On Sun, Nov 09, 2008 at 11:38:26PM +0100, Francisco Vila wrote:
> 2008/11/9 Graham Percival <[EMAIL PROTECTED]>:
> > On Sun, Nov 09, 2008 at 04:46:53PM +0200, Risto V??r?niemi wrote:
> >> 2008/11/9 Graham Percival <[EMAIL PROTECTED]>:
> >>
> >> > Also note that this method only displays the compoun
lilypond-invoke-editor first tries to run emacs-client, which will
open the file in an existing emacs if
1. emacs was already started (otherwise lilypond-invoke-editor will
start it using the "emacs" command).
2. The corresponding server is running in Emacs, i.e. you have a line like
(server-sta
Trevor Daniels wrote:
...
For bar 15, simply replacing \stemDown with \voiceFour, giving
<<
\voiceFour
{< e-1 >2 < a-1 >4 g |} \\
{< c,-2 a-4\6 >2 < d g,-2 >} |
>>
The syntax is perhaps clearer if you write this as
<<
{\voiceFour < e-1 >2 < a-1 >4 g |} \\
{< c,-2 a-4\6 >2 < d g,-
Tom
When you introduce these temporary << \\ >> constructs you need
to consider in what voices the notes are going to placed. By default
the notes are placed in \voiceOne and \voiceTwo, which may not be
what you want, as you already have other notes in those voices at
this musical moment. Try
2008/11/9 Graham Percival <[EMAIL PROTECTED]>:
> On Sun, Nov 09, 2008 at 04:46:53PM +0200, Risto V??r?niemi wrote:
>> 2008/11/9 Graham Percival <[EMAIL PROTECTED]>:
>>
>> > Also note that this method only displays the compound time; it
>> > doesn't change the beaming.
>>
>> That's true. I didn't kn
I am using lilypond 2.11.59 on a FreeBSD 6.3 system.
As an experiment, I wanted to create a simple troff document that would
include the EPS output from lilypond.
The lilypond source file is:
\version "2.11.59"
\paper{
indent=0\mm
oddFooterMarkup=##f
oddHeaderMarkup=##
On 11/9/08 1:37 PM, "Glen Hein" <[EMAIL PROTECTED]> wrote:
Glen,
You should get the current development version of LilyPond (2.11.6x). It
has the following features that you should be aware of:
1. Predefined fret diagrams are available
2. It is easy to get the fret diagrams all at the same
Hello,
I'm working on an assignment from my guitar instructor, and I'd like to
write it up with Lilypond. I've got it to work, but there are some tweaks
needed.
1) How do I factor out the common code? I'd like to make the chords a
function/macro, but when I do, I get an error for the fret diagram
I am using it to translate end edit an independent portuguese version of
"Counterpoint" by Kent Kennan and "Tonal Harmony" by Kostka and Payne.
It is really wonderful. I could send to you one chapter. It is in
portuguese, but it is understandable with the original to compare.
Hugo Ribeiro
Em Sáb,
Hi Risto
I recently revised the section on beaming in the Notation Reference.
If you've not looked at it recently the answer might be there. See
NR 1.2.4 Beams. The precise method for changing the beaming depends
on the time signature and the beam duration, so a simple answer can't
be given.
T
On Sun, Nov 09, 2008 at 04:46:53PM +0200, Risto V??r?niemi wrote:
> 2008/11/9 Graham Percival <[EMAIL PROTECTED]>:
>
> > Also note that this method only displays the compound time; it
> > doesn't change the beaming.
>
> That's true. I didn't know how to implement such a feature and I
> wanted to
Hi Simon,
welcome to LilyPond!
> 1. Increase vertical spaces between the verses, i.e. the spaces between verse
> one and two and between verse two and three. I want to do that for both the
> soprano lyrics and the lyrics of the accompanying men's choir.
You should you the following layout block.
Hi all,
I am musician, conductor. I just started with lilypond, and I like it very much.
I adapted the SATB vocal score template of the manual (Appendix D.4.1, p. 292).
I want to change two things:
1. Increase vertical spaces between the verses, i.e. the spaces between verse
one and two and bet
2008/11/9 Ralph Palmer <[EMAIL PROTECTED]>:
> What a beautiful job!
>
> Can these be added to the LSR?
OK by me.
-Risto
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2008/11/9 Graham Percival <[EMAIL PROTECTED]>:
> You could use \bracket, although I would just recommend "(".
I tried "(" but they looked too wide if I just scaled them. I searched
for a function that would allow markup stretching but couldn't find
one (I did find an old message where someone els
On Sun, Nov 09, 2008 at 01:00:04PM +0200, Risto V??r?niemi wrote:
>
> Anyway... I made yet another type of time compound signature. This
> time the "descriptive" part is wrapped in parentheses. Since I
> couldn't find a way to add the parentheses with LP commands I used
> PostScript instead.
You
What a beautiful job!
Can these be added to the LSR?
Ralph
>
> Anyway... I made yet another type of time compound signature. This
> time the "descriptive" part is wrapped in parentheses. Since I
> couldn't find a way to add the parentheses with LP commands I used
> PostScript instead.
>
> -Rist
Those are beautiful, Risto! I'm saving for future use. :)
Jon
Risto Vääräniemi wrote:
On 08/11/2008, Neil Puttock <[EMAIL PROTECTED]> wrote:
The second column needs to be aligned in relation to the first using
\left-align:
Thanks a lot, Neil.
Anyway... I made yet another type of time comp
On 08/11/2008, Neil Puttock <[EMAIL PROTECTED]> wrote:
> The second column needs to be aligned in relation to the first using
> \left-align:
Thanks a lot, Neil.
Anyway... I made yet another type of time compound signature. This
time the "descriptive" part is wrapped in parentheses. Since I
could
I don't know how you're trying to change the font, but LyricText
supports font-interface, which has font-name as a user-settable
property. Remember that for lyrics, you have to have a space on both
sides of the period, i.e.: \override LyricText . font-name
On 09.11.2008, at 03:24, 胡海鹏 Hu Hai
2008/11/9 Wilbert Berendsen <[EMAIL PROTECTED]>:
> Yes! I used the same approach. Your oxygen variant is even better, with the
> shadowed note! :-)
Feel free to use it :)
Well, I have compiled and installed it, it runs fine (though it
currently doesn't do much, I can't wait to see the full lilyk
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