On Fri, 01 Oct 2010 03:20:48 -0700, wrote:
1) Remove the outermost \GrandStaff{}
Someone had already made this change in an unapproved snippet. I've
nowapproved it
Thank you, Phil.
Someone was me; I didn't want to let that one problem be forgotten if I got
distracted.
All,
How about
James Bailey writes:
> On Oct 1, 2010, at 8:04 PM, alexandros wrote:
>
>> Hello!
>>
>> In the result of the following code, the greek letter mu (μ) appears in
>> another font, smaller and thiner than the other letters. I would be
>> grateful for any idea that could correct this.
>>
>> %
On Fri, Oct 01, 2010 at 20:59 +0200, James Bailey wrote:
>
> On Oct 1, 2010, at 8:04 PM, alexandros wrote:
>
> > Hello!
> >
> > In the result of the following code, the greek letter mu (μ) appears in
> > another font, smaller and thiner than the other letters. I would be
> > grateful for any ide
On Oct 1, 2010, at 8:04 PM, alexandros wrote:
> Hello!
>
> In the result of the following code, the greek letter mu (μ) appears in
> another font, smaller and thiner than the other letters. I would be
> grateful for any idea that could correct this.
>
> %
Hello!
In the result of the following code, the greek letter mu (μ) appears in
another font, smaller and thiner than the other letters. I would be
grateful for any idea that could correct this.
%%
\version "2.12.2"
\relative c''{ c c c c }
\addlyr
Thanks, this is exactly what I was trying to do. Sorry I slipped in a
bagpipe lexicon. A part is just a subdivision of the whole tune.
Generally one or two lines of music and for students printing this type
of bar line helps them see the structure of the tune. Also this is
pretty much the
Sam Domonkos wrote:
I would like to explicitly separate parts of music by having
these bar lines always at the beginning and end of parts
...
\bar ".|" a4 b c d \bar "|." \break
\bar ".|" a b c d \bar "|."
I'm not sure what you mean by a "part".
%%%
Dear Phil,
thanks for Your explanations.
I do have now another problem.
What can I do, when I want to have feathered beams across barlines, like
e.g.:
\version "2.12.3"
upper = {
\override Beam #'grow-direction = #RIGHT
\featherDurations #(ly:make-moment 1 2)
{ \time 7/16 des''16 -. [\p\< es''
Dear Susan,
thanks a lot. I guess I understand it know, at least better than before-
2010/10/1 Susan Dittmar
>
> Quoting Stefan Thomas (kontrapunktste...@googlemail.com):
> > Dear community,
> > strange enough, but
> >
> > > \input {./partone.tex}
> > >
> > works fine!
>
> Not strange at all.
>
Quoting Stefan Thomas (kontrapunktste...@googlemail.com):
> Dear community,
> strange enough, but
>
> > \input {./partone.tex}
> >
> works fine!
Not strange at all.
It will be processed in a two-stage run. First stage is lilypond-book,
which produces partone.tex from partone.lytex and parttwo.t
Dear community,
strange enough, but
> \input {./partone.tex}
>
works fine!
2010/10/1 Dmytro O. Redchuk
> On Fri 01 Oct 2010, 12:45 Susan Dittmar wrote:
> > Dear Stefan,
> [...]
>
> > I did not work with lilypondbook yet, but I would try this approach:
> >
> > - move partone.tex to partone.lytex
On Fri 01 Oct 2010, 12:45 Susan Dittmar wrote:
> Dear Stefan,
[...]
> I did not work with lilypondbook yet, but I would try this approach:
>
> - move partone.tex to partone.lytex
> - move parttwo.tex to parttwo.lytex
> Do *not* change the \input calls in master.tex!
Oh, indeed!
On Fri 01 Oct 20
> > \input partone.tex
> Try \input {partone.tex}
This does make a difference, as the first one uses the TeX primitive, and
the second uses LaTeX's additional checks, but I think for the present
problem using LaTeX's version will be no improvement.
Just my 2 cents,
Susan
___
Dear Stefan,
looks like lilypond-book does not honor the \input command, which means you
will have to process those parts one by one. I would even appreciate this
behaviour if my assumption is correct, as it reduces the workload for
lilypond in case of changes in only one of the part files.
I did
On Fri 01 Oct 2010, 12:11 Stefan Thomas wrote:
> Dear community,
> I have problems processing a latex-file with lilypond-book and latex, which
> consists of more than one parts.
> Here is my example:
> the "master file" %%%
> \documentclass[a4paper]{article}
>
> \begin{document}
> \in
Dear community,
I have problems processing a latex-file with lilypond-book and latex, which
consists of more than one parts.
Here is my example:
the "master file" %%%
\documentclass[a4paper]{article}
\begin{document}
\input partone.tex
\input parttwo.tex
\end{document}
% the file part
Dear Mark,
thanks for Your reply.
Your example seems to work fine also with my version of lilypond.
2010/10/1 Mark Polesky
> Stefan Thomas wrote:
> > Dear community,
> > has someone created a function, that could make
> > automatically an exact intervallic inversion, like in the
> > following e
- Original Message -
From: "Keith E OHara"
To:
Sent: Wednesday, September 29, 2010 1:57 AM
Subject: orchestral template, please comment
Dear orchestral writers,
I don't use LilyPond for orchestral scores very often, which means that
I need to refer to the template in Appendix 5.1
Am Freitag 01 Oktober 2010, um 11:26:56 schrieb Xavier Scheuer:
> On 1 October 2010 00:27, James Wilkinson wrote:
> > \version 2.13.34
> >
> > I've got three percussion voices sharing a staff. When I made the bottom
> > two voices be \voiceTwo and \voiceFour, I got downward stems, but each
> > no
On 1 October 2010 00:27, James Wilkinson wrote:
>
> \version 2.13.34
>
> I've got three percussion voices sharing a staff. When I made the bottom two
> voices be \voiceTwo and \voiceFour, I got downward stems, but each note had
> its own stem. Then I tried making them both be \voiceTwo. That gave
- Original Message -
From: "James Wilkinson"
To:
Sent: Thursday, September 30, 2010 11:27 PM
Subject: notes sharing stems
\version 2.13.34
I've got three percussion voices sharing a staff. When I made the bottom
two voices be \voiceTwo and \voiceFour, I got downward stems, but each
Stefan Thomas wrote:
> Dear community,
> has someone created a function, that could make
> automatically an exact intervallic inversion, like in the
> following example?
> \version "2.12.2"
> original = { g4 gis a bes g1 }
> inversion = { g4 ges f e g1 }
> \new Staff { \clef bass \original \inversi
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