Re: Remove bar spacing
The default spacing at the position of the original bar line will remain unless you do more settings. I haven't tried, but you probably have to change the setting of the space-alist property, both for the BarLine object and for the object that comes directly before the bar line (i.e. the note head in your case). An alternative solution that may be simpler is to fool LilyPond into beleiving that the bar actually is 5/4 long, but still print 4/4. For example, you can set \time 5/4 and then manually override how the time signature is printed. There's a related example in the Tips and Tricks document if you use version 2.2.x which has been moved to the section on Polymetric Notation in the manual for version 2.4.x. (Please always tell what version you use, to be sure to get a relevant answer). Yet another alternative, is to fool LilyPond into beleiving that the quarter notes have a slightly shorter duration, so that 5 of them are needed to fill the bar: c4*4/5 d e f g This is probably the easiest solution! /Mats Martin Djernæs wrote: Hi, Before I go straight to my question let me try to explain what I am trying to achieve: I want to create a staff with a G-Clef, the time signature (4/4), *five* g'4 notes and a single bar. Yes that is wrong, but that is what I want to create. I have so far removed the bar after the fourth g'4 with \set Score.defaultBarType = #"empty" and added a new bar after the fifth with \bar "|" So far so good. However between the fourth and fifth g'4 I get more space than between the rest .. I guess this comes from the BarLine spacing, but I can not find the right place to get it to not do that. I feel like I have searched high and low for the right place to modify the spacing, but to no avail! Can anyone help me? Regards, Martin ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260 Email: [EMAIL PROTECTED] WWW: http://www.s3.kth.se/~mabe = ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Remove bar spacing
Hi Martin, list,
> I want to create a staff with a G-Clef, the time signature (4/4), *five*
> g'4 notes and a single bar. Yes that is wrong, but that is what I want
> to create.
Alternatively, you can do something like this:
\version "2.4.2"
{
g'4*4/5 g'4*4/5 g'4*4/5 g'4*4/5 g'4*4/5 |
}
I don't know what the impact will be on MIDI, though...
Hope this helps!
Christ van Willegen
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problem with footer
Lilypond version 2.4.2 on windoze XP or 2.4.1 on linux I like to put a non-amiguous but readable small text on every page of music , for example "Corelli Sonata op1-1 V1" for the Violin 1 part. The \footer variable seem to be useful for that , but nothing is visible in the PDF output. I have tried to put a "footer = " in a header block (or paper or layout ) inside a book or a score block without success. The documentation say The header and footer are created by the functions make-footer and make-header, defined in \paper. The default implementations are in scm/page-layout.scm. I don't understand... In a word, how to obtain a footer ? Thanks. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Remove bar spacing
Martin Djernæs <[EMAIL PROTECTED]> writes:
> I want to create a staff with a G-Clef, the time signature
> (4/4), *five* g'4 notes and a single bar. Yes that is
> wrong, but that is what I want to create.
How about
\version "2.4.2"
{ \time 4/4 \cadenzaOn g4 \cadenzaOff g g g g a a a a }
--
Feri.
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Re: non-latin1 characters
Two solutions:
1. use TeX encoding and TeX markups, with \markup in strings
\encoding "TeX"
\header {
title = "\H{u}"
}
\lyrics {
\H{o}
}
\score { c^\markup { \H{o} }
2. Take pfaedit, and edit the ec-fonts font files: replace latin1
characters with yours, and use \encoding "latin1" Preferably, we could
make a "latin2" font.
Bert
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How to set lyrics to temporarily divided parts
Hello list,
I am having trouble setting lyrics to a choral part that divides
itself for a few bars only. Here is an excerpt:
#(ly:set-option 'old-relative)
\version "2.4.0"
\score {
<<
\context Voice = "T" {
\set Staff.instrument = "T." \set Staff.instr = "T."
\key d \minor \clef "G_8" \partial 4
\relative c' {
a4| a2. a4 | g bes a a8 g| f g f e d4 f| a f c'4. bes8| a4
bes a f | f e f8. g16 a4|a8 g f g a f a4|a a g r| r8 e' c g
g4 e16 f g8| fis4 fis g g|a g fis g | g fis g8. a16 bes4|r8
e, a4. f8 bes4~| bes8 g c4. a8 c4| bes4. a8 g4. f8| e4 f g g
|f d8 e f e f4| e4. e8 f4 f| g c c4. a8| bes4. a8 g4. f8|
bes4 a bes8 a g4|f1|
<< { a4-"Solo" g8 f e f g a| g f e d cis4 a'|a8 bes a g f a
d4~| d d c4. c8| f4 e f d|c bes a8. bes16 c4| } \\ { f,4 e8
d cis d e16 d cis8| d4 bes' a r4|f8 g f e f2~ f4 f g4. g8|
a4 bes c f,| a g f8. g16 a4 } >> a8 g f g a4. a8 << { c4 c c
r} \\ {a a g r} >> r4. g8 g4 g | fis g8 fis d4 << { r8-"Solo"
c'8| d a bes g a d, g4|g16 a bes8 a8 g g4 r} \\ { bes|a g fis
g| g fis g8. a16 bes4} >> r8 e a4. f8 bes4~| bes8 g c4. a8
c4| bes4. a8 g4. f8 <<{g4 a bes a}\\{g16 f e8 f4 f g}>> f4 d8
e f e f d|e4. e8 f4. bes8|g4 c c4. f,8|bes4. a8 g4. f8 g16 f
e8 f4 <<{bes a}\\{g g}>>| f1
}
}
\new Lyrics \lyricsto "T" {
If mu- sic food of love,
sing "" on, "" "" "" "" sing on, sing on,
till I am fil'd, am fill'd with joy. "" ""
Then "" my "" list'- "" ning soul you move,
For then my list'- ning "" "" soul you move,
To plea- sures that can ne- ver cloy. "" ""
Your eyes, your mien, your tongue de- clare,
You are mu- - - sic ev- ry- where.
Your "" eyes, "" your eyes, your mien, your tongue de- clare
that you are mu - - sic ev- "" ry- where.
Plea- sures in- vade "" both "" eye and ear,
so fierce the trans- ports are, they wound.
}
>>
}
(There really are three more voices, of course.)
Now, the manual told me how to use << >> in order to divide a part
temporarily, but how do I associate lyrics with either of the divided
parts? As you see, the text simply skips the divided section:
`Pleasures invade' should coincide with the Solo in bar 23, but it is
only set under bar 29.
--
Kilian FothPhone +49 40 42883-2518
AB NATS, FB Informatik Fax +49 40 42883-2515
Universität Hamburg
Vogt-Kölln-Str. 30
22527 Hamburg
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Re: Hand-switching bracket
As long as LilyPond uses TeX for typesetting the output, you can use inline TeX code if you don't find any other solution. Something like c-"$\\lfloor$" and c-"$\\rfloor$" will give you the bracket symbols. You may need to play some extra tricks to place them where you want them. /Mats Yuval Harel wrote: Hi all, I want to typeset that half-bracket that marks that some notes are to be played by the opposite hand. I couldn't find any reference to it in the documentation. Is it supported? If not, is there a way to draw it manually (perhaps making an arpeggio bracket and somehow deleting the top line)? Thanks, Yuval ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-use r -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260 Email: [EMAIL PROTECTED] WWW: http://www.s3.kth.se/~mabe = ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: global \set fingeringOrientations = #'(left down)
See also http://lilypond.org/doc/v2.4/Documentation/user/out-www/lilypond/Changing-context-default-settings.html#Changing-context-default-settings /Mats Erik Sandberg wrote: On Friday 07 January 2005 22.22, Albert Einstein wrote: What command set command: \set fingeringOrientations = #'(left down) global for all notes? I'm not sure exactly what you want to achieve, but it might be something like this: \set Score.fingeringOrientations = #'(left down) This should have the same effect as setting that property individually in all subcontexts (i.e. all voices in all staves). Erik ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260 Email: [EMAIL PROTECTED] WWW: http://www.s3.kth.se/~mabe = ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Rest in Lyrics
Hi all, I am new on the list and hope this question was not answered before: I have a song with multiple stanzas. In one of them I want to skip a note which is normally done by saying _ in the lyrics. For better understanding I want to put an accordant rest symbol at this place in the text (in my case it is quarter rest). Thank you for any hint. (my version: \version 2.4.2) Regards Georg ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Rest in Lyrics
The trick is to include a \markup{...} command in the lyrics,
read the section on Text Markup in the manual for details.
/Mats
Georg Dummer wrote:
Hi all,
I am new on the list and hope this question was not answered before:
I have a song with multiple stanzas. In one of them I want to skip a note which
is normally done by saying “ _ ” in the lyrics. For better understanding I want
to put an accordant rest symbol at this place in the text (in my case it is
quarter rest).
Thank you for any hint. (my version: \version 2.4.2)
Regards
Georg
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Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
=
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Re: 4 hands typesetting
The normal way to typeset 4 hand pieces is to print the lower part on the left hand pages and the upper part on the right hand pages and then keep line breaks (or at least page breaks) simultaneous. Unfortunately, there's no support for doing that in LilyPond. The easiest is probably to typeset the two parts as separate scores, insert line or page breaks manually and then merge the two scores using postscript utilities like psselect and psbook. /Mats Alberto Manuel Brandão Simões wrote: Hi How is the normal typesetting for 4 hand music? I know how to show each pair at a time, but not how to join them in any way. Thanks Alb ___ Lilypond-user mailing list Lilypond-user@gnu.org http://mail.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260 Email: [EMAIL PROTECTED] WWW: http://www.s3.kth.se/~mabe = ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Help with repeats
See http://lists.gnu.org/archive/html/lilypond-user/2005-01/msg00013.html
/Mats
Alberto Manuel Brandao Simoes wrote:
Hi all.
I'm starting to use lilypond and I'm having a problem with the rendering
of alternatives into repeats. I'm sending the PostScript and the
Lilypond in attach to help to explain the problem... the repeat headers
(with the time -- 1 and 2) are not vertically aligned...
Thanks for the help.
Alb
\header {
title = "O diabo és tu"
composer = "Lourenço Júnior"
}
\score {
\notes {
\modernAccidentals
\time 2/4
\clef treble
\key f \major
\relative c'' {
\partial 8 a8
\repeat volta 2 {
d16 d8 e16 f8 cis
e16 d8 a16 c8 g
bes16 e,8 f16 g8 f
a4 r8 a8
d16 d8 e16 f8 cis
e16 d8 a16 c8 g
bes16 e,8 f16 g8 f
a4 r8 a8
g16 bes8 g16 bes8 g
f16 a8 f16 a8 f
e16 g8 e16 g8 e
a4 r8 a8
g16 bes8 g16 bes8 g
f16 a8 f16 a8 f
e16 g8 e16 g8 e
d4 r8 d16 d
% double bar
\bar "||"
c16 e8 c16 e8 c
f16 f8 a16 d8 c
e,16 e8 a16 d8 c
a4 r8 d,16 d
c16 e8 c16 e8 c
f16 f8 a16 d8 c
e16 e8 d16 c8 e,
f8 r8 8 d,16 d
c16 e8 c16 e8 c
f16 f8 a16 d8 c
e,16 e8 a16 d8 c
a4 r8 d,16 d
c16 e8 c16 e8 c
f16 f8 a16 d8 c
e16 e8 d16 c8 e,
}
\alternative {
{ f8 r8 8 a } { f8 r8 r8 }
}
\bar "|."
}
}
\paper { }
\midi { \tempo 4=120 }
}
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=
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Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
=
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Re: How to set lyrics to temporarily divided parts
Hopefully,
http://lists.gnu.org/archive/html/lilypond-user/2004-12/msg00109.html
will answer this question.
/Mats
Kilian A. Foth wrote:
Hello list,
I am having trouble setting lyrics to a choral part that divides
itself for a few bars only. Here is an excerpt:
#(ly:set-option 'old-relative)
\version "2.4.0"
\score {
<<
\context Voice = "T" {
\set Staff.instrument = "T." \set Staff.instr = "T."
\key d \minor \clef "G_8" \partial 4
\relative c' {
a4| a2. a4 | g bes a a8 g| f g f e d4 f| a f c'4. bes8| a4
bes a f | f e f8. g16 a4|a8 g f g a f a4|a a g r| r8 e' c g
g4 e16 f g8| fis4 fis g g|a g fis g | g fis g8. a16 bes4|r8
e, a4. f8 bes4~| bes8 g c4. a8 c4| bes4. a8 g4. f8| e4 f g g
|f d8 e f e f4| e4. e8 f4 f| g c c4. a8| bes4. a8 g4. f8|
bes4 a bes8 a g4|f1|
<< { a4-"Solo" g8 f e f g a| g f e d cis4 a'|a8 bes a g f a
d4~| d d c4. c8| f4 e f d|c bes a8. bes16 c4| } \\ { f,4 e8
d cis d e16 d cis8| d4 bes' a r4|f8 g f e f2~ f4 f g4. g8|
a4 bes c f,| a g f8. g16 a4 } >> a8 g f g a4. a8 << { c4 c c
r} \\ {a a g r} >> r4. g8 g4 g | fis g8 fis d4 << { r8-"Solo"
c'8| d a bes g a d, g4|g16 a bes8 a8 g g4 r} \\ { bes|a g fis
g| g fis g8. a16 bes4} >> r8 e a4. f8 bes4~| bes8 g c4. a8
c4| bes4. a8 g4. f8 <<{g4 a bes a}\\{g16 f e8 f4 f g}>> f4 d8
e f e f d|e4. e8 f4. bes8|g4 c c4. f,8|bes4. a8 g4. f8 g16 f
e8 f4 <<{bes a}\\{g g}>>| f1
}
}
\new Lyrics \lyricsto "T" {
If mu- sic food of love,
sing "" on, "" "" "" "" sing on, sing on,
till I am fil'd, am fill'd with joy. "" ""
Then "" my "" list'- "" ning soul you move,
For then my list'- ning "" "" soul you move,
To plea- sures that can ne- ver cloy. "" ""
Your eyes, your mien, your tongue de- clare,
You are mu- - - sic ev- ry- where.
Your "" eyes, "" your eyes, your mien, your tongue de- clare
that you are mu - - sic ev- "" ry- where.
Plea- sures in- vade "" both "" eye and ear,
so fierce the trans- ports are, they wound.
}
>>
}
(There really are three more voices, of course.)
Now, the manual told me how to use << >> in order to divide a part
temporarily, but how do I associate lyrics with either of the divided
parts? As you see, the text simply skips the divided section:
`Pleasures invade' should coincide with the Solo in bar 23, but it is
only set under bar 29.
--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
=
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Re: Lyrics question
The vertical alignment of text scripts is calculated based on the
distance from the note head or the stave (whichever is closest to
the text script). Maybe one trick to keep the different text
scripts vertically aligned is to attach them to spacing notes in
a separate Voice context:
<<{ d4 cs } \new Voice {\fatText s4^"Brown" s^"Oh," } >>
This should place all the words vertically aligned.
Then you can set the padding property of the TextScript object
to move the words up or down.
However, I would recommend to use a separate lyrics line with
explicit durations on each syllables for these situations:
\new Lyrics \lyricmode {
% Skip the first 20 bars:
\skip 1*20
Brown4 Oh,
}
/Mats
Carol Kankelborg wrote:
Carl,
For just a few measures of differing lyrics, I've used the \fatText
tag. It is not elegant,
but seems much easier than the extra lyric section. Here's an example
from an arrangement
of Winter Wonderland ("And pretend that he is Parson Brown") where the
bass part sings
"Brown, Oh, Parson" while the other parts hold "Brown."
\fatText d4_\markup{"Brown,"} \fatText cs4_\markup { "Oh," }
\fatText b4_\markup { "Par-" }\fatText a4_\markup { "son." }
\fatText keeps the notes aligned with each note. The one problem I
encountered is that the words are not always vertically aligned. I
don't understand the
vertical alignment units/properties enough to know how to fix that. It
was just one spot and I decided
to let it be "good enough" the way it was.
Carol
At 14:12 -0700 1/9/04, Carl Youngblood wrote:
Content-Type: multipart/signed; micalg=sha1;
boundary=Apple-Mail-3-886264555;
protocol="application/pkcs7-signature"
I'm doing a choral piece that has the same lyrics for all parts for
almost all of it, except for a few measures where there is a split.
What is the best way to put lyrics on the notes that are split? Is
there an easier way than putting in a new lyric section with a whole
bunch of rests?
Thanks,
Carl Youngblood
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=
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Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
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dvips fails: can't find header file ecrm10
Greetings,
I recently did a fresh install of FC3 and have tried to get lilypond
working again. I'm using the ec-fonts-mftraced-1.0.9-1.noarch.rpm and
lilypond-2.4.2-1.i386.rpm both from the development team.
The production of the .dvi file goes well and loading it in Xdvik looks
as intended. However no ps file is created and a blank pdf is created
(obviously since no ps exists, though perhaps it shouldn't attempt to
create a pdf file if no ps file exists?). Here's the relevent
information I could cull, based on previous conversations on the list
regarding ecrm10 (as found in the archives).
test.ly
\version "2.4.2"
\header {
title="Hi"
}
\score { c }
~/music$ lilypond -V test.ly
GNU LilyPond 2.4.2
LILYPOND_DATADIR="/usr/share/lilypond"
LOCAL_LILYPOND_DATADIR="/usr/share/lilypond/2.4.2"
LOCALEDIR="/usr/share/locale"
LILYPONDPREFIX=""
[/usr/share/lilypond/2.4.2/scm/lily-library.scm][/usr/share/lilypond/2.4.2/scm/define-music-types.scm][/usr/share/lilypond/2.4.2/scm/output-lib.scm][/usr/share/lilypond/2.4.2/scm/c++.scm][/usr/share/lilypond/2.4.2/scm/chord-ignatzek-names.scm][/usr/share/lilypond/2.4.2/scm/chord-entry.scm][/usr/share/lilypond/2.4.2/scm/chord-generic-names.scm][/usr/share/lilypond/2.4.2/scm/stencil.scm][/usr/share/lilypond/2.4.2/scm/new-markup.scm][/usr/share/lilypond/2.4.2/scm/bass-figure.scm][/usr/share/lilypond/2.4.2/scm/music-functions.scm][/usr/share/lilypond/2.4.2/scm/part-combiner.scm][/usr/share/lilypond/2.4.2/scm/define-music-properties.scm][/usr/share/lilypond/2.4.2/scm/auto-beam.scm][/usr/share/lilypond/2.4.2/scm/chord-name.scm][/usr/share/lilypond/2.4.2/scm/ly-from-scheme.scm][/usr/share/lilypond/2.4.2/scm/define-context-properties.scm][/usr/share/lilypond/2.4.2/scm/translation-functions.scm][/usr/share/lilypond/2.4.2/scm/script.scm][/usr/share/lilypond/2.4.2/scm/midi.scm][/usr/share/lilypond/2.4.2/scm/beam.scm][/usr/share/lilypond/2.4.2/scm/clef.scm][/usr/share/lilypond/2.4.2/scm/slur.scm][/usr/share/lilypond/2.4.2/scm/font.scm][/usr/share/lilypond/2.4.2/scm/encoding.scm][/usr/share/lilypond/2.4.2/scm/fret-diagrams.scm][/usr/share/lilypond/2.4.2/scm/define-markup-commands.scm][/usr/share/lilypond/2.4.2/scm/define-grob-properties.scm][/usr/share/lilypond/2.4.2/scm/define-grobs.scm][/usr/share/lilypond/2.4.2/scm/define-grob-interfaces.scm][/usr/share/lilypond/2.4.2/scm/page-layout.scm][/usr/share/lilypond/2.4.2/scm/titling.scm][/usr/share/lilypond/2.4.2/scm/paper.scm][/usr/share/lilypond/2.4.2/scm/safe-lily.scm]Processing
`test.ly'
Parsing...
[/usr/share/lilypond/2.4.2/ly/init.ly[/usr/share/lilypond/2.4.2/ly/declarations-init.ly[/usr/share/lilypond/2.4.2/ly/music-functions-init.ly][/usr/share/lilypond/2.4.2/ly/nederlands.ly][/usr/share/lilypond/2.4.2/ly/drumpitch-init.ly][/usr/share/lilypond/2.4.2/ly/chord-modifiers-init.ly][/usr/share/lilypond/2.4.2/ly/script-init.ly][/usr/share/lilypond/2.4.2/ly/scale-definitions-init.ly][/usr/share/lilypond/2.4.2/ly/grace-init.ly][/usr/share/lilypond/2.4.2/ly/midi-init.ly[/usr/share/lilypond/2.4.2/ly/performer-init.ly]][/usr/share/lilypond/2.4.2/ly/paper-defaults.ly][/usr/share/lilypond/2.4.2/ly/engraver-init.ly][/usr/share/lilypond/2.4.2/ly/dynamic-scripts-init.ly][/usr/share/lilypond/2.4.2/ly/spanners-init.ly][/usr/share/lilypond/2.4.2/ly/property-init.ly]][test.ly]Interpreting
music...
[/usr/share/lilypond/2.4.2/fonts/afm/feta20.afm][/usr/share/lilypond/2.4.2/fonts/tfm/feta20.tfm[/usr/share/lilypond/2.4.2/ps/feta20.enc]][1]elapsed
time: 0.10 seconds
Element count 27 (spanners 7) Preprocessing graphical objects... Grob
count
53[/usr/share/lilypond/2.4.2/fonts/afm/feta11.afm][/usr/share/lilypond/2.4.2/fonts/tfm/feta11.tfm][/usr/share/lilypond/2.4.2/fonts/afm/parmesan11.afm][/usr/share/lilypond/2.4.2/fonts/tfm/parmesan11.tfm[/usr/share/lilypond/2.4.2/ps/parmesan20.enc]][/usr/share/lilypond/2.4.2/fonts/afm/feta13.afm][/usr/share/lilypond/2.4.2/fonts/tfm/feta13.tfm][/usr/share/lilypond/2.4.2/fonts/afm/parmesan13.afm][/usr/share/lilypond/2.4.2/fonts/tfm/parmesan13.tfm][/usr/share/lilypond/2.4.2/fonts/afm/feta14.afm][/usr/share/lilypond/2.4.2/fonts/tfm/feta14.tfm][/usr/share/lilypond/2.4.2/fonts/afm/parmesan14.afm][/usr/share/lilypond/2.4.2/fonts/tfm/parmesan14.tfm][/usr/share/lilypond/2.4.2/fonts/afm/feta16.afm][/usr/share/lilypond/2.4.2/fonts/tfm/feta16.tfm][/usr/share/lilypond/2.4.2/fonts/afm/parmesan16.afm][/usr/share/lilypond/2.4.2/fonts/tfm/parmesan16.tfm][/usr/share/lilypond/2.4.2/fonts/afm/feta18.afm][/usr/share/lilypond/2.4.2/fonts/tfm/feta18.tfm][/usr/share/lilypond/2.4.2/fonts/afm/parmesan18.afm][/usr/share/lilypond/2.4.2/fonts/tfm/parmesan18.tfm][/usr/share/lilypond/2.4.2/fonts/afm/parmesan20.afm][/usr/share/lilypond/2.4.2/fonts/tfm/parmesan20.tfm][/usr/share/lilypond/2.4.2/fonts/afm/feta23.afm][/usr/share/lilypond/2.4.2/fonts/tfm/feta23.tfm][/usr/share/lilypond/2.4.2/fonts/afm/parmesan23.afm][/usr/share/lilypond/2.4.2/fonts/tfm/parmesan23.tfm]
Calculating line breaks... Global shortest duration is 3/16
[2]
Optimal demerits:
Re: dvips fails: can't find header file ecrm10
On 1/10/2005, "Mats Bengtsson" <[EMAIL PROTECTED]> wrote: >Did you update the TeX file name database after installing >ec-fonts? Try to run the command 'texhash' as root. > Greetings, I had not. However, after running texhash I still receive the exact same error on test.ly. ~/music# texhash texhash: Updating /usr/share/lilypond/2.4.2/ls-R... texhash: Updating /usr/share/texmf/ls-R... texhash: Updating /var/lib/texmf/ls-R... texhash: Done. ~/music$ lilypond -V test.ly same output as before. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: dvips fails: can't find header file ecrm10
Did you update the TeX file name database after installing
ec-fonts? Try to run the command 'texhash' as root.
/Mats
Bryan Stanbridge wrote:
Greetings,
I recently did a fresh install of FC3 and have tried to get lilypond
working again. I'm using the ec-fonts-mftraced-1.0.9-1.noarch.rpm and
lilypond-2.4.2-1.i386.rpm both from the development team.
The production of the .dvi file goes well and loading it in Xdvik looks
as intended. However no ps file is created and a blank pdf is created
(obviously since no ps exists, though perhaps it shouldn't attempt to
create a pdf file if no ps file exists?). Here's the relevent
information I could cull, based on previous conversations on the list
regarding ecrm10 (as found in the archives).
test.ly
\version "2.4.2"
\header {
title="Hi"
}
\score { c }
~/music$ lilypond -V test.ly
GNU LilyPond 2.4.2
LILYPOND_DATADIR="/usr/share/lilypond"
LOCAL_LILYPOND_DATADIR="/usr/share/lilypond/2.4.2"
LOCALEDIR="/usr/share/locale"
LILYPONDPREFIX=""
[/usr/share/lilypond/2.4.2/scm/lily-library.scm][/usr/share/lilypond/2.4.2/scm/define-music-types.scm][/usr/share/lilypond/2.4.2/scm/output-lib.scm][/usr/share/lilypond/2.4.2/scm/c++.scm][/usr/share/lilypond/2.4.2/scm/chord-ignatzek-names.scm][/usr/share/lilypond/2.4.2/scm/chord-entry.scm][/usr/share/lilypond/2.4.2/scm/chord-generic-names.scm][/usr/share/lilypond/2.4.2/scm/stencil.scm][/usr/share/lilypond/2.4.2/scm/new-markup.scm][/usr/share/lilypond/2.4.2/scm/bass-figure.scm][/usr/share/lilypond/2.4.2/scm/music-functions.scm][/usr/share/lilypond/2.4.2/scm/part-combiner.scm][/usr/share/lilypond/2.4.2/scm/define-music-properties.scm][/usr/share/lilypond/2.4.2/scm/auto-beam.scm][/usr/share/lilypond/2.4.2/scm/chord-name.scm][/usr/share/lilypond/2.4.2/scm/ly-from-scheme.scm][/usr/share/lilypond/2.4.2/scm/define-context-properties.scm][/usr/share/lilypond/2.4.2/scm/translation-functions.scm][/usr/share/lilypond/2.4.2/scm/script.scm][/usr/share/lilypond/2.4.2/scm/midi.scm][/usr/s
hare/lilypond/2.4.2/scm/beam.scm][/usr/share/lilypond/2.4.2/scm/clef.scm][/usr/share/lilypond/2.4.2/scm/slur.scm][/usr/share/lilypond/2.4.2/scm/font.scm][/usr/share/lilypond/2.4.2/scm/encoding.scm][/usr/share/lilypond/2.4.2/scm/fret-diagrams.scm][/usr/share/lilypond/2.4.2/scm/define-markup-commands.scm][/usr/share/lilypond/2.4.2/scm/define-grob-properties.scm][/usr/share/lilypond/2.4.2/scm/define-grobs.scm][/usr/share/lilypond/2.4.2/scm/define-grob-interfaces.scm][/usr/share/lilypond/2.4.2/scm/page-layout.scm][/usr/share/lilypond/2.4.2/scm/titling.scm][/usr/share/lilypond/2.4.2/scm/paper.scm][/usr/share/lilypond/2.4.2/scm/safe-lily.scm]Processing
`test.ly'
Parsing...
[/usr/share/lilypond/2.4.2/ly/init.ly[/usr/share/lilypond/2.4.2/ly/declarations-init.ly[/usr/share/lilypond/2.4.2/ly/music-functions-init.ly][/usr/share/lilypond/2.4.2/ly/nederlands.ly][/usr/share/lilypond/2.4.2/ly/drumpitch-init.ly][/usr/share/lilypond/2.4.2/ly/chord-modifiers-init.ly][/usr/share/lilypond/2.4.2/ly/script-init.ly][/usr/share/lilypond/2.4.2/ly/scale-definitions-init.ly][/usr/share/lilypond/2.4.2/ly/grace-init.ly][/usr/share/lilypond/2.4.2/ly/midi-init.ly[/usr/share/lilypond/2.4.2/ly/performer-init.ly]][/usr/share/lilypond/2.4.2/ly/paper-defaults.ly][/usr/share/lilypond/2.4.2/ly/engraver-init.ly][/usr/share/lilypond/2.4.2/ly/dynamic-scripts-init.ly][/usr/share/lilypond/2.4.2/ly/spanners-init.ly][/usr/share/lilypond/2.4.2/ly/property-init.ly]][test.ly]Interpreting
music...
[/usr/share/lilypond/2.4.2/fonts/afm/feta20.afm][/usr/share/lilypond/2.4.2/fonts/tfm/feta20.tfm[/usr/share/lilypond/2.4.2/ps/feta20.enc]][1]elapsed
time: 0.10 seconds
Element count 27 (spanners 7) Preprocessing graphical objects... Grob
count
53[/usr/share/lilypond/2.4.2/fonts/afm/feta11.afm][/usr/share/lilypond/2.4.2/fonts/tfm/feta11.tfm][/usr/share/lilypond/2.4.2/fonts/afm/parmesan11.afm][/usr/share/lilypond/2.4.2/fonts/tfm/parmesan11.tfm[/usr/share/lilypond/2.4.2/ps/parmesan20.enc]][/usr/share/lilypond/2.4.2/fonts/afm/feta13.afm][/usr/share/lilypond/2.4.2/fonts/tfm/feta13.tfm][/usr/share/lilypond/2.4.2/fonts/afm/parmesan13.afm][/usr/share/lilypond/2.4.2/fonts/tfm/parmesan13.tfm][/usr/share/lilypond/2.4.2/fonts/afm/feta14.afm][/usr/share/lilypond/2.4.2/fonts/tfm/feta14.tfm][/usr/share/lilypond/2.4.2/fonts/afm/parmesan14.afm][/usr/share/lilypond/2.4.2/fonts/tfm/parmesan14.tfm][/usr/share/lilypond/2.4.2/fonts/afm/feta16.afm][/usr/share/lilypond/2.4.2/fonts/tfm/feta16.tfm][/usr/share/lilypond/2.4.2/fonts/afm/parmesan16.afm][/usr/share/lilypond/2.4.2/fonts/tfm/parmesan16.tfm][/usr/share/lilypond/2.4.2/fonts/afm/feta18.afm][/usr/share/lilypond/2.4.2/fonts/tfm/feta18.tfm][/usr/share/lilypond/2.4.2/fonts/afm/parmesan
18.afm][/usr/share/lilypond/2.4.2/fonts/tfm/parmesan18.tfm][/usr/share/lilypond/2.4.2/fonts/afm/parmesan20.afm][/usr/share/lilypond/2.4.2/fonts/tfm/parmesan20.tfm][/usr/share/lilypond/2.4.2/fonts/afm/feta23.afm][/usr/share/lilypond/2.4.2/fonts/tfm/feta23.tfm][/usr/share/lilypond/2.4.2/fonts/afm/parmesan23.
Re: How to set lyrics to temporarily divided parts
Mats Bengtsson writes:
> Kilian A. Foth wrote:
> >
> > Hello list,
> >
> > I am having trouble setting lyrics to a choral part that divides
> > itself for a few bars only.
>
> Hopefully,
> http://lists.gnu.org/archive/html/lilypond-user/2004-12/msg00109.html
> will answer this question.
>
Hmmm, interesting. I find that referring to "1" and "2" *almost* does
what is needed:
\score {
<< \context Voice = "melody" { \relative c' { c c c c | c } }
\new Lyrics \lyricsto "melody" { we shall o- ver- come } >> }
\score {
<< \context Voice = "melody" { \relative c' { c c8 e c4 c | c } }
\new Lyrics \lyricsto "melody" { we shall not o- ver- come } >> }
\score {
<< \context Voice = "melody" {
\relative c' { c
<< {\voiceOne c8 e} \\ {\voiceTwo c4} >>
\oneVoice c4 c | c
}
}
\new Lyrics \lyricsto "melody" { we o- ver- come }
\new Lyrics \lyricsto "1" { shall not }
\new Lyrics \lyricsto "2" { shall }
>>
}
The third score correctly combines the first two (although the split
lyrics are typeset one line too low). But that trick only works once
for a part -- the next assignment to "1" would put yet another line of
lyrics under the same split note, rather than the next one. Can notes
and text be associated closer somehow to avoid this?
--
Kilian FothPhone +49 40 42883-2518
AB NATS, FB Informatik Fax +49 40 42883-2515
Universität Hamburg
Vogt-Kölln-Str. 30
22527 Hamburg
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Partcombine and text scripts
Hi all.
I was not using Lilypond since 1.8.x, and I have to say that Lilypond
2.4.x is great! Thanks to the authors.
Anyway, when using \partcombine, is it possible to get the text scripts
(e.g., c-\markup{rall.}) printed only once (as rehearsal marks)?
Best regards,
--
Marco
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Re: How to set lyrics to temporarily divided parts
"Kilian A. Foth" <[EMAIL PROTECTED]> writes:
> Mats Bengtsson writes:
>
>> Kilian A. Foth wrote:
>>
>>> I am having trouble setting lyrics to a choral part that
>>> divides itself for a few bars only.
>>
>> Hopefully,
>> http://lists.gnu.org/archive/html/lilypond-user/2004-12/msg00109.html
>> will answer this question.
>
> Hmmm, interesting. I find that referring to "1" and "2"
> *almost* does what is needed:
>
> \score {
> << \context Voice = "melody" { \relative c' { c c c c | c } }
> \new Lyrics \lyricsto "melody" { we shall o- ver- come } >> }
>
> \score {
> << \context Voice = "melody" { \relative c' { c c8 e c4 c | c } }
> \new Lyrics \lyricsto "melody" { we shall not o- ver- come } >> }
>
> \score {
> << \context Voice = "melody" {
> \relative c' { c
> << {\voiceOne c8 e} \\ {\voiceTwo c4} >>
> \oneVoice c4 c | c
> }
> }
> \new Lyrics \lyricsto "melody" { we o- ver- come }
> \new Lyrics \lyricsto "1" { shall not }
> \new Lyrics \lyricsto "2" { shall }
> >>
> }
>
>
> The third score correctly combines the first two (although the split
> lyrics are typeset one line too low). But that trick only works once
> for a part -- the next assignment to "1" would put yet another line of
> lyrics under the same split note, rather than the next one. Can notes
> and text be associated closer somehow to avoid this?
\new Lyrics creates a new lyrics context (ie. a fresh and
independent line of lyrics); what you want is putting more
words into the *same* context (line) you already created.
Since "2" is a short lived voice context, I'm not sure if it
will just work. As a side note, I found it more natural not
to use the implicit voice creation syntax, but explicitly
name contexts (and possible keep them alive) by the other
method illustrated in the referred article.
--
Feri.
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Re: dvips fails: can't find header file ecrm10
With an update to 2.5.6 have I the same problem this afternoon. Considering the txfonts.map, I tried to add ".pfa" at the end of the every lines in the file ec-mftrace.map and it works now. I don't know if it's a good way but... Aurèle Duda Bryan Stanbridge wrote: On 1/10/2005, "Mats Bengtsson" <[EMAIL PROTECTED]> wrote: Did you update the TeX file name database after installing ec-fonts? Try to run the command 'texhash' as root. Greetings, I had not. However, after running texhash I still receive the exact same error on test.ly. ~/music# texhash texhash: Updating /usr/share/lilypond/2.4.2/ls-R... texhash: Updating /usr/share/texmf/ls-R... texhash: Updating /var/lib/texmf/ls-R... texhash: Done. ~/music$ lilypond -V test.ly same output as before. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- Aurèle Duda [EMAIL PROTECTED] ecbx10 EuropeanCM-BoldExtended10 ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: non-latin1 characters
On Mon, 10 Jan 2005 14:10:28 +0100, Bertalan Fodor <[EMAIL PROTECTED]> wrote:
> Two solutions:
>
> 1. use TeX encoding and TeX markups, with \markup in strings
>
> \encoding "TeX"
>
> \header {
> title = "\H{u}"
> }
>
> \lyrics {
> \H{o}
> }
>
> \score { c^\markup { "\H{o}" } (doublequote was missing)
Works. Would be easier to use Ä instead of \k{a} and so on, but that
can be done with
some sed between saving the file and running lilypond.
The documentation is not too talkative on "encoding" topic, I must say.
It would be very nice to have some examples for non-latin1 guys among
the other great examples for exotic needs - some people may claim that
writing in Swedish, Polish, or Hungarian is less exotic than engraving
with hufnagel style ;).
>
> 2. Take pfaedit, and edit the ec-fonts font files: replace latin1
> characters with yours, and use \encoding "latin1" Preferably, we could
> make a "latin2" font.
>
No way, man :). I have enough fonts with correct characters in correct places,
and mimicking latin1 using latin2 font is certainly not the way it shall be.
Won't font=something do the trick for us without messing with the pfaedit
(and the possibility of getting the weird characters in LaTeX instead
of the weird characters in lilypond :) )?
For me it would be perfect to be able to _specify_ that I want .latex
and .tex output files and nothing else, that would let me do all the
tricks (well, all the ones I can imagine at
the moment) with national characters or changing the font to something
I find of good quality writing in LaTeX.
Best regards and many thanks for "TeX" example
Michal
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how to make a lilypond fragment without any notes in it?
I'm writing what the lilypond docs call a 'musicological' document - a
latex doc with lilypond rendered items inside it. I'm using
lilypond-book for this task (the version of lilypond I'm using is 2.4.2
under cygwin on windows XP).
One of the lilypond items I want to render is a staff with a clef and a
key signature on it. No notes required at all, as this part of the
document is about key signatures.
So, following the example in the lilypond documentation, I have a file
called lilypond.tex containing the following:
\documentclass[a4paper]{article}
\begin{document}
\begin{lilypond}
{
\key g \major
}
\end{lilypond}
...and some text here.
\end{document}
To generate the results, I have a script that contains:
#!/usr/bin/bash
lilypond-book ../lilybook.tex
latex lilybook
dvips -Ppdf -u+lilypond -u+ec-mftrace lilybook
ps2pdf lilybook.ps
(also as suggested in the lilypond docs).
However, lilypond doesn't like the fact I have a \begin{lilypond}
section that doesn't actually contain any notes: it complains "warning:
Need music in a score" and falls over shortly after that.
The full output when I run the above helper script is:
8<
$ ./makeBook.sh
/usr/bin/lilypond-book (GNU LilyPond) 2.4.2
Reading ../lilybook.tex...
Dissecting...
Writing snippets...
Processing...
Running lilypond...GNU LilyPond 2.4.2
Processing `lily-796326636.ly'
Parsing...
warning: Need music in a score <--- problem
Processing `lily-1798158589.ly'
Parsing...
Interpreting music... [1]
Preprocessing graphical objects...
Calculating line breaks... [2]
warning: Could not find line breaking that satisfies constraints.
Layout output to `lily-1798158589.tex'...
Compiling lilybook.tex...
This is TeXk, Version 3.14159 (Web2C 7.4.5)
%&-line parsing enabled.
(./lilybook.tex
LaTeX2e <2001/06/01>
Babel and hyphenation patterns for american, french, german,
ngerman, n
ohyphenation, loaded.
(/usr/share/texmf/tex/latex/base/article.cls
Document Class: article 2001/04/21 v1.4e Standard LaTeX document class
(/usr/share/texmf/tex/latex/base/size10.clo))
No file lilybook.aux.
! I can't find file `lily-796326636.tex'.
l.14 \input lily-796326636.tex
Please type another input file name:
8<
If I add a single note to the lilypond section, like this:
\begin{lilypond}
{
\key g \major
c
}
... it's happy and my document gets generated (complete with a C note
that I don't want to appear).
So, any hints on how to print a fragment without any notes in it? Any
help gratefully received.
cheers,
alex
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how to make a lilypond fragment without any notes in it?
(apologies if this has appeared twice - I sent it once before I had
completely subscribed successfully, and so presume that that email won't
appear)
I'm writing what the lilypond docs call a 'musicological' document - a
latex doc with lilypond rendered items inside it. I'm using
lilypond-book for this task (the version of lilypond I'm using is 2.4.2
under cygwin on windows XP).
One of the lilypond items I want to render is a staff with a clef and a
key signature on it. No notes required at all, as this part of the
document is about key signatures.
So, following the example in the lilypond documentation, I have a file
called lilypond.tex containing the following:
\documentclass[a4paper]{article}
\begin{document}
\begin{lilypond}
{
\key g \major
}
\end{lilypond}
...and some text here.
\end{document}
To generate the results, I have a script that contains:
#!/usr/bin/bash
lilypond-book ../lilybook.tex
latex lilybook
dvips -Ppdf -u+lilypond -u+ec-mftrace lilybook
ps2pdf lilybook.ps
(also as suggested in the lilypond docs).
However, lilypond doesn't like the fact I have a \begin{lilypond}
section that doesn't actually contain any notes: it complains "warning:
Need music in a score" and falls over shortly after that.
The full output when I run the above helper script is:
8<
$ ./makeBook.sh
/usr/bin/lilypond-book (GNU LilyPond) 2.4.2
Reading ../lilybook.tex...
Dissecting...
Writing snippets...
Processing...
Running lilypond...GNU LilyPond 2.4.2
Processing `lily-796326636.ly'
Parsing...
warning: Need music in a score <--- problem
Processing `lily-1798158589.ly'
Parsing...
Interpreting music... [1]
Preprocessing graphical objects...
Calculating line breaks... [2]
warning: Could not find line breaking that satisfies constraints.
Layout output to `lily-1798158589.tex'...
Compiling lilybook.tex...
This is TeXk, Version 3.14159 (Web2C 7.4.5)
%&-line parsing enabled.
(./lilybook.tex
LaTeX2e <2001/06/01>
Babel and hyphenation patterns for american, french, german,
ngerman, n
ohyphenation, loaded.
(/usr/share/texmf/tex/latex/base/article.cls
Document Class: article 2001/04/21 v1.4e Standard LaTeX document class
(/usr/share/texmf/tex/latex/base/size10.clo))
No file lilybook.aux.
! I can't find file `lily-796326636.tex'.
l.14 \input lily-796326636.tex
Please type another input file name:
8<
If I add a single note to the lilypond section, like this:
\begin{lilypond}
{
\key g \major
c
}
... it's happy and my document gets generated (complete with a C note
that I don't want to appear).
So, any hints on how to print a fragment without any notes in it? Any
help gratefully received.
cheers,
alex
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Re: problem with footer
You may change the default implentations of oddFooterMarkup (in your
paper block) with somthing like this :
\header{
copyright = "Domain public"
tagline = "lilypond 2.x.x"
somestuff = "small text on each page"
}
\paper{
oddFooterMarkup = \markup {
\column {
\fill-line { % put copyright only on pagenr. 1
\on-the-fly #(lambda (layout props arg)
(if (= 1 (chain-assoc-get 'page:page-number props -1))
(interpret-markup layout props arg)
empty-stencil
) )
\fromproperty #'header:copyright
}
\fill-line { % put some text on the others pagenr
\on-the-fly #(lambda (layout props arg)
(if (and
(not (chain-assoc-get 'page:last? props #t) )
(not (= 1 (chain-assoc-get 'page:page-number props -1
(interpret-markup layout props arg)
empty-stencil
) )
\fromproperty #'header:somestuff
}
\line { % put tagline only on last page
\on-the-fly #(lambda (layout props arg)
(if (chain-assoc-get 'page:last? props #t)
(interpret-markup layout props arg)
empty-stencil
) )
\left-align \fromproperty #'header:tagline
}
}
}
Regards,
Aurèle
Jose-Luc Hopital wrote:
Lilypond version 2.4.2 on windoze XP or 2.4.1 on linux
I like to put a non-amiguous but readable small text on every page
of music , for example "Corelli Sonata op1-1 V1" for the Violin 1 part.
The \footer variable seem to be useful for that , but nothing is visible
in the PDF output. I have tried to put a "footer = " in a header block
(or paper or layout ) inside a book or a score block without success.
The documentation say
The header and footer are created by the functions make-footer
and make-header, defined in \paper. The default implementations
are in scm/page-layout.scm.
I don't understand...
In a word, how to obtain a footer ?
Thanks.
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--
Aurèle Duda
[EMAIL PROTECTED]
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\postscript in \markup
Hi,
Trying to add some culs-de-lampe (drawn with METAPOST) to a score,
I look on file-inclusion in textmarkup, but don't see anything. So,
I try to add postscript code from my eps file (removing header) like this :
\version "2.5.6"
\markup{ "\embeddedps{ my ps code }" }
and it works very nicely.
But now I want to use the postscript backend and the latex command \embeddedps is not understand.
I try the \postscript command
(http://lilypond.org/doc/v2.5/Documentation/user/out-www/lilypond/Overview-of-text-markup-commands.html#Overview-of-text-markup-commands)
but I can't compile: lilypond gives me some syntax error, as it can't parse ps code in the right way.
Is my use of \postscript wrong ?
Thanks,
Aurèle
\markup{
\postscript "40.8 2 translate
0.2 0.2 scale
0 0.5 dtransform truncate idtransform setlinewidth pop [] 0 setdash
1 setlinecap 1 setlinejoin 10 setmiterlimit
newpath 0 0 moveto
42.51968 0 lineto stroke
newpath 42.51968 0 moveto
44.61325 0.36914 46.55753 1.33157 48.6511 1.70071 curveto
50.03581 1.45656 51.0564 0.24416 52.44112 0 curveto stroke
newpath 0 0 moveto
42.51968 0 lineto stroke
newpath 42.51968 0 moveto
44.71541 0.38716 46.45537 -2.08788 48.6511 -1.70071 curveto
50.14355 -1.96388 50.94865 0.26317 52.44112 0 curveto
closepath
gsave fill grestore stroke
newpath 52.44112 0 moveto
52.44112 0.44872 52.63388 0.87303 52.95134 1.19049 curveto
53.34293 1.58208 55.47649 1.70071 54.14183 1.70071 curveto
52.80708 1.70071 54.9408 1.58209 55.33243 1.19049 curveto
55.64992 0.87303 55.8427 0.44872 55.8427 0 curveto
55.8427 -0.44872 55.64992 -0.87303 55.33243 -1.19049 curveto
54.9408 -1.58209 52.80708 -1.70071 54.14183 -1.70071 curveto
55.47649 -1.70071 53.34293 -1.58208 52.95134 -1.19049 curveto
52.63388 -0.87303 52.44112 -0.44872 52.44112 0 curveto closepath
gsave fill grestore stroke
gsave newpath 108.28366 0 moveto
65.76398 0 lineto
-1 1 scale stroke grestore
gsave newpath 65.76398 0 moveto
63.67041 0.36914 61.72614 1.33157 59.63257 1.70071 curveto
58.24785 1.45656 57.22726 0.24416 55.84254 0 curveto
-1 1 scale stroke grestore
gsave newpath 108.28366 0 moveto
65.76398 0 lineto
-1 1 scale stroke grestore
gsave newpath 65.76398 0 moveto
63.56825 0.38716 61.8283 -2.08788 59.63257 -1.70071 curveto
58.1401 -1.96388 57.335 0.26317 55.84254 0 curveto
closepath
gsave fill grestore
-1 1 scale stroke grestore
showpage "
}
--
Aurèle Duda
[EMAIL PROTECTED]
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Re: how to make a lilypond fragment without any notes in it?
> One of the lilypond items I want to render is a staff with a clef and a
> key signature on it. No notes required at all, as this part of the
> document is about key signatures.
>
> \documentclass[a4paper]{article}
> \begin{document}
>
>
> \begin{lilypond}
> {
> \key g \major
> }
> \end{lilypond}
>
> ...and some text here.
>
> \end{document}
>
Add a space ("s") note after the "\key".
Gilles
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Re: how to make a lilypond fragment without any notes in it?
On Mon, 10 Jan 2005 19:30:26 +, Alex Hunsley <[EMAIL PROTECTED]> wrote:
> \documentclass[a4paper]{article}
> \begin{document}
>
> \begin{lilypond}
> {
> \key g \major s
> }
> \end{lilypond}
>
Adding some invisible rest would IMHO help.
Michal
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Re: how to make a lilypond fragment without any notes in it?
Hello list, hello alex,
You wrote:
> [ ... ]
> If I add a single note to the lilypond section, like this:
>
> \begin{lilypond}
> {
> \key g \major
> c
> }
Probably one trick would be to hide the note (not tested):
\begin{lilypond}
{
\key g \major
\hideNotes c
}
Best Regards Roland
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Re: .scm problems when running LilyPond
On Sun, 9 Jan 2005, Graham Percival wrote:
>
> On 9-Jan-05, at 2:37 PM, Sophie Marshall wrote:
> > I'm hoping someone will be able to shed some light on why my lilypond
> > installation isn't working. I've compiled and installed lilypond
> > version
> > 2.4.2 on Slackware 10.0, and running "lilypond --help" gives the
> > expected
> > output. However, when I try lilypond on the simple test file in the
> > getting-started guide, I get the following error (--verbose option was
> > used in case it gives any more insight):
>
> You're using something like
> {
>c'4 d' e' f'
> }
>
> right?
>
Yes, it seems that I get the same output no matter what simple valid input
file I use.
> Have you run the buildscripts/out/lilypond-login or lilypond-profile
> script?
>
Yes, I'm using bash so I'm sourcing the lilypond-profile script in
/etc/profile.
Thanks
Sophie
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Tempo over chords
I'm working on a lead sheet and am using the template from the manual (section 3.2.4). I'd like the tempo mark and some markup text to appear above the chord symbols. Suggestions? ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
\postscript in \markup
[EMAIL PROTECTED] writes:
> Hi,
>
> Trying to add some culs-de-lampe (drawn with METAPOST) to a score,
> I look on file-inclusion in textmarkup, but don't see anything. So,
> I try to add postscript code from my eps file (removing header) like this :
>
> \version "2.5.6"
> \markup{ "\embeddedps{ my ps code }" }
>
> and it works very nicely.
>
> But now I want to use the postscript backend and the latex command
> \embeddedps is not understand.
> I try the \postscript command
> (http://lilypond.org/doc/v2.5/Documentation/user/out-www/lilypond/Overview-of-text-markup-commands.html#Overview-of-text-markup-commands)
> but I can't compile: lilypond gives me some syntax error, as it can't parse
> ps code in the right way.
>
> Is my use of \postscript wrong ?
>
> Thanks,
> Aurèle
>
> \markup{
>\postscript "40.8 2 translate
>0.2 0.2 scale
try \postscript #"40.8 2 ...etc... "
(note the # )
--
Han-Wen Nienhuys | [EMAIL PROTECTED] | http://www.xs4all.nl/~hanwen
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non-latin1 characters
[EMAIL PROTECTED] writes: > Would anyone be so kind to send me a working example (as short as > possible, preferrably), > of non-latin1 (latin2 if possible) text encoding inside a .ly file for > version 2.4.2 ? > At the moment my struggle to get the national characters seems to be fruitless If you're a little technically inclined, you might want to try compiling 2.5.7, which supports both Unicode through Pango, and formatting of lyrics through TeX. -- Han-Wen Nienhuys | [EMAIL PROTECTED] | http://www.xs4all.nl/~hanwen ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
fingering
I just wanted to show what it took to get decent fingering on an
introductory grade simple little exercise in two parts. There is
a problem getting the first 1-- close to the notehead. The output
is at http://www.openguitar.com/html/files/cma0.pdf .
Finger numbers should be close to the notehead. There is no rule
nor any hint of an indication that fingering should not be on the
staff lines. Except for the added dashes, this resembles the
original very well. The plate was made in 1853, and it was a
new edition of an original published in 1838. The fifth
measure represents the ideal appearance very well.
Fingering is supposed to be close to the note. It doesn't matter
in the slightest whether that puts it on staff lines. Usually
the staff line passes through the number near its center, but
there is no rule, and slightly off center is best, so a 3
doesn't look like an 8. Finger letters were often on staff lines also,
although not as much as numbers.
Fingering was near the note, preferably the note head, because
that made it easier to read. Nothing has changed. It's still
the best way.
Somehow it never gets easier to get the numbers on staff lines,
unless they precede the note of course. This would be very
discouraging if I couldn't put a dozen pieces in the same file
and reuse all the definitions that way. daveA
\version "2.2.6"
\include "english.ly"
\paper { papersize = "letter" }
#(set-global-staff-size 20)
sig = \override Staff.TimeSignature #'style = #'()
mrgd = \override Staff.NoteCollision #'merge-differently-dotted = ##t
mrgdr = \revert Staff.NoteCollision #'merge-differently-dotted
mrgh = \override Staff.NoteCollision #'merge-differently-headed = ##t
mrghr = \revert Staff.NoteCollision #'merge-differently-headed
%#(set-accidental-style 'voice)
% @s is force-hshift in sly, to revert: \\sr
%sr = \revert NoteColumn #'force-hshift % revert force right
ld = \stemDown
lu = \stemUp
ft = \markup{"t"}
fi = \markup{"i"}
fm = \markup{"m"}
fa = \markup{"a"}
x = \markup {\number \finger "1"}
xx = \markup {\number \finger "2"}
xxx = \markup {\number \finger "3"}
= \markup {\number \finger "4"}
dashone = \markup {\number \finger "--1"}
onedash = \markup {\number \finger "1--"}
dashtwo = \markup {\number \finger "--2"}
twodash = \markup {\number \finger "2--"}
dashtre = \markup {\number \finger "--3"}
tredash = \markup {\number \finger "3--"}
dashfour = \markup {\number \finger "--4"}
fourdash = \markup {\number \finger "4--"}
mlu = { \once \override DynamicText
#'extra-offset = #'(-3.0 . 2.5) }
mmu = { \once \override TextScript
#'extra-offset = #'(0.0 . 1.0) }
mmuu = { \once \override TextScript
#'extra-offset = #'(0.0 . 2.0) }
mmuuu = { \once \override TextScript
#'extra-offset = #'(0.0 . 3.0) }
mm = { \once \override TextScript
#'extra-offset = #'(0.0 . 4.0) }
glob = \notes {
\key c \major \time 4/4
}
toppart = \notes {
c8_3^\ft g^\fi c'_\onedash^\fm e'^\fa e8_2 g c' e'
a, \mmu a_\twodash c' e' c a \mmuu c'_\dashone e'
d a \mmuu d'_\fourdash \mmuuu f'_\onedash f_3 \mmu a_\dashtwo d' f'
g, g b f' b, g b \mmuuu f'_\dashone
c g c' e' a, \mmu a_\x \mmuu cs'_\xx \mm g'_\
d a d' f' f a d' f'
g, g c' e' g, g b f'
< g c' e' >2 s2 \bar "|."
}
botpart = \notes { \mrgh
\override NoteColumn #'force-hshift = #-0.05 % 8th vs. half
\mlu c2_\f e2
a, c
d f
g, b,
c a,
d f
g, g,
c2 b2\rest
\bar "|." }
\score {
\context Staff <<
\set Staff.instrument = #"\\Large{1.}"
#(set-accidental-style 'voice)
\clef "G_8" \sig
\glob
\new Voice { \voiceOne \toppart }
\new Voice { \voiceTwo \botpart }
>>
\paper { linewidth = 7.25 \in
indent = 0.25 \in
interscoreline = -3
}
\midi { \tempo 4=94 }
}
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Re: dvips fails: can't find header file ecrm10
Aur?le Duda <[EMAIL PROTECTED]> writes: > >With an update to 2.5.6 have I the same problem this afternoon. >Considering the txfonts.map, I tried to add ".pfa" at the end of the >every lines in the file ec-mftrace.map and it works now. >I don't know if it's a good way but... >-- next part -- >ecbx10 EuropeanCM-BoldExtended10 ecbx12 EuropeanCM-BoldExtended12 ecbx5 EuropeanCM-BoldExtended5 >ectt9 EuropeanCMTypewriter-Regular9 http://lists.gnu.org/mailman/listinfo/lilypond-user
Odp: fingering
The link shoud be: http://www.openguitar.com/files/cma0.pdf
If you use polyphony syntax {} // {}
you can put number of finger close note head
as follows:
{ \set fingeringOrientations = #'(right)
4. } // {}
You write 4 instead a'4-2; where 2 is second finger and 4 for crotchet.
If you have chord you use 4_\thumb.
Albert
Dnia 11-01-2005 o godz. 0:24 David Raleigh Arnold napisał(a):
> I just wanted to show what it took to get decent fingering on an
> introductory grade simple little exercise in two parts. There is
> a problem getting the first 1-- close to the notehead. The output
> is at http://www.openguitar.com/html/files/cma0.pdf .
>
> Finger numbers should be close to the notehead. There is no rule
> nor any hint of an indication that fingering should not be on the
> staff lines. Except for the added dashes, this resembles the
> original very well. The plate was made in 1853, and it was a
> new edition of an original published in 1838. The fifth
> measure represents the ideal appearance very well.
>
> Fingering is supposed to be close to the note. It doesn't matter
> in the slightest whether that puts it on staff lines. Usually
> the staff line passes through the number near its center, but
> there is no rule, and slightly off center is best, so a 3
> doesn't look like an 8. Finger letters were often on staff lines also,
> although not as much as numbers.
>
> Fingering was near the note, preferably the note head, because
> that made it easier to read. Nothing has changed. It's still
> the best way.
>
> Somehow it never gets easier to get the numbers on staff lines,
> unless they precede the note of course. This would be very
> discouraging if I couldn't put a dozen pieces in the same file
> and reuse all the definitions that way. daveA
>
> \version "2.2.6"
> \include "english.ly"
> \paper { papersize = "letter" }
> #(set-global-staff-size 20)
> sig = \override Staff.TimeSignature #'style = #'()
> mrgd = \override Staff.NoteCollision #'merge-differently-dotted = ##t
> mrgdr = \revert Staff.NoteCollision #'merge-differently-dotted
> mrgh = \override Staff.NoteCollision #'merge-differently-headed = ##t
> mrghr = \revert Staff.NoteCollision #'merge-differently-headed
>
> %#(set-accidental-style 'voice)
> % @s is force-hshift in sly, to revert: \\sr
> %sr = \revert NoteColumn #'force-hshift % revert force right
> ld = \stemDown
> lu = \stemUp
> ft = \markup{"t"}
> fi = \markup{"i"}
> fm = \markup{"m"}
> fa = \markup{"a"}
> x = \markup {\number \finger "1"}
> xx = \markup {\number \finger "2"}
> xxx = \markup {\number \finger "3"}
> = \markup {\number \finger "4"}
> dashone = \markup {\number \finger "--1"}
> onedash = \markup {\number \finger "1--"}
> dashtwo = \markup {\number \finger "--2"}
> twodash = \markup {\number \finger "2--"}
> dashtre = \markup {\number \finger "--3"}
> tredash = \markup {\number \finger "3--"}
> dashfour = \markup {\number \finger "--4"}
> fourdash = \markup {\number \finger "4--"}
> mlu = { \once \override DynamicText
> #'extra-offset = #'(-3.0 . 2.5) }
> mmu = { \once \override TextScript
> #'extra-offset = #'(0.0 . 1.0) }
> mmuu = { \once \override TextScript
> #'extra-offset = #'(0.0 . 2.0) }
> mmuuu = { \once \override TextScript
> #'extra-offset = #'(0.0 . 3.0) }
> mm = { \once \override TextScript
> #'extra-offset = #'(0.0 . 4.0) }
>
> glob = \notes {
> \key c \major \time 4/4
> }
>
> toppart = \notes {
> c8_3^\ft g^\fi c'_\onedash^\fm e'^\fa e8_2 g c' e'
> a, \mmu a_\twodash c' e' c a \mmuu c'_\dashone e'
> d a \mmuu d'_\fourdash \mmuuu f'_\onedash f_3 \mmu a_\dashtwo d' f'
> g, g b f' b, g b \mmuuu f'_\dashone
> c g c' e' a, \mmu a_\x \mmuu cs'_\xx \mm g'_\
> d a d' f' f a d' f'
> g, g c' e' g, g b f'
> < g c' e' >2 s2 \bar "|."
> }
>
> botpart = \notes { \mrgh
> \override NoteColumn #'force-hshift = #-0.05 % 8th vs. half
> \mlu c2_\f e2
> a, c
> d f
> g, b,
> c a,
> d f
> g, g,
> c2 b2\rest
>
> \bar "|." }
>
> \score {
> \context Staff <<
> \set Staff.instrument = #"\\Large{1.}"
> #(set-accidental-style 'voice)
> \clef "G_8" \sig
> \glob
> \new Voice { \voiceOne \toppart }
> \new Voice { \voiceTwo \botpart }
> >>
> \paper { linewidth = 7.25 \in
>indent = 0.25 \in
>interscoreline = -3
> }
> \midi { \tempo 4=94 }
> }
>
>
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>
Jaki będzie dla Ciebie 2005 rok?
Jaki będzie Twój partner w nowym roku?
Jakie ważne decyzje czekają na Ciebie, sprwadź:
http://klik.wp.pl/?adr=www.horoskop.wp.pl%2Fwrozkilista.html%3Fkat%3D31594&sid=294
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one-time x notehead
I'd like to have a single pitch in a vocal line with a "x" notehead (for a spoken word). ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: one-time x notehead
On 10-Jan-05, at 5:17 PM, Charles Gran wrote: I'd like to have a single pitch in a vocal line with a "x" notehead (for a spoken word). See this message http://lists.gnu.org/archive/html/lilypond-user/2005-01/msg00044.html Cheers, - Graham ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Chord Names
Hi! I'm writing out a lead sheet in the key of B (All you keyboardists out there, don't choke! It's even worse for many guitarists.) I would like to produce a sheet for the guitarists with the chords in A, and a notation to use "capo 2", but leave the original melody in B. The keyboard copy will have nots *and* chords in B. How would be the best way to do this? I use 2.2.2 Blessings, Rev. Gordon Gilbert +=+ | Angels' Roost Farm | | Rev. Dn. Gordon Gilbert & Susan Gilbert | | 705-549-5056 | |[EMAIL PROTECTED] | |[EMAIL PROTECTED] | +=+ ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: one-time x notehead
Graham Percival wrote: \override Notehead #'style = #'cross I believe that's the right command; "cross" might be a different word, though. If it doesn't work, try looking up note or notehead in the program reference. Couldn't get this to work. As you say, maybe "cross" isn't it. Does anyone know the correct term? Or maybe I am not using this correctly?: \override Notehead #'style = #'cross c'' 4 \revert Notehead #'style ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: one-time x notehead
> Or maybe I am not using this correctly?: > > \override Notehead #'style = #'cross > c'' 4 > \revert Notehead #'style "NoteHead", not "Notehead". Best, Gilles ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
RE: Remove bar spacing
Hi Everyone, > An alternative solution that may be simpler is to fool > LilyPond into beleiving that the bar actually is 5/4 long, > but still print 4/4. For example, you can set \time 5/4 and > then manually override how the time signature is printed. Thanks for all your suggestions - they all worked, but I like the ones not changing the space between the individual notes. Martin ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
