Yes, a spot meter is a good tool, but it's only valuable if you can relate the 
spot you're metering to 18% gray and then compensate accordingly. With the K7 
and K5, matrix metering is accurate enough that spot metering is rarely needed. 
However, I do sometimes use it when shooting something like a neutral colored 
bird against a white sky background. 
Paul


On Nov 21, 2010, at 9:41 PM, Nick David Wright wrote:

> Jeffery, you're missing the point of the spot meter. IMHO spot meter
> was never intended to be used in auto mode (at least not without
> exposure lock and exposure compensation).
> 
> The spot meter is there specifically so you can /know/ your highlights
> will not be blown. See this blog post:
> http://theonlinephotographer.typepad.com/the_online_photographer/2009/05/do-not-fear-the-sun.html
> 
> ~nick
> 
> On Sun, Nov 21, 2010 at 8:10 PM, Jeffery Smith <[email protected]> 
> wrote:
>> I was never one to bracket when shooting film, and most of my wasted images 
>> were due to dull subject matter and poor choice of subject/angle/telephone 
>> pole projecting from the subject's head, not exposure. My biggest hurdle 
>> with digital is what seems to be a lack of exposure latitude that I can only 
>> attribute to the automation of the camera making some bad choices. That 
>> said, spray and pray is becoming more of a norm for me. After all, when my 
>> high capacity memory card keeps telling me that I have 999 exposures left, 
>> then what the hell. But I wish that this were not the case. If the digital 
>> camera would give me a sweet spot ISO from which I had some confidence that 
>> exposure over the entire frame could be salvaged no matter what the camera 
>> chose for me, I could spend a lot more time composing and moving around, 
>> thinking more about the subject.
>> 
>> For now, I have decided never to use spot metering on a dSLR. The area being 
>> spot measured looks great, but that doesn't mean I can salvage the blown 
>> highlights.
>> 
>> Jeffery
>> 
>> 
>> On Nov 21, 2010, at 7:33 PM, Walter Gilbert wrote:
>> 
>>> Hi all,
>>> 
>>> For the past couple of days, I seem to keep encountering references to 
>>> "stochastic" photography -- or "spray and pray" if you will, and it's 
>>> piqued my interest.  It's not that I'm considering actively pursuing the 
>>> practice so much as I wonder how much my current style (method?) could 
>>> actually be considered stochastic.  Having never worked in the vicinity of 
>>> another photographer before, my days out shooting with Ted Beilby were, as 
>>> I said, educational.  We took nearly diametrically opposed approaches.
>>> 
>>> Clearly, Ted came out with better quality shots than I did.  He was much 
>>> more methodical and exacting and produce much more highly textured images 
>>> than I did.  At the same time, I came out with some images that, while not 
>>> as polished as Ted's, did have some redeeming value -- at least I thought 
>>> they did.  I was so arrested by the sheer amount of potential subject 
>>> matter that I felt I had to get as many different shots as I could in order 
>>> to get a reasonable account of my experience, so I shot hand-held, almost 
>>> exclusively.  Knowing that I'd have at least several  hundred shots to go 
>>> through at the end of my trip (also, due to a relative lack of PC 
>>> processing power and memory), I stuck to shooting single exposures in jpeg.
>>> 
>>> Some subjects, I chose to take three or four different shots from different 
>>> perspectives and focal depths, while others I shot once or twice and moved 
>>> on.  And, that's typically the way I do things.  A large part of the reason 
>>> for that is that I simply don't trust what the camera shows me on its 
>>> display to be an accurate depiction of what I'm going to see when I load it 
>>> onto the computer.  The same goes for my perception of any given scene at 
>>> the time.  I come away with rough approximation in my mind, and when I get 
>>> home, I'm usually "fairly"close, but never seemingly dead-on in my 
>>> expectations.
>>> 
>>> And, of course, a good bit of what I do shoot simply defies staging in any 
>>> practical sense.  I'm not going to be able to tell a butterfly how to hold 
>>> its wings, or a bird where to position itself within my frame.  So, I have 
>>> to make snap judgments and several attempts.  To the extent that I'm able 
>>> to dictate composition, I do make a fairly diligent attempt at it.  But, at 
>>> the same time, I don't try to control every minute detail -- essentially 
>>> because the vast majority of the subjects I shoot are in an environment 
>>> that simply defies control.
>>> 
>>> So, I was just curious as to the thoughts of the folks on the list as to 
>>> how much my approach would be considered "spray and pray" by more seasoned 
>>> photographers, and how much it would benefit if it were less so.
>>> 
>>> Thanks for any input anyone has to offer.
>>> 
>>> -- Walt
>>> 
>>> http://www.pentaxphotogallery.com/waltergilbert
>>> http://waltgilbert.posterous.com/ <http://polipix.posterous.com/>
>>> Contact Me Facebook <http://www.facebook.com/walt.gilbert>Flickr 
>>> <http://www.flickr.com/photos/walt_gilbert/>Twitter 
>>> <http://twitter.com/walt_gilbert>
>>> 
>>> --- @ WiseStamp Signature 
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>>>  Get it now 
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> 
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> ~Nick David Wright
> http://www.nickdavidwright.net/
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