The finest grained B&W negative films are:

        AGFA APX 25 (Discontinued, but it can be found);

        EFKE 25 - Relatively new in this country, stocks 
        are low now, but a very nice film from what I've read.
        I have a few rolls and will be running some tests soon.
        
        ILFORD PAN-F+ - Not quite as fine grained as the Agfa 
        or the Efke, and not quite as sharp, either, but a good 
        choice for many people nonetheless.  I never really     
        cared for it, but every few years try a roll or two just 
        to check in.

        KODAK TECHNICAL PAN: One of the finest grained films in 
        the world.  Makes the others look like Tri-X.  Very fussy 
`       as it's actually a copy film.  High contrast, weird red
        sensitivity, EI can change a bit depending on lighting
        conditions.  It's somewhat of a challenge to work with, and
        requires great care in development and experimenting with EI.
        Kodak makes a special Tech Pan developer, but people have
        used all sorts of concoctions to get results, including
        C-41 chemistry sans bleach.  Looks good in Paterson FX-39
        diluted 1:19.

        GIGABIT 40:  Another copy film being pressed into service as
        a full-range emulsion.  Has characteristics similar to TP, is
        usually sold with its own one-use container of Gigabit 
        developer.  For a guy like you, this and TP are probably not
        the best choice.

There are a couple of other slow, fine-grained films out there, but I
can't recall their names right now, and I've absolutely no experience
with them.  Moving up a couple of stops there is:

        AGFA APX 100: Not super fine-grained, but excellent sharpness, 
        accutance, and contrast.  Try Rodinal 1:100 for great tonality.

        ILFORD DELTA 100: Not bad, and probably the finest granularity
        of the ISO 100 films.  Somewhat low contrast, so ya gotta give
        it a boot in the developer if you've exposed in low contrast
        situations.

        FUJI ACROSS 100: Nice film, wide latitude, virtually no reciprocity
        failure.  Might be best at around EI of 64 or 80.  Grain is good and
        tight, but it's a relatively new film, so I can't recommend a 
        particular developer.

So, if you want to keep grain to a minimum, these are the films to
experiment with.     Notice anything interesting about this list? The
finest grained films are not the newer T-grained or Delta emulsions.

Now, here's the kicker - YMMV.  As with all B&W neg films, the developer
and technique used will have a very noticeable effect on the results.


"J. C. O'Connell" wrote:

> I'm curious what are the thre finest grain Color
> negative, B+W negative, and color slide 35mm films
> on the market???
> 
> I feel a real need to reduce the grain even though
> sharpness with my 50mm SMCT is excellent.

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
-
This message is from the Pentax-Discuss Mail List.  To unsubscribe,
go to http://www.pdml.net and follow the directions. Don't forget to
visit the Pentax Users' Gallery at http://pug.komkon.org .

Reply via email to