[EMAIL PROTECTED] wrote:
> Thus I choose to shoot "pro" emulsions I am intimately familiar with,
> as opposed to hop-scotching from one to another within the Mark or out.
Sticking with what you know is fine, but you're missing out on some
great pro films.
BTW, speaking of Fuji's B&W (as Bill was), they just reformulated Neopan
100/SS. It has been renamed Neopan Acros, and is currently only
available in 120. Supposedly it has finer grain and much better black
detail...my first roll is lounging in my 67, waiting at frame number one
for an appropriate moment to strike.
-Aaron
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