Re: How to create a coda with a gap?

2010-11-24 Thread Gilles Sadowski
Hi. > 3. The segno sign is for too high. Maybe the attached file helps somewhat for this item. > 4. The first volta bracket doesn´t have an end line. I noticed that using \bar "|." prints the vertical end line, while \bar "||" does not. Best, Gilles \version "2.12.0" \paper { ragged-la

Re: How to create a coda with a gap?

2010-11-24 Thread Vicente Solsona
On Wed, 24 Nov 2010 21:17:46 +0100, Dominic Neumann wrote: Hi, I want to produce a special Coda which does not reside on a new line but is separated by a gap. You can find the original in the attached file "examplecoda.jpg". I already tried for a long time but the result isn´t exactly wh

How to create a coda with a gap?

2010-11-24 Thread Dominic Neumann
Hi, I want to produce a special Coda which does not reside on a new line but is separated by a gap. You can find the original in the attached file "examplecoda.jpg". I already tried for a long time but the result isn´t exactly what I want. Below you can find a minimal example code which I used

Re: TabStaff feature requests

2010-11-24 Thread Marc Hohl
Am 24.11.2010 15:59, schrieb Steve Yegge: Hi Marc, On Tue, Nov 23, 2010 at 11:28 PM, Marc Hohl > wrote: Just for clarification: as the guitar is notated one octave above its sounding pitch, I use the following template: \score { \new StaffGroup <<

Re: TabStaff feature requests

2010-11-24 Thread Marc Hohl
Am 24.11.2010 17:16, schrieb Steve Yegge: Sigh... please disregard this. It works fine. I just had the wrong expectations. I assumed incorrectly that for purposes of relative pitch calculation, the harmonics would be ignored, allowing you to focus on the base string pitches. It has to be prop

Re: TabStaff feature requests

2010-11-24 Thread Carl Sorensen
On 11/24/10 8:22 AM, "Steve Yegge" wrote: > On Wed, Nov 24, 2010 at 7:00 AM, Carl Sorensen wrote: >> On 11/24/10 7:51 AM, "Steve Yegge" wrote: >> After reading Marc's responses I think I see where I may have sewn some confusion.  I have conventional string numbers in the non-tab

Re: TabStaff feature requests

2010-11-24 Thread Steve Yegge
Sigh... please disregard this. It works fine. I just had the wrong expectations. I assumed incorrectly that for purposes of relative pitch calculation, the harmonics would be ignored, allowing you to focus on the base string pitches. It requires a bit more arithmetic this way, but it's logical

Re: TabStaff feature requests

2010-11-24 Thread Steve Yegge
Hi Marc, I've tried out your patch and it works like a charm! Unfortunately it seems to be happiest in absolute pitch mode. When I switch to relative mode it yields unexpected results. I've modified your harmonic-test.ly to demonstrate the issue. \include "./harmonic.ly" test = { e,4 \harmonic

Re: TabStaff feature requests

2010-11-24 Thread Steve Yegge
On Wed, Nov 24, 2010 at 7:00 AM, Carl Sorensen wrote: > On 11/24/10 7:51 AM, "Steve Yegge" wrote: > > > After reading Marc's responses I think I see where I may have > > sewn some confusion. I have conventional string numbers in the > > non-tab staff, since my audience is partly classical guita

Re: TabStaff feature requests

2010-11-24 Thread Carl Sorensen
On 11/24/10 7:51 AM, "Steve Yegge" wrote: > After reading Marc's responses I think I see where I may have > sewn some confusion.  I have conventional string numbers in the > non-tab staff, since my audience is partly classical guitarists who > cannot (or do not) read tab.  So the information I'm

Re: TabStaff feature requests

2010-11-24 Thread Steve Yegge
Hi Marc, On Tue, Nov 23, 2010 at 11:28 PM, Marc Hohl wrote: > >> Just for clarification: as the guitar is notated one octave above its > sounding pitch, > I use the following template: > > \score { > \new StaffGroup << >\new Staff { > \new Voice { \global \clef "treble_8" >

Re: TabStaff feature requests

2010-11-24 Thread Steve Yegge
After reading Marc's responses I think I see where I may have sewn some confusion. I have conventional string numbers in the non-tab staff, since my audience is partly classical guitarists who cannot (or do not) read tab. So the information I'm providing is redundant -- it's for two separate audi

Re: Lyric tie

2010-11-24 Thread Francisco Vila
2010/11/22 Francisco Vila : > Hello, I have been searching a lot and still can not find a solution > for my lyric ties.  I obtain very misplaced ones and I know that a > font like DejaVuLGC installed should do the trick in my Ubuntu system. > My problem is: I have it installed, how do I force lilyp

Re: Lyric tie

2010-11-24 Thread Werner LEMBERG
>> Post-mortem, this is not difficult: Just use the --ps option of >> lilypond and search for `/uni203F' in the created PS file. > > Yes. That single character adds 2,855,700 bytes to the PS This is normal, since lilypond doesn't do font subsetting. Sazanami adds about 20MByte... > and 62,425

Re: Lyric tie

2010-11-24 Thread Francisco Vila
2010/11/23 Werner LEMBERG : >> http://paconet.org/prueba.pdf >> >> It looks all right in evince, but prints very misplaced on printer >> and looks the same in jedit/lilypondtool. > > This your file looks fine with all PDF viewers I've installed on my > system; the lyric tie is taken from the `Free

Re: TabStaff feature requests

2010-11-24 Thread Patrick Schmidt
Am 24.11.2010 um 07:13 schrieb Steve Yegge: Hi Patrick, this sounds awesome. I think it will be very useful. However, I also think that Marc Hohl's suggestion is more general and would in fact cover many more of the use cases I have in mind. I think it might be appropriate to implement both o

Re: how to get half-bar used in Bach Music?

2010-11-24 Thread Martin Kemp
Much neater, thank you. M On 11/22/2010 12:03 PM, Alexander Kobel wrote: [ with cc to lilypond-user; please keep the discussions on the mailing list, others might have the same problems and can find the solutions in the mailing list archives ] On 2010-11-22 12:38, Martin Kemp wrote: I've

Re: formatting only one syllabe in a word - please help

2010-11-24 Thread Janek Warchoł
2010/11/24 Francisco Vila : > 2010/11/24 Janek Warchoł : >> Unfortunately the code \markup { {\bold \underline ma} licious } >> produces two words: ma licious. >> How should it be done? > > For example > > \markup {\concat{ {\bold\underline ma} licious }} It works, thank you! (now i know which par

Re: formatting only one syllabe in a word - please help

2010-11-24 Thread Francisco Vila
2010/11/24 Janek Warchoł : > Hi, > > probably this is quite basic, but i'm in a hurry and can't find it in > manuals... > I want only one syllabe in a word be formatted, for example i'd like > to have syllabe "ma" in word "malicious" bold and underlined. > Unfortunately the code \markup { {\bold \

Re: formatting only one syllabe in a word - please help

2010-11-24 Thread Marc Hohl
Am 24.11.2010 09:27, schrieb Janek Warchoł: Hi, probably this is quite basic, but i'm in a hurry and can't find it in manuals... I want only one syllabe in a word be formatted, for example i'd like to have syllabe "ma" in word "malicious" bold and underlined. Unfortunately the code \markup { {\b

formatting only one syllabe in a word - please help

2010-11-24 Thread Janek Warchoł
Hi, probably this is quite basic, but i'm in a hurry and can't find it in manuals... I want only one syllabe in a word be formatted, for example i'd like to have syllabe "ma" in word "malicious" bold and underlined. Unfortunately the code \markup { {\bold \underline ma} licious } produces two word