\version "2.20.0"
\relative c'' {\repeat volta 2 { f1 ( | }
\alternative { {f2) r2}
{ f1) } } }
No slur with the second alternative, warning that slur cannot be ended
Warnung: slur kann nicht beendet werden
{ f1
) ( | f2 ) (f4) r4 }
know that everything is described anywhere. Simply ignore my
ignorance.
Regards
Am 26.05.2018 um 20:09 schrieb Sven Axelsson:
> On 26 May 2018 at 18:46, bb <mailto:b.bloechl@btwo.berlin>> wrote:
>
> The essential point: The case of nested block comments is not
> me
Sorry, I did not read the learning manual, I read the "normal" manual
http://lilypond.org/doc/v2.19/Documentation/usage/invoking-convert_002dly.en.html
and I found
http://lilypond.org/doc/v2.19/Documentation/usage.pdf
I actually searched for "nested" - no hit.
Anyway, I know that everything is
mention in the manual not to nest comments
(for non-programmers). It's just a suggestion, not an impolite ultimate
demand. If you think that hint is not needed, it's ok.
Regards
Am 26.05.2018 um 19:56 schrieb Urs Liska:
>
>
> Am 26.05.2018 um 18:46 schrieb bb:
>>
&g
Forgot Clojure, a wonderful modern functional language I recommend
;; comment can also be written as (comment …)
(comment this is a
block comment.
(comment block comment can be nested.)
)
Am 26.05.2018 um 18:46 schrieb bb:
>
> The essential point: The case of nested block comments
think of any language that allows nested multiline comments.
>
> Urs
>
>> Andrew
>>
>>
>> On 27 May 2018 at 01:14, bb wrote:
>>
>>> \version "2.19.80"
>>>
>>> %{
>>> \score {
>>> <<
>>>
\version "2.19.80"
%{
\score {
<<
%{
%some code
%}
>>
}
%}
___
bug-lilypond mailing list
bug-lilypond@gnu.org
https://lists.gnu.org/mailman/listinfo/bug-lilypond
\new Lyrics { \lyricsto "tab" { Here are the words } }
>>
}
Another trial was with
\new Voice = "hidden" {
\hideNotes {\clef "treble_8" a b c d e f g }
}
\lyricsto "hidden" { Here are the words }
}
Regard
The fretboard shows fourth string as open and fingered fret one same time.
Regards BB
\version "2.19.2"
Cuatro =\stringTuning < a, d g c' f'>
cmSevenA = { < g'\1 c,\2 g\3 dis\4 ais\5 > } % cd#ga#
\storePredefinedDiagram #default-fret-table \cmSevenA % c
With
indent = 0\mm
activated the first bar will be wrong, as the first notes of voice one
and two align. They should not becauser of r8 (\voiceOne ) and r16
(\voiceTwo ) in front.
Without, say
% indent = 0\mm
commented out the layout is correct.
Regards BB
\version
ti fix the problem.)
Any help appreciated!
Regards bb
\version "2.18.0"
%\include "predefined-guitar-fretboards.ly"
\include "predefined-mandolin-fretboards.ly"
%\storePredefinedDiagram
%#default-fret-table
\chordmode {a:m7}
%#guitar-tuning
%#"
song = {
\override NoteHead.color = #red
\override Stem.color = #red
\override Beam.color = #red
e8 d
\override NoteHead.color = #black
\override Stem.color = #black
\override Beam.color = #black
d c
}
\score {
<<
\new Staff \relative c' {
Am 04.08.2013 16:21, schrieb David Kastrup:
bb writes:
Am 04.08.2013 14:27, schrieb David Kastrup:
bb writes:
It is impossible to set slurs inside triples.
Wrong.
Is a widely used practice to mark swing rhythm. And I found it
impossible to beam an eighth with a sixteenth note. (it is
Am 04.08.2013 14:27, schrieb David Kastrup:
bb writes:
{
\times 2/3 {g8 g g}
% \times 2/3 {(g8 g) g}
\times 2/3 {g8. g8 g16}
% \times 2/3 {[g8 g16]}
\times 2/3 {g4 g8}
r4
}
[...]
It is impossible to set slurs inside triples.
Wrong.
Is a widely used practice to mark swing rhythm
Am 03.08.2013 13:44, schrieb bb:
Am 03.08.2013 08:42, schrieb Federico Bruni:
2013/7/13 Steve Burgondy
Hello,
Proportional spacing can be of great help to understand music and to
associate "visual space" to "time space". It can be useful for
beginners,
but also in
Am 03.08.2013 08:42, schrieb Federico Bruni:
2013/7/13 Steve Burgondy
Hello,
Proportional spacing can be of great help to understand music and to
associate "visual space" to "time space". It can be useful for beginners,
but also in general. It is very important in tablatures, especially when
Am 02.08.2013 20:39, schrieb Pierre Perol-Schneider:
\version "2.17.23"
MyTuning = \stringTuning
\new TabStaff {
\key g \major
\set TabStaff.stringTunings = #MyTuning
\tabFullNotation
\stemDown
{
%1
\times 2/3 { 4^"P" (c)^"H" () }
4^"P" (c)
%2
\times 2/3
feature request check string with hammer&pulls
If one transfers music to tabs beside the problem of ommited notes in case
of not defined strings another problem arises with hammer ons and pull offs
with different strings.
Example code:
\version "2.16.2"
\new TabStaff {
\key g \major
ck it and eventually
change it.
Some problems might arise with reentrant tuned instruments like Banjo or
Ukulele. Banjo notes sometimes are played on a drone string and out of the
usual musical statistics an octave higher. There the user still is needed
for correction to his needs.
Regards BB
lilypond is simply omitting notes that are outside the range of the
instrument. The warnings are very vague and without specified line number
and position.
The at least shortest possible example code:
\version "2.17.22"
\new TabStaff {
\relative c {
d,,,1 e
}
}
\tabFullNotation
\stemDown
\test
}
}
\score {
<<
\new TabStaff {
\key g \major
\tabFullNotation
\stemDown
\test
}
>>
}
Please focus your Attention to the Triple-Hammer-Pull construct. It will
be shown correctly in the music lines, but not
pathsea version 5.0.0) (INIMP)
(/home/ich/lilypond-2.14.2/mf/mf2pt1.mp
! I can't find file `mfplain'.
l.27 input mfplain
;
Please type another input file name:
"
mfplain seems to be part of texlive-matapost. If I install it
sudo apt-get
Am 06.07.2013 13:23, schrieb Thomas Morley:
2013/7/6 Federico Bruni :
[...]
You are right, thanks for the report.
However, I believe that we should just remove \stemDown, since the default
view is not tabFullNotation and the example wants to demonstrate
tablatureFormat.
Also, \stemDown is alread
As one can see the example source in chapter 2.4.3 Banjo does not show any
stems and /stemDown alone does not work. One needs \tabFullNotation as well!
So /stemDown stand alone does not make any sense and is missleading!
I think in the example this code would be correct to give the expected
res
In using partial lilypond ignores the rules.
Try a first simple example:
\version "2.16.2"
{
\partial 4
{
d8 g'
\repeat volta 2 {
g4 8 g'8 d'4 b8 g'
}
\alternative {
{ 8 g' a4 r4 {g8^" H" [(a)]} {8 [g']} a4}
{ 8 g' a4 }
}
}
}
And with a second exampl
\version "2.16.2"
\new TabStaff <<
\set TabStaff.tablatureFormat = #fret-number-tablature-format-banjo
%\set TabStaff.stringTunings = #banjo-open-g-tuning
{
\tabFullNotation
\stemDown
g8 a2 b8 c
a4 b2 c8 d
}
>>
If you try this example you will see
1. the note stem (or t
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