On Sun, 11 May 2008 22:32:37 +0100
"Neil Puttock" <[EMAIL PROTECTED]> wrote:
> I've been looking through section 2, and noticed that the section on
> harps mentions Sacred Harp music. Now I can't claim much knowledge of
> old American choral traditions, but I'm pretty sure that it has
> nothing to
On Sun, 11 May 2008 15:37:07 +0200
John Mandereau <[EMAIL PROTECTED]> wrote:
> Le samedi 10 mai 2008 __ 01:51 -0700, Graham Percival a __crit :
> > Note the leading / . On my system, for example, the location is
> > /home/gperciva/usr/lilypond/share/lilypond/current/ly
>
> 'lilypond' between 'us
Hi everybody,
I've been looking through section 2, and noticed that the section on
harps mentions Sacred Harp music. Now I can't claim much knowledge of
old American choral traditions, but I'm pretty sure that it has
nothing to do with playing the harp.
Since there's no specific support for harps
2008/5/9 Graham Percival <[EMAIL PROTECTED]>:
> A few snippet simply include text like "Consult the initialization
> file @code{makam-init.ly) (see the `Learning Manual X.Y.Z
> Initialization Files' for the location of this file) for details
> of pitch names and alterantions)". I'd recommend
On Sun, 11 May 2008 14:38:44 +0200
"Valentin Villenave" <[EMAIL PROTECTED]> wrote:
> 2008/5/11 Graham Percival <[EMAIL PROTECTED]>:
> > Here's a sample "References for XXX", from NR 2.2.1.1:
> >
> > http://kainhofer.com/~lilypond/Documentation/user/lilypond/References-for-keyboards.html
>
> I r
Le samedi 10 mai 2008 à 01:51 -0700, Graham Percival a écrit :
> On Sat, 10 May 2008 09:50:35 +0200
> John Mandereau <[EMAIL PROTECTED]> wrote:
>
> > On 2008/05/09, Graham Percival wrote:
> > > [EMAIL PROTECTED] (in @code{/usr/share/lilypond/current/ly})
> > > +for details of pitch names and alter
On 2008/05/10, Graham Percival wrote:
> On Sat, 10 May 2008 09:16:43 +0100
> "Trevor Daniels" <[EMAIL PROTECTED]> wrote:
>
> > John Mandereau wrote Saturday, May 10, 2008 8:50 AM
> > > You're right, so we could easily mention the case of
> > > share/lilypond/x.y.z in 'Initialization Files'.
> > >
On 2008/05/11, Valentin Villenave wrote:
> John, I'm not familiar enough with the way the docs are interfaced
> with the website, wan you help me on this? My best guess would be
> something like:
>
> User-Agent: *
> Disallow: /@[EMAIL PROTECTED]/
> Disallow: /@[EMAIL PROTECTED]/
> Disallow: /@[EMA
2008/5/11 Graham Percival <[EMAIL PROTECTED]>:
> Here's a sample "References for XXX", from NR 2.2.1.1:
>
> http://kainhofer.com/~lilypond/Documentation/user/lilypond/References-for-keyboards.html
I really like it! Two questions:
- how was the list ordered?
- Maybe the list could be less monol
2008/5/11 Graham Percival <[EMAIL PROTECTED]>:
> John, Valentin: could you add a robots.txt to the website so that
> google doesn't look at docs before 2.10 ? It might be useful to have
> these ancient docs available for archive, but we don't want google
> indexing them.
Definitely!
John, I
Hi Seba,
the LSR is not working properly again... There's something deeply
wrong that prevents search function from working, snippet pages from
being displayed, and the database from being edited through ERW
interface.
___
lilypond-devel mailing list
l
If you check current.txt on the GDP site, you'll see that it
wasn't me. :)
Anyway, the important question was the style, and it seems you
agree with it. In other words, other NR 2 rewriters can look at
this as a good example of how to write their own.
Cheers,
- Graham
On Sun, 11 May 2008 09:2
I like the brief descriptions and refs as a bulleted list. "Perfect" might
be going too far, but it looks pretty good :)
The question to ask now is, is this list of refs complete - does it contain
pointers to everything (fairly) specific to keyboards which a keyboard
typesetter might need? B
2008/5/11 Graham Percival <[EMAIL PROTECTED]>:
> Han-Wen did a few things to Dynamics a few days ago; do any of
> them help with the piano-centered dynamic issues? I can't
> remember what they were.
I don't know what the issues with piano centered were, but I suggest
for the new engravers, to com
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