Christian Henning wrote:
Hi all, thanks for the replies. I could fix all of my problems. I'm
using multipliers now which I find easier to use and to read. Thanks
to Brett Duncan.
This now finishes my first project using lilypond. I like it and will
continue using it. Great stuff!
Christian
Hello,
Here's a picky little question: what's the best way to get the staff
lines of the ossia measure to extend, say, half a staff space before the
first note (*without* changing any of the current spacing between notes)?
Ideally I'd like to be able to set this in a \layout block.
-Jonath
On Thu, Sep 03, 2009 at 02:15:50PM +0200, Joseph Wakeling wrote:
>(iii) What are the restrictions on including examples from actual
> contemporary scores? I'm not thinking huge extracts, but maybe
> a couple of bars from a known work just to illustrate how a
> partic
--- On Sat, 8/29/09, Bertalan Fodor (LilyPondTool)
wrote:
> From: Bertalan Fodor (LilyPondTool)
> Subject: Re: Lilypond Speed
> To: "Jonathan Wilkes"
> Cc: lilypond-user@gnu.org
> Date: Saturday, August 29, 2009, 6:40 AM
> Jonathan Wilkes wrote:
> > It sounds like there is a wide discrepancy
Am Donnerstag, 3. September 2009 schrieb Tim Reeves:
> Mainly for my own curiosity, I compiled the Reubke Sonata score to check
> timing:
> WinXP SP3 32-bit, LP 2.13.3, LPT 2.12.869, on Intel C2D E9600 (2.8GHz), 2
> GB RAM
>
> 5 min 38 seconds.
>
> A bit slower than the Linux times others got.
W0
Hi all, thanks for the replies. I could fix all of my problems. I'm
using multipliers now which I find easier to use and to read. Thanks
to Brett Duncan.
This now finishes my first project using lilypond. I like it and will
continue using it. Great stuff!
Christian
On Wed, Sep 2, 2009 at 1:34 AM
On 9/3/09 1:53 PM, "Patrick Schmidt" wrote:
>
> Unfortunately the cross-style notehead does not appear in tablature. Is it
> possible to mix notehead styles in tablature chords?
Yes, thanks to the excellent work of Marc Hohl.
Improved tablature has been implemented in LilyPond 2.13.4, whic
hi all,
how can I change the notehead style of only some of the noteheads of a chord in
a tabvoice? In the archives I found a solution that produces a cross-style
notehead for selected noteheads in normal/traditional notation:
\version "2.13.3"
x = #(define-music-function (parser location note)
Le 3 sept. 09 à 10:47, Valentin Villenave a écrit :
On Fri, Jul 24, 2009 at 10:51 AM, Nicolas Sceaux> wrote:
%% UNTESTED!
includeList =
#(define-music-function (parser location variable-names) (list?)
(make-sequential-music
(map (lambda (variable-name)
(let ((music (ly:parser-lookup
Trevor Daniels wrote:
> Stubs are fine, but make them visible rather than commented out,
> perhaps followed by "TBC" (to be completed). You could do this
> in the Turkish section too - I'm sure that's what Graham meant.
Sure. In that case I just removed stuff because I was fairly sure I
wasn't m
Mainly for my own curiosity, I compiled the Reubke Sonata score to check
timing:
WinXP SP3 32-bit, LP 2.13.3, LPT 2.12.869, on Intel C2D E9600 (2.8GHz), 2
GB RAM
5 min 38 seconds.
A bit slower than the Linux times others got.
I do have a Vista machine at home (wife's PC) I could check it on if
Joseph Wakeling wrote Thursday, September 03, 2009 7:13 PM
Trevor Daniels wrote:
BTW, slightly tangential, but have you seen section 4.5.5 on
Proportional
notation, written by Trevor Bača? There would be no need to
repeat this.
Sure -- I've even tried using that functionality in one or two
Trevor Daniels wrote:
> BTW, slightly tangential, but have you seen section 4.5.5 on Proportional
> notation, written by Trevor Bača? There would be no need to repeat this.
Sure -- I've even tried using that functionality in one or two pieces.
:-) Incidentally, what's described there is only a s
Joseph Wakeling wrote Thursday, September 03, 2009 1:15 PM
Following my fun experience writing some documentation for
makam.ly and Turkish classical music, I'm thinking of writing a
section on contemporary music for the Notation Reference. This
would join the existing sections of Chapter 2
On Sep 3, 2009, at 10:21 AM, Christian Henning wrote:
Hi there, I'm at work and don't really have much time.I just wanna
state that I presented my problem with a reduced sheet. The problem
was regarding the chord durations and not with the melody. I'm a
software engineer and this is how I post
On 9/3/09 9:21 AM, "Christian Henning" wrote:
> Hi there, I'm at work and don't really have much time.I just wanna
> state that I presented my problem with a reduced sheet. The problem
> was regarding the chord durations and not with the melody. I'm a
> software engineer and this is how I post
Am Donnerstag, 3. September 2009 schrieb Bertalan Fodor (LilyPondTool):
> Please don't start this discussion :)
Then how about a discussion about top posting? ;-) ;-) *duckandhide*
--
Gruß | Greetings | Qapla'
What do you call a dead bee? - A was.
signature.asc
Description: This is a digitally
Marc Hohl wrote:
Pierre Couderc schrieb:
What is the best way for a book with Lilypond extracts in it?
I have tried LaTeX with lilypond book, but I get mixs of lilyponds
'images" with other images.
What am I missing?
I am not sure that this solves your problems, but you can tell LaTeX
whet
Please don't start this discussion :)
Pierre Couderc wrote:
Mmm,
It may be too that linux applications are by nature of the OS quicker
than Windows ones...
Tim McNamara a écrit :
On Sep 3, 2009, at 7:04 AM, Nick Payne wrote:
So it looks as though, for any sort of substantial score, turnaro
Hi there, I'm at work and don't really have much time.I just wanna
state that I presented my problem with a reduced sheet. The problem
was regarding the chord durations and not with the melody. I'm a
software engineer and this is how I post questions to reduce the
chance of confusion.
I have poste
Bryan Stanbridge wrote:
> One thing that's always been a pain to me are the "box" score notations
> where a small snippet of music is enclosed in a box, then a dark line
> with or without an arrow will run for the duration that the performer is
> to repeat the box. I've stayed away from typesetting
Pierre Couderc schrieb:
What is the best way for a book with Lilypond extracts in it?
I have tried LaTeX with lilypond book, but I get mixs of lilyponds
'images" with other images.
What am I missing?
Is Scribus an alternative : I see here that there are problems too?
Ooffice?
Thank you in a
On Sep 2, 2009, at 7:56 PM, Patrick Horgan wrote:
Tim McNamara wrote:
I am a guitarist.
If all he wants is a chord chart, some paper and a pencil would be
a better approach. Or even a word processor two write out the
chords like Ralph Patt did with the Vanilla Book.
http://www.ralphpat
On 9/3/09 6:15 AM, "Frédéric Bron" wrote:
> Hi,
>
> I would like the default behaviour of 2/4 time, i.e. beams end at the
> end of each beat.
> However, if there are only 8th notes in the measure, I would like the
> beam not to stop half measure as shown below.
> Is it possible to achieve tha
Mmm,
It may be too that linux applications are by nature of the OS quicker
than Windows ones...
Tim McNamara a écrit :
On Sep 3, 2009, at 7:04 AM, Nick Payne wrote:
So it looks as though, for any sort of substantial score, turnaround
time will be markedly reduced by using 64-bit Linux.
Th
On Sep 3, 2009, at 7:04 AM, Nick Payne wrote:
So it looks as though, for any sort of substantial score,
turnaround time will be markedly reduced by using 64-bit Linux.
Thanks for all the comparisons, Nick, that was very interesting. If
I understand the history of LilyPond correctly, it is
Hello all,
Following my fun experience writing some documentation for makam.ly and Turkish
classical music, I'm thinking of writing a section on contemporary music for
the Notation Reference. This would join the existing sections of Chapter 2 on
various other forms of specialist notation.
The
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Am Donnerstag, 3. September 2009 13:15:33 schrieb Valentin Villenave:
> What got me confused here is that in
> http://lsr.dsi.unimi.it/LSR/Item?id=630 I thought Nicolas actually
> created header texts instead of standalone markups.
Yes, Nicolas uses n
Hi,
I would like the default behaviour of 2/4 time, i.e. beams end at the
end of each beat.
However, if there are only 8th notes in the measure, I would like the
beam not to stop half measure as shown below.
Is it possible to achieve that with automatic rules? With 2.13 maybe?
but I did not see in
> -Original Message-
> From: lilypond-user-bounces+nick.payne=internode.on@gnu.org
> [mailto:lilypond-user-bounces+nick.payne=internode.on@gnu.org] On
> Behalf Of Nick Payne
> Sent: Wednesday, 2 September 2009 7:02 PM
> Cc: 'lilypond'
> Subject: RE: Lilypond Speed
>
> > -Origin
On Thu, Sep 3, 2009 at 11:29 AM, Reinhold
Kainhofer wrote:
> You have to use let* instead of let. With let* the definitions are evaluated
> in
> the given order and can depend on each other. With let, you cannot use one of
> the variables in the value of another.
Oh, thanks. Actually there was so
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Am Donnerstag, 3. September 2009 11:29:48 schrieb Reinhold Kainhofer:
> > - how can I add a \header block for each \score produced
>
> In the OrchestralLily package (http://www.repo.or.cz/w/orchestrallily.git),
> I'm using this to assign a piece name t
Hi,
I was wondering if the acticulate midi script is already in Lilypond?
http://www.nicta.com.au/people/chubbp/articulate
I put articulate.ly in my lilypondfiles folder and the script in
/usr/local/bin
But I got this message:
d...@debian:~/lilypondfiles$ lilywrap lilywraptest.ly
/usr/loca
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Am Donnerstag, 3. September 2009 10:47:52 schrieb Valentin Villenave:
> - why does scorify-music fail here?
>
> includeList =
> #(define-music-function (parser location variable-names) (list?)
> (map (lambda (variable-name)
> (let ((music (m
On Fri, Jul 24, 2009 at 10:51 AM, Nicolas Sceaux wrote:
> %% UNTESTED!
> includeList =
> #(define-music-function (parser location variable-names) (list?)
> (make-sequential-music
> (map (lambda (variable-name)
> (let ((music (ly:parser-lookup parser (string->symbol
> variable-name
>
Dan Eble wrote Wednesday, September 02, 2009 11:51 PM
\bar allows a break, but does not force it. Ideally, I would like
a bar number printed only after a break.
If memory serves, the all-visible override didn't work in
mid-measure for the upcoming full-measure bar line. (I do not
have
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