Patrick Hubers writes:
> I'm probably just being dense, but I can't seem to find how to
> vertically move an ottava-bracket. I have a few places in my score
> where the bracket runs through the slurs of the notes it is attached
> to. I've tried the #'padding attribute of both OctavateEight and
>
I am trying to use the slash note heads with the example from the manual
and get the following error:
Parsing...
error: unknown translator: `Text_script_engraver'
here is the code:
\context {
\name ImproVoice
\type "Engraver_group_engraver"
\consists "Note_heads_engraver"
\consis
On Mon, 13 Sep 2004 18:32:40 -0700
Graham Percival <[EMAIL PROTECTED]> wrote:
> On 13-Sep-04, at 6:26 PM, [EMAIL PROTECTED] wrote:
>
> > I am using version 2.2.2 and am getting errors when trying to
> > position a
> > segno symbol. Seems this worked okay in 2.0, I can't find any new
> > info on w
On Mon, 13 Sep 2004 18:32:40 -0700
Graham Percival <[EMAIL PROTECTED]> wrote:
> On 13-Sep-04, at 6:26 PM, [EMAIL PROTECTED] wrote:
>
> > I am using version 2.2.2 and am getting errors when trying to
> > position a
> > segno symbol. Seems this worked okay in 2.0, I can't find any new
> > info on w
On Mon, 13 Sep 2004 18:32:40 -0700
Graham Percival <[EMAIL PROTECTED]> wrote:
> On 13-Sep-04, at 6:26 PM, [EMAIL PROTECTED] wrote:
>
> > I am using version 2.2.2 and am getting errors when trying to
> > position a
> > segno symbol. Seems this worked okay in 2.0, I can't find any new
> > info on w
On 13-Sep-04, at 6:26 PM, [EMAIL PROTECTED] wrote:
I am using version 2.2.2 and am getting errors when trying to position
a
segno symbol. Seems this worked okay in 2.0, I can't find any new info
on what may have changed.
Have you read the NEWS file?
\property Score.RehearsalMark \set #'extra-of
I am using version 2.2.2 and am getting errors when trying to position a
segno symbol. Seems this worked okay in 2.0, I can't find any new info
on what may have changed.
Here is a snippet of the code:
r4 r8 e8 a4
\property Score.RehearsalMark \set #'extra-offset = #'( -3 . 2 )
a4^\mark ^\
On September 13, 2004 11:12 am, Mats Bengtsson wrote:
> In most scores, such a melisma (that you sing one syllable to several
> notes) is typeset with a slur or possibly a beam over the corresponding
> notes. LilyPond knows about these conventions, but if you want a
> melisma without a correspondin
> Just last week, I had a job with a local jazz ensemble (I'm a (french)
> horn player, so this is pretty uncommon) and had to transpose a couple
> parts, so since I was already punching out parts with lilypond, I copied
> one piece that was so badly done in finale that I could barely read it. I
>
Thanks for your answer, and for the explanation about copyediting, (I
didn't know and I think you are right).
In my message,I was just thinking about the specific hand-written real
books layout that condenses in the same paper both theme and chord
changes and I was thinking about a musical motiv
On 13-Sep-04, at 12:39 PM, D Josiah Boothby wrote:
The workaround Graham pointed out shows that with lilypond, the task
of imitating a convention which seems to be fairly straightforward
shows itself to be fairly difficult to implement.
I wouldn't call it difficult -- unintuitive, perhaps, but no
Gustavo J. Mata schreef:
...
I succeeded in writing a very simple two-voice score. The problem
is that in the output the voices are not vertically aligned. I assume
that this a general convention for writing several voices in one
staff. In guitar music, however, all voices are vertically aligned, a
Hi,
I'm probably just being dense, but I can't seem to find how to
vertically move an ottava-bracket. I have a few places in my score where
the bracket runs through the slurs of the notes it is attached to. I've
tried the #'padding attribute of both OctavateEight and OttavaBracket,
but to no av
Hello everybody!
I have just downloaded LilyPond version 2.0.1, which runs on
Mac OS X. The port is that provided by Fink.
I'm a beginning guitar student and I would like to use LilyPond
to copy music for th classical guitar.
I succeeded in writing a very simple two-voice score. The problem
is that
I wouldn't call it difficult -- unintuitive, perhaps, but not difficult.
Definitely a better way to describe it.
Josiah
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I would like to express my deep pleasure in .16's increased slurring
intelligence. In .15, I had combined parts that contained slurs that
connected notehead to notehead, with a huge arc between them. In .16,
lily's wise enough to connect two notes stem to stem, making the slurs
shapely and sens
I think that the problem of mainstream jazz notation cannot be resolved
simply answering that it's bad tipography: is simply a kind of notation that
needs some different layout according to a precise musical practice: if one
has to play in a gig lots of compositions that are based on 8+8, 4+4
Hello,
I am not sure which version of LilyPond to download. I have Windows 98 OS. Thanks.
___
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Vessel Recordings
PO Box 533
Fryeburg, ME 04037-0533
207-935-4505
www.vesselrecordings.com
www.heatherpierson.com
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l
Hi!
I think that the problem of mainstream jazz notation cannot be resolved
simply answering that it's bad tipography: is simply a kind of notation
that needs some different layout according to a precise musical
practice: if one has to play in a gig lots of compositions that are
based on 8+8,
Aaron Dalton wrote:
I am brand new to Lilypond and am having a heck of a time getting lyrics to
render properly. I have 2 questions:
1) I want to line up the words "Agnus Dei" under a certain set of notes. So
far the only way I have been able to properly align the syllables "De-i" is
using 3
This sounds very strange! First of all, I would recommend
you to upgrade to the latest stable version 2.2.x (see
instructions at www.lilypond.org on how to get a package
for Debian).
I hope you have realized that ly2dvi has been renamed to lilypond
(and the old lilypond to lilypond-bin). Try runnin
It seems that the solution proposed in the rehearsal-mark-number.ly
example in Regression Tests is unnecessarily complicated. It's easier
to reuse the existing formating functions for numbers or letters and
just add the box around it:
\set Score.markFormatter = #(lambda (mark context)
(m
Do you mean something like the following?
midbar = \notes{
\once \override Score.SpanBar #'transparent = ##t
\bar "|"
}
\score {
\notes \relative c' \new StaffGroup <<
\new Staff {
a2 \midbar a2
a2 \midbar a2
}
\new Staff {
f2 f2 f2 f2
}
>>
}
If you want th
The example I refered to showed two things,
1. How to add repeat brackets above the chord names.
2. How to remove the repeat brackets from the top stave.
It seems that you only tried the former, not the latter.
You need a voltaOnThisStaff = ##f somewhere in your .ly
file as well (I leave it as an e
You didn't say what version of LilyPond you use, neither what
operating system or text editor you have.
In all recent versions, it should work to just insert the plain ß or
directly in the .ly file. However, this requires that your text
editor save the file using Latin1 encoding (also called ISO 88
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