On Wed, Jul 2, 2008 at 11:04 PM, George_ <[EMAIL PROTECTED]> wrote:
>
> Basically, my problem is this - I want to typeset this chord:
> 4.
>
> And this is what I get:
> http://www.nabble.com/file/p18251902/1.jpg
>
> Because the notes of the chord are so close together and there are so many
> of the
2008/8/1 Patrick McCarty <[EMAIL PROTECTED]>:
> I'll leave the headword untouched for now, but I agree that an excerpt
> with a larger variety of `expressive marks' would be nice. Any
> volunteers?
If you like this Schumann excerpt, use it. Some things can be improved:
- \sf should be always insi
I'm happy to announce the first public draft of NR 2.9 World
music. Please let us know about anything that's unclear or any
omissions.
Don't bother telling us "you haven't included Cuban drum
notation", though -- this section is strictly on a volunteer
basis. We're only looking for omissions in
That's exactly the result I was looking for and demonstrates just how
versatile Lilypond can be with the necessary know-how.
Although this certainly serves as a work-around, I'd still be
interested in sponsoring a solution where Lilypond can work out the
control points itself. The mark is quite
You've probably spotted by now that the correct
syntax is
\context { \Score \override BarNumber #'padding = #3 }
Score with a capital S is the name of the context.
Trevor
- Original Message -
From: "Frederick Dennis" <[EMAIL PROTECTED]>
To:
Sent: Friday, August 01, 2008 2:55 PM
Subj
More complicated shapes would normally be implemented as
two cubic Bézier curves spliced together. This would work
quite well for the shape you want. Here's a lash-up using
three spacer notes in parallel to carry two slurs, just to show
what could be achieved (this is hardly a practical techniq
On Fri, Aug 1, 2008 at 1:32 AM, Trevor Daniels <[EMAIL PROTECTED]> wrote:
> Hi Patrick
>
> All very clear and nicely laid out. Just a couple of suggestions:
>
> The headword music shows very few expressive marks - no dynamics,
> very few articulations, no phrasing slurs, arpeggios, etc. I wonder
Thanks for the response, but as you say, the overall shape of the tie gets lost
with the loop.
Would this be horrendous to implement as a new feature, and if it is feasible,
how would I go about sponsoring?
David.
--- Original Message ---
From: "Trevor Daniels" <[EMAIL PROTECTED]>
To:
You -can- make a cubic Bézier "loop-the-loop" by crossing over the two
intermediate points, but then there is not enough control left to achieve
a nice downward shape on the two halves. Also you would need to tune
every such slur manually, which is quite tedious.
Here's an example which shows wh
Hi Marco,
2008/8/1 Marco Caliari <[EMAIL PROTECTED]>:
> Dear all,
>
> I'm producing a lot of music fragments to be inserted as png pictures. I
> followed AU 4.6.3. I specified line-width=130\mm and so the maximum width of
> the
> fragments is 130mm, except in the case I set the Staff.instrumentNa
[EMAIL PROTECTED] wrote:
Here's a working copy of his link
to the music.
Patrick
Good morning list.
Apologies for the cryptic subject header, but what I need to do is
difficult to express in words.
In short, I need to show two notes tied, where the tie forms a circle
in the middle, per
Dear all,
I'm producing a lot of music fragments to be inserted as png pictures. I
followed AU 4.6.3. I specified line-width=130\mm and so the maximum width of the
fragments is 130mm, except in the case I set the Staff.instrumentName. In this
case, the maximum width is 130\mm plus the width of the
Dear All,
\version "2.10.33"
I've just noticed that the bar numbers are colliding with the StaffGroup
bracket.
I've put
\context {\score \override BarNumber #'padding = #3 }
in the layout block but nothing happens.
I've also put it at the top and in various other places.
Thank you for your
2008/7/31 Dominic Neumann <[EMAIL PROTECTED]>:
> 2008/7/30 Joseph Haig <[EMAIL PROTECTED]>:
>> An even more
>> unfortunate side effect of this is that if you have long melimata the
>> spacing gets messed up, because lilypond allocates a certain amount of
>> space for each neume even though they are
Good morning list.
Apologies for the cryptic subject header, but what I need to do is
difficult to express in words.
In short, I need to show two notes tied, where the tie forms a circle
in the middle, performing a 'loop the loop' before ending at the second
note. I realise that this probably
Hi Patrick
All very clear and nicely laid out. Just a couple of suggestions:
The headword music shows very few expressive marks - no dynamics,
very few articulations, no phrasing slurs, arpeggios, etc. I wonder if
a more suitable piece might be chosen (I know it was not your
choice - Trevor ma
2008/7/29 Hugo Ribeiro <[EMAIL PROTECTED]>:
> Dear all,
>
> as I mentioned in a previous email, I am editing a translation to portuguese
> of Kent Kennan's "Counterpoint Based on the Eighteenth Century" textbook.
> The Chapter 12 is already done, but the final appearance of the page is not
> ok. Th
Herbert,
This seems to work. I was trying to use \column for title/instrument
which didn't work. As for the spacing getting fouled; I suspect it may
have been something else doing that.
Thanks again,
David
Herbert Niemeyer wrote:
In my first answer I assumed 3 columns as header: Page#, Ti
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