Double expression marks...
Hi, Friends Can anybody give me an help on how to mimic the output sent in attach? What I can get is just one expression line :( Thanks Alberto -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal <>___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Lilypond under Leopard
Hi, Folks No, I am not asking how to install Lilypond in Leopard. I know there are at least two options: - to compile it from the source, using a set of instructions and macports (that installs/reinstalls almost everything) - and another option that is to use the G4 binary (the one I use, as the previous one failed) My question is another (or, my questions...) - is it known why the 10.4 binary doesn't work under 10.5? - if so, is there any work on preparing a standard binary for Leopard? Cheers Alberto -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Lilypond under Leopard
Hi, Eric The first thing that got me crazy was to install latex using macports, when I have my own installation (mactex) running well. But wasn't that the failing portion. It was during lilypond build. But, thanks for your help. I might ask for it, as I am really tempted to try again. Thanks Eric Knapp wrote: I have successfully compiled lilypond 2.11.50 and 2.11.52 on my mac. It is worth the effort since the resulting application is so much faster. How did your efforts fail? MacPorts can be fussy and I had to do some juggling of dependencies to get everything installed correctly. And a few of the required ports were broken the day I tried the install. When that happens you have to know the macports system pretty well to get things running. Maybe I can help you? Let me know if you want to try again with some assistance. -Eric On Fri, Jul 18, 2008 at 1:05 PM, Alberto Simões <[EMAIL PROTECTED]> wrote: Hi, Folks No, I am not asking how to install Lilypond in Leopard. I know there are at least two options: - to compile it from the source, using a set of instructions and macports (that installs/reinstalls almost everything) - and another option that is to use the G4 binary (the one I use, as the previous one failed) My question is another (or, my questions...) - is it known why the 10.4 binary doesn't work under 10.5? - if so, is there any work on preparing a standard binary for Leopard? Cheers Alberto -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Lilypond under Leopard (and ccache)
<[EMAIL PROTECTED]> wrote: Hi, Folks No, I am not asking how to install Lilypond in Leopard. I know there are at least two options: - to compile it from the source, using a set of instructions and macports (that installs/reinstalls almost everything) About compiling it from source: I made it. The problem was the use of ccache. I am not sure why, but lilypond build system does not like it. So, if you are using ccache, it might be a good idea to disable it. Cheers Alberto -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Lilypond under Leopard (and ccache)
John Mandereau wrote: On 2008/07/20 10:36 +0100, Alberto Simões wrote: About compiling it from source: I made it. The problem was the use of ccache. I am not sure why, but lilypond build system does not like it. So, if you are using ccache, it might be a good idea to disable it. Which problem did ccache cause on your system? I've never had problems using ccache, though my computer is running GNU/Linux Fedora 9. Hi Compilation fails randomly, complaining that some object file isn't available anymore (with a path to the ccache dir). Cheers -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: WikiLily - a lilipond wiki
Wow. The idea is promising. In fact, I would like to see it as a plugin, like the ABC plugin for dokwiki. But it might not be difficult to go there from here ;) Continue the good work ;) Cheers Alberto Mike Blackstock wrote: A couple of us have started a 'lilypond wiki' so that people can collaborate on the creation and or editing of lilypond scores. It's at http://draft.wikilily.org and if you have any ideas on how to implement something, well, just go ahead and do it. It has a number of extensions already installed - a 'chat', a forums extension, and the wikitex extension for inline rendering. Cheers, Mike ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Forcing note ... tail orientation
Hi How can I force the note... erm... tail to go up or down, instead of the automatic orientation based on the note position in the stave? Thank you Alberto -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Forcing note ... tail orientation
Valentin Villenave wrote: 2008/8/9 Alberto Simões <[EMAIL PROTECTED]>: How can I force the note... erm... tail to go up or down, instead of the automatic orientation based on the note position in the stave? In LilyPond, this is called a Stem. You can use Thanks, I was missing the correct word, and that didn't help me searching the documentation. Thank you Cheers, Alberto \stemUp or \stemDown and then go back to the automatic behavior using \stemNeutral http://kainhofer.com/~lilypond/Documentation/user/lilypond/Direction-and-placement.html Cheers, Valentin -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Phrasing slures starting on single voice, ending in multiple voice
Hi again,
I have this code
2 %%% --> this one \(
~
~
<< { \stemUp g'4 fis e2 2 ~ \partial 4 4}\\
{ \stemDown d2 ~ d4 ciss2 s4} \\
{ \stemDown \showStaffSwitch b4 a
\change Staff = "lower"
\stemUp g2 fis2~\partial 8 fis4
}
>> %%% Should finish here \)
There was no big deal, if I didn't need a phrasing slur for all this
portion of music. I tried to open in the right place (check comment)
and make it end at the end of the multiple voice portion. But lilypond
doesn't like (and I understand why). I tried to make it end in one of
the voices from the polyphonic portion, but didn't had any success.
What is the better way to do this?
- put the first 4 chords in a polyphonic notation?
- or is there any trick?
Thanks
Alberto
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Re: Phrasing slures starting on single voice, ending in multiple voice
Mats Bengtsson wrote: Please read the section called "Explicitly instantiating voices" in the Learning Manual for version 2.11. Thanks. Got it. Thanks Alberto -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Using polyphony under parallel Music
Hello
I am trying to use \parallelMusic with some success.
My only problem is that at a specific point in the music, the composer
decided to add a new temporary voice.
I was trying to use something like:
\parallelMusic #'(upperA upperB) {
% line 1 - 1
\partial 4 b4\( |
\partial 4 b4~ |
% line 1 - 2
e4. b8 gis'4 e |
b1 |
[...]
gis2 ~ gis8\) cis,8\( dis[ e] |
cis2 ~ cis8 cis b4|
% line 2 - 4
a4. a8 gis4 fis|
<< { e2 ~ e8[ dis] cis[ dis] } \\ { cis8[ b] cis4 s2 }>> |
% line 3 - 1
\partial 8*5 e2 ~ e8 \fermata\) |
\partial 8*5 b2 ~ b8|
}
The problem here is that << {} \\ {} >> part.
Lilypond is complaining and rendering some strange things.
The error messages:
piano+voz.ly:62:13: warning: adding note head to incompatible stem (type
= 4)
<< {
e2 ~ e8[ dis] cis[ dis] } \\ { cis8[ b] cis4 s2 }>> |
piano+voz.ly:62:13: warning: maybe input should specify polyphonic voices
<< {
e2 ~ e8[ dis] cis[ dis] } \\ { cis8[ b] cis4 s2 }>> |
[8]
piano+voz.ly:62:18: warning: adding note head to incompatible stem (type
= 4)
<< { e2 ~
e8[ dis] cis[ dis] } \\ { cis8[ b] cis4 s2 }>> |
piano+voz.ly:62:18: warning: maybe input should specify polyphonic voices
<< { e2 ~
e8[ dis] cis[ dis] } \\ { cis8[ b] cis4 s2 }>> |
piano+voz.ly:61:15: warning: stem does not fit in beam
a4. a8
gis4 fis |
piano+voz.ly:62:20: warning: beam was started here
<< { e2 ~ e8
[ dis] cis[ dis] } \\ { cis8[ b] cis4 s2 }>> |
piano+voz.ly:62:27: warning: adding note head to incompatible stem (type
= 4)
<< { e2 ~ e8[ dis]
cis[ dis] } \\ { cis8[ b] cis4 s2 }>> |
piano+voz.ly:62:27: warning: maybe input should specify polyphonic voices
<< { e2 ~ e8[ dis]
cis[ dis] } \\ { cis8[ b] cis4 s2 }>> |
piano+voz.ly:61:20: warning: stem does not fit in beam
a4. a8 gis4
fis |
piano+voz.ly:62:30: warning: beam was started here
<< { e2 ~ e8[ dis] cis
[ dis] } \\ { cis8[ b] cis4 s2 }>> |
piano+voz.ly:61:62: warning: barcheck failed at: -5/8
a4. a8 gis4 fis
|
piano+voz.ly:62:66: warning: barcheck failed at: -5/8
<< { e2 ~ e8[ dis] cis[ dis] } \\ { cis8[ b] cis4 s2 }>>
|
Preprocessing graphical objects...
Interpreting music...
piano+voz.ly:61:62: warning: barcheck failed at: -5/8
a4. a8 gis4 fis
|
piano+voz.ly:62:66: warning: barcheck failed at: -5/8
<< { e2 ~ e8[ dis] cis[ dis] } \\ { cis8[ b] cis4 s2 }>>
|
Thanks for any hint.
Alberto
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warning: barcheck failed at: -5/8... but... WHERE?
Hello I am having a strange error about barchecks. Current version of the document is at http://eremita.di.uminho.pt/~ambs/piano+voz.ly (please select in the browser encoding as utf8). If anyone can help, I would appreciate. My output follows bellow. Thank you Alberto -- GNU LilyPond 2.12.1 Processing `piano+voz.ly' Parsing... Interpreting music... [8] piano+voz.ly:61:32: warning: barcheck failed at: -5/8 a4. a8 gis4 fis | piano+voz.ly:62:32: warning: barcheck failed at: -5/8 e2 ~ e8[ dis] cis[ dis] | piano+voz.ly:92:30: warning: barcheck failed at: -5/8 cis8[ b] cis4 b4 a4 ~ | piano+voz.ly:93:30: warning: barcheck failed at: -5/8 fis2 b4 b4 | Preprocessing graphical objects... Interpreting music... piano+voz.ly:61:32: warning: barcheck failed at: -5/8 a4. a8 gis4 fis | piano+voz.ly:62:32: warning: barcheck failed at: -5/8 e2 ~ e8[ dis] cis[ dis] | piano+voz.ly:92:30: warning: barcheck failed at: -5/8 cis8[ b] cis4 b4 a4 ~ | piano+voz.ly:93:30: warning: barcheck failed at: -5/8 fis2 b4 b4 | -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: warning: barcheck failed at: -5/8... but... WHERE?
Hello, Mats Mats Bengtsson wrote: > Arjan Bos wrote: >> I wouldn't worry about it too much if I were you. The \partial command >> and the barchecks don't live well together. > Could you please provide an example of such problems. My sample is at http://eremita.di.uminho.pt/~ambs/piano+voz.ly Cheers Alberto -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Problem with site and documentation
Hi If you access lilypond website using: http://lilypond.org/web/ (without the usual www portion) it works alright. But when following the link to documentation http://lilypond.org/web/documentation it fails. But http://www.lilypond.org/web/documentation works. I am apologist of URLs without www, but I let that to your criteria :) Cheers Alberto -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Writing above a bar
Hello Is there any way to write above a \bar "||" ? In this case the composer wrote a simple "End" that is ignorable. But if it is possible (and easy) to do, I'ld like to add it. Thanks Alberto -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Problem with site and documentation
John Mandereau wrote: > Le vendredi 02 janvier 2009 à 20:34 +0000, Alberto Simões a écrit : >> But when following the link to documentation >> http://lilypond.org/web/documentation >> it fails. > > What is your browser and which failure do you get exactly? What's the > error message ? > > I can't reproduce any failure with this URL, it works for me. Erm, it is working now. I sure I tried it various times (firefox3). The error message was something like "Wrong page encoding". Can't really remember it correctly. Could somebody else correct the issue meanwhile, or am I getting mad? Cheers Alberto -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Writing above a bar
Hello, all
THanks for the answers.
\mark{End}\bar"||" did the trick ;)
Cheers
Alberto
Nick Payne wrote:
> This is what I do at the start of a piece to move a string tuning indication
> down and left to underneath the clef symbol:
>
> \once \override TextScript #'extra-offset = #'( -7.5 . 2.5 )
> a8_\markup {\circle {6}=D} e'4 e e8
>
> You could do the same in reverse. eg:
>
> \once \override TextScript #'extra-offset = #'( 7.5 . 0 )
> a8 e'4 e e8^\markup {End} |
>
> And play around with the offset values to get the correct position.
>
> Nick
>
>> -Original Message-
>> From: lilypond-user-bounces+nick.payne=internode.on....@gnu.org
>> [mailto:lilypond-user-bounces+nick.payne=internode.on@gnu.org] On
>> Behalf Of Alberto Simões
>> Sent: Saturday, 3 January 2009 08:10
>> To: lilypond
>> Subject: Writing above a bar
>>
>> Hello
>>
>> Is there any way to write above a \bar "||" ?
>>
>> In this case the composer wrote a simple "End" that is ignorable.
>> But if it is possible (and easy) to do, I'ld like to add it.
>
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Adding lyrics to a "piano" score.
Hello.
I have a Piano score (three voices) organized in the following way:
upperA = { ... melody ... }
upperB = { ... melody ... }
upper = { ... << \upperA \\ \upperB >> }
lower = { ... melody ... }
and
\score {
<<
\new PianoStaff <<
\new Staff = "upper" \upper
\new Staff = "lower" \lower
>>
>>
...
}
Now, I added a variable named "song":
song = \lyricmode { Song to be re- ad. }
But I can't find a suitable way to associate this lyrics to the upperA
melody (and if possible above the staff).
Can anybody give me a hint?
TIA,
Alberto
--
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Campus de Gualtar - 4710-057 Braga - Portugal
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Re: Adding lyrics to a "piano" score.
Hello, Tao
Tao Cumplido wrote:
> you can define a named voice context here:
> upper = { << \new Voice = "melody" \upperA \\ \upper B >> }
>
> for whatever reason the \voiceOne property gets lost though, so you have to
> assign it explicitly to upperA like this:
> upperA = { \voiceOne ..music.. }
>
> to place the lyrics above the staff you have to define the lyrics in score
> block after the PianoStaff like this:
>
> \new Lyrics \with { alignAboveContext = "upper" }
> {
>\lyricsto "melody"
>\song
> }
>
> the alignAboveContext hast to be a named Staff in this case because lyrics
> are attached to a Staff.
>
> I hope it's clear.
Well, I am not yet sure how it works, but it works!!
Thank you :)
My best regards,
Alberto
>
> Regards,
>
> Tao
>
> Original-Nachricht
>> Datum: Sun, 04 Jan 2009 18:08:47 +
>> Von: "Alberto Simões"
>> An: lilypond
>> Betreff: Adding lyrics to a "piano" score.
>
>> Hello.
>>
>> I have a Piano score (three voices) organized in the following way:
>>
>> upperA = { ... melody ... }
>> upperB = { ... melody ... }
>> upper = { ... << \upperA \\ \upperB >> }
>> lower = { ... melody ... }
>>
>> and
>>
>> \score {
>> <<
>> \new PianoStaff <<
>> \new Staff = "upper" \upper
>> \new Staff = "lower" \lower
>> >>
>> >>
>> ...
>> }
>>
>> Now, I added a variable named "song":
>>
>> song = \lyricmode { Song to be re- ad. }
>>
>> But I can't find a suitable way to associate this lyrics to the upperA
>> melody (and if possible above the staff).
>>
>> Can anybody give me a hint?
>>
>> TIA,
>> Alberto
>>
>> --
>> Alberto Simões - Departamento de Informática - Universidade do Minho
>> Campus de Gualtar - 4710-057 Braga - Portugal
>>
>>
>> ___
>> lilypond-user mailing list
>> lilypond-user@gnu.org
>> http://lists.gnu.org/mailman/listinfo/lilypond-user
>
--
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Campus de Gualtar - 4710-057 Braga - Portugal
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Parenthesized notes
Hello. I am typesetting a music where in a chord, one note is parenthesized. Is there any way of doing so? Thanks Alberto -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Extracting the first line of a score
Hello I would like to extract (automatically, or automagically) the first line from any score, just like Mutopia does, for instance, to create an index in a web-page. Does Lilypond has any builtin solution for this? TIA, Alberto -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Extracting the first line of a score
Carl D. Sorensen wrote: > > > On 1/10/09 3:11 PM, "Graham Percival" wrote: > >> On Sat, Jan 10, 2009 at 09:48:37PM +, Alberto Simões wrote: >>> I would like to extract (automatically, or automagically) the first line >>> from any score, just like Mutopia does, for instance, to create an index >>> in a web-page. >>> >>> Does Lilypond has any builtin solution for this? >> Yes, of course -- we added it just for Mutopia. Read >> AU 3.2 Command-line usage. You want "preview". >> > What Graham meant to say, but forgot because of a shortage of sleep, > is look in the Documentation, Application Usage 3.2. > > Remember, Graham, no abbreviations on -user :) Yay! Nice. And I really enjoyed to know that there is an output for SVG. That might become handy :) All the best, Alberto -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Writing psalms
Hello I am transcribing a music with psamls. What this mean: there is a standard music portion, with a correct time signature, but there is a portion where the singer will say a lot of words for each note, and these specific bars have different lengths than the one in the time signature. While I searched in the documentation for a way to specify bar lengths without defining a specific time signature, but didn't find it. I am sure it was my bad english/music knowledge. Can anybody point me with some example? Thank you in advance, Alberto -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Writing psalms
Dmytro O. Redchuk wrote: > 2009/1/15 Alberto Simões : >> Hello >> >> I am transcribing a music with psamls. >> >> What this mean: there is a standard music portion, with a correct time >> signature, but there is a portion where the singer will say a lot of >> words for each note, and these specific bars have different lengths than >> the one in the time signature. > > I use for this smth like[1]: > > % in melody: > \cadenzaOn > a8 a\breve a8 > \cadenzaOff > > % and in lyrics: > % > la "la la la li lo lo li la la" li > % Yay! Thanks :) -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Strange slurs/ties
Hello Anybody has any idea how to simulate the notes in the image with lilypond? I can write something to mimic the produced sound, but it would not be as clean as this notation. Thank you Alberto -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal <>___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Strange slurs/ties
Hello, Thanks for the point. Received also a direct reply suggesting to use \set tieWaitForNote = ##t That did the trick \o/ Thank you Patrick McCarty wrote: > Hi Alberto, > > On Thu, Jan 15, 2009 at 1:32 PM, Alberto Simões > wrote: >> Hello >> >> Anybody has any idea how to simulate the notes in the image with lilypond? >> >> I can write something to mimic the produced sound, but it would not be >> as clean as this notation. > > Take a look at the snippet `Using ties with arpeggios' on this page: > > http://lilypond.org/doc/v2.12/input/lsr/lilypond-snippets/Rhythms#Rhythms > > HTH, > Patrick -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
\skip substitute in lyrics?
Hello
Is there any way to compact this kind of construct?
sopWordsB = \lyricmode {
\skip 4 \skip 4 \skip 4 \skip 4 \skip 4 \skip 4 \skip 4 \skip 4
\skip 4 \skip 4 \skip 4 \skip 4 \skip 4 \skip 4 \skip 4 \skip 4
\skip 4 \skip 4 \skip 4 \skip 4 \skip 4 \skip 4 \skip 4 \skip 4
\skip 4 \skip 4 \skip 4 \skip 4 \skip 4 \skip 4 \skip 4 \skip 4
\skip 4 \skip 4 \skip 4 \skip 4 \skip 4 \skip 4 \skip 4 \skip 4
\skip 4 \skip 4 \skip 4 \skip 4 \skip 4 \skip 4 \skip 4 \skip 4
Re- cor- da- ...
}
The idea is to add more than one line of lyrics to some portions of the
music.
Thanks
Alberto
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Re: \skip substitute in lyrics?
Kieren MacMillan wrote:
> Hi Alberto
>
>> Is there any way to compact this kind of construct?
>
> The simplest way is probably
>
> sopWordsB = \lyricmode {
> \repeat "unfold" 48 { \skip 4 }
> Re- cor- da- ...
> }
>
> Of course, there are more complicated ways as well (using \set
> associatedVoice, etc.).
>
> Hope this helps!
Yes, it helps! Thank you so much!
Alberto
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Is lilypond working on Leopard?
Hi I remember seeing emails on this list complaining that Lilypond was not working under Leopard. Is that fixed? What version should I use? Thank you ambs -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Sibelius and Lilypond
Hi, folks I have a lot of musics already transcribed using the Sibelius, but the stupid commercial software doesn't have any export functionality. Neither for quasi-standards as MusicXML, or for other commercial software like Finale. Is there any known (good) way to convert sibelius music sheets for Lilypond, or is the best way to go through MIDI? Thank you for your advice, Alberto -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Sibelius and Lilypond
Hi, Valentin Valentin Villenave wrote: 2008/4/27 Alberto Simões <[EMAIL PROTECTED]>: Is there any known (good) way to convert sibelius music sheets for Lilypond, or is the best way to go through MIDI? Kirill was working on a sib2ly export plugin in 2006, but we haven't heard from him for some time... Otherwise, your only solution would be to use the (commercial) Dolet plugin: http://store.recordare.com/dolet3sib.html Thanks for pointing this out. I need to think if the musics I want to convert worth that money. Cheers Alberto -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Repeating title
Hi, folks. I have a four-hands piece and I would like to repeat titles (and create a new page). At the moment I have two '\score' command. It is rendering correctly a title, at the beginning, but I would like to force a new line before the second score. How can I do that? Or, in the order hand, what is the usual behavior for a four-hand piece? Thank you ;) Alberto -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Fingering (two fingers/possibilities)
Hi, Folks I have a chord, where the note at the top can use one of two fingers. In the original music, it has a 2^1 notation (^ is a slur). I tried something similar to (although this can be understood a a finger change) But lilypond recuses to process it: diabeli.op163.s2-1.ly:109:20: warning: can't add text scripts to individual note heads 2( 4 ) Hints? Fixes? Thanks ;) -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Fingering (two fingers/possibilities)
It will do the trick. THanks :)
Trevor Daniels wrote:
If you want this notation just on the top note of a chord you can place
the fingering outside the chord brackets:
^\markup { \finger "2 - 1"}
But of course this doesn't work for fingering on inside notes of more
complex chords.
HTH
Trevor
- Original Message - From: "Alberto Simões"
<[EMAIL PROTECTED]>
To: "lilypond"
Sent: Sunday, May 04, 2008 5:58 PM
Subject: Fingering (two fingers/possibilities)
Hi, Folks
I have a chord, where the note at the top can use one of two fingers.
In the original music, it has a 2^1 notation (^ is a slur).
I tried something similar to
(although this can be understood a a finger change)
But lilypond recuses to process it:
diabeli.op163.s2-1.ly:109:20: warning: can't add text scripts to
individual note heads
2( 4 )
Hints? Fixes?
Thanks ;)
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Two voices, only one note
Hi, Folks
I would like to mimic a score I have, where there are two voices in the
same score, but the note is used for both (instead of replicating it).
I am using this code:
<< { c8[ c'(-1 g c g c]) } \\ { c,2. } >>
And lilypond renders to notes for the first C. There is a common
notation where the dotted minim is drawn with the beam down, and another
beam up that is together with the other notes.
Is this possible?
Thanks for any help
Alberto
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Re: Two voices, only one note
Simon Bailey wrote:
try:
<<
{
\override Staff.NoteCollision #'merge-differently-headed = ##t
c8[ c'(-1 g c g c])
} \\
{ c,2. }
>>
found here:
http://lilypond.org/doc/v2.11/Documentation/user/lilypond/Collision-resolution#Collision-resolution
Damn. I think this is new with 2.11, and I couldn't make 2.11 work on
Leopard :(
Thanks, anyway
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Re: Two voices, only one note
Damian leGassick wrote:
the ppc version of 2.11 works fine on leopard from the command line or
within jEdit or Textmate
it's only the bundled text editing program that does not work yet
The latest that I tried was missing libstdc++ :-(
I can try again soon
Thanks
Alberto
all the best
d
On 6 May 2008, at 20:57, Alberto Simões wrote:
Simon Bailey wrote:
try:
<<
{
\override Staff.NoteCollision #'merge-differently-headed = ##t
c8[ c'(-1 g c g c])
} \\
{ c,2. }
>>
found here:
http://lilypond.org/doc/v2.11/Documentation/user/lilypond/Collision-resolution#Collision-resolution
Damn. I think this is new with 2.11, and I couldn't make 2.11 work on
Leopard :(
Thanks, anyway
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Re: Two voices, only one note
Mats Bengtsson wrote:
Did you try with version 2.10? It seems to work well with 2.10.23 when I
try it, and the property is documented at
http://lilypond.org/doc/v2.10/Documentation/user/lilypond-internals/NoteCollision#NoteCollision
Well, yes. I tried it :-S
I have 2.10.33 here.
<< { \override Staff.NoteCollision #'merge-differently-headed = ##t
c8[ c'(-1 g-2 c g c]) } \\ { c,2. } >>
:-(
Thanks
Alberto
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Re: Two voices, only one note
Damian leGassick wrote:
it works for me on 10.5.2
i'm thinking...i do have xtools installed - that might be the difference
as regards the missing library
I have it as well.
[EMAIL PROTECTED] tmp]$ find /Applications/LilyPond.app/ -name libstd*
/Applications/LilyPond.app//Contents/Resources/lib/libstdc++.6.0.8.dylib
/Applications/LilyPond.app//Contents/Resources/lib/libstdc++.6.dylib
/Applications/LilyPond.app//Contents/Resources/lib/libstdc++.dylib
/Applications/LilyPond.app//Contents/Resources/lib/libstdc++.la
But for the image at
http://download.linuxaudio.org/lilypond/binaries/darwin-ppc/lilypond-2.11.45-2.darwin-ppc.tar.bz2
[EMAIL PROTECTED] tmp]$ pwd
/Users/ambs/tmp
[EMAIL PROTECTED] tmp]$ find LilyPond.app/ -name libstd*
[EMAIL PROTECTED] tmp]$
I would say that that tbz is borked
Cheers
d
On 6 May 2008, at 21:36, Alberto Simões wrote:
Mats Bengtsson wrote:
Did you try with version 2.10? It seems to work well with 2.10.23
when I try it, and the property is documented at
http://lilypond.org/doc/v2.10/Documentation/user/lilypond-internals/NoteCollision#NoteCollision
Well, yes. I tried it :-S
I have 2.10.33 here.
<< { \override Staff.NoteCollision #'merge-differently-headed = ##t
c8[ c'(-1 g-2 c g c]) } \\ { c,2. } >>
:-(
Thanks
Alberto
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Re: Two voices, only one note
Mats Bengtsson wrote:
Quoting Alberto Simões <[EMAIL PROTECTED]>:
Well, yes. I tried it :-S
I have 2.10.33 here.
<< { \override Staff.NoteCollision #'merge-differently-headed = ##t
c8[ c'(-1 g-2 c g c]) } \\ { c,2. } >>
:-(
Since you want to merge a dotted note with a non-dotted one, you also
need \override Staff.NoteCollision #'merge-differently-dotted = ##t
Stupid me.
It works now.
Thank you a lot.
Alberto
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Re: Two voices, only one note
Alberto Simões wrote:
Mats Bengtsson wrote:
Quoting Alberto Simões <[EMAIL PROTECTED]>:
Well, yes. I tried it :-S
I have 2.10.33 here.
<< { \override Staff.NoteCollision #'merge-differently-headed = ##t
c8[ c'(-1 g-2 c g c]) } \\ { c,2. } >>
:-(
Since you want to merge a dotted note with a non-dotted one, you also
need \override Staff.NoteCollision #'merge-differently-dotted = ##t
Stupid me.
It works now.
Thank you a lot.
Sorry to bother a little more.
Any hint on why it doesn't work on this case?
<< { \override Staff.NoteCollision #'merge-differently-headed = ##t
\override Staff.NoteCollision #'merge-differently-dotted = ##t
f4 f' f } \\ { f,2. } >>
Thanks
Alberto
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Tremollos
Hi, How does one typeset a tremollo (not sure this is the correct name in english) in lilypond? I am sending an attach of an image for disambiguation of the name :) Thanks for the help Alberto -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal "Beware of bugs in the above code; I have only proved it correct, not tried it." --- Donald Knuth ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Tremollos
found it, sorry for the spam :) Alberto Simões wrote: Hi, How does one typeset a tremollo (not sure this is the correct name in english) in lilypond? I am sending an attach of an image for disambiguation of the name :) Thanks for the help Alberto ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal "Beware of bugs in the above code; I have only proved it correct, not tried it." --- Donald Knuth ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Tremollos
Alberto Simões wrote:
Hi,
How does one typeset a tremollo (not sure this is the correct name in
english) in lilypond?
ok, I found in the manual that:
\repeat "tremolo" 2 { c16 d16 }
should do the trick.
My current problem is understanding how it works. I need a tremolo to
take up an half note, and it should be fuse notes (1/32 notes).
Can anybody give me a hint?
Thanks
Alberto
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Re: Tremollos
Olá, Kieren,
Kieren MacMillan wrote:
Key points to remember:
1. The duration of the note(s), e.g., c32, will determine the
duration of the tremolo (e.g., how many beams will be printed).
2. The overall length of the resulting tremolo will be the combined
duration of the alternating notes (i.e., inside the {} brackets)
multiplied by the \repeat parameter -- e.g., \repeat "tremolo" 4 { c32
d32 } will be 4 x (2 x 32nd) = 4 x 16th = 1 quarter in duration, as seen
in the final template example.
This really helped me. Thanks.
I think it would be nice to add this explanation to the documentation
file. I was looking into:
http://lilypond.org/doc/v2.8/Documentation/user/lilypond/Tremolo-repeats.html#Tremolo-repeats
Thanks again, :)
Alberto
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Lilypond 2.8.6 for Darwin
Hi Yesterday I just installed lilypond 2.8.6 for Darwin, but I am receiving a lot of warnings about glyphs: programming error: FT_Get_Glyph_Name returns error continuing, cross fingers programming error: Glyph has no name, but font supports glyph naming. Skipping glyph. continuing, cross fingers [...] Is there any way to fix this? Not that it is too bad, but :) And, by the way, when I play midis with QuickTime, they just play in an incredible speed. I change the \tempo, but quicktimes seems to ignore it. Thank you Alberto -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal "Beware of bugs in the above code; I have only proved it correct, not tried it." --- Donald Knuth ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Relative vs Absolute notation
Hi I am doing some musicology studies using as base documents from Mutopia. I discovered that lilypond supports both relative and absolute notation. Is there any available tool to convert from absolute notation to the relative one? Thank you in advance, Alberto Simoes -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Error running lilypond...
Hi, I'm getting this: Error invoking `latex \\nonstopmode \\input diabeli.op149.1.tex > /dev/null 2>&1 '. Return value 256 but all seems to be working. SHould I just... ignore it? Thanks ambs ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Problem with acciaccatura
Hi! I have a line like this: e8([ cis-3 \acciaccatura e8-5 d8-4 b)] and lilypond complains with diabeli.op149.22.ly:67:38: warning: No slur to end: e8([ cis-3 \acciaccatura e8-1 d8-2 b )] and the slur starting at the first e8 ends at d8 (and not b). Is there any easy way to fix it? Thanks Alberto ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Problem with acciaccatura
Thanks. That solves the problem :) Alberto Graham Percival wrote: On 11-May-05, at 2:20 PM, David Sanders wrote: e8([ cis-3 \acciaccatura e8-5 d8-4 b)] Try e8[( cis-3 \acciaccatura e8-5 d8-4 b]) Since an \acc creates a slur, you can't have another slur happening at the same time. Use a phrasing slur for your longer slur. Cheers, - Graham ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Arpeggio
Hi I'm trying to get an arpeggio. I've tried 4.(\arpeggio f8 d4) r and 4.\arpeggio( f8 d4) r but none of the options give me it. What am I doing wrong? THanks Alberto ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Importing other files
Hi
I'm typesetting a sonatinen with four parts. I would like to have a part
in different files, and combining them all together.
I'm almost sure there should be an \import{file.ly} command, but I can't
find the docs for it. Can anybody give me an hint?
THanks
Alberto
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Installing from source: where is CenturySchL-Ital.otf?
Hello I am compiling yet again Lilypond (GIT) from source on my Mac OS X (Leopard). Although it compiled correctly (at least make finished), make install complains with: Traceback (most recent call last): File "/Users/ambs/tmp/lilypond/lilypond/stepmake/bin/install.py", line 78, in shutil.copy2 (f, dest) File "/System/Library/Frameworks/Python.framework/Versions/2.5/lib/python2.5/shutil.py", line 91, in copy2 copyfile(src, dst) File "/System/Library/Frameworks/Python.framework/Versions/2.5/lib/python2.5/shutil.py", line 46, in copyfile fsrc = open(src, 'rb') IOError: [Errno 2] No such file or directory: './out/CenturySchL-Ital.otf' make[1]: *** [local-install-outfiles] Error 1 make: *** [install] Error 2 And as expected, while I can produce a PDF file, some fonts are completely with wrong sizes and stuff like that. Any hind is welcome. Thanks ALberto -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Installing from source: where is CenturySchL-Ital.otf?
Patrick McCarty wrote: > Hi Alberto, > [... snip ...] > install the New Century Schoolbook fonts, as detailed in "Compilation" > here: > > http://lilypond.org/doc/v2.12/Documentation/user/lilypond-program/Requirements#Requirements > Thank you. Installing GS now :) Alberto -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
help with: Cannot find voice
Hello
I am trying to produce a SATB where S and A share the same staff.
This is my definition:
\score{
\context ChoirStaff
<<
\context Staff = "upper"
<<
\clef treble
\context Voice = sop \upperOne
\context Voice = con \upperTwo
>>
\lyricsto "sop" \new Lyrics \firstverse
\context Staff = "tenor"
<<
\clef treble
\context Voice = ten \lowerOne
\lyricsto "ten" \new Lyrics \secondverse
>>
\context Staff = "bass"
<<
\clef bass
\context Voice = bas \lowerTwo
\lyricsto "bas" \new Lyrics \thirdverse
>>
>>
[...]
Now, lilypond complains with:
4vozes.ly:64:16: warning: cannot find Voice `sop'
\lyricsto "sop" \new Lyrics \firstverse
Any hint?
Thank you
Alberto
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Re: lyrics and melody
Hello
Grammostola Rosea wrote:
> hi,
>
> this melody:
>
> g4 a bes | es1( | es4) f, g a | d2 d
>
> and I want to add these lyrics:
>
> The fall - ing leaves_ drift by my win - dow,
Probably you want:
The fall- ing leaves drift by my win- dow
Cheers
Alberto
>
>
> leaves should be place below es1( | es4)
>
>
> The templae of frescobaldi uses:
>
> verse = \lyricmode {
> % Liedtekst volgt hier.
>
> }
>
> I don't get this done :(
>
> Thanks in advance,
>
> \r
>
>
>
>
>
>
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Re: lyrics and melody
Grammostola Rosea wrote: > Alberto Simões wrote: >> Hello >> >> Grammostola Rosea wrote: >> >>> hi, >>> >>> this melody: >>> >>> g4 a bes | es1( | es4) f, g a | d2 d >>> >>> and I want to add these lyrics: >>> >>> The fall - ing leaves_ drift by my win - dow, >>> >> >> Probably you want: >> >> The fall- ing leaves drift by my win- dow >> >> Cheers >> Alberto >> >> > that looks better, thanks. > Is it also possible to get a line after leaves? Like this: leaves___ That I do not know how to do. For window, as there is a second note, try win- dow __ _ Cheers -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: help with: Cannot find voice [ Fixed ]
Heh.
Fixed
Was easy... just adding some notes made the trick :$
Cheers
Alberto
Alberto Simões wrote:
> Hello
>
> I am trying to produce a SATB where S and A share the same staff.
>
>
> This is my definition:
>
> \score{
> \context ChoirStaff
> <<
> \context Staff = "upper"
> <<
> \clef treble
> \context Voice = sop \upperOne
> \context Voice = con \upperTwo
> >>
> \lyricsto "sop" \new Lyrics \firstverse
> \context Staff = "tenor"
> <<
> \clef treble
> \context Voice = ten \lowerOne
> \lyricsto "ten" \new Lyrics \secondverse
> >>
> \context Staff = "bass"
> <<
> \clef bass
> \context Voice = bas \lowerTwo
> \lyricsto "bas" \new Lyrics \thirdverse
> >>
> >>
> [...]
>
> Now, lilypond complains with:
>
> 4vozes.ly:64:16: warning: cannot find Voice `sop'
> \lyricsto "sop" \new Lyrics \firstverse
>
>
> Any hint?
> Thank you
> Alberto
>
>
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Re: help with: Cannot find voice
Hello
Yeah, my problem was not having notes, yet. After adding some notes
things got working alright :)
Thanks
Alb.
Mats Bengtsson wrote:
> Sometimes you get that warning if the music in the corresponding Voice
> doesn't start from the first beat, but in those cases you get the
> desired result anyway. Have you checked if the warning is just such a
> warning or an indication of a real problem?
>
>/Mats
>
> Trevor Daniels wrote:
>>
>> It should work, unless you have no notes in \upperOne
>>
>> Trevor
>>
>> - Original Message - From: "Alberto Simões"
>>
>> To: "lilypond"
>> Sent: Sunday, February 22, 2009 3:24 PM
>> Subject: help with: Cannot find voice
>>
>>
>> Hello
>>
>> I am trying to produce a SATB where S and A share the same staff.
>>
>>
>> This is my definition:
>>
>> \score{
>> \context ChoirStaff
>> <<
>> \context Staff = "upper"
>> <<
>> \clef treble
>> \context Voice = sop \upperOne
>> \context Voice = con \upperTwo
>>>>
>> \lyricsto "sop" \new Lyrics \firstverse
>> \context Staff = "tenor"
>> <<
>> \clef treble
>> \context Voice = ten \lowerOne
>> \lyricsto "ten" \new Lyrics \secondverse
>>>>
>> \context Staff = "bass"
>> <<
>> \clef bass
>> \context Voice = bas \lowerTwo
>> \lyricsto "bas" \new Lyrics \thirdverse
>>>>
>>>>
>> [...]
>>
>> Now, lilypond complains with:
>>
>> 4vozes.ly:64:16: warning: cannot find Voice `sop'
>>\lyricsto "sop" \new Lyrics \firstverse
>>
>>
>> Any hint?
>> Thank you
>> Alberto
>>
>>
>
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Small notation for second voice
Hello. A am trying to transcribe a music that, in a specific part, has a second voice with smaller note heads (well, complete smaller note notation). I would love if someone can point me the correct place in the manual, as I am not finding it (a direct answer would be nice as well, of course). Thank you Alberto -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Small notation for second voice
Hello, again
Marek Klein wrote:
> Hi
> <http://lilypond.org/doc/v2.12/Documentation/user/lilypond-big-page#Selecting-notation-font-size>
>
This approach isn't working as I was expecting:
upper = \relative c'' { ees4 d ees f }
\addQuote "upper" { \upper }
melody = \relative c {
...
\cueDuring #"upper" #UP { c4 bes aes c }
...
}
But the upper cue is not being rendered. Any hint?
Thank you
Alberto
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Re: Small notation for second voice [bug or feature?]
Hi
Alberto Simões wrote:
> This approach isn't working as I was expecting:
>
> upper = \relative c'' { ees4 d ees f }
> \addQuote "upper" { \upper }
>
> melody = \relative c {
>...
>
>\cueDuring #"upper" #UP { c4 bes aes c }
>
>...
> }
found up that \cueDuring is being applied from the beginning of the
melody and not from the point where I used \cueDuring...
Is this expected?
Cheers
Alberto
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Aligning lyrics when music portion is polyphonic
Hello
In a music I am transcribing there is a portion where I had to force two
voices with
<< { ... } \\ { ... } >>
Now my problem is that lyrics in that part of the music are not shown.
Is there any tweak to solve this issue?
Thank you
Alberto
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Re: Aligning lyrics when music portion is polyphonic
Hello
James E. Bailey wrote:
>
> El 27.02.2009, a las 22:38, Alberto Simões escribió:
>
>> Hello
>>
>> In a music I am transcribing there is a portion where I had to force two
>> voices with
>>
>> << { ... } \\ { ... } >>
>>
>> Now my problem is that lyrics in that part of the music are not shown.
>>
>> Is there any tweak to solve this issue?
>>
>> Thank you
>> Alberto
>
> Yes, do not use the <<{}\\{}>> construction. I realise that the Learning
> Manual still introduces this topic early on, but it should be taken care
> of soon. Instead, when you have polyphony, explicitly create the voices
> with << {\voiceOne }\new Voice {\voiceTwo}>>\oneVoice. See section 1.5.2
> of the Notation Reference for more information.
Yay! Perrrfect!
Thank you.
Side note: wouldn't it be possible to make <<{}\\{}>> an abbreviation to
this? It is easier to write and remind.
Cheers
Alberto
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Changing Staff organization
Hello I have a music that starts with two staffs, and at some points splits to three (for four voices). Is there any way to force this change? Or is the solution to make two separate melodies? Thanks for any hint and link Cheers Alberto -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Changing Staff organization
Hello, Andrew. Andrew Hawryluk wrote: > If you declare each of the musical voices independently, then you can > "\change Staff =" when you want to move that voice to a different > staff. It's documented under keyboards, where it happens all the time, > but it works for any voice and any type of staff. You can even move > the notes from the string basses up to the flute staff, but this is > probably not recommended. > > http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Common-notation-for-keyboards#Changing-staff-manually Thanks for your e-mail. It wasn't properly that (I think) what I want. Basically, there is a portion of the music for piano (two staves), and it continues with a SATB (with three staves). Thus, I need to "add a staff" somewhere. Thank you > On Sun, Mar 1, 2009 at 10:31 AM, Alberto Simões > wrote: >> Hello >> >> I have a music that starts with two staffs, and at some points splits to >> three (for four voices). >> Is there any way to force this change? >> >> Or is the solution to make two separate melodies? >> >> Thanks for any hint and link >> >> Cheers >> Alberto >> -- >> Alberto Simões - Departamento de Informática - Universidade do Minho >> Campus de Gualtar - 4710-057 Braga - Portugal >> >> >> _______ >> lilypond-user mailing list >> lilypond-user@gnu.org >> http://lists.gnu.org/mailman/listinfo/lilypond-user >> -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Changing Staff organization
James E. Bailey wrote:
>> Basically, there is a portion of the music for piano (two staves), and
>> it continues with a SATB (with three staves). Thus, I need to "add a
>> staff" somewhere.
>
> You probabbly need to re-organise the way the music is defined in
> lilypond. It depends on how you have it defined. If your part is
>
> upperStaffNotes = \new Staff = "upperStaffOne" \relative c'' { f> }
> or
> upperStaffNotes = \new Staff = "upperStaffOne" \relative c'' { <<
> {\voiceOne g' f e f} \new Voice = upperStaffNotesTwo {\voiceTwo c d c
> a}>>\oneVoice
>
> Then you'll need to redefine that to be
>
> upperStaffNotesOne = \new Staff = "upperStaffOne" \relative g'' { g f e f }
> upperStaffNotesTwo = \new Staff = "upperStaffTwo" \relative c'' { c c c a }
>
> So you can put them on separate staves.
Not exactly that my problem. Consider I have just one music, it starts
with a piano music (about 20 bars). After that, the piano shuts up,
forever, and starts the voices.
Basically, I do not want to convert a music I have to piano to SATB.
I just want to change staffs organization.
(http://eremita.di.uminho.pt/~ambs/_.pdf).
Thanks
Alberto
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Re: Changing Staff organization
James E. Bailey wrote:
>
> El 01.03.2009, a las 19:24, Alberto Simões escribió:
>
>>
>>
>> James E. Bailey wrote:
>>>> Basically, there is a portion of the music for piano (two staves), and
>>>> it continues with a SATB (with three staves). Thus, I need to "add a
>>>> staff" somewhere.
>>>
>>> You probabbly need to re-organise the way the music is defined in
>>> lilypond. It depends on how you have it defined. If your part is
>>>
>>> upperStaffNotes = \new Staff = "upperStaffOne" \relative c'' { >> f> }
>>> or
>>> upperStaffNotes = \new Staff = "upperStaffOne" \relative c'' { <<
>>> {\voiceOne g' f e f} \new Voice = upperStaffNotesTwo {\voiceTwo c d c
>>> a}>>\oneVoice
>>>
>>> Then you'll need to redefine that to be
>>>
>>> upperStaffNotesOne = \new Staff = "upperStaffOne" \relative g'' { g f
>>> e f }
>>> upperStaffNotesTwo = \new Staff = "upperStaffTwo" \relative c'' { c c
>>> c a }
>>>
>>> So you can put them on separate staves.
>>
>> Not exactly that my problem. Consider I have just one music, it starts
>> with a piano music (about 20 bars). After that, the piano shuts up,
>> forever, and starts the voices.
>>
>> Basically, I do not want to convert a music I have to piano to SATB.
>> I just want to change staffs organization.
>> (http://eremita.di.uminho.pt/~ambs/_.pdf).
>
> Where are you having difficulty?
Hello, James.
Doing the switch from two staves to three staves.
There is another email from Kris Shaffer that explains how to do that
(using five staffs)
Cheers
Alberto
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Re: Changing Staff organization
Hello, Kris.
I think this answers to my question. Thank you.
I will not try to implement it.
Cheers
Alberto
Mailing Lists wrote:
> Essentially, it sounds like you want 3 staves of vocal music and one
> piano staff (two staves), but you want to hide the vocal staves when
> they are resting and ditto for the piano, right? Create a score with 5
> staves, keeping the vocal and piano parts separate (rather than using
> the two piano staves for part of your choir), including rests (or skips)
> as appropriate. Your piano parts will have ~20 bars of music followed
> by rests/skips/nothing; your vocal parts will have ~20 bars of rest
> followed by their music. You can then put them in their respective
> PianoStaff or ChoirStaff blocks so they get the proper brackets. Then
> include the following in your \layout block to hide the resting
> voices/piano:
>
> \context {
> \RemoveEmptyStaffContext
> \override VerticalAxisGroup #'remove-first = ##t
> }
>
> the first line in this context hides staves other than in the first
> system. The second line also hides the first system, but, of course, is
> optional.
>
> Lastly, you will probably want to insert \break at the point between the
> piano and choir parts to have a clean switch. Since your example has
> this break mid-measure due to the pickup, use:
> \bar "||" \break
> to allow the line break mid-measure.
>
> See also 'Hiding Staves' (p. 133 in 2.12 manual).
>
> Kris Shaffer
> graduate student, Yale University
> music director, Trinity Baptist Church, New Haven, Conn.
> www.shaffermusic.com
>
>
> On Mar 1, 2009, at 1:24 PM, Alberto Simões wrote:
>
>>
>>
>> James E. Bailey wrote:
>>>> Basically, there is a portion of the music for piano (two staves), and
>>>> it continues with a SATB (with three staves). Thus, I need to "add a
>>>> staff" somewhere.
>>>
>>> You probabbly need to re-organise the way the music is defined in
>>> lilypond. It depends on how you have it defined. If your part is
>>>
>>> upperStaffNotes = \new Staff = "upperStaffOne" \relative c'' { >> f> }
>>> or
>>> upperStaffNotes = \new Staff = "upperStaffOne" \relative c'' { <<
>>> {\voiceOne g' f e f} \new Voice = upperStaffNotesTwo {\voiceTwo c d c
>>> a}>>\oneVoice
>>>
>>> Then you'll need to redefine that to be
>>>
>>> upperStaffNotesOne = \new Staff = "upperStaffOne" \relative g'' { g f
>>> e f }
>>> upperStaffNotesTwo = \new Staff = "upperStaffTwo" \relative c'' { c c
>>> c a }
>>>
>>> So you can put them on separate staves.
>>
>> Not exactly that my problem. Consider I have just one music, it starts
>> with a piano music (about 20 bars). After that, the piano shuts up,
>> forever, and starts the voices.
>>
>> Basically, I do not want to convert a music I have to piano to SATB.
>> I just want to change staffs organization.
>> (http://eremita.di.uminho.pt/~ambs/_.pdf).
>>
>> Thanks
>> Alberto
>>
>> --
>> Alberto Simões - Departamento de Informática - Universidade do Minho
>> Campus de Gualtar - 4710-057 Braga - Portugal
>>
>>
>> ___
>> lilypond-user mailing list
>> lilypond-user@gnu.org
>> http://lists.gnu.org/mailman/listinfo/lilypond-user
>
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Pushing a note to the side
Hello, I am having this warning: warning: ignoring too many clashing note columns It is normal, as there are, in fact, clashing notes. I would like to make some notes to be displayed a little to the right (so we can see them, and they do not clash so much). Is there any way to tweak lilypond to do this? Thanks Alberto -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Pushing a note to the side [solved]
Alberto Simões wrote: > Hello, > > I am having this warning: > > warning: ignoring too many clashing note columns > > It is normal, as there are, in fact, clashing notes. > > I would like to make some notes to be displayed a little to the right > (so we can see them, and they do not clash so much). > > Is there any way to tweak lilypond to do this? \shiftOn is the trick. Thanks > > Thanks > Alberto -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Repetition simbol
Hello. I am trying to write the symbol in attach with lilypond, but as I do not know its name in English I have no clue where to find it (checked the repetitions section on the manual, but did not find it). Thank you Alberto -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal <>___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Repetition simbol
Mark Knoop wrote: > At 17:26 on 11 Mar 2009, Alberto Simões wrote: >> I am trying to write the symbol in attach with lilypond, but as I do >> not know its name in English I have no clue where to find it (checked >> the repetitions section on the manual, but did not find it). > > It is called the segno symbol. Look in 1.2.5 Bars - Rehearsal Marks > \o/ Thank you Alberto -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Parenthesized note, without taking space...
Hello I know, the subject is not clear. And I am not sure if I can make me clear, but let me try. My time is 2/4. Thus a half note (minim) will take the entire bar. But I have an optional note (eight of duration) between parenthesis. I know how to write the note in parenthesis (\parenthesize), but I do not know how to make this second note appear as if the previous one has just half of its duration. In ascii art: | | O(X) Thank you :) Alberto -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Parenthesized note, without taking space...
Graham Percival wrote: > See Scaling durations, NR 1.2.something. a2*1/2 > > Cheers, > - Graham Did the trick. Thanks :) Alberto > > On Sun, Mar 15, 2009 at 06:31:57PM +0000, Alberto Simões wrote: >> Hello >> >> I know, the subject is not clear. >> And I am not sure if I can make me clear, but let me try. >> >> My time is 2/4. Thus a half note (minim) will take the entire bar. >> But I have an optional note (eight of duration) between parenthesis. >> >> I know how to write the note in parenthesis (\parenthesize), but I do >> not know how to make this second note appear as if the previous one has >> just half of its duration. >> >> In ascii art: >> >> >> | | >>O(X) >> >> Thank you :) >> Alberto >> -- >> Alberto Simões - Departamento de Informática - Universidade do Minho >> Campus de Gualtar - 4710-057 Braga - Portugal >> >> >> ___ >> lilypond-user mailing list >> lilypond-user@gnu.org >> http://lists.gnu.org/mailman/listinfo/lilypond-user -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Spliting lyrics on beamed notes
Hello By default Lilypond is considering that beamed notes are used for the same syllable. While that is used in many cases (most, in fact), I am dealing with a specific music where I want a different syllable for each note. How can I force this? Thank you Alberto -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Spliting lyrics on beamed notes
Jonathan Kulp wrote: > Alberto Simões wrote: >> Hello >> >> By default Lilypond is considering that beamed notes are used for the >> same syllable. While that is used in many cases (most, in fact), I am >> dealing with a specific music where I want a different syllable for each >> note. > > Strange, I've never known Lilypond to do this. The only time it puts > one syllable over more than one note for me is when the notes are > slurred together. If I run the following code, for example, it has one > note per syllable and the 8th note are all beamed together: > I think I discovered why it is doing that. When I set autoBeamOff and then specify manual beams, lilypond interpret it as a slur :) I think I found out a workaround :) Cheers Alberto -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Cross Staff Stems
Hello
While the documentation explains that these vars need to be changed in
order to produce croll-staff stems:
% stems may overlap the other staff
\override Stem #'cross-staff = ##t
% extend the stems to reach other other staff
\override Stem #'length = #12
% do not print extra flags
\override Stem #'flag-style = #'no-flag
There isn't any hint on how to turn it off.
While I guess that the first variable should be turned off ##f,
there isn't information about the default length.
Also, I tried to do this lexically, using { } to delimit this portion,
but it seems this is not properly Perl :)
Any help is welcome.
Thanks
Alberto
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Cross-staff ties
Hello Is there any chance to produce cross-staff ties? I was trying with \change Staff = "upper" \stemDown a4 ~ \change Staff = "lower" \stemUp a2 ~ but this is not doing it right :) Thank Alberto -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Making lilypond ignore some clashes
Hello. I am getting some piano+scb.ly:97:12: warning: ignoring too many clashing note columns that are expected. I know they are clashing, but I also know that Lilypond is rendering it correctly -- I know this might change on the future. I just would like to make lilypond to shut up about those specific clashes. Is there any way to do that? Thanks Alberto -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
shiftOn doing.. nothing?
Hello. Are there any conditions on which shiftOn will not do a thing? I have a music where I am using a lot of shiftOn and shiftOff, but in a specific part they start not producing any result. TIA Alberto -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: shiftOn doing.. nothing?
Hello Trevor Daniels wrote: > I believe shiftOn and friends only have an effect if > there would otherwise be a collision of note heads. Yes, that is what is happening. But given the amount of confusion this music is, probably Lilypond is confusing itself as well :) > > Maybe you are looking for the 'force-hshift property > of NoteColumn? See Learning Manual 4.5.2, towards the > bottom. Thank you. I'll try to use it. BTW, hope to post today a link to the site I am creating, and that explains my last days amount of questions ;) Cheers Alberto > > Trevor > > ----- Original Message - From: "Alberto Simões" > > To: "lilypond" > Sent: Friday, March 20, 2009 2:40 PM > Subject: shiftOn doing.. nothing? > > > Hello. > > Are there any conditions on which shiftOn will not do a thing? > > I have a music where I am using a lot of shiftOn and shiftOff, but in a > specific part they start not producing any result. > > TIA > Alberto -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: shiftOn doing.. nothing?
Hello, again Trevor Daniels wrote: > I believe shiftOn and friends only have an effect if > there would otherwise be a collision of note heads. > > Maybe you are looking for the 'force-hshift property > of NoteColumn? See Learning Manual 4.5.2, towards the > bottom. It seems that it does nothing as well. Unless I am missing something. I am trying to do ... \partial 4 r8 e'\mf \once \override NoteColumn #'force-hshift = #1.5 e[ fis e b'] e,[ fis e g] ... but the note does not move. :-/ Thank you Alberto -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
\revert not complaining... (Was: shiftOn doing.. nothing?)
Hello. Just to suggest that \revert NoteColumn #'ignore-collision complain if the property "ignore-collision" does not exist. In this case, it exists. But if I mistype it, lilypond will not complain :) Cheers Alberto PS: that solved the problems with shiftOn Trevor Daniels wrote: > I believe shiftOn and friends only have an effect if > there would otherwise be a collision of note heads. > > Maybe you are looking for the 'force-hshift property > of NoteColumn? See Learning Manual 4.5.2, towards the > bottom. > > Trevor > > - Original Message - From: "Alberto Simões" > > To: "lilypond" > Sent: Friday, March 20, 2009 2:40 PM > Subject: shiftOn doing.. nothing? > > > Hello. > > Are there any conditions on which shiftOn will not do a thing? > > I have a music where I am using a lot of shiftOn and shiftOff, but in a > specific part they start not producing any result. > > TIA > Alberto -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
New lilypond-based music website
Hello For the last days I am working on a new Portuguese web-site. It is available at http://musica-liturgica.net/, and includes Portuguese liturgical music. Probably it will not be that useful for most of the readers of this list, but I think I own Lilypond a lot :) Cheers Alberto -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: New lilypond-based music website
Hello, Reinhold Reinhold Kainhofer wrote: > On Freitag, 20. März 2009 22:32:50 Alberto Simões wrote: >> Hello > >> For the last days I am working on a new Portuguese web-site. >> It is available at http://musica-liturgica.net/, and includes Portuguese >> liturgical music. > > Nice! > I took a quick look at some of the scores. Is there any reason why you put > the > dynamic signs below the staff for vocal voices? E.g. in > http://musica-liturgica.net/pdf.pl/2.pdf > the f in the first system and the p in the last system are below the staff, > which makes the lyrics further away from the staff than necessary. With vocal > music the dynamics are typically placed above the staff for this very > reason... Makes the layout a lot nicer. For the moment I tried to mimic the original document I had on my hands. But after transcribing the 30 musics available I think I should forget some of those details, and focus on readability. So, probably I will reformat older documents. Thanks for the suggestion. Cheers Alberto -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Strange Change Staff behavior
Hello.
I am having a strange behavior with Change Staff. It is not easy to
explain as it is quite strange. Basically, I am having a voice defined
to be drawn on the lower staff, and it is appearing in the upper staff.
As it is not easy to explain, I am sending the lilypond file in attach.
What is happening: lowerB voice is being drawn in the upper staff.
Thanks for any help
Alberto
--
Alberto Simões - Departamento de Informática - Universidade do Minho
Campus de Gualtar - 4710-057 Braga - Portugal
\version "2.12.2"
\header {
title = "Cristo Ressuscitou"
composer = "J. dos Santos"
poet = "P. Minhava"
tagline = "Transcrita por Alberto Simões"
ocasioes = "entrada"
seccao = "entrada"
}
global = {
\key ees \major
\time 2/4
}
melody = \relative c' {
\clef treble
\global
\autoBeamOff
r4\f ees8^\markup{Coro} g \bar "|:"
bes bes g bes
ees4( c)
bes2
c4 f,(
\break
f8) g aes f
bes4 ees8 c
aes aes c aes
f2
ees2 ~
ees8 \fermata d^\p d d
g4 f8 f
g g d d
g g a a
g2 ~
g8 a bes c
d4 ees8 c
d8 g, a bes
c d ees c
d4 bes8 bes
g g f f
g2 ~
g8 r ees g \bar ":|"
}
text = \lyricmode {
A- le- lu- ia! A- le- lu- ia!
Cris- to res- sus- ci- tou.
A- le- lu- ia! A- le- lu- ia!
Não pro- cu- reis en- tre_as som- bras a pes- so- a de Je- sus.
Res- sus- ci- tou: e- ra_a Vi- da.
Bri- lhe_en- tre vós: é a Luz.
Bri- lhe_en- tre vós: é a Luz.
A- le-
}
upperA = \relative c' {
r4 ees8[( g]\bar "|:" 4) g8[( bes]
4) c8[( ees]
4) ees8[( g]
c[ bes aes g]
f[ ees d c]
bes4 ees8[( c]
aes4) c8([ aes]
f2
ees2 ~
ees8) \fermata
d8([ d d]
g4 f
g d
g a
g2 ~
g8) a[( bes c]
4) (
) (
) (
) (
) (
2) ~
8 r ees[ g] \bar ":|"
}
upperB = \relative c {
\change Staff = "lower" ees4(--
\change Staff = "upper" ees'4)
4 g
c'
ees'
-- r4
-- r4
-- r
-- r
d2
bes ~
bes8 r c4(
bes) c(
b) c(
bes) c(
b) c(
bes8) r8 r4 s2
s2 s2 s2 s2 s2 s4 ees
}
upper = {
\global
\clef treble
<< \upperA \\ \upperB >>
}
lowerA = \relative c' {
s2 \bar "|:" s2 s2 s2 s2
s2 s2 s2 bes4 c8[( aes] g2) ~ g8 r r4
r8 d8[ d d] g4 f8[ f] g[ g] d[ d] g[ g] a[ a] g r8 r4
}
lowerB = \relative c' {
s2 \bar "|:" s2 s2 s2 s2
s2 bes2 ~ bes ~ bes4 bes,( ees) bes8[( g] ees)_\fermata s8 s4
g2 ~ g2 ~ g2 ~ g2 ~ g8 s8 s4 c'2 ~
c ~ c ~ c ~ c ~ c ~ c8 r8 s4
}
lower = {
\global
\clef bass
<< \lowerA \\ \lowerB >>
}
\score {
<<
\new Voice = "mel" { \autoBeamOff \melody }
\new Lyrics \lyricsto mel \text
\new PianoStaff <<
\new Staff = "upper" \upper
\new Staff = "lower" \lower
>>
>>
\layout {
\context { \RemoveEmptyStaffContext }
}
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 63 4)
}
}
}
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Re: Strange Change Staff behavior
Hello, Carl
No, I am under MacOS, and I noticed the warnings. I just didn't
understand why it was complaining. I'll try to use your solution.
Thank you.
Alberto
Carl Sorensen wrote:
> Alberto Simões alfarrabio.di.uminho.pt> writes:
>
>> Hello.
>>
>> I am having a strange behavior with Change Staff. It is not easy to
>> explain as it is quite strange. Basically, I am having a voice defined
>> to be drawn on the lower staff, and it is appearing in the upper staff.
>>
>> As it is not easy to explain, I am sending the lilypond file in attach.
>> What is happening: lowerB voice is being drawn in the upper staff.
>>
>> Thanks for any help
>> Alberto
>
>
> Alberto,
>
> Are you using Windows? I ask, because when I compiled your file I got
> pages and pages of warnings.
>
> When a file is not working properly, if you're not using a terminal window
> to run LilyPond (so the warnings and errors show up on the screen), you
> should look at the .log file that is created. It will have information that
> will help you track down your error.
>
> There were lots of warnings, which appeared to me to be the result of not
> properly instantiating voices. So I went through your music and explicitly
> instantiated the voices, as recommended in the NR section on polyphony.
>
> I think it's working properly now.
>
> HTH,
>
> Carl
>
>
> \header {
> title = "Cristo Ressuscitou"
> composer = "J. dos Santos"
> poet = "P. Minhava"
> tagline = "Transcrita por Alberto Simões"
>
> ocasioes = "entrada"
> seccao = "entrada"
> }
>
> global = {
> \key ees \major
> \time 2/4
> }
>
> melody = \relative c' {
> \clef treble
> \global
> \autoBeamOff
> r4\f ees8^\markup{Coro} g \bar "|:"
> bes bes g bes
> ees4( c)
> bes2
> c4 f,(
> \break
>
> f8) g aes f
> bes4 ees8 c
> aes aes c aes
> f2
> ees2 ~
> ees8 \fermata d^\p d d
>
> g4 f8 f
> g g d d
> g g a a
> g2 ~
> g8 a bes c
> d4 ees8 c
>
> d8 g, a bes
> c d ees c
> d4 bes8 bes
> g g f f
> g2 ~
> g8 r ees g \bar ":|"
> }
>
> text = \lyricmode {
> A- le- lu- ia! A- le- lu- ia!
> Cris- to res- sus- ci- tou.
> A- le- lu- ia! A- le- lu- ia!
>
> Não pro- cu- reis en- tre_as som- bras a pes- so- a de Je- sus.
> Res- sus- ci- tou: e- ra_a Vi- da.
> Bri- lhe_en- tre vós: é a Luz.
> Bri- lhe_en- tre vós: é a Luz.
> A- le-
> }
>
> upperA = \new Voice = "upA" {
> \voiceOne
> \relative c' {
> r4 ees8[( g]\bar "|:" 4) g8[( bes]
> 4) c8[( ees]
> 4) ees8[( g]
> c[ bes aes g]
> f[ ees d c]
> bes4 ees8[( c]
> aes4) c8([ aes]
> f2
> ees2 ~
> ees8) \fermata
>
> d8([ d d]
> g4 f
> g d
> g a
> g2 ~
> g8) a[( bes c]
> 4) (
> ) (
> ) (
> ) (
> ) (
> 2) ~
> 8 r ees[ g] \bar ":|"
> }
> }
>
> upperB = \new Voice = "upB" {
> \voiceTwo
> \relative c {
> \change Staff = "lower" ees4--(
> \change Staff = "upper" ees'4)
> 4 g
>c'
>ees'
> -- r4
>
> -- r4
> -- r
> -- r
> d2
> bes ~
> bes8 r c4(
>
> bes) c(
> b) c(
> bes) c(
> b) c(
> bes8) r8 r4 s2
>
> s2 s2 s2 s2 s2 s4 ees
> }
> }
>
> upper = {
> \new Staff = "upper"
> \global
> \clef treble
> <<
>\upperA
>\upperB
> >>
> }
>
> lowerA = \new Voice = "lowA" {
> \voiceOne
> \relative c' {
> s2 \bar "|:" s2 s2 s2 s2
> s2 s2 s2 bes4 c8[( aes] g2) ~ g8 r r4
> r8 d8[ d d] g4 f8[ f] g[ g] d[ d] g[ g] a[ a] g r8 r4
> }
> }
>
> lowerB = \new Voice = "lowB" {
> \voiceTwo
> \relative c' {
> s2 \bar "|:" s2 s2 s2 s2
> s2 bes2 ~ bes ~ bes4 bes,( ees) bes8[( g] ees)_\fermata s8 s4
> g2 ~ g2 ~ g2 ~ g2 ~ g8 s8 s4 c'2 ~
> c ~ c ~ c ~ c ~ c ~ c8 r8 s4
> }
> }
>
> lower = {
> \new Staff = "lower"
> \global
> \clef bass
> <<
>\lowerA
>\lowerB
> >>
> }
>
>
> \score {
> <<
> \new Voice = "mel" { \autoBeamOff \melody }
> \new Lyrics \lyricsto mel \text
> \new PianoStaff <<
> \upper
> \lower
> >>
> >>
> \layout {
> \context { \RemoveEmptyStaffContext }
> }
> \midi {
> \context {
> \Score
> tempoWholesPerMinute = #(ly:make-moment 63 4)
> }
> }
> }
>
>
>
>
>
>
>
>
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> lilypond-user@gnu.org
> http://lists.gnu.org/mailman/listinfo/lilypond-user
--
Alberto Simões - Departamento de Informática - Universidade do Minho
Campus de Gualtar - 4710-057 Braga - Portugal
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(2 - 3)/4 time signature
Hello. I am transcribing a music that defines the time signature as (2-3)/4 That is, some bars are 2/4, some others are 3/4. While I can change time signature from time to time accordingly with the composer changes, that polutes a lot the music score. Any suggestion on a solution? Thank you Alberto -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: (2 - 3)/4 time signature
Hello, Jonathan
Jonathan Kulp wrote:
> Alberto Simões wrote:
>> Hello.
>>
>> I am transcribing a music that defines the time signature as
>>
>> (2-3)/4
>>
>> That is, some bars are 2/4, some others are 3/4.
>>
>> While I can change time signature from time to time accordingly with the
>> composer changes, that polutes a lot the music score.
>>
>> Any suggestion on a solution?
>>
>> Thank you
>> Alberto
>
> Alberto,
>
> I had some success fiddling with this snippet:
>
> http://lsr.dsi.unimi.it/LSR/Snippet?id=554
>
> But all I could do was get the time signature to print rather badly. The
> size is a bit off and the alignment is terrible. I don't know whether
> this would help you or not but I'll copy the code. Of course this
> doesn't do anything to help manage the individual measures in different
> meters. Does your original score have meter changes or does it just
> change the number of beats per bar without explicitly changing the
> meter? Anyway here's a go at the time signature. You can take it from
> here if you like. :)
Thank you.
I'll try to use it and define bar sizes manually.
Cheers
Alberto
>
> Jon
>
> tsMarkup = \markup {
> \override #'(baseline-skip . 0.5)
> \column { \center-align \number "(2-3)" \number "4" }
> }
>
> \relative c' {
> \override Staff.TimeSignature #'style = #'default
> \override Staff.TimeSignature #'stencil = #(lambda (grob)
> (grob-interpret-markup grob tsMarkup))
> \time 3/4
> c d e f
> }
>
>
--
Alberto Simões - Departamento de Informática - Universidade do Minho
Campus de Gualtar - 4710-057 Braga - Portugal
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Hiding Time signature
Hello I think the subject says it all... how can I just not print the time signature? :) Thank you ;) -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Hiding Time signature
Alberto Simões wrote: > Hello > > I think the subject says it all... how can I just not print the time > signature? :) Google is my friend. \once \override Staff.TimeSignature #'stencil = ##f Probably adding this to the documentation (Time Signature section) would be great. Thanks Alberto -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Stroked quarter note
Hello I am transcribing a music that uses a lot of quarter notes that have their beam stroked. Acccordingly with my few music knowledge, this means that the note can be splited in two notes. Any body knows how to mimic this in Lylipond? I just found it for grace notes. Thank you Alberto -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Stroked quarter note
David Bobroff wrote: > Alberto Simões wrote: >> Hello >> >> I am transcribing a music that uses a lot of quarter notes that have >> their beam stroked. Acccordingly with my few music knowledge, this means >> that the note can be splited in two notes. >> >> Any body knows how to mimic this in Lylipond? >> I just found it for grace notes. >> >> Thank you >> Alberto > > Is this what you're looking for? > > http://lilypond.org/doc/v2.13/Documentation/user/lilypond/Short-repeats#Tremolo-repeats Brilliant. Didn't know this would be named as tremolo :) Thank you -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Lilypond Badge
Hello Probably there is already one of these. But in attach you can find a lilypond png badge that I am preparing to use on my website. Cheers Alberto -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal <>___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Lilypond Badge
Dmytro O. Redchuk wrote: > 2009/6/26 Alberto Simões : >> Hello >> >> Probably there is already one of these. >> But in attach you can find a lilypond png badge that I am preparing to > Great!-) > >> use on my website. > Am I allowed to use it on "my" website too? > > With link to lilypond.org, surely :-) Sure :) Be all free to use it Hug -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: new website: draft 3
Heh... Kieren MacMillan wrote: > Hi Anthony (et al.), > >> DON'T assume web browsers are full screen! > > +1 +1 Just because more and more people have big screens. Cheers -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Producing a small bar...
Hello Any hint on how to produce the output similar to the one in the picture? (regarding the small bar and ff bellow). Thanks Alberto -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal <>___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Producing a small bar...
Hi Marek Klein wrote: > Hi, > > 2009/8/16 Alberto Simões <mailto:al...@alfarrabio.di.uminho.pt>> > > Hello > > Any hint on how to produce the output similar to the one in the picture? > (regarding the small bar and ff bellow). > > Thanks > Alberto > > > do you mean small barline? > I would say it is rather caesura. I saw it more like a double barline that is not shown complete, but a caesura can probably do the trick. Thanks Alberto -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Dynamics at SW of note
hello The typical way to place a forte is bellow the note: d\f (or d_\f) It is quite easy to put it at the top as well. But sometimes (for instance, when we have lyrics) it would be great to put it bellow, but at the left, of the note. Typically this would mean putting the forte bellow a barline or bellow the clef. Unfortunately it is not possible to add \f bellow these objects (as far as I know). Any hint how to do this? (If this is not easily understandable, let me know and I'll try to produce some images). Thanks you Alberto -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
