Re: LSR search is broken (was: \repeat with upbeat )
vigna wrote: > > Guys, please post this kind of problems. > There seems to be a new problem with the snippets' repository - thanks for looking at it! -Eluze -- View this message in context: http://www.nabble.com/LSR-search-is-broken-%28was%3A-%5Crepeat-with-upbeat-%29-tp18312203p19066058.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: convert from absolute to relative
Neil Thornock wrote: > > The more utilities the better - we'll keep our > bases covered. > Absolutely! Talking about utilities: Has anybody ever seen one that transforms a simple voice (pitches and durations) into a "ghost voice" consisting of spacers and durations only (e.g. c2 d e ==> s2 s s). This is very useful for writing simultaneous voice parts where one contains pitches, another dynamics, a third fingering instructions ... This can easily be used to print a score with or without fingerings or other attributes! Thanks! -Eluze NB: You can also transpose from absolute to relative (and vice versa) creating midi output and convert this back to ly (midi2ly) with the appropriate options! -- View this message in context: http://www.nabble.com/convert-from-absolute-to-relative-tp19097174p19110644.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: convert from absolute to relative
Kieren MacMillan wrote: > > > What about putting it in a custom context which doesn't have a note > engraver? > > Hope this helps! > Not really - I have no idea what you mean with a custom context: is that in Lilypond or somewhere else? I thought of using a find and replace action in a common editor, probably using regular expressions. I know I can find simple notes and durations by searching for something like \<[a-gs.]*([ ]*[0-8.]*)\> and replace them by s\1 But then you have all these accidentals or chords... Thanks a lot anyway! -Eluze -- View this message in context: http://www.nabble.com/convert-from-absolute-to-relative-tp19097174p19112075.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: convert from absolute to relative
Gilles THIBAULT wrote:
>
>
> In scheme, it can be quite short :
>
>
Maybe I wasn't to clear in my formulation - you're a step ahead.
I need a voice with spacers only (+durations) which I can edit and to which
I attach the different attributes.
I tried to use your nice little function with \displayLilyMusic but
something fails when you add a chord :
notes = { a2-"hello" b4 r b2 a-"bye" < c e g c' >1-"oho" }
{ \displayLilyMusic \skipMusic \notes }
results in
{ s2-"hello" s4 s s2 s-"bye" s s s s -"oho" }
note the 4 "s" where it should be s1!
-Eluze
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Re: convert from absolute to relative
That *is* a real beauty now - thanks a lot! i must confess that i never believed i would - by throwing in a vague idea - get such a fast solution! Gilles THIBAULT wrote: > > NB > If we go on with this discussion i think we have to open a new topic > because we are far from the original one ... > for me it's done now, maybe i'll come back later with some feedback or new wishes...or should a new forum be opened where such utilities and snippets would be presented?! -Eluze -- View this message in context: http://www.nabble.com/convert-from-absolute-to-relative-tp19097174p19116852.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: arpeggio problems
sorry - i forgot to append the picture...
http://www.nabble.com/file/p19251669/arpeggio%2Bbug.png
Eluze wrote:
>
> hi
>
> when the notes of a chord are close problems with arpeggios arise
> - \arpeggioNormal - the zigzag line cannot be recognised as such
> - \arpeggioArrowUp - the arrow is below the chord, the zigzag line is
> missing
> - \arpeggioArrowUp - the arrow is below the chord, the zigzag line is
> missing
> - \arpeggioParenthesis - the parenthesis can nearly be distinguished
> - \arpeggioBracket - this is the only really visible and readable
> arpeggio!
>
> \version "2.11.57"
> \layout { ragged-right = ##t }
> {
> \arpeggioNormal < e'' g'' > 1 \arpeggio
> \arpeggioArrowUp < e'' g'' > 1 \arpeggio
> \arpeggioArrowDown < e'' g'' > 1 \arpeggio
> \arpeggioParenthesis < e'' g'' > 1 \arpeggio
> \arpeggioBracket < e'' g'' > 1 \arpeggio
> }
>
> is there a way to tweak this or is it a bug?
> thanx
> -eluze
>
>
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Re: arpeggio problems
Am 01.09.2008, 12:02 Uhr, schrieb Mats Bengtsson <[EMAIL PROTECTED]>: > What typesetting layout would you propose in these situations, where > the arpeggio is too short to fit in the zigzag or arrow head or ...? > Should the arpeggio be extended somewhat above and below the notes of > the chord, or ...? first i get the impression that the available space is not fully exploited everywhere (only in the bracket style example) - maybe using that space could help if this is still not enough then of course it would be nice to extend a little bit up or down would help - if a composer wants to have an arpeggio, he probably would like it to be seen! > > As a workaround, you could add invisible note heads to the chord. > yes, that works - but -eluze -- View this message in context: http://www.nabble.com/arpeggio-problems-tp19251408p19252373.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: arpeggio problems
Kieren MacMillan wrote:
>
> Hi all,
>
> Why not use #'positions?
>
> %%
> \version "2.11.56"
> \paper { line-width = 5\in }
>
> music = \relative c''
> {
> 1\arpeggio
> \once \override Arpeggio #'positions = #'(-1 . 1) \arpeggio
> 1\arpeggio
> }
>
> \score { \music }
> %%
>
> Hope this helps!
>
hi
not really - the position seems to be absolute - something around pitch c''
- and if you have to transpose or change anything you will have to
recalculate everything!
is there a function to do this automatically?!
thank you anyway!
-eluze
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Re: arpeggio problems
Kieren MacMillan wrote: > > Why not use #'positions? > after playing around a bit (really enjoying...) with this idea i came to a quite satisfactory solution. as i mentioned, using \override Arpeggio #'positions = #'(-1 . 1 ) leeds to unexpected results with some arpeggio styles. in summary - arpeggioBracket works on its own - arpeggioParenthesis needs positions 1 . 1 + \tweak for a correction of the vertical alignement - the others need positions -0.5 . 0.5 + \tweak for a correction of the vertical alignement you can see the results (and the source of course) in the attached files! http://www.nabble.com/file/p19270393/arpeggio%2Bbug.png arpeggio+bug.png http://www.nabble.com/file/p19270393/arpeggio%2Bbug.ly arpeggio+bug.ly -- View this message in context: http://www.nabble.com/arpeggio-problems-tp19251408p19270393.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
duration of \laissezVibrer
hi sometimes \laissezVibrer looks very short - how can i control the duration/length of the tie? thx for your help! -- View this message in context: http://www.nabble.com/duration-of-%5ClaissezVibrer-tp19352211p19352211.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: convert from absolute to relative
Gilles THIBAULT wrote:
>
>
>> \displayLilyMusic \skipMusic \notes
>
> i promised to give some feedback some day and having made a few
> experiences i can summarize:
>
> - this procedure is very useful
> - in my small collection of snippets i renamed it to "musicToSkips"
> (thinking this describes its purpose a bit nearer)
> - in 2 situations errors or warnings occur, i.e. when u use
>
> a) tuplets: { \times 2/3 { h 8 g } }
> b) beaming brackets: { a 8 [ h ] }
>
> in both cases the results are still very usable!
>
> it is a pity the snippet repository is still not working!!!
>
> thanks again
> Eluze
>
>
>
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Re: error: no rhythmic group to end
Peter Johnson wrote:
>
>
> On 11 Sep 2008, at 11:08, James E. Bailey wrote:
>
>> I'm a little puzzled by this. I get the error: no rhythmic group to
>> end, but the output looks fine. Should I worry?
>
> Possibly. There seems to be a conflict between the simultaneous
> triplets in the notes and in the dynamics. I haven't been able to see
> how to fix it, but if you have just one or two cases you could
> substitute sopranosoloDynamics = { s4 s2.^\< s4*2/3 s s\! }
>
i have the same problem in version 2.11.57 and since i am creating the voice
with skips automatically, i would hate making any substitutions manually...
the output looks ok for me, too, so it is just a little bit annoying!
\simultaneous {
\context Voice="1" { \times 2/3 { a 8 b c' } }
\context Voice="1" { \times 2/3 { s 8-"hallo" s s } }
}
Warnung: Keine rhythmische Gruppe zu beenden
\context Voice="1" {
\times 2/3 { s 8-"hallo" s s } }
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Re: editor for windows
Dmytro O. Redchuk-2 wrote: > > > I use Notepad++ (with some syntax highlighting specifications). > > And Notepad++ is excellent with its hotkeys. > It has been discussed earlier on this list: where do you get the hilighting specs from? I would be interested in sharing updated, version-conform keyword lists. Rgds -Eluze -- View this message in context: http://www.nabble.com/editor-for-windows-tp19467679p19488026.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Two questions about fingering indications
Jonathan Kulp-2 wrote: > > Hi Nick, > > I saw that someone else answered the second question about the > b-naturals (just be sure to remove the ! from both voices). > I would even recommend to use lilypond's built-in (default) accidental style, which in your case produces exactly what I understand you're looking for - without writing any *!*! hth -Eluze -- View this message in context: http://www.nabble.com/Two-questions-about-fingering-indications-tp19507028p19512876.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Joining Stems
Mats Bengtsson-4 wrote: > > You can find similar solutions in the mailing list archives, for > example in > http://lists.gnu.org/archive/html/lilypond-user/2007-05/msg00250.html > > I am not sure about where to place this report... The last note of the code mentioned is not displayed when you produce it with lilypond -dbackend=eps -dno-gs-load-fonts -dinclude-eps-fonts --png fix.ly http://www.nabble.com/file/p19527291/fix.png Using the full page versions of Lilypond with pdf or png gives the correct result. -- View this message in context: http://www.nabble.com/Joining-Stems-tp19499175p19527291.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Stanza font
Valentin Villenave wrote: > > > Added as http://lsr.dsi.unimi.it/LSR/Item?id=509 > and tagged as "really simple" :-) > > So simple that you overlooked the typo "indendently" which of course should spell independently... cheers! Eluze -- View this message in context: http://www.nabble.com/Stanza-font-tp18904990p19529655.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: convert from absolute to relative
Francisco Vila-5 wrote: > > 2008/9/17 Valentin Villenave <[EMAIL PROTECTED]>: >> 2008/9/10 Eluze <[EMAIL PROTECTED]>: >> >>>> it is a pity the snippet repository is still not working!!! >> >> It is now, and the snippet is: >> http://lsr.dsi.unimi.it/LSR/Item?id=507 > > Again it doesn't. Wednesday 13:18 UTC > > It did a few hours ago - now again it doesn't! -- View this message in context: http://www.nabble.com/convert-from-absolute-to-relative-tp19097174p19532301.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
arpeggios as barre indicators
based on the snippet "Cross-staff arpeggio brackets" in the LSR I found a
nice way to mis-use arpeggios as barre indicators
hilites:
- you don't even need chords for the arpeggio and
- you can combine notes/chords with different durations!
arpeggioAsBarre = \once \override Staff.Arpeggio #'stencil =
#ly:arpeggio::brew-chord-bracket
\markup { "6 or 3 voices/notes with a barre on the 3rd fret"}
\score {
\context Staff {
\set Staff.connectArpeggios = ##t
<<
\context Voice="1" { \voiceOne \arpeggioAsBarre g'' \arpeggio s
\arpeggioAsBarre g'' \arpeggio }
\context Voice="2" { \voiceOne \arpeggioAsBarre d'' s
\arpeggioAsBarre d'' }
\context Voice="3" { \voiceTwo \arpeggioAsBarre b's
\arpeggioAsBarre bes' \arpeggio }
\context Voice="4" { \voiceTwo \arpeggioAsBarre g' \arpeggio r g'
}
\context Voice="5" { \voiceTwo \arpeggioAsBarre d' \arpeggio s d'
}
\context Voice="6" { \voiceTwo \arpeggioAsBarre g \arpeggio s s
}
\context Voice="1" { s -"III" }
\context Voice="6" { s -"hurray!" }
>>
}
\layout { \context { \Staff \consists "Span_arpeggio_engraver"} }
}
\markup { "combining chords with different durations" }
\context Staff \with { \consists "Span_arpeggio_engraver"}
{ \clef "treble_8" \key c \major
\set Staff.connectArpeggios = ##t
\arpeggioAsBarre
<<
{ < e' g'> 4 \arpeggio r r 2 }
\\
{ < c g~ c'> 2 \arpeggio g }
>>
}
http://www.nabble.com/file/p19542121/arpeggio%2Bas%2Bbarre.png
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arpeggios as barre indicators
based on the snippet "Cross-staff arpeggio brackets" in the LSR I found a
nice way to mis-use arpeggios as barre indicators
hilites:
- you don't even need chords for the arpeggio and
- you can combine notes/chords with different durations!
arpeggioAsBarre = \once \override Staff.Arpeggio #'stencil =
#ly:arpeggio::brew-chord-bracket
\markup { "6 or 3 voices/notes with a barre on the 3rd fret"}
\score {
\context Staff {
\set Staff.connectArpeggios = ##t
<<
\context Voice="1" { \voiceOne \arpeggioAsBarre g'' \arpeggio s
\arpeggioAsBarre g'' \arpeggio }
\context Voice="2" { \voiceOne \arpeggioAsBarre d'' s
\arpeggioAsBarre d'' }
\context Voice="3" { \voiceTwo \arpeggioAsBarre b's
\arpeggioAsBarre bes' \arpeggio }
\context Voice="4" { \voiceTwo \arpeggioAsBarre g' \arpeggio r g'
}
\context Voice="5" { \voiceTwo \arpeggioAsBarre d' \arpeggio s d'
}
\context Voice="6" { \voiceTwo \arpeggioAsBarre g \arpeggio s s
}
\context Voice="1" { s -"III" }
\context Voice="6" { s -"hurray!" }
>>
}
\layout { \context { \Staff \consists "Span_arpeggio_engraver"} }
}
\markup { "combining chords with different durations" }
\context Staff \with { \consists "Span_arpeggio_engraver"}
{ \clef "treble_8" \key c \major
\set Staff.connectArpeggios = ##t
\arpeggioAsBarre
<<
{ < e' g'> 4 \arpeggio r r 2 }
\\
{ < c g~ c'> 2 \arpeggio g }
>>
}
http://www.nabble.com/file/p19542137/arpeggio%2Bas%2Bbarre.png
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Re: fong shape of fingering
Stefan Thomas-3 wrote: > > > With my version it looks convincing > > > > \version "2.11.58" on xp sp3 looks good, too. http://www.nabble.com/file/p19580831/font.png -- View this message in context: http://www.nabble.com/fong-shape-of-fingering-tp19548818p19580831.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Shrinking to fit on a single page
lily.user wrote:
>
> Is there a better way?
>
I dunno if its the best but it works:
#(set-global-staff-size 16)
\paper {
% between-system-space = 10\mm % does nothing?
% between-system-padding = #1 % does nothing?
system-count = #4
% ragged-bottom = ##t
% ragged-last-bottom = ##t
% bottom-margin=0\mm
% top-margin=0\mm
% paper-height=310\mm
}
U can even omit *system-count = #4* and it will fit in 3 systems (at least
on my system).
hth
-Eluze
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Re: rolled chords in mulivoice classical guitar score
Tom Cloyd-2 wrote: > > > I get this error - "warning: cannot find file: `consists' " > > This msg means that Lilypond is looking for a file named "consists" - since you only sent this fragment we cannot check if there is a unwanted \include of such a file or something similar! hth -Eluze -- View this message in context: http://www.nabble.com/rolled-chords-in-mulivoice-classical-guitar-score-tp19953962p19954919.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: WANTED: Design for documentation
I like the arrangement of the toc on the left side - but I wonder if it is be possible to hide/unhide/resize it when needed!? thanks! -- View this message in context: http://www.nabble.com/WANTED%3A-Design-for-documentation-tp18572050p19956430.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
fingering (/w staff-padding) + textscript and script-priority
in the score below the fingering indication of the first note (fis) can be
written above+near the notehead using \override TextScript #'script-priority
=#205 or higher. if it is 204 or lower, the text appears nearer to the
staff.
how can this be explained? - i would have expected the relation between the
TextScript and the Fingering priority to determine which comes first?!
what's the magic about these numbers? where am i mistaken?
\score {
\context Staff {
\clef "treble_8"
\key e \minor
\time 3/4
\context Voice="top" {
\voiceOne
\textLengthOn
\override Fingering #'script-priority = #10
\override Fingering #'staff-padding = #'()
\set fingeringOrientations = #'(up left)
%
\override TextScript #'script-priority = #205
< fis'-1 dis'-4 b-3 fis-2 > 2. \arpeggio ^"II - - - -
-"
%
\override TextScript #'script-priority = #204
< fis'-1 dis'-4 b-3 fis-2 > 2. \arpeggio ^"II - - - -
-"
}
}
}
\version "2.11.62"
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Re: fingering (/w staff-padding) + textscript and script-priority
thank you for your explanations Neil Puttock wrote: > > > Instead of hard-coding the start value, it should be read from the > Fingering grob (so in your example, it would result in a new priority > of 14). > so in a soonish release we can expect this to change? or do we need a list of these hard-coded values which we can change on need? -- View this message in context: http://www.nabble.com/fingering-%28-w-staff-padding%29-%2B-textscript-and-script-priority-tp19993743p20009750.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
should \voiceOneStyle override all possible attributes of a note or voice?
i just saw that voiceXXXStyle only defines colors of NoteHead/Beam/Stem - deliberatly? these styles can be a great help when you are splitting notes into voices or if you add dynamics and other articulations to the score - and you don't remember to which voice you had added it... IMO dots, accidentals, dynamics and maybe even markups should be colored, too! -Eluze -- View this message in context: http://www.nabble.com/should-%5CvoiceOneStyle-override-all-possible-attributes-of-a-note-or-voice--tp20093618p20093618.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: should \voiceOneStyle override all possible attributes of a note or voice?
notesetter wrote: > > I've found that when using evince to view pdf output, moving the cursor > over score elements displays the line in the .ly file that the elements > spring from. This is a convenient way to find the code that corresponds > to the output (using Ubuntu 8.04 (hardy)). > yeah - you can do this with nearly any pdf viewer just set #(ly:set-option 'point-and-click #t (I used this with acrobat reader or hai-hai-soft pdf viewer under windows xp home edition) but coloring every voice is even more convenient, at a glance you see details without loosing the overview, and if needed you draw the mouse over whatever you think should be investigated and click on it! -- View this message in context: http://www.nabble.com/should-%5CvoiceOneStyle-override-all-possible-attributes-of-a-note-or-voice--tp20093618p20097138.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: should voiceOneStyle override all possible attributes of a note or voice?
Mats Bengtsson-4 wrote: > > > Please note that these styles primarily have been defined in order to > make some examples in the documentation more pedagogical. However, if > you find them useful for other purposes that's fine. > I understand the pedagogical ambitions, but OTOH if commands are defined IMO they should cover as much as possible! there is also the snippet http://lsr.dsi.unimi.it/LSR/Snippet?id=443 http://lsr.dsi.unimi.it/LSR/Snippet?id=443 which enables automagical coloring of all elements pertaining to a context (voice). -Eluze -- View this message in context: http://www.nabble.com/should-%5CvoiceOneStyle-override-all-possible-attributes-of-a-note-or-voice--tp20093618p20097753.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: 2.11.61 or 2.11.62
here it compiles after applying convert-ly hth -Eluze -- View this message in context: http://www.nabble.com/2.11.61-or-2.11.62-tp20172387p20172627.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Control vertical spacing in markup
Jonathan Kulp-2 wrote: > > Maybe not the most elegant solution, but the spacing turns out better if > you put the two things in separate markups instead of in columns inside > a single markup: > yes, but... the results of using two separate markups seem unpredictable as shown in the following example! http://www.nabble.com/file/p20184366/bug%2Bdouble%2Bmarkup.png http://www.nabble.com/file/p20184366/bug%2Bdouble%2Bmarkup.ly bug+double+markup.ly -- View this message in context: http://www.nabble.com/Control-vertical-spacing-in-markup-tp20169971p20184366.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: horizontal shifting of rests
Tom Cloyd-2 wrote: > > In a 3 voice piece, I need a rest in the middle voice, but there's not > > did you define a voice as \voiceThree? this automagically shifts notes (and others) horizontally to avoid collisions. you can also use \shiftOn ( to \shiftOnnn) to force shifting this corresponds to \override NoteColumn #'horizontal-shift = #1 etc. -- View this message in context: http://www.nabble.com/horizontal-shifting-of-rests-tp20186856p20187520.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: horizontal shifting of rests
Tom Cloyd-2 wrote: > > In a 3 voice piece, I need a rest in the middle voice, but there's not > > sorry, i didn't read exactly - for a rest you need \override Voice.Rest #'X-offset = #2.5 -- View this message in context: http://www.nabble.com/horizontal-shifting-of-rests-tp20186856p20188388.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: no more merged noteheads after harmonics
notesetter wrote: > > Hello. > > I'm typesetting a guitar piece for which I'm using the black harmonic > noteheads for harmonics. Also, I'm merging differentlyDotted and > differentlyHeaded notes across the bass and treble voices. The problem > is, after I use harmonic notes, my differentlyHeaded and > differentlyDotted noteheads are no longer merged. Does anyone have a > guess as to why? > > you have to make sure both voices use the same NoteHead style here it looks like it is not enough to set NoteHeads to their "default", you have to revert to the previously defined style - or you can override the noteheads in the 1st voice to "default" as well! hth -Eluze -- View this message in context: http://www.nabble.com/no-more-merged-noteheads-after-harmonics-tp20240991p20242525.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
textSpanner bound-details on two lines
a few question about text spanner bound-details:
1. is it possible to keep the right-broken text inside the system
2. if there is only one note left, the spanner line stops on the first line,
and the right-(broken-) text is printed - probably a bug
3. can the continuation after the break be aligned with the first note?
4. the end (right) mark seems to be centered on the last note - can i push
it to the right?
tia
-Eluze
http://www.nabble.com/file/p20340841/textSpanner%252Bbreak.png
\version "2.11.63"
{
\override TextSpanner #'bound-details #'right #'text = #(markup
#:draw-line '(0 . -.5))
\override TextSpanner #'bound-details #'right-broken #'text = "cont."
\override TextSpanner #'bound-details #'left #'text = "left"
a' 1 \startTextSpan
\break
a' 1 \stopTextSpan
\bar "||"
b' 1 \startTextSpan
\break
b' 2 b' 2 \stopTextSpan
}
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Re: textSpanner bound-details on two lines
hi Neil many thanks for your answer and your solutions! may i add my comments (which of course render my personal view which i adapted when i encountered the problems i reported; i wouldn't exclude that in another context i could have other wishes concerning default settings...) Neil Puttock wrote: > >> 1. is it possible to keep the right-broken text inside the system > > #'right-broken #'anchor-alignment = #RIGHT > this works perfectly and i wonder why it is not the default! > >> 2. if there is only one note left, the spanner line stops on the first >> line, >> and the right-(broken-) text is printed - probably a bug > > This is a feature of line spanners, I'm afraid (they are deliberately > suppressed after a line break if they end on the first note). > Naturally, if you've set #'right-broken #'text, it will always be > displayed before a line break. > > i cannot find a reason to do this - what would you say about a volta spanner that ends on the line before the break when there is still a note to play on the next line…? are there any workarounds? >> 3. can the continuation after the break be aligned with the first note? > > #'left-broken #'end-on-note = ##t > > This is hidden away in the internals reference (it's only used for > trill spanners). > perfect! (maybe a small wonderment why it is hidden?!) > >> 4. the end (right) mark seems to be centered on the last note - can i >> push >> it to the right? > > #'right #'padding = #-2 > #'right-broken #'padding = ##f (this has to be set otherwise 'right > 'padding applies) > i could have thought of it, but with all the other problems i got confused… now i use a padding of #-1 which fits my needs! again - thanks for your reply and i am really glad to see that lilypond can handle all these situations and requests! -Eluze -- View this message in context: http://www.nabble.com/textSpanner-bound-details-on-two-lines-tp20340841p20372120.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: point and click PDF
strk-2 wrote: > > I've been told about the point & click > feature so I had a try. > Evince wasn't so helpful in telling me what > was going wrong so I tried xpdf, as suggested > by the manual. > > you can use it from other pdf readers (like acrobat), too. the german lilypond forum Deutsches Lilypond Forum has discussed a solution, see yourself: http://www.lilypondforum.de/index.php?topic=88.msg415#msg415 http://www.lilypondforum.de/index.php?topic=88.msg415#msg415 -- View this message in context: http://www.nabble.com/point-and-click-PDF-tp20509259p20509941.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
quick data input for lilypond using a spreadsheet
i set up a spreadsheet to enter lilypond notes with one hand - maybe others are interested !? download <http://www.speedyshare.com/818308586.html> Eluze ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: creating a centred column of markups
amazing what Lilypond achieves just with simple commands! =)
http://www.nabble.com/file/p20705128/left-aligned%2Bcenter.pdf
left-aligned+center.pdf
Kieren MacMillan wrote:
>
>
>> but now i'm suspicious you to want it really
>> and automatically centered, isn't it?!
>
> Yes! =)
> Kieren.
>
>
\version "2.11.64"
\markup {
\fill-line {
\null
\column {
\fontsize #2 \override #'(font-family . medium) { "When
You Are Old and
Grey" }
\left-align
" "
"When you are old and grey and full of sleep,"
"And nodding by the fire, take down this book,"
"And slowly read, and dream of the soft look"
"Your eyes had once, and of their shadows deep."
""
"How many loved your moments of glad grace"
"And loved your beauty with love false or true,"
"But one man loved the pilgrim soul in you,"
"And loved the sorrows of your changing face."
""
"And bending down beside the glowing bars,"
"Murmur, a little sadly, how Love fled"
"And paced upon the mountain overhead"
"And hid his face amid a crowd of stars."
" "
\hspace #20 "— William Butler Yeats (1893)"
}
\null
}
}
-Eluze
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one big page refers to itself
the first sentence in NR http://lilypond.org/doc/v2.11/Documentation/user/lilypond-big-page.html http://lilypond.org/doc/v2.11/Documentation/user/lilypond-big-page.html is: *This document is also available as a PDF and as one big page.* which is a reference to itself … shouldn't the *big-page* point to the pdf and index version the *pdf* to the index and big-page version and the *index* to the pdf and big-page version?! just a small incongruity that does not really diminish the value of this documentation! thanks -- View this message in context: http://www.nabble.com/one-big-page-refers-to-itself-tp20783299p20783299.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
coda on a new line
since the snippet in the repository actually does not show a coda sign on the coda line, i looked for an alternative to call a coda without having to tweak the output excessively the solution is to make 2 \scores: - codaCallat the end of the first score you call a function to define a text like "D.S. alla coda"; this is put into the right context, visibility … - codaInsert in the second you redefine the global settings exactly like in the first score but omitting the Time_signature_engraver and you define with which barnumber to continue hope someone else can use this shortcut -Eluze http://www.nabble.com/file/p20818662/codaOnNewline.ly codaOnNewline.ly http://www.nabble.com/file/p20818662/codaOnNewline.pdf codaOnNewline.pdf -- View this message in context: http://www.nabble.com/coda-on-a-new-line-tp20818662p20818662.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
lost pw for snippet repository
where can i reset or recover my password for the login to the snippet repository "lsr.dsi.unimi.it" tiafyh! Eluze -- View this message in context: http://www.nabble.com/lost-pw-for-snippet-repository-tp20830492p20830492.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: breakbefore help
james bailey-2 wrote:
>
> I wanted to have a title page before the music begins. I assumed I'd
>
does this about what you're looking for?
\version "2.11.65"
\paper {
ragged-bottom = ##t
ragged-last-bottom = ##t
}
\book {
\header {
title = "title"
}
\markup \null
\bookpart {
\header {
title = \markup "page one"
} }
\bookpart {
\header {
title = \markup "page two"
}
\relative c' { \time 5/4 c d e f g a g f e }
}
\bookpart { \header { title = \markup "page 3" }
}
}
hdh
-Eluze
maybe the \book isn't even necessary!
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Re: suppress page number
james bailey-2 wrote: > > Is it possible to not print the second page number? I don't see an > option for that. > i saw *print-page-number* set to true or false in NR 4.1.2 Page formatting - did you mean something else? hdh -eluze -- View this message in context: http://www.nabble.com/suppress-page-number-tp20874923p20875266.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: automatic beams over rests
Stefan Thomas-3 wrote:
>
> Dear lilypond-users,
> I have a question: is it possible, to get the beams in the below quoted
> example automatically?
> \relative { r8 [ c 8] r8 [ r16 d] r16 [ e8. ] r8 [ d] }
>
i think the easiest way is to only write a beaming instruction where to
start and where to stop:
\relative { r 8 [ c 8 r 8 r 16 d r 16 e 8. r 8 d ] }
hdh
Eluze
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Re: problem with hidden notes
kristof-5 wrote: > > the strategy i tried for now, is by using phrasing slurs with hidden > endnotes, with doubleSlurs set to true.. > (maybe this is not the best approach and some one can give me some > hints for a better way to do this?) > why don't u use the predifined commands \hideNotes \unHideNotes? they will also hide the ledgerlines or so! hdh Eluze -- View this message in context: http://www.nabble.com/problem-with-hidden-notes-tp21211623p21214378.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Fwd: Re: a "floating" markup with many \score blocks in it
Excellent! Thanks! Eluze -- View this message in context: http://www.nabble.com/Fwd%3A-Re%3A-a-%22floating%22-markup-with-many-%5Cscore-blocks-in-it-tp21329239p21337485.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Ties in alternatives
Johan Vromans wrote: > > I'm quite sure I've seen this somewhere in the docs... > \laissezVibrer !? hth Eluze -- View this message in context: http://www.nabble.com/Ties-in-alternatives-tp21381953p21382191.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Point-and-click+Vim on Windows: is it possible?
Frédéric Bron wrote: > > Hi, using 2.12.1 on windows. Cannot make the chain work between pdf > (acrobat 9), point and click on a note and Vim. > in the link http://www.nabble.com/Point-and-Click-does-not-work-on-Windows-to21134860.html#a21188897 http://www.nabble.com/Point-and-Click-does-not-work-on-Windows-to21134860.html#a21188897 you will find instruction how to make point and click work in windows - vim is not metioned there, but if this editor can be called from the command-line it should not be difficult to add and activate it! -- View this message in context: http://www.nabble.com/Point-and-click%2BVim-on-Windows%3A-is-it-possible--tp21651897p21652817.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: incorrect auto bar and auto beaming ?
could it be that the bar counting is not fully correct - try to make some bar checks - best is after each measure! hdh -- View this message in context: http://www.nabble.com/incorrect-auto-bar-and-auto-beaming---tp21764013p21764803.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Lilypond is generating errors for perfect syntax!
kentaku_sama wrote:
>
>
> lower = \relative c, {
>
> C:/Users/W J/Desktop/cc sleep.ly:31:5: error: syntax error, unexpected
> \score
>
> \score {
>
if this is a coherent part of the log then obviously your lines have been
shuffled: the line starting with +lower = …+ does not end properly with a
brace!
also, i could not find a function called +set-ottavation+ but there is one
named +set-octavation+
hope this is a start to clean up your code!
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Re: Beaming in 6/8 or 12/8
Pikachu-3 wrote: > > > It is a hassle to type "[" and "]" every measure. > How can I omit them? > you could try \set Score.beatGrouping = #'(6) hth -- View this message in context: http://www.nabble.com/Beaming-in-6-8-or-12-8-tp21847486p21848280.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
controlling the alignment of FretBoards
is there a way to control - automatically - the vertical alignment of FretBoards? (i only found an option for horizontal alignment [align-dir]) thanks! -- View this message in context: http://www.nabble.com/controlling-the-alignment-of-FretBoards-tp21851934p21851934.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: controlling the alignment of FretBoards
Mats Bengtsson-4 wrote: > > What do you want to do? Since you use FretBoards, your diagrams will be > vertically aligned, between themselves. > the idea is to setup a list of chords and names looking at the example(s) (\sourcefileline 765 and following) in _notation reference_ the finger indications seem to be on the same line and so do the top fret lines (in the pdf and html version). when i compile these examples the results look different and unbalanced: http://www.nabble.com/file/p21854640/align_chordmode.png chordmode.png Eluze -- View this message in context: http://www.nabble.com/controlling-the-alignment-of-FretBoards-tp21851934p21854640.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: controlling the alignment of FretBoards
Robin Bannister wrote: > > > The current (2.12.2) online NR 2.4.1 at line 782 has > neither the first fret nor the fingering aligned. > It looks prrety much like your align_chordmode.png. > > If I run the 782 snippet with my 2.12.1, it is aligned. > so it looks like a little change between both versions - i checked the pdf (2.12.1) again, where it is aligned! > The F chord has no open/mute indications, so maybe it is less constrained > vertically. > that's what i supposed, too. > \override FretBoard #'stencil = >#(lambda (grob) (box-stencil (fret-board::calc-stencil grob ) 0 0)) > thanks for this nice little function! -Eluze -- View this message in context: http://www.nabble.com/controlling-the-alignment-of-FretBoards-tp21851934p21882913.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: controlling the alignment of FretBoards
Carl D. Sorensen wrote: > > … and it was an extremely quick fix. > really quick - and it works like a charm - thanks! Eluze -- View this message in context: http://www.nabble.com/controlling-the-alignment-of-FretBoards-tp21851934p21898237.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
suggestion: add fingering position "above-string" in FretBoards
could this be considered? it would not conflict with muted or open strings and imo it is at least as readable as below-string or in-dot! thanks! Eluze -- View this message in context: http://www.nabble.com/suggestion%3A-add-fingering-position-%22above-string%22-in-FretBoards-tp21923978p21923978.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: suggestion: add fingering position "above-string" in FretBoards
i'm pretty sure i have seen this before, but i couldn't remember where my idea was something like your first proposal, maybe with lowercase letters x and o for mute and open! this results in c => *x32o1o* d => *xxo132* btw i'm surprised how Lilypond plays d-major (xxo123) thanks! Eluze -- View this message in context: http://www.nabble.com/suggestion%3A-add-fingering-position-%22above-string%22-in-FretBoards-tp21923978p21938335.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: suggestion: add fingering position "above-string" in FretBoards
wow - i tried it out and if i had not wrenched my wrist a week ago walking over icy hills i would have done it now trying to play your way - i would be glad if you could send me a foto of a hand with the guitar neck playing this chord! another possibility is to play xxo231 which enables a quick change to Dm! but i absolutely agree that any user can define it as he likes! thanks! Eluze -- View this message in context: http://www.nabble.com/suggestion%3A-add-fingering-position-%22above-string%22-in-FretBoards-tp21923978p21944433.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
RE: Problem with fingering
Nick Payne-3 wrote: > > \set fingeringOrientations = #'(right left) > 4 > \set fingeringOrientations = #'(left right) > 4 > this was never supposed to work! see LM… The property may be set to a list of one to three values. It controls whether fingerings may be placed above (if up appears in the list), below (if down appears), to the left (if left appears, or to the right (if right appears). Conversely, if a location is not listed, no fingering is placed there. LilyPond takes these constraints and works out the best placement for the fingering of the notes of the following chords. Note that left and right are mutually exclusive – fingering may be placed only on one side or the other, not both. -- View this message in context: http://www.nabble.com/Problem-with-fingering-tp21981119p21987026.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: NR 4.3.6 Explicit Breaks
Chip-5 wrote: > > > I've been messing around with the various ragged-... settings > trying to get the staffs all the same length with the last staff to end > at it natural length. > did you also try *ragged-last* - to me this seems what you are looking for; you can put it in a layout block inside a \score, so each score can be designed differently! hth Eluze -- View this message in context: http://www.nabble.com/NR-4.3.6-Explicit-Breaks-tp21949123p22023874.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Repeat in the middle of a measure
Tim Slattery-2 wrote: > > There are four voice parts, the \repeat volta 2 is in each one at the > same place. I cannot figure out where the extra begin-repeat comes > from. > did you run each voice seperately? from there it should be easy to check if all the voices have the repeat at the same place! hth Eluze -- View this message in context: http://www.nabble.com/Repeat-in-the-middle-of-a-measure-tp22025931p22033045.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: NR 4.3.6 Explicit Breaks
i forgot to ask why you would change the layout that Lilypond offers? before tweaking around with line margins and width and others i would definitely look at the "natural" results of Lilypond! hth Eluze -- View this message in context: http://www.nabble.com/NR-4.3.6-Explicit-Breaks-tp21949123p22033232.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Enhancing barre function
Nick Payne-4 wrote: > > I have a barre function for guitar scores that I would like to enhance by > adding a vertical line indicating how far the barre should extend across > the > fretboard. > very usefull, indeed - and i wish you can do this automatical vertical distance calculation very soon! thanks! before i could run your code, i had to re-join the 2 comment lines which were split - while copying and pasting, i presume. this happened to many other lines but there it did not matter! -- View this message in context: http://www.nabble.com/Enhancing-barre-function-tp22032887p22037615.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Editorial Annotation
grisu_76 wrote:
>
> but when I'm using it in the code as f.i. ^\roundTr, the trill-symbol and
> the leading parenthese are printed one upon the other; the trailing
> parenthese is printed correct;
>
you can force the spacing by adding \translate... after the first
parenthesis:
roundTr = \markup {
\center-align
\concat {
\bold "("
\translate #'(1 . 0)
\musicglyph #"scripts.trill"
\translate #'(0 . 0)
\bold { ) }
}
}
\markup \roundTr
hth
Eluze
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Re: substitution in layout-block
Stefan Thomas-3 wrote:
>
>
> keineTaktart = \layout { \context { \Staff \remove
> "Time_signature_engraver"} }
>
i don't think there is a way to put context properties in a variable.
but defining these properties in a \layout { … } block will do the thing:
\layout {
\context {
\Score
% \remove "Bar_engraver"
defaultBarType =":"
\remove "Bar_number_engraver"
}
\context {
\Staff
\remove "Key_engraver"
\remove "Clef_engraver"
\remove "Time_signature_engraver"
}
\context {
\Voice bla bla bla …
}
}
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Re: Editorial Annotation
Neil Puttock wrote: > > If you're attaching the trill to a note, you can parenthesize it > without having to mess around with markup > thanks, Neil, for this much more elegant solution and for opening our eyes! we should try to understand the question better, not just fiddle around with superficial fixes on the wrong level! -- View this message in context: http://www.nabble.com/Editorial-Annotation-tp22181081p22354078.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: New ConTeXt module
Henning Hraban Ramm wrote: > > It works now with LilyPond 2.12 > i only found 2.10 keywords - where is 2.12? -- View this message in context: http://www.nabble.com/New-ConTeXt-module-tp22352883p22382461.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: New ConTeXt module
Valentin Villenave wrote: > > Perhaps Eluze was mixing up ConTeXt and ConTEXT :-) > thanks - how could I ?! I had no idea the other one also exists! -- View this message in context: http://www.nabble.com/New-ConTeXt-module-tp22352883p22424778.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: fingering
James E. Bailey-3 wrote: > > Or is it just not possible? > > with Lilypond everything is possible!!! try "\override Fingering #'add-stem-support = ##t" in the Staff context -- View this message in context: http://www.nabble.com/fingering-tp22505666p22506489.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Parametric variables?
i have excerpted the code from your example as
\version "2.12"
fng = #(define-music-function (parser location marktext) (string?)
#{ \markup {\finger $marktext } #})
{ < c' d'>4^\fng #"2\n1"}
but running it gives following errors:
Analysieren...
test.ly:5:12: Fehler: syntax error, unexpected MUSIC_FUNCTION
{ < c' d'>4^
\fng #"2\n1"}
:1:33: Fehler: syntax error, unexpected \markup
parseStringResult = \notemode {
\markup {\finger \lilyvartmpb }
:1:42: Fehler: Ungültige Fluchtsequenz: »\finger«
parseStringResult = \notemode { \markup {
\finger \lilyvartmpb }
test.ly:5:0: Fehler: Fehler gefunden, musikalischer Ausdruck wird ignoriert
{ < c' d'>4^\fng #"2\n1"}
what am i missisng?
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Re: dotted half note notehead getting filled in when merging with eighth note
Nick Payne-3 wrote: > > The nearest example I can find in the documentation (subsection > on Collision Resolution in NR 1.5.2) shows a half note being merged with > an > eighth note and the notehead remaining unfilled. How can I prevent the > notehead above being filled in? > > exactly - and if you continue to read this paragraph on "Collision resolution" you will find an approach for dotted notes! -- View this message in context: http://www.nabble.com/dotted-half-note-notehead-getting-filled-in-when-merging-with-eighth-note-tp22558246p22561861.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Transparent ledger lines
Carl Sorensen-3 wrote:
>
>
>
>
> On 3/17/09 6:37 PM, "Ari Torhamo" wrote:
>
>> Hello,
>>
>> I have been wrestling with a problem for a while. I'm using these two
>> lines
>>
>>\override Voice.NoteHead #'transparent = ##t
>>\override Voice.Stem #'transparent = ##t
>>
>> to make certain note heads and stems transparent. This works fine, but
>> the problem is that the ledger lines connected to them stay visible. I
>> have tried several things to get rid of the ledger lines too, but
>> haven't found the solution.
>>
>> I think these are what I have tried so far:
>>
>> \override Staff.LedgerLine #'transparent = ##t
>> \override Staff.Ledger #'transparent = ##t
>> \override Staff.LedgerLineSpanner #'transparent = ##t
>> \override Voice.LedgerLineSpanner #'transparent = ##t
>> \override Voice.LedgerLine #'transparent = ##t
>> \override Voice.Ledger #'transparent = ##t
>> \override LedgerLineSpanner #'transparent = ##t
>> \override NoteHead #'no-ledgers = ##t
>
>
> From the command hideNotes (which is found in the file
> ly/property-init.ly)
> I found that the property you want to use is
>
> \override NoteHead #'no-ledgers = ##t
>
> Carl
>
>
yes - but only if you put it in the right context…
in this case this is the Voice context:
\score {
\context Staff="1" {
\context Voice="1" {
\override NoteHead #'no-ledgers = ##t
c'''
}
}
}
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Re: Making lilypond ignore some clashes
is this what you are looking for? \override NoteColumn #'ignore-collision = ##t -- View this message in context: http://www.nabble.com/Making-lilypond-ignore-some-clashes-tp22606577p22610046.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: very big pdf ps
with version 2.12 i got 1.00 MB with point-and-click against 147 KB without! -- View this message in context: http://www.nabble.com/very-big-pdf-ps-tp22660584p22661539.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: very big pdf ps
Francisco Vila-5 wrote: > > /URI(textedit://path-to-your-lilypond-file.ly:1:2:2)>> > and this path will never be found on the machine/server where the webpage resides... -- View this message in context: http://www.nabble.com/very-big-pdf-ps-tp22660584p22664609.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: TrillSpanner edge-text
how do you invoke the trill? the following makes the "tr" disappear!
{
\override TrillSpanner #'(bound-details left text) = \markup {}
e 2
\startTrillSpan
fis
d
\stopTrillSpan
}
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Re: TrillSpanner edge-text
Benjamin Smedberg wrote: > > Do overrides only take effect for the current voice? > Voice / Staff / Score - whatever the context of a property is ... -- View this message in context: http://www.nabble.com/TrillSpanner-edge-text-tp22660742p22684254.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: LilyPond midi extension
Simon Bailey-2 wrote: > >>> #(ly:set-option 'midi-extension "midi") > would it be advisable to add the other possibibility to achieve this - namely when you invoke lilypond from a command line: lilypond … -dmidi-extension=midi [ | mid | anyExtension] yourFile.ly these options can be found with lilypond -dhelp thanks -- View this message in context: http://www.nabble.com/LilyPond-midi-extension-tp22947624p22959776.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: move lyrics closer
James E. Bailey-3 wrote:
>
> I want to move lyrics closer to each other. I've tried \layout
> {\context { \Lyrics \override #'baseline-skip = #-55 } } and it's not
> working for me. I'm sure I've just got the wrong context somewhere.
> Can someone point me to the right way?
>
\context Lyrics \with {
\override VerticalAxisGroup #'minimum-Y-extent = #'(0 . 0)
}
… or play around with those numbers!
i am not quite certain about where - in which context(s) - you have to place
it to make it effective in every stanza
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Re: move lyrics closer
James E. Bailey-3 wrote:
>
>
>
>> i am not quite certain about where - in which context(s) - you have
>> to place
>> it to make it effective in every stanza
>
>
> VerticalAxisGroup, as far as I understand it, moves the staves closer
> together, and with it, the lyrics closer to the staves. I want to
> move the lines of words closer to one another, effectively bringing
> the baselines up so that the four stanzas are closer to one another.
>
ok - here is what i found out in the meantime - moving stanzas/lyrics closer
to each, but also to the Staff with the notes:
\version "2.12.2"
melody = {\clef "G_8" { c d e f} }
StanzaI = \lyricmode { \set stanza = "1. " ha ha ha ha }
StanzaII = \lyricmode { \set stanza = "2. " ho ho ho ho }
StanzaIII = \lyricmode { \set stanza = "3. " hu hu hu hu }
myScore=
\context Score {
<<
\context Staff="staff" {\new Voice = "melody" \melody}
\context Lyrics="1" \lyricsto "melody" \StanzaI
\context Lyrics="2" \lyricsto "melody" \StanzaII
\context Lyrics="3" \lyricsto "melody" \StanzaIII
>>
}
\score {
\myScore
\layout {
\context {\Lyrics \override VerticalAxisGroup #'minimum-Y-extent = #'(-0
. 0)}
\context {\Staff \override VerticalAxisGroup #'minimum-Y-extent = #'(-0
. 0)}
}
}
% this just shows how it looks without any overrides:
\score {\myScore}
if you omit the * \context {\Staff \override … * only the stanzas will be
closer together!
my concern in the former post was if it was (or is) possible to only
\override *one* context to get the text vertically closer - obviously
*\context {\Score \override …* does not really help!
maybe i search in a false direction?!
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Re: Need Guitar 2 voices with notes of different durations to share a stem
Louie van Bommel wrote: > > The original guitar piece is in 3/8 time and has 3 1/8th notes per bar. > The first of these notes has a stem up and a stem down on the same note. > Now because it is 3/8 time the bass note is a dotted 1/8th note, but the > same note in voice one is NOT dotted. > > everything looks perfect, you have the \voiceOne and \voiceTwo in your voices, but you also have to tell lilypond to merge these two voices on the following levels: \mergeDifferentlyDottedOn \mergeDifferentlyHeadedOn maybe it is also useful to prevent possible warnings in the log (after securing they are harmless…) with \override NoteColumn #'ignore-collision = ##t -- View this message in context: http://www.nabble.com/Need-Guitar-2-voices-with-notes-of-different-durations-to-share-a-stem-tp22979186p22980158.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: move lyrics closer
James E. Bailey-3 wrote: > > > Well, to my defense, I never really worry about vertical > spacing. > > too bad for you - but in no way you are accused! -- View this message in context: http://www.nabble.com/move-lyrics-closer-tp22964622p22980269.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: move lyrics closer
in http://lilypond.org/doc/v2.12/Documentation/user/lilypond-big-page.html#Vertical%20spacing%20inside%20a%20system you can read: Normally staves are stacked vertically. To make staves maintain a distance, their vertical size is padded. This is done with the property minimum-Y-extent. When applied to a Section “VerticalAxisGroup” in Internals Reference, it controls the size of a horizontal line, such as a staff or a line of lyrics. minimum-Y-extent takes a pair of numbers, so if you want to make it smaller than its default #'(-4 . 4) then you could set \override Staff.VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3) This sets the vertical size of the current staff to 3 staff spaces on either side of the center staff line. The value (-3 . 3) is interpreted as an interval, where the center line is the 0, so the first number is generally negative. The numbers need not match; for example, the staff can be made larger at the bottom by setting it to (-6 . 4). when i read this i was rather confused: - *it controls the size of a horizontal line* - i thought the topic was *vertical lines*! - *minimum-Y-extent takes a pair of numbers* - of course, but what does the 1st number stand for and whatfor is the 2nd? - *The value (-3 . 3) is interpreted as an interval, where the center line is the 0, so the first number is generally negative.* - yes, but why!? or is that a general rule?! - *the staff can be made larger at the bottom by setting it to (-6 . 4)* - because usually it is negative: if i choose a smaller number (-6) it gets larger! sorry if this sounds dismal, but after reading this i really did not know how to use the numbers! -- View this message in context: http://www.nabble.com/move-lyrics-closer-tp22964622p22980674.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: General settings in ext file
MonAmiPierrot wrote:
>
> \context {
> % add the RemoveEmptyStaffContext that erases rest-only staves
> \RemoveEmptyStaffContext
> }
>
this is typically used in a \layout section and you can \include a file with
such definitions; if it is located in another directory/folder you could
define this with
-I, --include=DIR
or even use
-i, --init=FILE
when invoking lilypond
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Re: move lyrics closer
Trevor Daniels wrote: > > Eluze > > There's a paragraph in section 5.5.1 which may (nor may not!) help. > Trevor thanks, yes it does - in a way… one part of the confusion raised with the not very specific mention of something like "generally negative numbers" for the 1st number, whereas in fact you *have* to use negative numbers (positive numbers are just broken down to zero); the same happens to the 2nd number in the opposite way. from this point of view it would be good enough just to use a pair of *positive* numbers! furthermore i never considered contexts to be graphical objects themselves! hope i didn't offend somebody! -- View this message in context: http://www.nabble.com/move-lyrics-closer-tp22964622p22991212.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Fingering multiple voices above the stave
hi which version are you using? when i compile your code wit version 2.12.2 i do not get collisions. if you feel stems and fingerings are to close you could add some extraspace with \override Fingering #'extra-offset = #'( -0.5 . 0) or choose the value you prefer hth -- View this message in context: http://www.nabble.com/Fingering-multiple-voices-above-the-stave-tp23002264p23005999.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Barline spacing at rehearsal mark
Nick Payne-3 wrote: > > > What command should I use? > > this should do the job (with a *-* [minus]): \once \override Staff.BarLine #'extra-spacing-width = #'(-2 . 2) -- View this message in context: http://www.nabble.com/Barline-spacing-at-rehearsal-mark-tp23038247p23039029.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Barline spacing at rehearsal mark
Nick Payne-3 wrote: > > BTW, trying to search the LSR for either extra-spacing-width or > "extra-spacing-width" just returns a syntax error. > i know this is a pain - try https://lsr.dsi.unimi.it/list.php?type=snippet https://lsr.dsi.unimi.it/list.php?type=snippet where you can enter all (?) possible characters in a filter! -- View this message in context: http://www.nabble.com/Barline-spacing-at-rehearsal-mark-tp23038247p23041186.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Lilypond is amazing! (engraving Reubke)
Wilbert Berendsen-5 wrote: > > > And LilyPond uses more than 600MB main memory during > engraving which almost puts my 512M laptop to a grinding halt. I bought a > new > computer with 4gig main ram just to use LilyPond for my Reubke score! :-) > > beautiful and powerful! on which OS are you? I just compiled the whole score under windows/xp-sp3 with 512 MB RAM and I can confirm it used up to 665MB main memory - and of course it took a long time to finish: 46 minutes! unfortunately i forgot to turn off "point'n click", so a file of 3.76MB resulted (yours only had 600KB!) further small differences are probably due to the fact that i run it with 2.12.2 and i got only 26 pages (28 in yours) - but it will take some time to see all differences. anyway: congrats for this beautiful work and thanks for making it available for all interested people! -- View this message in context: http://www.nabble.com/Lilypond-is-amazing%21-%28engraving-Reubke%29-tp23067386p23068931.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Pick a pitch/instrument in MIDI output
Matthew Rowles wrote: > > > How can I do this? > > - Be Alert. Australia needs lerts. > > i had to check that first, it is explained ( http://www.urbandictionary.com/define.php?term=lert here ) yours is explained http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Creating-MIDI-files#Creating-MIDI-files here (with a link to the table of available midi instruments) -- View this message in context: http://www.nabble.com/Pick-a-pitch-instrument-in-MIDI-output-tp23089373p23092441.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: "Two simultaneous events" warnings
gnomino wrote: > > Hi, > > Could anyone tell me a general reason that > this might be happening? > probably you have "Two simultaneous mark events", one in each staff and since \mark is written in the \score context (or in the top staff) you have this duplicity! -- View this message in context: http://www.nabble.com/%22Two-simultaneous-events%22-warnings-tp23090257p23092785.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Pick a pitch/instrument in MIDI output
Matthew Rowles wrote: > > I've read all of that. > > All of those instruments are pitched. I want just a snare drum to hit > out the rhythm. > > I can't access the percussion midi instruments as I'm not using a drum > staff, and if I was, the notes would still change (percussion) > instrument as the "pitch" changed. > > Basically, I want to replicate an audio RhythmStaff. > > So, maybe a better phrased question: Can I pick a particular midi > instrument "pitch" (eg c', snare etc...) and use that for all notes in > my score? > > > 2009/4/17 Nick Payne : >> See s.3.5.1 of the notation reference manual. And appendix B.4 of the >> manual > > there's a link there to the http://lilypond.org/doc/v2.12/input/lsr/lilypond-snippets/Rhythms.html#Rhythms LSR Rhythms, adding drum parts you'll probably have to adapt some drumstaff according to that examples to get what you want - or look for more examples -- View this message in context: http://www.nabble.com/Pick-a-pitch-instrument-in-MIDI-output-tp23089373p23096188.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: TextSpanner at Score level?
Kieren MacMillan wrote: > > > Since I'm currently teaching (a week-long FileMaker Pro course), I > must be in good instructor mode... ;-) > > nice solution so far - but still some open points! trying to take advantage of your mood i'll ask the following questions: - it might be simpler to use skips (s) in the contextSpan voice - how would you make more TextSpanners later on (the Text_spanner_engraver has been removed from the voice)? - how do you find out which contexts and engravers are involved? - if you have 15 instruments (staffs) you need to add 15 "stringendo"s - is that correct? thanks -- View this message in context: http://www.nabble.com/TextSpanner-at-Score-level--tp23119922p23166180.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: TextSpanner at Score level?
Carl D. Sorensen wrote: > > You use the Internals Reference. You find the object you want engraved > under 3.1 All layout objects: 3.1.111 TextSpanner. > > The IR tells you that TextSpanners are created by Dynamic_engraver, > New_dynamic_engraver, and Text_spanner_engraver. > > So then you look in section 2.2 Engravers and Performers (or you just > click the link on Text_spanner_engraver. Section 2.2.117 > Text_spanner_engraver tells you that this is part of all of the Voice > contexts. So then you know which contexts to remove it from and > which contexts to add it to. > thanks for your answer (and sorry i did not answer before, but i was busy installing a new computer...) it is good to know you can find this information somewhere - but i was thinking of a procedure listing all the actual or possible engravers or contexts - maybe something similar to the function "list-all-grobs" which i found in the snippets repository! -- View this message in context: http://www.nabble.com/TextSpanner-at-Score-level--tp23119922p23236720.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: collision with crescendo text
kontrapunktstefan wrote:
>
> Dear community,
> in the below quoted snippet, the crescendo -text should have more space.
>
>
may be the code below helps to find a solution (derived from
http://www.nabble.com/Dynamic-extender-line%3A-regression-to18514160.html#a18519588
http://www.nabble.com/Dynamic-extender-line%3A-regression-to18514160.html#a18519588
):
\paper {
ragged-right =##f
}
mySforzato={
\override DynamicTextSpanner #'bound-details =#'(
(right . (
(attach-dir . ,RIGHT)
(Y . 0)
(stencil-offset . (.05 . -0.5))
(padding . 0)
) )
(left . (
(attach-dir . ,LEFT)
(Y . 0)
(stencil-offset . (-.75 . -0.5))
(padding . 0)
) ) )
\crescTextCresc
\override DynamicTextSpanner #'(bound-details right text) = \markup
\dynamic sf
\override DynamicTextSpanner #'(style) = #'dotted-line
\override DynamicTextSpanner #'(dash-period) = #'0.4
}
{
\mySforzato
\clef "G_8"
bes2 \< des \! c1
}
also you might have to play around with the numbers or make sure that the
distance between the spanned notes is sufficient!
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Re: Re:collision with crescendo text (-Eluze)
kontrapunktstefan wrote:
>
>
> It works, but it seems to be really complicated, for me at least!
>
hi Stefan
why don't you reply in the thread you started - now it gets difficult to
find corresponding parts!?
there is also a more simple solution - but be aware that the result will
depend on how dense the measures following on the same line are drawn and/or
how many notes are spanned:
\paper { ragged-right =##f }
{
\clef "G_8"
\set crescendoText = \markup { \italic { cresc. } }
\set crescendoSpanner = #'text
bes 2\< des \mf r 1
}
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Re: \partcombine
Arno Waschk wrote:
>
>
> is there a way to persuade partcombine in a case like:
>
> \partcombine {{r4}{s4}}
>
> to produce a vertically centered rest, not one in the upper half of the
> staff?
>
i'm not certain, but you could have a look at
http://lsr.dsi.unimi.it/LSR/Item?id=336
http://lsr.dsi.unimi.it/LSR/Item?id=336 for an approach to this question in
a similar context (2 voices, merge rests…)!
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Re: [LilyPond] Unequal line spacing in columns
Sven Siegmund wrote: > > In my case the vertical line spacing in the left and right column > differ a tiny bit. I wouldn't notice it wouldn't it be for this big > that's probably due to lines with/without ascenders/descenders! > Please tell me what's what in the source code causes this difference > and how to correct it. > - use a monospaced font - add invisible characters to use the maximum possible vertical extension in every line - has Lilypond foreseen this problem and offers a solution or option? -- View this message in context: http://www.nabble.com/-LilyPond--Unequal-line-spacing-in-columns-tp23436800p23443135.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: [LilyPond] Unequal line spacing in columns
Sven Siegmund wrote: > > What exactly are line ascenders/descenders? I don't know what you > mean. I will try your suggestions later today. > ascenders: b,d,f,h,i,k,l,t (+ numbers, question mark, exclamation…) descenders: g,j,p,q,y -- View this message in context: http://www.nabble.com/-LilyPond--Unequal-line-spacing-in-columns-tp23436800p2343.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
strange results with rightHandFinger/StrokeFinger and avoid-slur
in this snippet the right hand finger indication is not placed above the note
and below the slur as excpected, even if there is plenty of space - any
hints?
\version "2.12.2"
{
\override Slur #'outside-staff-priority = #5000
\set strokeFingerOrientations =#'(UP)
\override StrokeFinger #'avoid-slur = #'inside
\override StrokeFinger #'add-stem-support = ##t
\override StrokeFinger #'staff-padding = #'()
\clef "G_8"
\voiceOne
< e, > 16 (
< g - \rightHandFinger #2 > )
}
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