Re: doesn't count triplets beginning on offbeat

Jay Hamilton, Sound and Silence wrote: I have windows 2.6.1 I entered \times 2/3 {f 8 [ges ges]} ges c, f4 f 16 ges d bes c 16 ges f 8 es 16 f d es c 8 c' a bes 8~ \fermata bes 8 es,( ges bes ) es, ( ges bes ) es, ges 8 d' ( es d ) c 4 ~ c 16 d 8. ~ \time 7/16 d 16 [ es, 32 es d 16 ] ~ d 8 [

doesn't count triplets beginning on offbeat

I have windows 2.6.1 I entered \times 2/3 {f 8 [ges ges]} ges c, f4 f 16 ges d bes c 16 ges f 8 es 16 f d es c 8 c' a bes 8~ \fermata bes 8 es,( ges bes ) es, ( ges bes ) es, ges 8 d' ( es d ) c 4 ~ c 16 d 8. ~ \time 7/16 d 16 [ es, 32 es d 16 ] ~ d 8 [ c 32 c bes 16 ]~ \time 5/4 b 8 a ~ a 4. \

Fw: Problem installing lilypond 2.6.1

Hi! Just in case it's worth noting, I'm using Mandrake 10.0 with 2.6.3-7 kernel. Please tell me if I need to supply more info about my system. Thank you, Luis. -Mensaje reenviado- From: Luis G. López <[EMAIL PROTECTED]> To: lilypond-user@gnu.org Subject: Problem installing lilypond 2.6

[Fwd: Problem installing lilypond 2.6.1]

Hi! Just in case it's worth noting, I'm using Mandrake 10.0 with 2.6.3-7 kernel. Please tell me if I need to supply more info about my system. Thank you, Luis. -Mensaje reenviado- From: Luis G. López <[EMAIL PROTECTED]> To: lilypond-user@gnu.org Subject: Problem installing lilypond 2.6

Re: Fermata on second tied note [example]

Donald- Well I just tried to edit the piece (by the way thank you for saying it's interesting- that was only a bit of one section of a suite that's going on 10 pages so far) and when the output looked correct (as in your example). I had another closer look at what I submitted. It turns out

Re: stem direction for main notes vs. grace notes

Okay, that overrides the stem direction for all voices. If I want to limit the scope to just a single voice, how would I do that? Maybe I've found a bug? using the following code in the Mac OSX version of lilypond, I get extra time-signatures on both staves, key-sigs in different locations

Re: Beams, slurs and Chords

Hans de Rijck wrote: Hi Paul, Thanks for your answer. I see what you mean, and it certainly looks good, but it will be almost impossible to generate this from the input. You mean the published input? Anyway I believe this: << { f''8.\p( e''16 f''8 < c'' f' >8 2) } \\ c''4. >> does what

Re: Beams, slurs and Chords

Hans de Rijck wrote: Dear Lilyponders. I want to enter the following piece (see .GIF) from Dvorak symphony nr. 9, bar 19, clarinetti B and I just can't get it right in Lilypond. The closest I get is: << c''4.\p( \\ f8.[ >> { e16 ] f8[} 8] 2) but that results in an unterminated beam and unt

Re: need plain PS (not PDF) output

Kieren Richard MacMillan wrote: Hi, everyone! First of all, WOW on the downloadable-installable-executable Mac OS X (and others) version 2.6 -- I can now start telling a LOT more of my colleagues that they should move to Lilypond... =) I need straight PS output (to manipulate in Illustrato

need plain PS (not PDF) output

Hi, everyone! First of all, WOW on the downloadable-installable-executable Mac OS X (and others) version 2.6 -- I can now start telling a LOT more of my colleagues that they should move to Lilypond... =) I need straight PS output (to manipulate in Illustrator), not PDF. However, I can't det

RE: stem direction for main notes vs. grace notes

Use \layout { \context { \Voice \override Stem #'direction = #-1 } } Also, see here for bagpipe otation with Lilypond. http://www.svenax.net/modules.php?op=modload&name=sheetmusic&file=index -- P/S Sven Axelsson, The Murray Pipes & Drums of Gothenburg > -Original Message---

stem direction for main notes vs. grace notes

For my particular application (highland bagpipe notation) I want to have all the main notes to be stemDown, and all the grace-notes be stemUp. I am auto-generating lilypond code with a program, and I want to use the \stemDown "macro" after setting the key and before I spit out any of the note

Beams, slurs and Chords

Dear Lilyponders. I want to enter the following piece (see .GIF) from Dvorak symphony nr. 9, bar 19, clarinetti B and I just can't get it right in Lilypond. The closest I get is: << c''4.\p( \\ f8.[ >> { e16 ] f8[} 8] 2) but that results in an unterminated beam and unterminated slur error. I

Re: Fermata on second tied note [example]

On Thu, 21 Jul 2005 19:10:22 -0700 Jay wrote: > In Measure 9 the fermata should be over the second d and the two d's > are tied. The same issue in measure ten. > > So can't I do that yet? I have minimized your interesting example, and it seems to work very well, fermata and all on the second,

Re: Fermata in the wrong place, wrong me or can't you do this?

On Friday 22 July 2005 04.10, Jay Hamilton, Sound and Silence wrote: > I downloaded 2.6.1 for windows and it does a bunch of stuff much easier > and the way the manual says it will more frequently- horray! > However- > See the example below > > In Measure 9 the fermata should be over the second d