, omitted
here ...
% \set DrumStaff.drumStyleTable = #(alist->hash-table mydrums)
\new DrumVoice
Thanks for saving me.
I knew it would be possible :-)
Uwe
--
Quoting "Trevor Daniels" :
Uwe, you wrote Monday, March 12, 2012 2:32 AM
I have just started to use lilypond to set some drum scores. As I
need to add a
few patches of backing vocals, I'd attempted to add extra (normal) staf
Hi Mike,
Excellent work!
I'm glad you think so!
>
> I've attached a new file that addresses some of the issues you identify
> above:
>
> --) It uses axis-group::width to box accidentals
>
Beautiful! Now there's really no need for the extra padding properties.
(I've kept them in the attached
Did you try to press number 3 in sibelius..i think it would create a
third interval..and so on..i'm not sure..
On Tue, Mar 13, 2012 at 8:57 AM, Phil Holmes wrote:
> - Original Message - From: "Kieren MacMillan"
>
> To: "Vaughan McAlley"
> Cc: "lilypond-user"
> Sent: Tuesday, March 13,
- Original Message -
From: "Kieren MacMillan"
To: "Vaughan McAlley"
Cc: "lilypond-user"
Sent: Tuesday, March 13, 2012 4:09 AM
Subject: Re: Sibelius user looking for the easiest way to learn LilyPond
Hi Vaughan,
Finale does automatic word extensions for lyrics.
Um… so does Lilypon
On Mar 13, 2012, at 4:25 AM, David Nalesnik wrote:
> I've defined a grob, Frame, and given it several properties. One of these,
> 'padding, adds space between the frame and its contents, as you would expect.
> The length of the continuation line is controlled by the property
> 'extender-lengt
On 13/03/12 10:21, Thomas Morley wrote:
2012/3/11 David Kastrup:
Thomas Morley writes:
Hi Nick,
2012/3/9 Nick Payne:
Thanks. I gave it a try. The one shortcoming I've found is that the ends of
LV ties on a chord containing a second no longer align.
That's because "factor" is used in a mul
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