2007/3/3, Graham Percival <[EMAIL PROTECTED]>:
Arvid Grøtting wrote:
> That's fine, but if I want to do that with each setting, I also need
> to write a small example around it. Between a day job, a 13 months
> old son, a wife, a choir and scores of scores to typeset, I don't
> really have the t
Arvid Grøtting wrote:
That's fine, but if I want to do that with each setting, I also need
to write a small example around it. Between a day job, a 13 months
old son, a wife, a choir and scores of scores to typeset, I don't
really have the time. So if someone wants this in the form of small
sni
2007/3/3, Trevor Bača <[EMAIL PROTECTED]>:
On 3/2/07, Graham Percival <[EMAIL PROTECTED]> wrote:
> Trevor Bača wrote:
> > On 3/2/07, Arvid Grøtting <[EMAIL PROTECTED]> wrote:
>
> >> That's it for tricks currently in use, I think. This is with 2.11.20,
> >> by the
> >> way; earlier versions may n
I'm looking for the ability to span treble and bass clefs
with a glissando, similar to what can be done
with arpeggiated notes.
Right now I can't get the two clefs
(glissando start and stop voices) to interact for this specific case.
The bass clef gets shoved down to make way for
multiple le
Scott Miller wrote:
OK I see. Thank you. I was expecting a default perc clef to act as a
treble clef.
A very important reason for the percussion vlef not to behave like the
trebble clef is that the percussion clef is often used on staves with
another number of stafflines than five.
The middle
Damian leGassick wrote:
also (at least on osx), the -b option isn't there in 2.11.20 - is that
right? or have things changed re eps?
If you follow the unstable development version 2.11, then please read
the NEWS files for each version.
Cheers,
- Graham
_
On 3/2/07, Graham Percival <[EMAIL PROTECTED]> wrote:
Trevor Bača wrote:
> On 3/2/07, Arvid Grøtting <[EMAIL PROTECTED]> wrote:
>> That's it for tricks currently in use, I think. This is with 2.11.20,
>> by the
>> way; earlier versions may need other tricks...
>
> Can these please go into the m
Trevor Bača wrote:
\markup \wordwrap { Here's the first long sentence. \n And here's the
second long sentence. }
\wordwrap-string ? It's not ideal, because it takes a string instead of
a markup. The other option would be to use nested \column, \line, and
\wordwrap (in some order).
Also,
Hi,
Is there something like
\markup \wordwrap { Here's the first long sentence. \n And here's the
second long sentence. }
Also, is there markup hiding anywhere to make bullet or numbered lists?
--
Trevor Bača
[EMAIL PROTECTED]
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Trevor Bača wrote:
On 3/2/07, Arvid Grøtting <[EMAIL PROTECTED]> wrote:
That's it for tricks currently in use, I think. This is with 2.11.20,
by the
way; earlier versions may need other tricks...
Can these please go into the manual under vocal music?
Short answer: the fastest way of gett
On 3/2/07, Arvid Grøtting <[EMAIL PROTECTED]> wrote:
David Feuer gmail.com> writes:
> > \override DynamicText #'X-offset = #-2
>
> Ooh! Neat! For some reason, this only seems to work for some of the
> dynamics. They all move to the left, but only some of them move down.
Yes; it all depe
Arvid Grøtting wrote:
That's it for tricks currently in use, I think. This is with 2.11.20, by the
way; earlier versions may need other tricks...
Who else has vocal-related overrides and tricks they want to share?
Please don't only share them here -- and this applies to Arvid, too. In
addi
> I don't really see what the problem is:
>
> \relative c'{
> c-\tweak #'font-size #-3 _\flageolet
> c-\tweak #'font-size #-3 ^\flageolet
> }
I want to say
c^\F
c_\F
where \F is a smaller \flageolet, and this \F can't be defined with
define-music-function.
Werner
__
David Feuer gmail.com> writes:
> > \override DynamicText #'X-offset = #-2
>
> Ooh! Neat! For some reason, this only seems to work for some of the
> dynamics. They all move to the left, but only some of them move down.
Yes; it all depends on whether LilyPond thinks they'll fit.
> Is the
Am Freitag, 2. März 2007 15:00 schrieb Mats Bengtsson:
> It seems that this is a bug which has been fixed in the latest 2.11
> version.
> I haven't checked 2.10, but I wouldn't be surprised if it's fixed
> in the latest 2.10.x version as well.
I tried 2.11.20 today, and the size of the accidental
Thanks. I'm compiling the code anyway, and trying to get ready for
submitting some changes. I'm getting used to modifying the code. I
don't know whether I will add this change myself, or wait for someone
else.
Maximilian Albert <[EMAIL PROTECTED]> writes:
> Mats Bengtsson schrieb:
>
>> Kevin
can I use the \tweak -command also with an identifier?
ole
Am 02.03.2007 um 10:26 schrieb Mats Bengtsson:
I don't really see what the problem is:
\relative c'{
c-\tweak #'font-size #-3 _\flageolet
c-\tweak #'font-size #-3 ^\flageolet
}
/Mats
Werner LEMBERG wrote:
\tweak only accepts
> I recommend that you install the latest stable LilyPond version 2.10 from
> www.lilypond.org -> Downloads. There's an installation package there that
> works for all Linux distributions.
Updated to 2.10.20.
> I made a quick hack to solve a similar problem in
> http://lists.gnu.org/archive/html
> > 2. Is there an easy way to only have the treble clef symbol and key
> > signature to only appear on the first line of each page?
> >
> Not if you want it fully automated. However, you can turn of the clef
> symbol
> using
> \override Score.Clef #'break-visibility = #all-invisible
> and turn i
rif wrote:
Hi.
I'm typesetting a jazz lead sheet, and trying to go for a somewhat
"RealBook" style look, and I'm having a couple of problems. I've combed
the documentation, but I'm not really finding the answers. (I'm using
lilypond 2.6.3, which is the current ubuntu linux version.)
I r
If this is a bug report, please send it to bug-lilypond@gnu.org instead.
/Mats
Luc wrote:
\version "2.10.20" % on Windows XP
% right-oriented fingering instructions overwrite the dot of a dotted note
\layout { ragged-right = ##t }
{
\set fingeringOrientations = #'( right )
< f'-3 >
\version "2.10.20" % on Windows XP
% right-oriented fingering instructions overwrite the dot of a dotted note
\layout { ragged-right = ##t }
{
\set fingeringOrientations = #'( right )
< f'-3 > 4.
\set strokeFingerOrientations = #'( right )
< f'-\rightHandFinger #1 > 4.
}
Thanks
Lu
Hi.
I'm typesetting a jazz lead sheet, and trying to go for a somewhat
"RealBook" style look, and I'm having a couple of problems. I've combed
the documentation, but I'm not really finding the answers. (I'm using
lilypond 2.6.3, which is the current ubuntu linux version.)
1. At the end of the
Another comment (off-topic): Are you sure you do not want the hyphens to
appear centered between the syllables, which can be done by entering,
for example,
schla -- fen
instead of
schla- fen
? Just a thought ...
Cheers,
Max
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It seems that this is a bug which has been fixed in the latest 2.11
version.
I haven't checked 2.10, but I wouldn't be surprised if it's fixed
in the latest 2.10.x version as well.
/Mats
Robert Memering wrote:
Hi all,
I have some smaller staves in my score. I got them
by scaling StaffSymbol
> Why not use \melisma and \melismaEnd to indicate the melismas.
> This will solve all slur related problems that you see.
>
>/Mats
Well, I do not know why I did not do it this way, now I
tried and it works.
Thanks.
Imre
Since you had defined your
\context Voice = "melodyVoi"
within the
\repeat volta 3 {...}
the melodyVoi Voice context didn't include the alternative endings.
The simple solution is to move the
\context Voice = "melodyVoi" {...}
outside the
\repeat volta 3 {...}\alternative{...}
If you want the fin
Mats Bengtsson schrieb:
> There's no need to send bug reports on problems that already have a
> FIXME comment in the source code (possibly unless you want to give
> it very high priority).
Oops, sorry. My fault. I wasn't aware of this, but of course I could and
should have guessed it.
Max
_
Hello,
I am struggling to have print out the last word "stehn" of the fourth
line of the lyrics in the first alternative part under the note g'.
Do I have to include another lyricmode in the alternative block? Just
can't figure out, although I tried a lot of different approaches. Any
idea w
There's no need to send bug reports on problems that already have a
FIXME comment in the source code (possibly unless you want to give
it very high priority).
/Mats
Maximilian Albert wrote:
Mats Bengtsson schrieb:
More precisely, in the file lily/pitch.cc, there is a comment in lines
161-162
Lol ,
too simple !
Thanks !
I don't really see what the problem is:
\relative c'{
c-\tweak #'font-size #-3 _\flageolet
c-\tweak #'font-size #-3 ^\flageolet
}
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Mats Bengtsson schrieb:
> Kevin Dalley wrote:
>> I'm using NoteNames for some demos. There are 2 items I want to
>> change.
>>
>> 1. I'm including english.ly, but "as" is output as "ais". Is it
>> possible to change the language?
>>
>>
> Unfortunately, it seems that the language is hard-code
How do I print German chord names with \germanChords but keep the
standard notation for the base note, so I get fx A7/c# instead of A7/cis???
Thanks,
Morten
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Kevin Dalley wrote:
I'm using NoteNames for some demos. There are 2 items I want to
change.
1. I'm including english.ly, but "as" is output as "ais". Is it
possible to change the language?
Unfortunately, it seems that the language is hard-coded in the current
implementation. That shoul
I don't really see what the problem is:
\relative c'{
c-\tweak #'font-size #-3 _\flageolet
c-\tweak #'font-size #-3 ^\flageolet
}
/Mats
Werner LEMBERG wrote:
\tweak only accepts `-' due to its definition.
Is there a definition of \tweak given somewhere in some .scm file?
I
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