Eluze
There's a paragraph in section 5.5.1 which may (nor may not!) help.
It says:
"All graphical objects have a reference point, a horizontal extent
and a vertical extent. The horizontal extent is a pair of numbers
giving the displacements from the reference point of the left and
right edg
Questions and comments are welcome. If anyone
wants to add it to the LSR, that's fine by me.
Change the function name too, if you want, I
couldn't think of anything better.
Very awesome! It's definitely LSR worthy.
+1
___
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On Thu, Apr 09, 2009 at 10:22:57PM -0700, Mark Polesky wrote:
> Perhaps it was a coincidence that both Kieren
> and Maestraccio requested slur-hiding solutions
> recently:
>
> http://lists.gnu.org/archive/html/bug-lilypond/2009-03/msg00106.html
> http://lists.gnu.org/archive/html/lilypond-user/200
Perhaps it was a coincidence that both Kieren
and Maestraccio requested slur-hiding solutions
recently:
http://lists.gnu.org/archive/html/bug-lilypond/2009-03/msg00106.html
http://lists.gnu.org/archive/html/lilypond-user/2009-04/msg00153.html
I tried to solve both individually, but then
realized
On Thu, Apr 09, 2009 at 12:06:14AM -0700, Mark Polesky wrote:
>
> I was trying to see if I could access a grob's stencil from within a
> callback without actually knowing what the grob is. I know it sounds
> pointless, but there's a good reason. Anyway, my approach was:
>
> 1) get the grob's imm
I have found that when I add the bit of code to get a laissezVibrer tie on a
single note of a chord to a piece that has a couple of voices, the tie seems to
leak to the other voice. When I run the attached file through Lilypond, the
laissezVibrer tie specified in the bass voice also appears on t
to, 2009-04-09 kello 15:43 -0400, Kieren MacMillan kirjoitti:
> Hello Ari (et al.),
>
> > You'll need Kieren's scheme function as well.
>
> \version "2.12.2"
> dbreve =
> #(define-music-function (parser location note) (ly:music?)
> #{
> \once \override Pa
Easiest to save both files in the same folder
(directory). If you have a lot of files in
separate folders, you can put your preferences
in a separate folder, but you need to add a
search path to the default LilyPond arguments.
On Windows, it might be something like this:
--include=C:/Documents
MonAmiPierrot wrote:
>
> \context {
> % add the RemoveEmptyStaffContext that erases rest-only staves
> \RemoveEmptyStaffContext
> }
>
this is typically used in a \layout section and you can \include a file with
such definitions; if it is located in another directory/folder you could
d
in
http://lilypond.org/doc/v2.12/Documentation/user/lilypond-big-page.html#Vertical%20spacing%20inside%20a%20system
you can read:
Normally staves are stacked vertically. To make staves maintain a distance,
their vertical
size is padded. This is done with the property minimum-Y-extent. When
applied
Hello,
I would like to put some gensettings in one .ly file to be included in my
pieces.
One of this settings is:
\context {
% add the RemoveEmptyStaffContext that erases rest-only staves
\RemoveEmptyStaffContext
}
for removing empty staves lines. But how can I put this in a file which
James E. Bailey-3 wrote:
>
>
> Well, to my defense, I never really worry about vertical
> spacing.
>
>
too bad for you - but in no way you are accused!
--
View this message in context:
http://www.nabble.com/move-lyrics-closer-tp22964622p22980269.html
Sent from the Gnu - Lilypond - User ma
In message <49dd97f8.20...@gmail.com>, Wei-Wei Guo
writes
I don't know there are many different systems. I'm working on a
songbook
for our family church, but I have little knowledge of music. So I started
learning music script about a month ago. Since it's difficult for me to
remember and under
Louie van Bommel wrote:
>
> The original guitar piece is in 3/8 time and has 3 1/8th notes per bar.
> The first of these notes has a stem up and a stem down on the same note.
> Now because it is 3/8 time the bass note is a dotted 1/8th note, but the
> same note in voice one is NOT dotted.
>
Hi Robin,
\draw-line was introduced after 2.10.
Thanks for the version check -- if I have time, I'll rewrite it
(using another glyph, or PostScript) for earlier versions. =)
Kieren.
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Am 09.04.2009 um 23:56 schrieb -Eluze:
James E. Bailey-3 wrote:
i am not quite certain about where - in which context(s) - you have
to place
it to make it effective in every stanza
VerticalAxisGroup, as far as I understand it, moves the staves closer
together, and with it, the lyrics
James E. Bailey-3 wrote:
>
>
>
>> i am not quite certain about where - in which context(s) - you have
>> to place
>> it to make it effective in every stanza
>
>
> VerticalAxisGroup, as far as I understand it, moves the staves closer
> together, and with it, the lyrics closer to the stave
Kieren MacMillan wrote:
This function should be good at least as far back as v2.10.
\draw-line was introduced after 2.10.
Cheers,
Robin
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I think I've seen music where the breve (2 whole notes) was printed with
two bars on each side.
Indeed, in most hymn books I've seen, the breves have 2 lines each side,
so "huzzah" for Kieren's code!
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Am 09.04.2009, 21:43 Uhr, schrieb Kieren MacMillan
:
\version "2.12.2"
dbreve =
#(define-music-function (parser location note) (ly:music?)
#{
\once \override ParenthesesItem #'stencil =
#ly:text-interface::print
\once \over
Hello Ari (et al.),
You'll need Kieren's scheme function as well.
\version "2.12.2"
dbreve =
#(define-music-function (parser location note) (ly:music?)
#{
\once \override ParenthesesItem #'stencil =
#ly:text-interface::print
Am 09.04.2009 um 11:58 schrieb -Eluze:
James E. Bailey-3 wrote:
I want to move lyrics closer to each other. I've tried \layout
{\context { \Lyrics \override #'baseline-skip = #-55 } } and it's not
working for me. I'm sure I've just got the wrong context somewhere.
Can someone point me to th
Hi Tim,
I was going to object to Kieren's statement that it wasn't
particularly difficult (since I think it was),
but I have to suppose that he intended that it wasn't particularly
difficult *for him*.
Actually, what I meant was: of all the tweaks/hacks/etc. that I've
seen, this is one of
Ari Torhamo wrote:
to, 2009-04-09 kello 09:14 -0400, Kieren MacMillan kirjoitti:
Hi Fred,
Thank you, Kieren, for that double-breve function
My pleasure!
which I am now using in Reading's (d.1692)
Preces and Responses. I think the breve looks
much better with double side-bars.
What?! I can
Hi Ari,
What?! I can haz breve with duble side-barz neouw? Vry nice :-)
=)
I asked about this a longish time ago, but it wasn't possible then.
It probably was, but nobody thought to do what I've done here (i.e.,
abusing the ParenthesesItem #'stencil).
Am I getting this right: wher
Look, I don't "have a dog in this fight" (i.e. there's nothing I need
Lilypond to do that it doesn't do, etc.) but I have to protest that
"Lilypond can do this, but nobody, including lilypond gurus, were able to
do this."
Since someone (i.e Kieren) just did it.
I was going to object to Kieren's
to, 2009-04-09 kello 09:14 -0400, Kieren MacMillan kirjoitti:
> Hi Fred,
>
> > Thank you, Kieren, for that double-breve function
>
> My pleasure!
>
> > which I am now using in Reading's (d.1692)
> > Preces and Responses. I think the breve looks
> > much better with double side-bars.
What?! I ca
On Thu, Apr 09, 2009 at 08:16:32AM -0600, Carl D. Sorensen wrote:
> On the other hand, if I'm doing programming work and commit changes then
> find that I have a typo in my commit, it's much cleaner to rebase so that
> there is only one patch.
Don't forget that if you want to correct a mistake in
On Apr 9, 2009, at 1:38 AM, Wei-Wei Guo wrote:
I don't know there are many different systems. I'm working on a
songbook
for our family church, but I have little knowledge of music. So I
started
learning music script about a month ago. Since it's difficult for
me to
remember and understand
Thanks for the reply.
I wouldn't expect the sharp to be displayed in any other case, but would expect
to see it in this case. If you are correct, then music engraving has an
ambiguity here.
It's not a great problem as it can be worked around, but I thought I'd
highlight it in case it's a bug.
Graham,
what about:
3) Lilypond can do this, but nobody, including the people reading
lilypnod-user, was willing to spend an hour writing a solution for
my own personal problems.
a) Thanks... I didn't want to say it, but I figured you would! ;-)
b) It actually only took me about eight minutes
On 4/9/09 8:09 AM, "Graham Percival" wrote:
> On Thu, Apr 09, 2009 at 03:37:39PM +0200, Simon Bailey wrote:
>> carl,
>>
>> On 9 Apr 2009, at 15:27, Carl D. Sorensen wrote:
>>> The way to get a single patch from multiple commits is to use git
>>> rebase.
>>>
>>> git rebase -i origin/master
>>
Hi there,
I indeed worked on a book containing a lot of church songs in several
different kinds of notation. Varying from a full score with choir and
organ, which wasn't an issue at all, to a setting with long notes on each
of which a long sentence had to be sung, which seemed impossible until I
On Thu, Apr 09, 2009 at 03:37:39PM +0200, Simon Bailey wrote:
> carl,
>
> On 9 Apr 2009, at 15:27, Carl D. Sorensen wrote:
>> The way to get a single patch from multiple commits is to use git
>> rebase.
>>
>> git rebase -i origin/master
>>
>> will give you the opportunity to convert your 3 commit
On Thu, Apr 09, 2009 at 06:29:53AM -0700, sdfgsdhdshd wrote:
>
> Kieren MacMillan wrote:
> > My point is, I would be very surprised if the list you have of
> > "things Lilypond can't do" actually contains *anything* Lilypond
> > can't do.
> >
> I see no difference between the two following se
Hi,
I see no difference between the two following sentences
1) Lilypond can't do this.
2) Lilypond can do this, but nobody, including lilypond gurus, were
able to do this.
Maybe not, semantically...
But I could do this particular thing, and I don't consider myself a
Lilypond "guru" by any
carl,
On 9 Apr 2009, at 15:27, Carl D. Sorensen wrote:
The way to get a single patch from multiple commits is to use git
rebase.
git rebase -i origin/master
will give you the opportunity to convert your 3 commits into a single
commit, which will then make a single patch.
that's perfect. t
Kieren MacMillan wrote:
>
> Although I don't have an older version of Lilypond to check against,
> I image my function would have worked for several versions now.
> In other words, this workaround has probably been available in
> Lilypond for several years, if not longer.
>
No time for no
Kieren MacMillan wrote:
>
> Hi,
>
>> At the time i needed this note, it was NOT available in lilypond.
>
> Although I don't have an older version of Lilypond to check against,
> I image my function would have worked for several versions now.
> In other words, this workaround has probably be
On 4/9/09 4:23 AM, "Simon Bailey" wrote:
>
> here's the new patch-set. i'm sorry, but i can't work out how to get
> git to give me one single patch for the three commits i made locally
> since checking out.
Simon,
The way to get a single patch from multiple commits is to use git rebase.
g
Hi Fred,
Thank you, Kieren, for that double-breve function
My pleasure!
which I am now using in Reading's (d.1692)
Preces and Responses. I think the breve looks
much better with double side-bars.
Glad to see my work helping out in the real world.
Looking forward to having a more elegant so
Hi,
At the time i needed this note, it was NOT available in lilypond.
Although I don't have an older version of Lilypond to check against,
I image my function would have worked for several versions now.
In other words, this workaround has probably been available in
Lilypond for several yea
Nick Payne wrote:
Is this possible without faking the chord by creating two voices?
Sometimes I like to show in my piano fingering that
one finger of a chord should temporarily act as a pivot
while the other fingers are moving to the the next chord.
Maybe there is a recognised symbol for tha
Thank you, Kieren, for that double-breve function
which I am now using in Reading's (d.1692)
Preces and Responses. I think the breve looks
much better with double side-bars.
Fred.
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Kieren MacMillan wrote:
>
For example, lilypond was not able to print this note:
||O||
>>>
>>> You mean like this?
>>>
>> Yes.
>
> Well, I did that image in Lilypond, and it wasn't particularly
> difficult.
> Were there other things Lilypond supposedly couldn't do?
>
At the time i
M Watts 写道:
Sorry Tim, I don't understand what you said. Could you point me to a link
explaining those systems?
Thanks!
I'm not Tim, but try starting here for LilyPond syntax; also read the
"see also" pages linked from the bottom:
http://lilypond.org/doc/v2.12/Documentation/user/lilypond-l
You might want to contact Wilco van den Tol.
As far as I remember he worked out a project like this a few years ago.
Greetings
Morten
Christ van Willegen skrev:
...although we all are in 'the real world' (or at least think we are :-) )
Recently, I was attending a speech by one of the lead
On Tue, Apr 07, 2009 at 11:56:16AM +0200, Christ van Willegen wrote:
> I was wondering if perhaps 'we' were able to help him, by:
> - Engraving songs for publishing, making them 'as good as possible';
> - Extending Lilypond to (more easily?) accomodate engraving of church
> music. Two examples that
On Thu, Apr 09, 2009 at 01:01:56PM +0200, Simon Bailey wrote:
> no problems. always glad to help. although i will have to find a decent
> git tutorial at some point. ;)
I can recommend http://gitready.com/ Maybe it's not for complete
beginners, but it has a pretty good range of accessibility. It'
Hello,
Here's a slightly more efficient, but no less in-need-of-Scheming,
version:
\version "2.12.2"
dbreve =
#(define-music-function (parser location note) (ly:music?)
#{
\once \override ParenthesesItem #'stencil =
#ly:text-interface::print
On 9 Apr 2009, at 13:37, Jonathan Kulp wrote:
Although I've learned enough Git to do patches, this book is still
on my wishlist:
http://www.pragprog.com/titles/tsgit/pragmatic-version-control-using-git
It's gotten good reviews.
thankyou, jon. i'll pass this link onto my boss, seeing as so
Hi Jon,
Could you put that in a snippet on LSR, Kieren? It would be
useful. :)
See other thread (just started).
=)
Kieren.
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Simon Bailey wrote:
On 9 Apr 2009, at 12:51, Trevor Daniels wrote:
Thanks Simon, pushed to git origin/master.
no problems. always glad to help. although i will have to find a decent
git tutorial at some point. ;)
Although I've learned enough Git to do patches, this book is still on my
Hi all,
I've come up with a way (music function) of generating double-breves
of which I'm somewhat proud:
%%
\version "2.12.2"
dbreve =
#(define-music-function (parser location note) (ly:music?)
#{
\once \override ParenthesesItem #'stenc
Kieren MacMillan wrote:
For example, lilypond was not able to print this note:
||O||
You mean like this?
Yes.
Well, I did that image in Lilypond, and it wasn't particularly difficult.
Were there other things Lilypond supposedly couldn't do?
Just curious,
Kieren.
Could you put that in a s
On 9 Apr 2009, at 12:51, Trevor Daniels wrote:
Thanks Simon, pushed to git origin/master.
no problems. always glad to help. although i will have to find a
decent git tutorial at some point. ;)
regards,
sb
--
Simon Bailey
Oompa Loompa of Science
+43 699 190 631 25
_
For example, lilypond was not able to print this note:
||O||
You mean like this?
Yes.
Well, I did that image in Lilypond, and it wasn't particularly
difficult.
Were there other things Lilypond supposedly couldn't do?
Just curious,
Kieren.
___
Thanks Simon, pushed to git origin/master.
Trevor
- Original Message -
From: "Simon Bailey"
To: "Trevor Daniels"
Cc: "lilypond-user Mailinglist"
Sent: Thursday, April 09, 2009 11:23 AM
Subject: Re: LilyPond midi extension
trevor,
On 9 Apr 2009, at 09:41, Trevor Daniels wrote:
Tha
trevor,
On 9 Apr 2009, at 09:41, Trevor Daniels wrote:
Thanks for this, but the text is not quite right. IIRC the default
is .mid for Windows systems and .midi for all others. Could you
please amend and resubmit to reflect this?
It's also worth mentioning the equivalent command line option
James E. Bailey-3 wrote:
>
> I want to move lyrics closer to each other. I've tried \layout
> {\context { \Lyrics \override #'baseline-skip = #-55 } } and it's not
> working for me. I'm sure I've just got the wrong context somewhere.
> Can someone point me to the right way?
>
\context Ly
Simon
Thanks for this, but the text is not quite right. IIRC the default
is .mid for Windows systems and .midi for all others. Could you
please amend and resubmit to reflect this?
It's also worth mentioning the equivalent command line option as
Eluze suggested:
would it be advisable to a
MonAmiPierrot wrote:
Bertalan Fodor (LilyPondTool) wrote:
Well, WYSIWYM sucks by concept for one single reason. Typesetting can
not be totally automated because of hyphenation.
So if you change something slightly that causes reflow, there is a small
chance that a word gets hyphenated at the
I was trying to see if I could access a grob's stencil from within a
callback without actually knowing what the grob is. I know it sounds
pointless, but there's a good reason. Anyway, my approach was:
1) get the grob's immutable properties with ly:grob-basic-properties.
2) from that alist, acces
Sorry Tim, I don't understand what you said. Could you point me to a link
explaining those systems?
Thanks!
I'm not Tim, but try starting here for LilyPond syntax; also read the
"see also" pages linked from the bottom:
http://lilypond.org/doc/v2.12/Documentation/user/lilypond-learning/Simpl
James E. Bailey wrote:
I want to move lyrics closer to each other. I've tried \layout
{\context { \Lyrics \override #'baseline-skip = #-55 } } and it's not
working for me. I'm sure I've just got the wrong context somewhere.
Can someone point me to the right way?
Do you mean move words closer
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