Re: moving notes on x-axis
Hello Neil, thanks, it works now. But how comes it's still the second voice moving when I use the command in the first voice? regards, Tao Original-Nachricht Datum: Thu, 7 Jun 2007 20:40:20 +0100 Von: "Neil Puttock" <[EMAIL PROTECTED]> An: "Tao Cumplido" <[EMAIL PROTECTED]> CC: lilypond-user@gnu.org Betreff: Re: moving notes on x-axis > On 6/7/07, Tao wrote: > > > > hey neil, > > > > I tried your option but it moved the notes to far to the left and > > increasing the number didn't change anything. > > > > regards, > > > > Tao > > > > > Sorry Tao, > > I didn't really make it clear - I'd suggest using the override on the > first > voice rather than the second. > > Regards, > Neil -- Der GMX SmartSurfer hilft bis zu 70% Ihrer Onlinekosten zu sparen! Ideal für Modem und ISDN: http://www.gmx.net/de/go/smartsurfer ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: master file in emacs lilypond mode
Laura Conrad: > > I'm working on a piece where what I'm editing is the include files, > but what I want to run lilypond on is a master file. I've been > enjoying just saying "C-c C-l" to run lilypond, but I can't figure out > how to tell lilypond what the master file is. > > I already have a template with some local variables set, so the most > convenient thing would just be to put it there, the way auctex does. > > I assume I could do that if I found out what the name of the variable > I had to set was. > > Is anyone using this feature who could give me a hint? By using c-h c, I see that c-c c-l runs the command LilyPond-command-lilypond. And c-h a for that says: LilyPond-command-lilypond , C-c C-l Command: Run lilypond for the current document. Looking in the code for that (elisp/lilypond-mode.el) I find this: ... (defvar LilyPond-master-file nil "Master file that Lilypond will be run on.") ;; FIXME: find ``\score'' in buffers / make settable? (defun LilyPond-get-master-file () (or LilyPond-master-file (buffer-file-name))) ... (defun LilyPond-command-lilypond () "Run lilypond for the current document." (interactive) (LilyPond-command (LilyPond-command-menu "LilyPond") 'LilyPond-get-master-file) ) ... So if you set the variable LilyPond-command-lilypond to your master it should do what you want. Doing info emacs and going (g) to node Examining I find out that I should go to the *scratch* buffer, typein e.g. (setq LilyPond-master-file "Smen.ly") and pressing c-j. Then when I am in buffer Mman.ly lilypond runs on Smen.ly instead. But why don't you use a Makefile instead? Regards, /Karl --- Karl HammarAspö Data [EMAIL PROTECTED] Lilla Aspö 2340Networks S-742 94 Östhammar +46 173 140 57 Computers Sweden +46 70 511 97 84 Consulting --- ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Sharp and flat in headers.
Thanks very much for that, it works but produces a result where the sharp or
flat symbol is quite low vertically in comparison with the other letters.
Is there any way to tweak its vertical position?
Thanks again,
Colin
On 07/06/07, Gilles Sadowski <[EMAIL PROTECTED]> wrote:
Hi.
>
> Off the top of my head I have a page with multiple staffs, each with its
own
> header and I am using \header { piece = "Db major" } and which to
replace "b"
> with the correct character.
Maybe something like
\header { piece = \markup { "D" \flat "major" } }
Best,
Gilles
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Re: Sharp and flat in headers.
Hi.
> Thanks very much for that, it works but produces a result where the sharp or
> flat symbol is quite low vertically in comparison with the other letters.
>
> Is there any way to tweak its vertical position?
>
Yes, something like the following might do it (adjust the number):
\header { piece = \markup { "D" \raise #0.8 \flat "major" } }
Best,
Gilles
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Re: master file in emacs lilypond mode
[EMAIL PROTECTED] wrote: > > I'm working on a piece where what I'm editing is the include files, > > but what I want to run lilypond on is a master file. I've been > > enjoying just saying "C-c C-l" to run lilypond, but I can't figure out > > how to tell lilypond what the master file is. > But why don't you use a Makefile instead? Hi Laura, Here's an example Makefile that I use. Feel free to do what you want with it! Basically, you put all your include .ly files in the SOURCES variable and your main file in the MAIN_LY variable. Then, in emacs, run M-x compile and run 'make [optional args] prepare'. Also you may change the location of your binaries depending on your system. Let me know of any questions you may have. HOME = ./ OUT_DIR = $(HOME)out/ LILY = /usr/bin/lilypond LILYARGS = -dno-point-and-click LILYBOOK = /sw/bin/lilypond-book TEX = /usr/bin/latex DVIPS = /usr/bin/dvips VIEWER = /usr/bin/gv --watch PS2PDF = /usr/bin/ps2pdf DVIPS_ARGS = -o -Ppdf -h LILYBOOK_ARGS = --output=$(OUT_DIR) --psfonts PRINTER = -PMHM-X200 -o PageSize=A4,Duplex=DuplexNoTumble MAIN_LY = score.ly SOURCES = sixstrings.chords.guit1.ly \ sixstrings.chords.guit2.ly \ sixstrings.chords.guit1-2.ly \ sixstrings.chords.guit2-2.ly \ $(MAIN_LY) nomenclatura : $(HOME)nomenclatura.tex $(LILYBOOK) $(LILYBOOK_ARGS) $< cd $(OUT_DIR); \ $(TEX) $@ cd $(OUT_DIR); \ $(DVIPS) $(DVIPS_ARGS)[EMAIL PROTECTED] $@ cd $(OUT_DIR); \ $(PS2PDF) [EMAIL PROTECTED] score : repetition.music.ly $(MAIN_LY) $(LILY) $@ $(VIEWER) [EMAIL PROTECTED] print : prepare lpr $(PRINTER) score.pdf view : prepare $(VIEWER) $(OUT_DIR)nomenclatura.ps prepare : $(SOURCES) $(LILY) $(LILYARGS) $(MAIN_LY) prepareEPS : $(SOURCES) $(LILY) $(LILYARGS) --backend=eps $(MAIN_LY) preparePS : $(SOURCES) $(LILY) $(LILYARGS) --backend=ps $(MAIN_LY) preview : $(LILY) $(LILYARGS) --preview $(MAIN_LY) prepareSVG: $(SOURCES) $(LILY) $(LILYARGS) --backend=svg $(MAIN_LY)___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
"tieRepeat" ???
Hello,
What code shall I write if the first alternative of a repeat ends with
a tie?
(What I'd like is kind of the opposite of \repeatTie)
%% - LilyPond code -
\version "2.11.23"
\paper{ ragged-right=##t }
\relative g' {
g1~ |
\repeat volta 2{
g4 r4 r2 |
}
\alternative{
{
g1~ | %% here I want the tie to end at the repeat sign...
}
{
g4 e c2 |
}
}
}
%% -- end of code --
Thanks,
Zoltán
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Re: Text mark at the end?
If you read the section on "Text marks" in the manual, you will
find that you need the following setting
\override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible
To make sure that the mark is printed at the end of the line and note at
the
beginning of the next line (which is the default for rehearsal marks).
/Mats
Zoltan Selyem wrote:
Hi,
I'd like a "Da capo al Fine" mark at the end of the score, but it's
not there. What am I doing wrong?
%% - LilyPond code -
\version "2.11.23"
\paper{ ragged-right=##t }
\relative g' {
g4 g g g | g g g g | g g g g |
\once \override Score.RehearsalMark #'self-alignment-X = #RIGHT
\mark "Da capo al Fine"
}
%% -- end of code --
Thanks,
Zoltán
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Signal Processing
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Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
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Re: moving notes on x-axis
Hey Mats, of course I know that if two notes are a second apart one is moved a little to keep readability (that's what you mean right?). But in my example in the second voice, both notes are moved a little to the right (still being a readable second) in comparison to the melody and the notes in the lower staff. Well, I hope that was more clear now. regards, Tao Original-Nachricht Datum: Fri, 08 Jun 2007 16:03:01 +0200 Von: Mats Bengtsson <[EMAIL PROTECTED]> An: [EMAIL PROTECTED] CC: lilypond-user@gnu.org Betreff: Re: moving notes on x-axis > [EMAIL PROTECTED] wrote: > > >Hello, > > > >in the output of the following code the notes of the second voice in the > second and sixth bar are placed a little to the right in comparison to the > other voices. > >I tried to fix it with \override NoteHead #'X-offset but whether I used > positive or negative arguments didn't make a difference and moved always > further to the right. > > > > > The notes would collide and create an unreadable score if you > make them completely aligned along the X axis. Therefore, it's > common notation practice to move one note somewhat to the side > (in the case of notes with stems, you get one note on each side > of the stem, however since you have whole notes, you get one > that's centered on the stem as usual and one that's moved > to the side). The solution that LilyPond gives you in bars 10 and 14 > cannot be used in bars 2 and 6 it would cause a collision with > the note in the upper voice. I don't understand what layout > you want to achieve that is still readable. > >/Mats -- GMX FreeMail: 1 GB Postfach, 5 E-Mail-Adressen, 10 Free SMS. Alle Infos und kostenlose Anmeldung: http://www.gmx.net/de/go/freemail ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
slur problem
Hello,
I got a problem with a slur.
In the code below, a slur is supposed to go from bar 3 to the first note in bar
5.
When I tried a standard slur, nothing happened, then I tried it with Phrasing
Slur and at least a slur was drawn above bar 3+4 but ist sill doesn't reach bar
5.
\regards
Tao
\version "2.10.23"
inS = { \override Voice.Fingering #'avoid-slur = #'inside }
outS = { \override Voice.Fingering #'avoid-slur = #'outside }
strikeStem = { \once \override Stem #'stroke-style = #"grace" }
fingerSmall = { \override Fingering #'font-size = #-8 }
fingerNeutral = { \revert Fingering #'font-size }
rh = \relative c''
{
\clef treble
\time 4/4
\key g \minor
\partial 4
d4-4~( |
d4 c8 bes \grace { a[ bes c] } bes a) r4 |
r8 \stemUp bes-2( \stemNeutral \times 2/3 { bes-3 a g } fis2-2) |
g4-1\( a8 bes \inS c4-1 d8 es |
a,2~ a8. g'16-4 \times 2/3 { g8-5 f es } | \break
<< { \stemDown \outS d4\)-5 \stemUp \fingerSmall \strikeStem \grace {
d,8-2\( \slurDown d-1([ f bes] }
\fingerNeutral \stemDown \times 2/3 { d8) c bes } \stemUp bes a\)
bes4\rest } \\ { s2
\stemUp \set Voice.tieWaitForNote = ##t \grace { c,8[~ d~ fis]~ }
\stemDown 4 s } >> |
}
\new Staff = { \rh }
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Re: moving notes on x-axis
[EMAIL PROTECTED] wrote: Hello, in the output of the following code the notes of the second voice in the second and sixth bar are placed a little to the right in comparison to the other voices. I tried to fix it with \override NoteHead #'X-offset but whether I used positive or negative arguments didn't make a difference and moved always further to the right. The notes would collide and create an unreadable score if you make them completely aligned along the X axis. Therefore, it's common notation practice to move one note somewhat to the side (in the case of notes with stems, you get one note on each side of the stem, however since you have whole notes, you get one that's centered on the stem as usual and one that's moved to the side). The solution that LilyPond gives you in bars 10 and 14 cannot be used in bars 2 and 6 it would cause a collision with the note in the upper voice. I don't understand what layout you want to achieve that is still readable. /Mats ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: moving notes on x-axis
Tao wrote: Hello Neil, thanks, it works now. But how comes it's still the second voice moving when I use the command in the first voice? regards, Tao I'm not quite sure what's going on there, I'm afraid. In any case, you can use the override in the second voice, which is much more intuitive: \once \override NoteColumn #'force-hshift = #0.3 Regards, Neil ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: slur problem
Hello Tao,
A smaller example of your problem is this:
%% - LilyPond code -
\version "2.11.23"
\paper{ ragged-right=##t }
\relative c'' {
c c c c( |
<<
{ c) c c c( }
\\
{ g g g g }
>>
c c) c c |
}
%% -- end of code --
The << \upper \\ \lower >> code creates two new voices,
and both \upper and \lower are different from the main voice.
Each voice has its own slurs.
This is the problem. Unfortunately I don't know the solution,
but maybe someone smarter will help you.
Zoltán
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Re: slur problem - solved?
Hello Tao,
In my previous letter I gave the explanation, now here is a solution.
You should simply take that note (d4) out of the polyphony:
%%% -
\version "2.10.23"
inS = { \override Voice.Fingering #'avoid-slur = #'inside }
outS = { \override Voice.Fingering #'avoid-slur = #'outside }
strikeStem = { \once \override Stem #'stroke-style = #"grace" }
fingerSmall = { \override Fingering #'font-size = #-8 }
fingerNeutral = { \revert Fingering #'font-size }
rh = \relative c''
{
\clef treble
\time 4/4
\key g \minor
\partial 4
d4-4~( |
d4 c8 bes \grace { a[ bes c] } bes a) r4 |
r8 \stemUp bes-2( \stemNeutral \times 2/3 { bes-3 a g } fis2-2) |
g4-1( a8 bes \inS c4-1 d8 es |
a,2~ a8. g'16-4 \times 2/3 { g8-5 f es } | \break
\outS d4)-5 << { \fingerSmall \strikeStem \grace { d,8-2\( \slurDown
d-1([ f bes] }
\fingerNeutral \stemDown \times 2/3 { d8) c bes } \stemUp bes a\)
bes4\rest } \\ { s4
\stemUp \set Voice.tieWaitForNote = ##t \grace { c,8[~ d~ fis]~ }
\stemDown 4 s } >> |
}
\new Staff = { \rh }
%%% -
Zoltán
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Re: Sharp and flat in headers.
Gilles Sadowski wrote:
Is there any way to tweak its vertical position?
Yes, something like the following might do it (adjust the number):
\header { piece = \markup { "D" \raise #0.8 \flat "major" } }
If you don't want to guess about the number, you could
make the bottom of the flat symbol aligned with the
text baseline, using
\header { piece = \markup { "D" \general-align #Y #DOWN \flat "major" } }
(unfortunately, there is no predefined shorthand markup
command for bottom and top alignment.
/Mats
/Mats
Best,
Gilles
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Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
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Re: slur problem
Just read the next section on the manual, "Explicitly
instantiating voices".
%% - LilyPond code -
\version "2.11.23"
\paper{ ragged-right=##t }
\relative c'' {
c c c c( |
<<
{ \voiceOne c) c c c( }
\new Voice { \voiceTwo g g g g }
>>
\oneVoice c c) c c |
}
%% -- end of code --
/Mats
Zoltan Selyem wrote:
Hello Tao,
A smaller example of your problem is this:
%% - LilyPond code -
\version "2.11.23"
\paper{ ragged-right=##t }
\relative c'' {
c c c c( |
<<
{ c) c c c( }
\\
{ g g g g }
>>
c c) c c |
}
%% -- end of code --
The << \upper \\ \lower >> code creates two new voices,
and both \upper and \lower are different from the main voice.
Each voice has its own slurs.
This is the problem. Unfortunately I don't know the solution,
but maybe someone smarter will help you.
Zoltán
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Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
=
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Re: moving notes on x-axis
Now I see what you mean. I don't know the exact details of the collision avoidance mechanisms in LilyPond, but I'm sure that this extra displacement to the right is done intentionally to provide a pleasing layout. /Mats Tao Cumplido wrote: Hey Mats, of course I know that if two notes are a second apart one is moved a little to keep readability (that's what you mean right?). But in my example in the second voice, both notes are moved a little to the right (still being a readable second) in comparison to the melody and the notes in the lower staff. Well, I hope that was more clear now. regards, Tao Original-Nachricht Datum: Fri, 08 Jun 2007 16:03:01 +0200 Von: Mats Bengtsson <[EMAIL PROTECTED]> An: [EMAIL PROTECTED] CC: lilypond-user@gnu.org Betreff: Re: moving notes on x-axis [EMAIL PROTECTED] wrote: Hello, in the output of the following code the notes of the second voice in the second and sixth bar are placed a little to the right in comparison to the other voices. I tried to fix it with \override NoteHead #'X-offset but whether I used positive or negative arguments didn't make a difference and moved always further to the right. The notes would collide and create an unreadable score if you make them completely aligned along the X axis. Therefore, it's common notation practice to move one note somewhat to the side (in the case of notes with stems, you get one note on each side of the stem, however since you have whole notes, you get one that's centered on the stem as usual and one that's moved to the side). The solution that LilyPond gives you in bars 10 and 14 cannot be used in bars 2 and 6 it would cause a collision with the note in the upper voice. I don't understand what layout you want to achieve that is still readable. /Mats -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260 Email: [EMAIL PROTECTED] WWW: http://www.s3.kth.se/~mabe = ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Text mark at the end?
2007/6/8, Mats Bengtsson <[EMAIL PROTECTED]>: If you read the section on "Text marks" in the manual, you will find that you need the following setting \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible I added it to the LSR, just in case :) Cheers, Valentin ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: "tieRepeat" ???
is this solution acceptable ? :
\alternative {
{
\once \override NoteHead #'duration-log = 1
g2 ~ \hideNotes \bar "" g2 \unHideNotes %% here ...
}
%.
What code shall I write if the first alternative of a repeat ends with
a tie?
(What I'd like is kind of the opposite of \repeatTie)
%% - LilyPond code -
\version "2.11.23"
\paper{ ragged-right=##t }
\relative g' {
g1~ |
\repeat volta 2{
g4 r4 r2 |
}
\alternative{
{
g1~ | %% here I want the tie to end at the repeat sign...
}
{
g4 e c2 |
}
}
}
%% -- end of code --
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TabStaff bug?
Hi there,
I found a very strange behaviour of the TabStaff context with the
latest Lilypond (2.11.25), the binary provided version for linux x86.
this stanza:
%<--->%
\version "2.11.25"
\score {
<<
% fine
\new TabStaff \relative c {
c\5 b\5 a\6 g\6 f\6 e\6
}
% does not recognize the 6th string
\new TabStaff \relative c {
c b a g f e
}
>>
\layout{
}
}
%<--->%
Does not work as expected.
The first part uses both 5th (A) and 6th (E) strings as it is supposed
to do.
The second part does not put g, f nor e on the 6th string (like if it
does not exists on the guitar).
The error log is:
warning: could not calculate a string number.
c b a
g f e
Using "\6" solves the problem but this is not a good solution.
Does anyone have a similar issue?.
Thank in advance.
PS: Please note provided stanza is a whole file with default lilypond
configuration. Nothing but only this.
--
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Re: Fonts in SVG output
Make sure the fonts you have in ~/.fonts are exactly the same > employed by the lilypond version you are using to the generate > the svg file. > > I've had the same problem before and I've found that the fonts > vary quite often from one version to the next (at least in the > development brach). I replace the fonts each time I upgrade the > lilypond version and then I recreate the svg file again. This > works for me (except the aybabtu font). > > For the time signature and bar numbers, lilypond seems to > insist in using the feta font when it renders the svg file, > but (I guess) it should use Emmentaler. Because the feta > font doesn't exist for Inkscape, it uses the default font. > > Greetings, > > Vincent > > > > ___ > lilypond-user mailing list > lilypond-user@gnu.org > http://lists.gnu.org/mailman/listinfo/lilypond-user > > Hi Vincent, It is little difficult for me. I have in directory ~/.fonts no fonts. There is only any file named fonts.dir. Is it necessary copy fonts into this directory from other one? Will Inscape prefer fonts from this directory? Sorry I am beginner in Linux. I'd like to combine lilypond score with draws of notes about interpretation in different takes (like music director) and Inscape is by my opinion the best way. Now, i make it in OpenOffice with beautiful lilypond macro. But I'd like prefer to use vector graphic, not png. http://krokyn.wz.cz/CuttingEdit.png (the example: score is made with lilypond macro, the textes and lines in OpenOffice - I know it is not nice now but the goal will be face of the lines and numbers the same like with the pencil by hand) I need it so for education. Thanks, K. -- View this message in context: http://www.nabble.com/Fonts-in-SVG-output-tf3825023.html#a11036038 Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
SVG previews
I want Lilypond to produce an SVG file (for uploading to Wikipedia),
but I don't want it to be a whole page. I thought "lilypond -b svg
--preview" would do the trick, but apparently those options are
incompatible:
[EMAIL PROTECTED]:~/thirdstone$ lilypond --version
GNU LilyPond 2.10.5
This program is free software. It is covered by the GNU General Public
License and you are welcome to change it and/or distribute copies of it
under certain conditions. Invoke as `lilypond --warranty' for more
information.
Copyright (c) 1996--2006 by
Han-Wen Nienhuys <[EMAIL PROTECTED]>
Jan Nieuwenhuizen <[EMAIL PROTECTED]>
and others.
[EMAIL PROTECTED]:~/thirdstone$ lilypond -b svg --preview thirdstone.ly
GNU LilyPond 2.10.5
Processing `thirdstone.ly'
Parsing...
Interpreting music... [7]
Preprocessing graphical objects...
Layout output to `thirdstone.svg'...
/usr/share/lilypond/2.10.5/ly/init.ly:41:1: error: GUILE signaled an
error for the expression beginning here
#
(if (pair? toplevel-scores)
unbound variable: output-preview-framework
/usr/share/lilypond/2.10.5/ly/init.ly:41:5: error: syntax error,
unexpected '(', expecting '='
#(if
(pair? toplevel-scores)
error: failed files: "thirdstone.ly"
[EMAIL PROTECTED]:~/thirdstone$
If I leave out the "-b svg" part, it produces a PNG file that looks
like what I want, but I want it in SVG format instead. How can I get
it to do that?
Keenan Pepper
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Re: TabStaff bug?
Version 2.10.25 winXP
same problem at the 6em string
AVERTISSEMENT : could not calculate a string number.
\new TabStaff { c b, a,
g, f e}
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