Maurício <[EMAIL PROTECTED]> writes:
> Hi,
>
> I'm typesetting a voice/piano composition. Sometimes, the end of a
> word and the start of the next word are song in a single note. Lily
> just insert both below that note. Is it possible to connect those
> words using something similar to a tie
Hi,
I'm typesetting a voice/piano composition. Sometimes, the end of a
word and the start of the next word are song in a single note. Lily just
insert both below that note. Is it possible to connect those words using
something similar to a tie between notes, to emphasize the fact that
bot
On 9/18/06, Han-Wen Nienhuys <[EMAIL PROTECTED]> wrote:
I think you're looking for Forbid_line_break_engraver. Try removing it.Thanks, I'll try with it.Libero
--Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwenLilyPond Software Design -- Code for Music Notation
http://www.lilypo
Libero Mureddu wrote:
you are right, but if you take from my example only the voice with the
quintuplet (see below), you can see that I can actually split the
measure. But this nice feature is not so useful, if you cannot use it
inside a polyphonic music. Of course it's clear to me why the co
Libero Mureddu wrote:
Hi,
I've also found this quite interesting: lily can accept something like
this (see below), that is quite amazing compared the amount of tweaks
that are necessary to obtain the same in other software (if my memory
is good!), but still it cannot make a line break.
But
Hi,I've also found this quite interesting: lily can accept something like this (see below), that is quite amazing compared the amount of tweaks that are necessary to obtain the same in other software (if my memory is good!), but still it cannot make a line break.
But what I would like to have is a
Glad to help.
Are you using the Nabble mirror for your posts? Because I dont think your
posts are reaching the actual gnu lilypond list. I'm getting a big yellow
warning message on all your posts as viewed through the Nabble mirror. You
may want to re-subscribe and confirm your email address w
Matt,
I'll read that again. I tried using a \markup { \score } and that method
would be ideal, but the markup score never rendered past it's first measure.
I tested the \score separately and it would render 3 measures, no problem,
but when I cutandpaste that same score into a \markup and applie
On Friday 15 September 2006 00:47, Han-Wen Nienhuys wrote:
> David Greene wrote:
> > Hi everyone,
> >
> > I searched the archives and found a few discussions about
> > generating swing-feel MIDI from straight eighths Lily
> > source but the most recent was from 2004.
> >
> > I was thinking about wr
On 9/18/06 3:07 AM, "nicola" <[EMAIL PROTECTED]> wrote:
> In article <[EMAIL PROTECTED]>,
> Walter Hofmeister <[EMAIL PROTECTED]> wrote:
>
>> On 9/17/06 4:18 AM, "nicola" <[EMAIL PROTECTED]> wrote:
>>
>>> Hi,
>>> I have written a very simple Lilypond engine for TeXShop, which you may
>>> find h
On 9/18/06, Markus Schneider <[EMAIL PROTECTED]> wrote:
I forgot: more importantly, use \combine to print the markups on top of each
other. That may take care of your horizontal space problem.
Markus
"Markus Schneider" <[EMAIL PROTECTED]> schrieb im Newsbeitrag
news:[EMAIL PROTECTED]
> Hi Trevo
it seems you would need the \chordcombine that I've been requesting/thinking about trying to implement, but never gotten to..On 9/18/06, Jan Janovcik <
[EMAIL PROTECTED]> wrote:Hi,thank for the suggestion with \partcombine, it does indeed part of the job, it merges the noteheads, but it also change
On 9/18/06, Thies Albrecht <[EMAIL PROTECTED]> wrote:
Hi Libero!> and I have to split a measure in the middle...Line breaks only work at "proper" bar lines. (see
http://lilypond.org/doc/v2.9/Documentation/user/lilypond/Line-breaking.html#index-g_t_005cbreak-1560)In your example the third 4:5 in th
Hi,
thank for the suggestion with \partcombine, it does indeed part of the job, it
merges the noteheads, but it also changes the directions of the stems at the
same time and that is undesirable. What I would need is something that would
merge the noteheads and keep the stems down ( the result of
Mats Bengtsson wrote:
I expected something like
(markup #:pad-to-box '(0 . 0) '(-2 . 2) "f")
to solve the problem, but apparently it doesn't.
If you want to pursue your current approach, try the \combine markup
command
(and try it first without your current #:hcenter commands, they caused
me s
- Forwarded Message
From: Jan Janovcik <[EMAIL PROTECTED]>
To: lilypond-user@gnu.org
Sent: Monday, September 18, 2006 2:01:09 PM
Subject: Re: hyphens and spacing lyrics
Hi, is there any way to make sure that lyrics do avoid bar lines BUT the
hyphens won't disappear?
Jan Janovcik
Stup
Hi, is there any way to make sure that lyrics do avoid bar lines BUT the
hyphens won't disappear?
Jan Janovcik
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Hi again!
> From my point of view there is little chance for a workaround. :-(
Okay... I admit it was a little late...
Try this workaround
\score {
<<
\new Staff {
\time 4/4
a4 a4 \bar "" \break a4 a4
}
\new Staff {
In article <[EMAIL PROTECTED]>,
Walter Hofmeister <[EMAIL PROTECTED]> wrote:
> On 9/17/06 4:18 AM, "nicola" <[EMAIL PROTECTED]> wrote:
>
> > Hi,
> > I have written a very simple Lilypond engine for TeXShop, which you may
> > find here:
> >
> > http://www.dimi.uniud.it/vitacolo/freesoftware.html
I forgot: more importantly, use \combine to print the markups on top of each
other. That may take care of your horizontal space problem.
Markus
"Markus Schneider" <[EMAIL PROTECTED]> schrieb im Newsbeitrag
news:[EMAIL PROTECTED]
> Hi Trevor,
>
> you may try to use the "fake" letter f. It has all
Hi Trevor,
you may try to use the "fake" letter f. It has all the necessary ascenders
and descenders to fake the basline. I use this with dynamics.
pX = #(make-dynamic-script (markup #:combine #:transparent #:dynamic "f"
#:line(#:hspace 0 #:dynamic "p" #:hspace 0)))
HTH
Markus
_
I expected something like
(markup #:pad-to-box '(0 . 0) '(-2 . 2) "f")
to solve the problem, but apparently it doesn't.
If you want to pursue your current approach, try the \combine markup command
(and try it first without your current #:hcenter commands, they caused
me some
confusing results).
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