On 16-May-06, at 2:37 PM, Nicolas Sceaux wrote:
Graham Percival <[EMAIL PROTECTED]> writes:
\paper {
left-margin = 15\mm
right-margin = 15\mm
#(define line-width (- paper-width (* 30 mm)))
}
#(define line-width (- paper-width left-margin right-margin))
Leaving aside the bug about
Message: 8
Date: Fri, 26 May 2006 16:46:56 -0400
From: James Wilkinson <[EMAIL PROTECTED]>
Subject: subdivided beams partially successful
I'm working on a piece that has a long run of triplet 16th notes. In
the original they are printed in groups of six which are subdivided
into subgroups of thr
Hello list, hello Graham,
You wrote:
> On 29-May-06, at 5:37 AM, Roland Goretzki wrote:
> >In earlier versions it was possible to take little slurs over finger
> >changes instead of "-", with writing { "$\frown$" } in markup texts.
>
> This is a LaTeX construct, and (as you found out) lilypond 2.
Panteck <[EMAIL PROTECTED]> wrote on Tue, 30 May 2006
at 12:15:25 -0700 in <[EMAIL PROTECTED]>:
> Sorry to resurrect this thread again, but I've been busy with work and
> haven't had time to read the list lately :)
Well, I think I mentioned on lilypond-devel that I would finall have
time to work
Sorry to resurrect this thread again, but I've been busy with work and
haven't had time to read the list lately :)
I haven't fully tested this, but on Windows XP with Lilypond 2.9, just
changing paper.scm to include the following line works for me:
("archA" . (cons (* 9.0 in) (* 12.0 in)))
arch
Orm Finnendahl wrote:
Am 30. Mai 2006, 11:52 Uhr (+0200) schrieb Mats Bengtsson:
One thing I noticed is that you set the bounding box to include lots of
whitespace, which probably explains why it fills the whole page
and shifts the music off the page.
I don't think so. The bounding b
zrlaszlo wrote:
1. The best workaround so far is editing the titling-init.ly as follows.
Find:
\fill-line {
\fromproperty #'header:poet
{ \large \bold \fromproperty #'header:instrument }
\fromproperty #'header:composer
}
and replace with:
\fill-line {
Did you forget to attach the example?
/Mats
Rick Hogg wrote:
Hello,
I'm working on a piece, "Pulcinella" by Eugene Bozza, for any of you
saxophonists out there, and I have an unmetered cadenza in the sax
part that starts with a sustained dotted quarter note while the piano
plays a run of
Hello,I'm working on a piece, "Pulcinella" by Eugene Bozza, for any of you saxophonists out there, and I have an unmetered cadenza in the sax part that starts with a sustained dotted quarter note while the piano plays a run of 32nd notes that then continues in the saxophone line. I need to matc
Quoting Matthijs Frankena <[EMAIL PROTECTED]>:
> Please read the documentation for ties. (hint: predefined commands)
>
>- Graham
...
If you try this, you'll see that \repeatTie (which is the issue)
seems to be immune to the normal tie-formatting and tweaks. If not, I
could have used it for
Quoting Matthijs Frankena <[EMAIL PROTECTED]>:
At 22:54 29-5-2006, Mats Bengtsson wrote:
If you add a \bar "||:", you will get the desired double bar line
before the line break and start repeat after the line break.
/Mats
Thanks Mats, this is exactly what was needed.
I have not been able t
> Please read the documentation for ties. (hint:
predefined commands)
>
>- Graham
%% Code snippet begins:
\score{
\relative c''
{
\tieDotted c ~ c e f
f e
d c \bar "||:" \break
\repeat
"volta" 2 { c\mark \markup { Repeat } b a c e c d e( }
\alternative
{
Trent Johnston schreef:
|
|
| what's this code ?
Here it is. Nicolas Sceaux passed it on to me.
To help the the layout of a large score and to use the two-pass system to
stretch staves.
Can you take this issue up with Nicolas?
--
Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~
At 22:54 29-5-2006, Mats Bengtsson wrote:
If you add a \bar
"||:", you will get the desired double bar line
before the line break and start repeat after the line break.
/Mats
Thanks Mats, this is exactly what was needed.
I have not been able to find this in the manual, though. Anything I
overl
Am 30. Mai 2006, 11:52 Uhr (+0200) schrieb Mats Bengtsson:
>
> One thing I noticed is that you set the bounding box to include lots of
> whitespace, which probably explains why it fills the whole page
> and shifts the music off the page.
I don't think so. The bounding box is a4 landscape wide (8
Orm Finnendahl schreef:
`gs -q -dSAFER -dCompatibilityLevel=1.4 -sPAPERSIZE="a3" -dNOPAUSE -dBATCH -r1200
-sDEVICE=pdfwrite -sOutputFile="k_g01.pdf" -c .setpdfwrite -f "k_g01.ps"' failed (256)
error: failed files: "/home/orm/work/kompositionen/violine/lilypond/k_g01.ly"
Compilation exited
Quoting Orm Finnendahl <[EMAIL PROTECTED]>:
Am 30. Mai 2006, 02:45 Uhr (+0200) schrieb Han-Wen Nienhuys:
Are you sure that this
is a bonafide EPS file?
I'm not sure as the file got generated by a selfmade lisp program, but
it gets opened and displayed by ghostview, Illustrator, Finale and
gim
Am 30. Mai 2006, 02:45 Uhr (+0200) schrieb Han-Wen Nienhuys:
>
> Strange, I can't really get anything to appear.
Did you scroll down all the way to the bottom of the page? In the code
example only the eps gets displayed without the staff system (which
probably is shifted off the page).
> Are you
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