Hi Michael,
> Unfortunately, editorial changes to note durations are particularly
> problematic, since they change all of the time values downstream.
Agreed.
> adjustments that went above the level of a single tweak-voice would hit the
> full staff context.
If the Scheme function took a conte
I'm working on converting a collection of single scores into a
song-book, by \including the .ly files, and seem to have run across a
problem with scoping of variables: in some of my scores, I use no
variables, neither for notes nor lyrics. Other scores, using variables
defined outside a \score
I might attack this myself some day, if it can really
be accomplished at the Scheme interface. I doubt that I will ever
penetrate the C++ substrate. At present, I don't understand the data
structures quite well enough, and I think a few more iterations of the
documentation are probably required
Xavier Scheuer wrote:
> > Look into \tag.
>
> Which is documented there:
> Notation Reference (NR) 3.2.2 "Different editions from
> one source"
> http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Different-editions-from-one-source
> ;-)
That's 3.3.2, not 3.2.2
On Sat, Jan 02, 2010 at 12:22:27PM -0500, Kieren MacMillan wrote:
> If someone with real Scheme-fu could build a function that took a series of
> moments and tweaks, you might be able to do something like
>
> ms = \relative e'' {
>e4 e c d |
> }
>
> correctionsEditionA = {
> \coolSchemeF
On 03.01.2010, at 00:28, -Eluze wrote:
user28 wrote:
i need to place rests from voice three between notes from first
and second
voices,
you can position the rests of a voice using
\once \override Voice.Rest #'staff-position = #-2
changing the number to what you need!
You can also
On 03.01.2010, at 00:28, -Eluze wrote:
user28 wrote:
i need to place rests from voice three between notes from first
and second
voices,
you can position the rests of a voice using
\once \override Voice.Rest #'staff-position = #-2
changing the number to what you need!
You can also
Hi Ralph
This is working as designed. It's explained towards the bottom of
section 3.2.1 in the Notation Reference. By default only the piece
and opus are printed when \header is included in the \score block.
Setting print-all-headers true in a paper block is what you're
looking for.
Trevor
-
user28 wrote:
>
>
> i need to place rests from voice three between notes from first and second
> voices,
>
you can position the rests of a voice using
\once \override Voice.Rest #'staff-position = #-2
changing the number to what you need!
--
View this message in context:
http://old.nabble
Sorry about that - hit a wrong combination of keys.
Greetings and Happy New Year!
I'm running LilyPond 2.12.2 under Ubuntu 9.10. I'm transposing a bunch of
violin etudes to make them viola etudes, and I've hit a snag. I'm making
each etude a separate score. I've been using
\score {
{
\music
}
Greetings and Happy New Year!
I'm running LilyPond 2.12.2 under Ubuntu 9.10. I'm transposing a bunch of
violin etudes to make them viola etudes, and I've hit a snag. I'm making
each etude a separate score. I've been using
\score {
{
--
Ralph Palmer
Montague City, MA
USA
palmer.r.vio...@gmail.co
On 1/2/10 10:06 AM, "Michael J. O'Donnell" wrote:
> You are proposing very good solutions for the short term production of
> scores. I am more concerned with the very long term management of the
> information.
>
> The object is to
>
> 1. have a file containing data entry from the MS which re
On 03/01/10 04:43, James Lowe wrote:
I'll take a slight issue with this.
Tim Slattery wrote:
"Anthony W. Youngman" wrote:
My favourite editor is PFE (programmers file editor).
Unfortunately, last I know, it was abandonware, but it's still a
simple nice editor. Written by somebody at Lanca
On 03/01/10 06:13, Nick Payne wrote:
One bug I have come across is that with \pointAndClickOn, point and
click from PDF preview into the source doesn't work if the source
filename contains an accented character. For example, if I'm working
on a score in file named Bésard_preludio.ly, then point
One bug I have come across is that with \pointAndClickOn, point and
click from PDF preview into the source doesn't work if the source
filename contains an accented character. For example, if I'm working on
a score in file named Bésard_preludio.ly, then point and click doesn't
work, but if I ren
On 02.01.2010, at 17:16, Helge Kruse wrote:
Am 29.12.2009 20:04, schrieb James Bailey:
I thought I could help, but apparently my scheme-fu isn't good enough
for this. I first thought I could beat \Balloon_engraver into
doing what
you need, but there's scant information on it, and I don't kno
In message , Tim Slattery
writes
"Anthony W. Youngman" wrote:
My favourite editor is PFE (programmers file editor).
Unfortunately, last I know, it was abandonware, but it's still a simple
nice editor. Written by somebody at Lancaster Uni iirc.
Yes, good stuff, and I used it for a long ti
I'll take a slight issue with this.
Tim Slattery wrote:
"Anthony W. Youngman" wrote:
My favourite editor is PFE (programmers file editor).
Unfortunately, last I know, it was abandonware, but it's still a simple
nice editor. Written by somebody at Lancaster Uni iirc.
Yes, good stuff, and
"Anthony W. Youngman" wrote:
>My favourite editor is PFE (programmers file editor).
>Unfortunately, last I know, it was abandonware, but it's still a simple
>nice editor. Written by somebody at Lancaster Uni iirc.
Yes, good stuff, and I used it for a long time. Unfortunately, it
doesn't know a
Hi Michael,
>> Clearly, this doesn't require tagging "every note with a different tag" —
>> you simply tag the notes for different editions as you need them.
> Perhaps I should have just answered this point directly. The problem is
> that I don't know what the "different editions" will be. They a
Kieren MacMillan wrote:
> Clearly, this doesn't require tagging "every note with a different tag" — you
> simply tag the notes for different editions as you need them.
Perhaps I should have just answered this point directly. The problem is
that I don't know what the "different editions" will be. T
You are proposing very good solutions for the short term production of
scores. I am more concerned with the very long term management of the
information.
The object is to
1. have a file containing data entry from the MS which represents the
uncorrected manuscript, and which (almost) never needs t
Hi Michael,
> Thanks for pointing out \tag. I've already read up, and experimented
> with it. It doesn't solve the problem, because it requires that I
> anticipate every possible correction when entering the data from the MS.
> The only way to get useful coverage is to tag every note with a
> diff
On 1/1/10 6:30 PM, "mike99" wrote:
>
> Enter my question: What is your opinion to the two methods, given the
> direction of the project and in terms of readability and complications that
> it would cause in the score? It would not be a simple thing to switch
> between the two methods once sev
Am 29.12.2009 20:04, schrieb James Bailey:
I thought I could help, but apparently my scheme-fu isn't good enough
for this. I first thought I could beat \Balloon_engraver into doing what
you need, but there's scant information on it, and I don't know how to
change the size of the box it creates.
Thanks for pointing out \tag. I've already read up, and experimented
with it. It doesn't solve the problem, because it requires that I
anticipate every possible correction when entering the data from the MS.
The only way to get useful coverage is to tag every note with a
different tag, which is too
On 02.01.2010, at 16:20, Xavier Scheuer wrote:
If such a technique is required for all exceptions to the chord
structure, it seems as if the "chord method" could become patchwork
if many exceptions are needed in a piece. Ten exceptions might be
common on a one-page hymn, requiring the creation o
Le Fri, 1 Jan 2010 17:30:19 -0800 (PST),
mike99 a écrit :
> Fair enough, but there are the lyrics, set here to the soprano voice,
> which, unintended by myself, skips the fourth beat in the second
> measure. In the documentation's first example on divisi lyrics
> (Notation Reference, 2.1.4, versi
Le Sat, 2 Jan 2010 00:32:08 -0500,
Kieren MacMillan a écrit :
> Hi Michael,
>
> > I am experimenting with methods to enter notes from a manuscript
> > and produce several typeset scores, including at least • one that
> > looks very much like the manuscript, for proof reading • another
> > that i
Il 02/01/2010 13:28, mike99 ha scritto:
There's nothing wrong with your example, it's just not doing as you intended:
see the Notation Reference, 3.2.1, "Creating titles."
Lilypond documentation wrote:
If you define the \header inside the \score block, then normally only the
piece and opus hea
sorry, I was wrong. The error message escaped my notice. (And I didn't consult
the Notation Reference.)
thanks Mike
Original-Nachricht
> Datum: Sat, 02 Jan 2010 13:28:37 +0100
> Von: "Patrick Schmidt"
> An: Federico Bruni , lilypond-user@gnu.org
> Betreff: Re: header in score
There's nothing wrong with your example, it's just not doing as you intended:
see the Notation Reference, 3.2.1, "Creating titles."
Lilypond documentation wrote:
> If you define the \header inside the \score block, then normally only the
> piece and opus headers will be printed. Note that the mus
Put the \header block in front of /new Staff:
\score {
\header {
title= "First Piece"
composer = "John Doe"
}
\new Staff {
\firstpiece
}
}
Hope this helps!
patrick
Original-Nachricht
> Datum: Sat, 02 Jan 2010 12:40:50 +0100
> Von: Federico Bruni
> An: li
I need to put the \header block inside the \score block.
Could you please tell me what's wrong in this example (it prints
nothing in the header)?
Thanks!
Federico
\version "2.13"
\include "english.ly"
firstpiece = \relative c' {
c d e fs
}
\score {
\new Staff {
\firstpiece
}
\
In message
<8c1eed9b0912160008v6b676a9fida41a99a8f72f...@mail.gmail.com>, Stefan
Thomas writes
Responding very late ...
Dear community,
I'm searching for a simple text-editor for windows. It is for the computer in
my music-school.
It is an old machine and lilypondtool, because it requires ja
35 matches
Mail list logo
