On Mon, 03 Mar 2008 23:30:48 +0100
John Mandereau <[EMAIL PROTECTED]> wrote:
> I (or somebody else) will fix that, but unfortunately, I won't have
> time for any serious contribution to LilyPond before a couple of
> weeks. I'm sure I have some time again after April 3th, that's all.
Ok, for your
On Mon, 2008-03-03 at 21:00 -0800, notesetter wrote:
> As I'm brand new to lilypond (and thus far, really enjoying it), I
> don't
> know how to tell lilypond to put arrowheads on arpeggio lines for rasgueado
> notation.
>
> Anyone?
Yep; using \arpeggioUp and \arpeggioDown; see
http://lilypond.or
Thanks so much for that. It looks like it is working very well.
Reinhold Kainhofer wrote:
Am Montag, 3. März 2008 schrieb Timothy C Litwiller:
no, here is a scan of the upper left corner that he wrote by hand
http://www.arkansascabinetsolutions.com/the_presence.gif
There are two equi
Hello everyone,
>>"Hi all. I did a Google and an Archives search on how to notate
rasgueado with lilypond, and the instructions there said to use an
arpeggio."
For rasgueado indications, typically an arpeggio line is used with an
arrowhead at the top or bottom to indicate the direction of the
Hi all. I did a Google and an Archives search on how to notate
rasgueado with lilypond, and the instructions there said to use an arpeggio.
I've since discovered on Wikipedia that the up bow/down bow notation
used for violins can be used for up strokes/down strokes for plucked string
instru
2008/3/3, Reinhold Kainhofer <[EMAIL PROTECTED]>:
> I'm currently investigating how to properly write transposing instruments.
> Since their voices are also used in cue notes, the best way is to write them
I don't understand this remark: this is exactly why we have the
\transposition feature; why
Hi Hugo,
How can I do to make lilypond show all the clefs in same size as
the first one?
\version "2.11.37"
\score
{
\relative c
{
a b c d
\clef bass e f g a
\override Staff.Clef #'full-size-change = ##t
\clef tr
Sorry asking again,
I searched in the manual and I didn't find the answer. When I change the
Clef in the middle of the melody (or exercise), the new clef appears smaller
than the first one. How can I do to make lilypond show all the clefs in same
size as the first one?
Hugo
__
Hi Tiago,
On 04/03/2008, Tiago Morin wrote:
> have you tried
>
> e'8:32[ e'16 e'] ?
>
> works nice on 2.10.33
Thanks for the tip but that's was the first trick I tried and 2.11.
produced the image that's attached to the first message. :-) Looks
much uglier than the 2.10 version. Code below.
An
dostroke = #(define-music-function (parser location chord length)
(ly:music? num
ber?)
#{
\chordmode { e,$length:5.8 }
#}
)
I presume you can all see what I'm trying to achieve here.
However, I
c
have you tried
e'8:32[ e'16 e'] ?
works nice on 2.10.33
It would help if you copy the lilypond code
Regards
Tiago
On Mon, Mar 3, 2008 at 9:17 PM, Risto Vääräniemi <[EMAIL PROTECTED]> wrote:
> Dear all,
>
> I came up with a piece of music that combines a tremolo with a beamed
> eight note. I
Laura Conrad wrote:
> I don't think there's any way to use lilypond-book to do real work without
> several
> kinds of hacks. I'm using:
>A hack to get the included files to cause recompilation
lilypond-book *generally* doesn't rewrite an output file if the old
output file is up to date, whi
Hi again,
On 03/03/2008, Risto Vääräniemi wrote:
> I came up with a piece of music that combines a tremolo with a beamed
> eight note. It looks a bit unorthodox (as I cannot find a solution in
> the manual) but it conveys the meaning very well.
I kind of solved the problem by using a function
Hi Orm,
On 04/03/2008, Orm Finnendahl wrote:
> thanks, but that doesn't seem to work here. The rest symbol still is
> above the staff. I use this:
You seem to be using DrumStaff and in your case you have to replace
the RhythmicStaff with DrumStaff thus:
\override DrumStaff .MultiMeasureRest #'e
Le vendredi 29 février 2008 à 17:35 -0800, Graham Percival a écrit :
> I wish we'd finished NR 1 ages ago, so that the AU would be in
> better shape... oh well.
>
> Has anybody used lilypond-book for large (100+ pages) documents?
> In particular, I'm having trouble with .lytex files in
> subdirec
Am Montag, 3. März 2008 schrieb Risto Vääräniemi:
> Hi Orm,
> I was struggling with the same thing two months back and then I just
> lowered the rests by one "space unit". \override
> RhythmicStaff.MultiMeasureRest #'extra-offset = #'(0.0 . -1.0)
Unfortunately, this messes up real multi-measure re
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Am Montag, 3. März 2008 schrieb Orm Finnendahl:
> \score {
> \new DrumStaff \with{
> \override StaffSymbol #'line-count = #1
Are you sure that you really want a DrumStaff and not a RhythmicStaff instead?
> \override RhythmicStaff.MultiMeasu
Hi Risto,
thanks, but that doesn't seem to work here. The rest symbol still is
above the staff. I use this:
\version "2.11.7"
\score {
\new DrumStaff \with{
\override StaffSymbol #'line-count = #1
}
{
\override RhythmicStaff.MultiMeasureRest #'extra-offset = #'(0.0 . -1.0)
{
I'm currently investigating how to properly write transposing instruments.
Since their voices are also used in cue notes, the best way is to write them
in concert pitch (so the cue notes are automatically correct), and use
\transpose from to ... only for the staff contents.
However, the problem
Hi Orm,
On 03/03/2008, Orm Finnendahl wrote:
> I'm trying to input multimeasure rests on a single line
> DrumStaff. Unfortunately these rests are drawn above the stave (as the
> single line represents the middle b). How can I make this rest appear
> hanging on the single line instead of above
Dear all,
I came up with a piece of music that combines a tremolo with a beamed
eight note. It looks a bit unorthodox (as I cannot find a solution in
the manual) but it conveys the meaning very well.
Can you tell me if there's a way to make some kind of a workaround to
get the desired result or c
Hi,
I'm trying to input multimeasure rests on a single line
DrumStaff. Unfortunately these rests are drawn above the stave (as the
single line represents the middle b). How can I make this rest appear
hanging on the single line instead of above it? (sorry if I'm missing
the obvious).
--
Orm
__
Hi All,
I'm 'Lilyponding' a small prelude I wrote. It's only one page, but I
can't get it without collisions.
I attached a PNG, if that's not clear enough; the PDF is at
http://vaneyck.terra-terra.com/Senorio.de.los.Llanos.pdf.
My problem is mainly the slur above bars 19 and 20 that collide with
Is there any way in lilypond to print out a some paragraphs of markup in
two-column layout? In particular, the column switch and page breaks should be
done automatically.
Basically, I'm looking for a \markuplines command, only with the possibility
to lay out the lines in two (or maybe even thre
Sent from my iPod
On 2-mrt-2008, at 17:57, Reinhold Kainhofer <[EMAIL PROTECTED]>
wrote:
I'm happy to finally present my latest project:
OrchestralLily
A package for lilypond to easily create orchestral scores
Version 0.01
http://wiki.kainhofer.com/lilypond/orchestallily
I'm finding that there isn't enough space around bar lines. In some
cases ledger lines are touching the bar lines. Is this a known bug? Is
there a way to adjust the space a barline takes up?
Steve
___
lilypond-user mailing list
lilypond-user@gnu.or
Wow, thanks, I've liked the concept of the searchable LSR for a while,
but because of this apparent "ancient" bug, it was largely useless for
me. I don't use google much, but I'll certainly try this.
On 03.03.2008, at 14:26, Nicholas WASTELL wrote:
Hello,
After suffering the 'ancient' bug
Am Sonntag, 2. März 2008 schrieb Reinhold Kainhofer:
> I'm happy to finally present my latest project:
>
> OrchestralLily
>
> A package for lilypond to easily create orchestral scores
> Version 0.01
> http://wiki.kainhofer.com/lilypond/orchestallily
Sorry for the wrong link! As
Hello,
After suffering the 'ancient' bug when searching the Lilypond snippet
repository, I found that Google can do a pretty good job. I'm sure that none
of this will be new to some of you, but others may find it useful.
To search LSR from the Google search page, enter:
site:lsr.dsi.unimi.it/
Am Montag, 3. März 2008 schrieben Sie:
> I added a warning in the snippet's source-code as a comment.
>
> However, this snippet was already tagged as version-specific, so it
> means we were already officially aware that it had some limitations.
Well, the LSR insiders are aware of it, not the users
Am Montag, 3. März 2008 schrieb Hugo Leonardo Ribeiro:
> how can I insert a key change without all those cancelation symbols of the
> previous key.
How about looking at the obvious place, the user manual
Incredible, but true: The section on key signatures contains exactly what you
are looki
Hi Hugo,
how can I insert a key change without all those cancelation symbols
of the previous key
Not surprisingly, a search for "cancellation" in the docs quickly
leads to the right answer:
\layout
{
\context
{
\Score
\override KeyCancellati
Dear all,
how can I insert a key change without all those cancelation symbols of the
previous key. This is intented for harmony exercises in lots of keys.
Ex.
\version "2.10"
\relative c' {
\key e \major
cis4 dis e fis
\key ees \major
g f ees d
}
Thanks
Hugo
<>_
> "Dominic" == Dominic Neumann <[EMAIL PROTECTED]> writes:
Dominic> Hi Laura,
Dominic> 2008/3/2, Laura Conrad <[EMAIL PROTECTED]>:
>>
>> A hack to get the included files to cause recompilation
>>
Dominic> I´m interested in that hack because I´ve got always problems w
Am Montag, 3. März 2008 schrieben Sie:
> this is quite impressive. I wish such a tool already existed when I
> started writing my opera :)
>
> May I suggest to add parts of it to the LSR, as "stylesheets" like Nicolas'
> one? http://lsr.dsi.unimi.it/LSR/Item?id=368
Well, I don't like the idea of k
A better way to solve the original problem might be to use
http://lists.gnu.org/archive/html/lilypond-user/2007-01/msg00614.html
as a starting point for an automated solution.
/Mats
Valentin Villenave wrote:
2008/3/2, Peter Van Kranenburg <[EMAIL PROTECTED]>:
Hi Peter,
This works perfec
2008/3/3, Wilbert Berendsen <[EMAIL PROTECTED]>:
> Op zondag 2 maart 2008, schreef Reinhold Kainhofer:
>
> > http://wiki.kainhofer.com/lilypond/orchestallily
Hi Reinhold,
this is quite impressive. I wish such a tool already existed when I
started writing my opera :)
May I suggest to add parts of
2008/3/2, Reinhold Kainhofer <[EMAIL PROTECTED]>:
> > >Reinhold Kainhofer <[EMAIL PROTECTED]> wrote:
> > >>If you add \version "2.10.5" to the snippet (yes, I really hate it
> > >>that the snippets don't say with which version of lilypond they
> > >>work!!!) and let convert-ly run on it, you'
2008/3/2, Peter Van Kranenburg <[EMAIL PROTECTED]>:
Hi Peter,
> This works perfectly. Thanks a lot!
Perhaps you could consider adding a snippet to the LSR, so that anyone
can easily find it in the future:
http://lsr.dsi.unimi.it/LSR/html/contributing.html
> Adjusting the Y-offset all the time
2008/3/2, Mats Bengtsson <[EMAIL PROTECTED]>:
> You can't have searched very thoroughly, this topic has
> been discussed several times on the mailing lists.
There's also http://lsr.dsi.unimi.it/LSR/Item?id=273
"Volta brackets over chord names": the name says it all!
Cheers,
Valentin
2008/3/2, Philip <[EMAIL PROTECTED]>:
> is it possible to type-set the percussion section shown in perc.jpg in
> LilyPond? (Yes, I drew that by hand, but without the assistance of a
> ruler. I aligned it to the lines of note-book paper.)
Rule #1: never begin any question with "is it possible i
Am Montag, 3. März 2008 schrieb Timothy C Litwiller:
> no, here is a scan of the upper left corner that he wrote by hand
> http://www.arkansascabinetsolutions.com/the_presence.gif
There are two equivalent possibilities to have a clef at a different position
than the pre-defined ones:
1) Either ma
Hi Laura,
2008/3/2, Laura Conrad <[EMAIL PROTECTED]>:
>
>A hack to get the included files to cause recompilation
>
I´m interested in that hack because I´ve got always problems when I
change my central include files. The only solution I use then is to
remove the complete out-directory and reco
43 matches
Mail list logo
