Re: polyphonic layout

Cameron Horsburgh wrote: I want to write a score with two systems and two voices in the lower system. I found some trouble with it. 1) In the upper system I need a full 6/8 rest. But r1 stands for 8/8 rest. How do I get the full rest, hanging centered at the fourth line? Try using R1

virus warning: guile.exe

Hello,   I installed Lilypond and now I get warnings from F-Prot about guile.exe. The virus scanner gives the warning:     Infection: Possible a new variant of W32/Threat-HLLSI-based!Maximus   Is this infection real at the lilypond web server? If this only is a mistake of the scanne

Re: polyphonic layout

On Mon, Nov 13, 2006 at 03:27:09PM +0100, Helge Kruse wrote: > Hello, > > I am new to this mailing list. I hope it's ok to ask these questions here. > If not, please excuse. > No, that's what the list is here for! I will try to answer some of your questions but it would be easier if you could s

Re: Triplets and Diddles

On Mon, Nov 13, 2006 at 07:28:02PM -0800, X X wrote: > >Thanks, I kind of get this now, so far I've only written out one of >our Cadences out, and it's only a line or so long. So, I have some >work cut out for me. Oh, also I keep getting an error with this code: >\header{ > ti

polyphonic layout

Hello, I am new to this mailing list. I hope it's ok to ask these questions here. If not, please excuse. I want to write a score with two systems and two voices in the lower system. I found some trouble with it. 1) In the upper system I need a full 6/8 rest. But r1 stands for 8/8 rest. How do I

LilyPondTool 2.10 demo

For a flash demo of the new LilyPondTool release please look at http://www.organum.hu/fileadmin/lilypondtool/parser.html It demonstrates some of the most exciting features (instant errorchecking, instant help, instant point-and-click) Bert ___ lil

Re: Control MIDI channels

[Quoting Mats Bengtsson, on November 13 2006, 12:57, in "Re: Control MIDI cha"] > It seems that the only way you can influence the channel numbers is by the > order you specify the different staves/lyric lines/chord names. Can you > figure out what ends up on channels 1-3, maybe lyrics? It that's t

Re: percussion & midi ?

On 11/13/06, Mats Bengtsson <[EMAIL PROTECTED]> wrote: As long as you use a DrumVoice context to typeset the percussion, theMIDI output should automatically contain the corresponding drum soundsin channel 10.   /MatsIn that case, something else is broken. I ncluded is a snippet from 7.4.3 Percussio

Re: binary eps files in 2.10 break lilypond-book workaround

> "Laura" == Laura Conrad <[EMAIL PROTECTED]> writes: Laura> Sometime very late in the 2.9 release cycle, the eps files generated Laura> by lilypond-book (on ubuntu edgy linux; presumably really by "lilypond Laura> -b eps") became binary instead of text. It was somewhere in betwe

Re: lilypond development moved

> However, in collaboration with the savannah hackers, I've now > successfully set up a git repository at savannah. Check it out at > >http://git.sv.gnu.org/gitweb/ It seems that this host is quite loaded. The remote part of doing a `git-clone' took ages... Werner

Jazz scales

Hi, sorry my question isn't lilypond specific, but I hope anyone can help me anyway!?!? Does anyone have a PDF file with all Jazz scales in Bass-Clef or does anyone know where I can download them in PDF in Bass Clef? ___ lilypond-user mailing lis

binary eps files in 2.10 break lilypond-book workaround

Sometime very late in the 2.9 release cycle, the eps files generated by lilypond-book (on ubuntu edgy linux; presumably really by "lilypond -b eps") became binary instead of text. This means that I can't fix the bounding box problem

Re: LilyPondTool 2.10.0

Well, I was in a hurry. I suggest you to look at the site: http://lilypondtool.organum.hu You should use the SourceForge project page to download (http://www.sourceforge.net/projects/lily4jedit). However, sourceforge is down at the moment, so as a backup you could use http://www.organum.hu/f

Unexpected tuplet bracket location

Is this a bug or a feature? quartertriplet = { \set tupletSpannerDuration = #(ly:make-moment 1 4) } \relative { \time 3/4 \clef treble \key g \minor \relative c'' { \quartertriplet \times 2/3 { r8 a r a r4} r4 | r8 g r g r4 | \times 2/3 { r8 a r a r4} r4 | r8 bes r bes r4 | \times 2/3 { r8 c r c

2.10 questions

Many thanks to the all the diligent developers and users for 2.10 and the previous versions. I'm now running 2.10 on xubuntu (ubuntu 6.06) and I have several questions about lilypond 2.10: 1. It looks like hairpinToBarline is set "true" by default. The "changes" doc makes it sound like you ha

Re: LilyPondTool 2.10.0

What is the link? The last archived message about LPT points to a website hosting only 2.8. You might benefit describing what it does for the benefit of the lazy, too, since I had to use lilypond-user archives to figure it out myself. :) Yours &c., Will On Nov 13, 2006, at 7.14 AM, [EMAI

Re: LilyPondTool 2.10.0

Sorry, I forgot to tell the place to download. You should use manual installation, so - download the latest zip (lily4jedit-2.10.0-1.zip) file from http://www.sourceforge.net/projects/lily4jedit and unzip it into the jEdit folder (like c:\program files\jedit 4.3pre6) You can also look at the

Re: LilyPondTool 2.10.0

Hi, I couldn't tell you how much valuable LilypondTool was for me ; this is definitely the way I would recommend to anyone starting with music typesetting (though I don't like jEdit very much, maybe a standalone lilpond-integrated editor would be much better, like in OSX-lilypond). There's still

Re: Chord, variables and comments [beginner]

It seems that a standard preprocessor like m4 should be the best solution to your problems. If you search the mailing list archives, you will find a number of discussions related to preprocessors for purely textual replacement in LilyPond input files. LilyPond itself does not (and will not) incl

Re: same note, different accidentals

Tricky! I'm not sure what the best typesetting practice is for such a situation. You might want to use tricks like \version "2.8.0" \relative c''{ << {c b! c d } \\ { c s64 bes4*15/16 a4 g} >> } \layout{ragged-right=##t } To get a reasonable output. /Mats Lasse Rempe wrote: Hello --- I hav

Re: Control MIDI channels

It seems that the only way you can influence the channel numbers is by the order you specify the different staves/lyric lines/chord names. Can you figure out what ends up on channels 1-3, maybe lyrics? It that's the case, you could try to specify them in another order in your \score{...} block, ei

Re: percussion & midi ?

As long as you use a DrumVoice context to typeset the percussion, the MIDI output should automatically contain the corresponding drum sounds in channel 10. /Mats Simon Dahlbacka wrote: Hi all, I'm trying to add some percussion to my music and cannot seem to get midi working sensibly for the

Control MIDI channels

Hi, Is there a way to control which MIDI channel a stave will get? In a 4-vocal + chords score the chords seem to get channel 4, and the vocals get 5, 6, 7, and 8. I want to split out the parts, but my synthesizer can only control tracks 1-5 individually. So it would be nice if I could explicitl

same note, different accidentals

Hello --- I have only recently started using LilyPond, so this may be a newbie question, but I didn't find a solution anywhere. I am typesetting a piece where, on the same beat, one voice has a b, while the other has a b flat. Even when I use the NoteColumn property to separate the stems, LilyPon

LilyPondTool 2.10.0

Hi, I've just released a new version of LilyPondTool, supporting LilyPond 2.10. The most important change is that the new, full lilypond parser is quite stable (i.e. no false alarms on the regression test files). So you should turn it on. That means, that you can safely turn on SideKick's "pa

Chord, variables and comments [beginner]

Hello, sorry if the question was already asked, but I didn't find the answer in the archive (maybe I don't know which keyword to use). So, I'd like to put the guitar chords into a variable in order to reuse them, e.g. GuitarChordC = {1} First, I would like to put the duration outside the variab