I would like to express my deep pleasure in .16's increased slurring
intelligence. In .15, I had combined parts that contained slurs that
connected notehead to notehead, with a huge arc between them. In .16,
lily's wise enough to connect two notes stem to stem, making the slurs
shapely and sensibly proportioned. When you're building a score with 15
instruments on one page, slur height matters.
Thank you thank you thank you.
Now about the grace notes...;)
Will Oram
spamguy ^^AT^^ foxchange.com // william.oram ^^AT^^ cwru.edu // AIM
spamguy21
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