Nick
*From:*friam-boun...@redfish.com
<mailto:friam-boun...@redfish.com>
[mailto:friam-boun...@redfish.com
<mailto:friam-boun...@redfish.com>] *On Behalf Of *Roger Critchlow
*Sent:* Monday, February 13, 2012 12:04 PM
*To:* The Friday Morning Applied Complexity Coff
> people, let me know.
>
> ** **
>
> Nick
>
> ** **
>
> *From:* friam-boun...@redfish.com [mailto:friam-boun...@redfish.com] *On
> Behalf Of *Roger Critchlow
> *Sent:* Monday, February 13, 2012 12:04 PM
>
> *To:* The Friday Morning Applied Comp
me know.
Nick
From: friam-boun...@redfish.com [mailto:friam-boun...@redfish.com] On Behalf
Of Roger Critchlow
Sent: Monday, February 13, 2012 12:04 PM
To: The Friday Morning Applied Complexity Coffee Group
Subject: Re: [FRIAM] FW: Re: Friam Digest, Vol 104, Issue 9
I was torturing myself yest
I was torturing myself yesterday listening to Spanish instructional
material in my car. The tapes spent a lot of time presenting minimal
contrasts between vowels in different contexts, between consonants, or
between alternative stresses. I can hear some of the contrasts quite
clearly, I can hear
Eric, hi,
There is a (to me) fun similarity between this sequence you have illustrated,
and some pathologies and treatments in rapid auditory processing, in which the
workers I know are April Benasich and Paula Tallal (this, from a few years
ago).
The stopped phonemes, particularly the voice
Benny,
The first quote is the only one I think is from me. To
clarify:
When you say that the phenomenon is "reading gibberish", then
it seems like it might be a skill. However, if you phrase it as a failure to
distinguish gibberish from properly written words, or as mistaking gibberish
for properl
