Mats:I downloaded the linux script installer. It's been a while since I've dared to compile lilypond myself.Daniel T.2006/8/8, Mats Bengtsson <
[EMAIL PROTECTED]>:Let us move the discussion to bug-lilypond, since you have clearly hit
a bug (for the record, the earlier emails of this thread can be f
We seem to be in agreement except for one concept: The idea of a
jazz/pop chord symbol being based on a melodic minor scale, or any
other scale for that matter, is irrelevant. There is no way for a
person reading the chords to guess what form of minor mode is being
invoked. Scores do not say up
Hi,Did anyone worked on a good layout structure for chord charts (only chords) ?I followed the instructions of the documentation (
http://lilypond.org/doc/v2.8/Documentation/user/lilypond/Printing-chord-names.html#Printing-chord-names), but two of my big issues right now are :- Line breaks does wor
Right. But the double flat does not break down the system, any flat or sharp
in the name is additive to the accidental already on the "natural occurring"
note of the chord root key.
In the case of Ab9 the 9th (Bb) already has an accidental of flatted Ab9=,
So saying Ab(b9) renders Ab(b9)=, (b+
Here is how I understand it: Jazz/pop chord symbols are to be
considered literal. That means, the key signature is Not Ever to be
considered. A 6 is always a major sixth. A seventh is always a minor
seventh. A 9 is always a major ninth. An 11 is always a P11, and a 13
is always a major 13.
Wh
Maybe this could contribute to the discussion regarding chord input
syntax. Below is an excerpt of chord names which are currently supported
by my software Harmony Navigator. Last year I've had a fruitful
discussion on rec.music.theory with Joey Goldstein. I found his
suggested "standard" quite
I think there is a SeparationItem padding, or there is some
minimum-distance or something similar. IIRC the regression test document
has an example for those settings.
Bert
Kieren MacMillan írta:
Hi, Mark:
the hyphens between lyric syllables disappear when the width of each
system is smalle
Hi, Mark:
the hyphens between lyric syllables disappear when the width of
each system is smaller.
Have you played around with LyricHyphen settings?
I'd particularly suggest looking at #'dash-period... ;-)
Best wishes,
Kieren.
___
lilypond-user m
Hi, Michael:
the fingerings of the chord move together instead of separately,
exasperating the problem.
There does not seem to be a way of adjusting them individually.
The following works for me:
%%% CODE BEGINS
\version "2.8.5"
\score
{
-3-\tweak #'extra-offset #'(14 . 0)-4-5
}
%%
\version "2.8.4"
mac 10.3.9
I see in the archives that there has been a lot of discussion about the
placement of fingerings. But I didn't see a solution for what I am
trying to do. I was wondering if anyone had found a solution.
I need to put the fingerings for all notes of the chord, above t
No, the #7 notation is only valid for chords based on the melodic minor
scale. In the USA we would typically call this for example CmM7 in Europe
they may call it Cm#7 in both cases the note stack is the same .
Speaking it, it's called "the minor major seventh chord", check out the song
"When Yo
Hello,
I've noticed that after Lilypond 2.6.4, the hyphens between lyric syllables
disappear when the width of each system is smaller. Is there a way to make this
work how it used to? I rather prefer to have the hyphens all of the time.
I know I can just put a hyphen in manually, but it looks s
Hi,
I just found the very handy BendAfter object. However, as can be seen in
the example below the bend collides with the dot. This only happens on
notes "in the spaces", i.e. not the ones on the lines.
It also throws a warning:
warning: programming error: bounds of this piece aren't breakable.
Not understanding exactly what to do, I think I will just do one page at a
time, and start a whole new .ly file for each additional page.
-Original Message-
>From: "Rick Hansen (aka RickH)" <[EMAIL PROTECTED]>
>Sent: Aug 6, 2006 5:24 PM
>To: lilypond-user@gnu.org
>Subject: Re: Page Layo
Should \markup work in manual volta endings? It doesn't seem to in
2.9.14. Also in this example the "r" in interlude is in a different font.
\version "2.9.14"
\relative c'' {
c1
% These show up but with font problems
\set Score.repeatCommands = #'((volta "1. To interlude" ))
c c
\set Sc
There is a b# note; but for all practical purposes no B#7 chord.
-Original Message-
>From: Stewart Holmes <[EMAIL PROTECTED]>
>Sent: Aug 4, 2006 3:36 PM
>To: lilypond-user@gnu.org
>Subject: Re: triangle chord notation
>
>> Academics poison the well when they use the system for analysis, wh
I agree very much with most everything you have stated.
http://www.malletjazz.com/lessons/cho_symb_les.html
-Original Message-
>From: eyolf ostrem <[EMAIL PROTECTED]>
>Sent: Aug 4, 2006 4:59 PM
>To: lilypond-user@gnu.org
>Subject: Re: triangle chord notation
>
>On Fri, 04 Aug 2006 16:39:1
B#7 would belong to the key of E# whish is non existant key as far as I know.
How many #'s would b e in that key? If such a key did exist, I don't see where
a C7 would improve much.
Agreed though on lower case for notes and Upper for chords. Also the idea of a
limited symbol set makes sense b
One I've met now and then
Tempo Primo - original tempo. Not sure whether that means starting
tempo, or the most recent marked tempo - I think I've met both
interpretations.
Cheers,
Wol
-Original Message-
From:
[EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]
.org] On Behalf Of Stewart Holmes
The semantical meaning of a chord in LilyPond is that all notes
of the chord belong to one and the same voice, so it does not make
sense to change staff for only one of the notes. If you want to change
staff for the full voice, then you can use
4 \change Staff=staffTwo
/Mats
Andre Schnoor wrote
Hi all,
it seems LilyPond doesn't like staff changes within a chord, since
4
doesn't work. The alternative expression
<>
works fine, but does no longer contain the semantics of a "chord". It
could not seem to find any visual difference yet, though. What is the
official recommended way
Let us move the discussion to bug-lilypond, since you have clearly hit
a bug (for the record, the earlier emails of this thread can be found at
http://lists.gnu.org/archive/html/lilypond-user/2006-08/msg00094.html )
I happened to try lilypond-book in the Windows package and it seems that
has the
I am not sure that I understand your question (actually, I'm not sure if
you
understand it completely either).
First of all, LSR, the LilyPond Snippet Repository, is just a collection of
example files, so there's really nothing you can "install". Rather, you can
copy ideas and maybe lines of cod
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