Spray and Pray really doesn't have anything to do with a Stochastic
method.  Besides that, 3 or 4 carefully considered shots is the
antithesis of S&P.

On Sun, Nov 21, 2010 at 8:33 PM, Walter Gilbert <[email protected]> wrote:
>  Hi all,
>
> For the past couple of days, I seem to keep encountering references to
> "stochastic" photography -- or "spray and pray" if you will, and it's piqued
> my interest.  It's not that I'm considering actively pursuing the practice
> so much as I wonder how much my current style (method?) could actually be
> considered stochastic.  Having never worked in the vicinity of another
> photographer before, my days out shooting with Ted Beilby were, as I said,
> educational.  We took nearly diametrically opposed approaches.
>
> Clearly, Ted came out with better quality shots than I did.  He was much
> more methodical and exacting and produce much more highly textured images
> than I did.  At the same time, I came out with some images that, while not
> as polished as Ted's, did have some redeeming value -- at least I thought
> they did.  I was so arrested by the sheer amount of potential subject matter
> that I felt I had to get as many different shots as I could in order to get
> a reasonable account of my experience, so I shot hand-held, almost
> exclusively.  Knowing that I'd have at least several  hundred shots to go
> through at the end of my trip (also, due to a relative lack of PC processing
> power and memory), I stuck to shooting single exposures in jpeg.
>
> Some subjects, I chose to take three or four different shots from different
> perspectives and focal depths, while others I shot once or twice and moved
> on.  And, that's typically the way I do things.  A large part of the reason
> for that is that I simply don't trust what the camera shows me on its
> display to be an accurate depiction of what I'm going to see when I load it
> onto the computer.  The same goes for my perception of any given scene at
> the time.  I come away with rough approximation in my mind, and when I get
> home, I'm usually "fairly"close, but never seemingly dead-on in my
> expectations.
>
> And, of course, a good bit of what I do shoot simply defies staging in any
> practical sense.  I'm not going to be able to tell a butterfly how to hold
> its wings, or a bird where to position itself within my frame.  So, I have
> to make snap judgments and several attempts.  To the extent that I'm able to
> dictate composition, I do make a fairly diligent attempt at it.  But, at the
> same time, I don't try to control every minute detail -- essentially because
> the vast majority of the subjects I shoot are in an environment that simply
> defies control.
>
> So, I was just curious as to the thoughts of the folks on the list as to how
> much my approach would be considered "spray and pray" by more seasoned
> photographers, and how much it would benefit if it were less so.
>
> Thanks for any input anyone has to offer.
>
> -- Walt
>
> http://www.pentaxphotogallery.com/waltergilbert
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